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“A selection of private press 45s featuring Nate Young, John Olson, Alex Moskos, Gretchen Gonzales, Aaron Dilloway & Raven Chacon. These collaborations between the core Wolf Eyes crew and friends was originally self-released as a series of super-limited 7” hand painted box sets, but now the core ‘hits’ have been compiled by Disciples for wider consumption.
The results are surprisingly diverse, from Short Hands’ avant-garde rock’n’roll through to the delay-drunk drum machine of Time Designers, and...

“Dreams In Splattered Lines fuses together Wolf Eyes' 25 years of DIY electronics with the avant-garde sensibilities of Fluxus and the granite of dreary Midwestern life. Continuing some of the ideas explored on the Difficult Messages record of collaborations, the result is a surreal dreamscape of disorienting sound collages, where hit songs are transformed into terrariums of sonic flora and decimated fauna. As if pulled from a fever dream, the surrealists of the 1960s converge with alien electronic blues...

"An exceptional recording, dating from September 1974, featuring a band that has never released an album up to now. Robert Wood, an English vibraphonist, guitarist and singer, is a veteran of the jazz scene, free jazz, jazz and experimental rock having played with Alan Silva, Don Cherry, Gong, Marc Bolan, Sam Gopal, Kent Carter, Bernard Vitet, Lard Free, Christian Vander, Fred Frith and Yannick Top. He spent the majority of his career in France. Woodlands was formed in 1973 with Olivier Didier...

"Wooden Shjips, long-time leaders of the contemporary psychedelic movement, expand their sound with V. On their fifth album the quartet of Ripley Johnson (Moon Duo), Omar Ahsanuddin, Dusty Jermier, and Nash Whalen augment their already rich sound with laid back, classic summer songs. Inspired by the tumult of the modern world, and the desire to offer a contrasting vision of peace, the band has created a record that filters their trademark hypnotic grooves through an optimistic lens, resulting in music....

Very good price on this beautifully done, heavy vinyl, classy gatefold, tactile printed compilation of band selected tunes from their entire career, released in a numbered, limited edition of 400 copies.
When Henry Cow fell apart in the summer of 1978, the main players in the band dispersed. Fred Frith left England to settle in NYC for a good number of years, getting involved the then just beginning to evolve 'downtown' sound, recording three excellent and high-profile albums for Ralph Records...

First-ever vinyl reissue of this classic, total art-punk/art-damage title.
When Henry Cow fell apart in the summer of 1978, the main players in the band dispersed. Fred Frith left England to settle in NYC for a good number of years, getting...

"The first ever reissue of Workshop De Lyon's La Chasse De Shirah Sharibad, originally released in 1975. In France, in the years 1960-1970, musicians pondered over how to transpose the political struggle of free jazz onto a completely different political terrain. One of the first to do so was pianist François Tusques (agitator, theorist and militant) who recorded 1965's Free Jazz, and then continued with Le Nouveau Jazz (1967), French equivalents to the American "New Thing". The word spread, and was...

Edition of 250!

"We were first made aware of this Brooklyn band by Gary Panter. When we asked Gary about some specific projectors for light shows, he said we'd be best off conferring with his colleague, Curtis Godino. And oh yeah, Curtis also helmed a dastardly psychedelic music unit called Worthless. Checking out some of Worthless's previous recordings for Beyond Is Beyond, Stupid Head, and Greenway, we were struck by the weirdness and seamlessness of their psych stretching; if ever there was...

Field of Action [2019-2022]
Charmaine Lee - voice/microphones/electronics
Eric Wubbels - piano/synth

contraposition [2016]
Weston Olencki - trombone
Eric Wubbels - prepared piano

“Field of Action / contraposition (OOYH 013) is a split LP, and the continuation of a series of duo pieces for piano and other instruments that Wubbels has been pursuing since 2006. Field of Action is a composition in collaboration with vocalist and noise artist Charmaine Lee that grew...

Excellent, fun and rockin' progressive hard rock with great flute leads, reminiscent of heaviest early Tull (Benefit) with a female vocalist. If this sounds like your thing, this is your thing! Recommended!

"The Dresden heavy retro band WUCAN began their quick ascent in 2014. Everything began with their first EP "Vikarma," released in November 2014 on Metalizer Records. This release, which quickly sold its first 500 vinyl copies, received many positive reviews. With all of this praise WUCAN...

Another great release – vinyl only this time – by this fine, Baltimore-based duo of synths and drums who named themselves after a mis-spelling of Faust's communal home and studio. Hey, it's the thought that counts, right?
Seriously, anyone into floaty electronics will love this. This is a shockingly great space album for 2018. Recommended.

"Towards the Shadow, the third full-length from Wume, the Baltimore duo of April Camlin (drums, vocals) and Albert Schatz (keyboards, electronics), offers.

Robert's 2007 album finds him on a new, very hip indie label, getting really good pre-release press and with a large cast of musical helpers: Alessandro Fedrigo - Guitar (Bass), Alfonso Santimone - Keyboards, Piano, Annie Whitehead - Horn (Baritone)...

Robert's 2003 album builds upon the work of Schleep, with many of the same collaborators. It's a very long work by his standards; over 75' of music!

Jam-packed compilation, tracking Robert's work and including enough rarities/unreleased tracks that even the fan who owns everything will still want this.

"‘Different Every Time (Benign Dictatorships) ’ is a new compilation of the works of Robert Wyatt curated by Robert and biographer Marcus O’Dair. ‘Benign Dictatorships’ brings together the best of Robert’s collaborations and guest appearances, or, as Robert has it, ‘benign dictatorships,’ including some very special oddities and rarities...

This release was his second completely solo album, although Alfie contributes lyrics for the first time - really good ones too! - something she continues to do to this day. This is a remixed and resequenced version of this album.

"Due to a budget shortfall, Wyatt's 1991 LP Dondestan (half of which was centered around poems by his wife Alfreda Benge) was released before being properly mixed. In 1998, Dondestan (Revisited) finally gave these songs-which range from the haunting to the humorous-the...

AKA “Robert Wyatt 101”

“A compilation spanning Robert Wyatt's decades-long career. The collection, originally released as a Japanese edition, includes selections dating from Rock Bottom (1974) to Cuckooland (2003), although its running order is non-chronological. This makes the subtle point that Wyatt’s recordings are best considered as a non-linear catalogue - this is a world through which the listener can move at any pace in any direction.”

After Ruth, Robert basically retired from music for a few years. When he did get started again, it was on the Rough Trade label, releasing a number of singles that were all rather political in tone, if not directly in nature. These are those singles...

Originally released on Rough Trade, this was Robert's first completely solo album; all words and music as well as all instruments were by him. It's also my favorite of all his albums (and I like them all).

"The themes running through the album are of cultural narcissim, snobbery and alienation - issues that are close to Robert's heart and an integral part of his music."

"Originally released in 1975, it highlights Wyatt’s interests in township arrangements and ensemble playing. The result is a set of songs that startles with its rhythmic instinct and shape-shifting composition."

Robert's back using other musicians, including some surprising ones: Brian Eno, Annie Whitehead and Phil Manzanera are old friends, but Paul Weller and Evan Parker? Great use of them all!

Well, 31 years later comes this oft-bootlegged show of Robert's big re-emergence concert after his accident and after the huge success of Rock Bottom. This isn't the *complete* concert - Robert says something about not having complete tapes of the second set - but it is most of it. The sound is unbelievably better than the bootlegs, but it still is not a 'professional sounding' live release from the mid 70's. But who cares? Not me!
The following info was borrowed from Aymeric Leroy's Calyx site....