Lino Capra Vaccina - vibraphone, piano, glockenspiel, gongs, wind chimes, percussions, tablas, bowed instruments, cymbals
Michele Lombardelli - analog devices, oscillators, mixer
Luca Scarabelli - microphones, springs, metals, marbles

Bronze vinyl; edition of 500 hand-numbered copies.

“Perpetual Possibility is an album that bears witness to the collaboration between Lino Capra Vaccina, living legend of Italian minimalism and the avant-noise duo Untitled Noise with an interesting.

“A new vinyl edition of this classic album originally released in October 1971. Hailed by MOJO magazine as "One of the most extraordinary albums of its era"
An exact reproduction of the original Charisma LP, released in a gatefold sleeve. Newly re-mastered from the original master tapes. Cut at Abbey Road Studios”

The amazing, incredible fourth and final mk1 VDGG album from 1971. The question here is who is screaming harder? Banton's Hammond? Hammill's vocals? Jaxon's electronically modifie

Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of music producer and musician Laurent Thibault (Magma). Under that name, she released a small number of great albums in the 70s, but this is an archival release of all previously unheard recordings from the late 70s!

�My ship of stone, tonight I came as a passer-by. Yet I gave you everything, my joy, my love, my freedom. I feel like singing, dancing, laughing like in the old times.� �Jacqueline Thibault (from �Mon vaisseau de Pierre,'..

“On their first stand-alone record as a duo, Ken Vandermark and Hamid Drake celebrate their 30+ year playing relationship with an electrifying live set of pieces, all featuring music composed by legendary free jazz musician Don Cherry. Restricting himself here to tenor saxophone, Vandermark has developed an almost telepathic understanding with Drake, whose masterful work on the drum kit has rarely been more focused and relaxed. The music was recorded in Corbett vs. Dempsey's main space on the closing day...

"Limited 180 gram vinyl reissue of the soundtrack for Henry Chapier's film Sex Power, starring Jane Birkin. Originally released in 1970 by Philips, this electronic/prog classic is essentially Vangelis' first full-length solo effort, as around this...

"Belgium-based composer Christina Vantzou’s fourth full-length for Kranky ventures further into the uniquely elusive and evocative mode of ambient classical minimalism which has become her signature: a fragile synthesis of contemplative drift, heady silences, and muted dissonance. In regards to the new album she speaks of focusing particular attention on the effects of the recordings on the body, and of “directing sound perception into an inner space.”
No. 4 took shape across roughly two years...

Really, all you need to see to know you want this is the front cover, color 'snapshot' from the late 70s of 4 bearded guys facing each other with their mounds of analog gear and a certain segment of our vinyl-buying public will want this for sure....

"Giovanni Venosta's 1984 debut album, released when the artist was only 23, is a committed, subversive parody of minimalism, and a truly original work. This is its first reissue. Recorded in Venosta's living room with a four-track Tascam, this album reveals the young pianist's profound need for expression, born out of his relationship with the sound of Terry Riley, Michael Nyman, Brian Eno, Steve Reich, Penguin Café Orchestra, and Dollar Brand. The contribution of Roberto Musci results in more esoteric...

“Verto (aka Vertø) was chiefly the project of Toulouse (France) based guitarist Jean-Pierre Grasset circa 1974 to '79. Verto involved members of Potemkine in the early days, playing a hybrid of rock fusions close the Zeuhl style. Often Verto would be Monsieur Grasset alone, doing live multi-track work on his guitar with delay/foldback in the vein of Manuel Göttsching or Steve Hillage. Other members included Benoît Widemann (from Magma) and Jean-Pierre Fouquey (from Forgas and later in Magma).”

...

"Dafne Vicente-Sandoval's "Minos Circuit" is the resonance of a double exploration, that of an instrument, the bassoon -- an instrument dear to Dafne Vicente-Sandoval -- and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second...

“On their third album, the Danish duo Videodrones explore their kosmische take on synth wave further. Videodrones' first two albums tapped into short arabesque-like pieces, playing out like cues in a film.
Atavistic Future sees them broadening out, with the two main tracks on the album clocking in at eight and almost 12 minutes respectively. And it's not only in the track lengths that Videodrones are reaching beyond: There is a wider range of influences and nods -- from the Phillip Glass...

Risto Pahlama - Lead Vocals, Keyboards, Mellotron
Hannu Hiltula - Flute, Keyboards, Backing Vocals
Aapo Honkanen - Bass
Mikko Uusi-Oukari - Guitars, Mellotron
Mikko Väärälä - Drums, Vocals, Keyboards, Chimes
with:
Kimmo Lähteenmäki - Keyboards, Wind

15 years after their second album, this fine, Finnish symphonic / progressive rock band return with their third album; I’d say it was long-awaited, except that after so long, I doubt that anyone was expecting t

A reissue from the master tapes (and with two bonus tracks thrown in as well) of an extremely rare underground German lp from 1971 that included Eddy Marron (going under the classic nom-de-plume of 'Ed Ugly-Ugly'), who later was in Dzyan. Marron plays...

�A reissue of Adelbert Von Deyen's third album Atmosphere, originally released in 1980. Album number three from electronic musician Adelbert Von Deyen marks the end of his ambient phase. Whilst Atmosphere largely swathes listeners in familiarly vast expanses of sound, the driving analog drums of the opening track (Von Deyen's most successful, as it turned out) signal a shift towards electro-kraut terrain. Atmosphere showcases Adelbert Von Deyen at the peak of his powers. The opening track, "Timemachine"...

�Electronic musician Adelbert Von Deyen's debut and sophomore album were released just a year apart from each other. Sternzeit was followed by Nordborg, which featured only one track on each side. Again, Von Deyen took his time crafting a meditative maelstrom of ambient sounds. Von Deyen's debut album Sternzeit had caused quite a stir in 1978 in his home town of L�beck, where the unconventional young artist found himself inundated with fan mail and booked for autograph sessions. His contract with Sky...

“In 1966, pianist Alexander von Schlippenbach assembled his first large ensemble to play his compositions “Globe Unity” and “Sun.” This 14-piece band, which brought together some of the leading figures in European improvised music, would eventually expand – incorporating not only Europeans but also American and Asian musicians – and assume its rightful name: Globe Unity Orchestra.
In this, its nascent outing, beautifully recorded at Ariola Studio in Cologne, Schlippenbach’s band was already

“Faithfully remastered from the original mastertape. High quality gatefold cover. 4 page insert with rare photos and liner notes.”

This is a rather important and also rather unexpected reissue! Vortex are an under-known and underappreciated band who combined jazz rock with zeuhl and avant-progressive tendencies and recorded two rather rare albums in their lifetime (Vortex and Les Cycles De Thanatos). This, their final album featured Fender piano, two reed players, bass, drums, oboe, English horn..

This includes the original lp jacket (the one that got them in trouble with them on the cover of a faked "Allo Police" (Quebec's tatty scandal rag, ala National Enquirer, but a lot worse).

"Keyboardist/composer Jacques Perron, drummer Pierre Ringuet, guitarist Serges Vallieres and bassist Andre Parenteau met while accompanying Robert Charlebois, Louise Forestier and Yvon Deschamps. In 1970, they formed VOS VOISINS in collaboration with lyricist Marcel Sabourin.
In 1971, the group released....