"Limited vinyl LP repressing includes bonus 7” pressing of the rare Move EP.
1979 solo debut from The Homosexuals bassist Jim Welton (aka. L. Voag). A band by the name of The Rejects were formed in the bar of Goldsmith's College in South London in 1976. The name The Rejects was too deeply embedded in what was regarded as "the new conformity of punk," leading to the name change to The Homosexuals. The band then lived in a series of squats while making music and recording. Their angular guitars...

After recording The Quiet Zone/The Pleasure Dome, VDG added cellist Charles Dickie and hit the road for another year, playing a bunch of loud, wild concerts and generally getting rave reviews.
On January 15 & 16, 1978, the quintet (Charles, Peter, Graham, Guy, Nic) + special guest David Jackson played a concert at the Marquee Club, which was professionally recorded and later released as the double lp set, Vital. It's pretty loud, wild, sloppy and a good listen. One listen to this will tell you why...

A new vinyl edition of this classic album originally released in December 1970. An exact reproduction of the original Charisma LP. Newly re-mastered from the original master tapes. Recorded at Trident Studios, London, 11th to 14th December 1969. Released in a gatefold cover. Accompanied by a poster. Cut at Abbey Road Studios"

Very good, second and early Peter Hammill and band release on their second under the VDGG name, even though the first was more of a solo Hammill album than truly a band...

Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of music producer and musician Laurent Thibault (Magma). Under that name, she released a small number of great albums in the 70s, but this is an archival release of all previously unheard recordings from the late 70s!

�My ship of stone, tonight I came as a passer-by. Yet I gave you everything, my joy, my love, my freedom. I feel like singing, dancing, laughing like in the old times.� �Jacqueline Thibault (from �Mon vaisseau de Pierre,'..

“On their first stand-alone record as a duo, Ken Vandermark and Hamid Drake celebrate their 30+ year playing relationship with an electrifying live set of pieces, all featuring music composed by legendary free jazz musician Don Cherry. Restricting himself here to tenor saxophone, Vandermark has developed an almost telepathic understanding with Drake, whose masterful work on the drum kit has rarely been more focused and relaxed. The music was recorded in Corbett vs. Dempsey's main space on the closing day...

"Limited 180 gram vinyl reissue of the soundtrack for Henry Chapier's film Sex Power, starring Jane Birkin. Originally released in 1970 by Philips, this electronic/prog classic is essentially Vangelis' first full-length solo effort, as around this...

"Belgium-based composer Christina Vantzou’s fourth full-length for Kranky ventures further into the uniquely elusive and evocative mode of ambient classical minimalism which has become her signature: a fragile synthesis of contemplative drift, heady silences, and muted dissonance. In regards to the new album she speaks of focusing particular attention on the effects of the recordings on the body, and of “directing sound perception into an inner space.”
No. 4 took shape across roughly two years...

Really, all you need to see to know you want this is the front cover, color 'snapshot' from the late 70s of 4 bearded guys facing each other with their mounds of analog gear and a certain segment of our vinyl-buying public will want this for sure....

"Giovanni Venosta's 1984 debut album, released when the artist was only 23, is a committed, subversive parody of minimalism, and a truly original work. This is its first reissue. Recorded in Venosta's living room with a four-track Tascam, this album reveals the young pianist's profound need for expression, born out of his relationship with the sound of Terry Riley, Michael Nyman, Brian Eno, Steve Reich, Penguin Café Orchestra, and Dollar Brand. The contribution of Roberto Musci results in more esoteric...

"Following their much-acclaimed surprise, self-titled debut album Vermont from 2014, Motor City Drum Ensemble's Danilo Plessow and Innervisions's Marcus Worgull reunite for more synth daydreaming on the suitably titled II. The new outing continues where the first full-length left off, strolling further down the luminous and undulating path that the duo turned into, influenced in equal measures by kosmische, krautrock, minimal wave and synth soundtracks. This latest batch of instrumental cuts opens with...

“A vinyl reissue of the self-titled LP by a progressive outfit from Mexico, originally issued in 1980 by the small underground label Momia.
Blending analogue electronic elements with piano, vibes, flute, mellotron and a dose of ancient mystique, the music has a very natural and spiritual feel.
The creative force of Via Lactea was musician Carlos Alvarado, and there are guest appearances from Jorge Reyes and Arturo Meza. This beautiful & quite rare album, with remastered sound and a bonus track..

Fay Victor – vocals
Michaël Attias - alto & baritone sax
Anthony Coleman - piano
Ratzo Harris – bass
Tom Rainey - drums

“Acclaimed vocalist-lyricist-arranger Fay Victor & her Herbie Nichols SUNG Quintet celebrate & thoroughly reconsider the rich legacy of jazz composer Herbie Nichols with Life Is Funny That Way, and bring it singing boldly into this century.
Following on Billie Holiday, who famously wrote "Lady Sings The Blues" to Nichols' "Serenade," Victor developed th

Beautiful gatefold reissue of the second and final release by Virus, originally released by Pilz in 1972.

"For their second album, Virus changed radically, in both band members and music direction. Gone are the psychedelic workouts found on...

"An expanded reissue of Voigt/465's 1979 album Slights Spoken, titled Slights Still Unspoken (1978-1979). Formed in Sydney in 1976, Voigt/465 was a truly unique band from the exciting days of the Australian post-punk scene.
Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy, and Eno's Roxy Music, they created an abrasive sound in which krautrock, DIY, avant-garage, post-punk, psych, art-rock, and free improv-noise combined to...

�A reissue of Adelbert Von Deyen's third album Atmosphere, originally released in 1980. Album number three from electronic musician Adelbert Von Deyen marks the end of his ambient phase. Whilst Atmosphere largely swathes listeners in familiarly vast expanses of sound, the driving analog drums of the opening track (Von Deyen's most successful, as it turned out) signal a shift towards electro-kraut terrain. Atmosphere showcases Adelbert Von Deyen at the peak of his powers. The opening track, "Timemachine"...

A minor classic of its kind, this release celebrates and recalls the last, heady days of analog synthesis spacemusic.

"A reissue of Adelbert Von Deyen's debut album Sternzeit, originally released on the Sky label in 1978.
Adelbert Von Deyen is a protagonist of the so-called Berlin School (Berliner Schule) of electronic music. On his debut album, he takes his time to develop sound structures, often drifting, floating blissfully into tonal interference. The listener also requires time and...

“Faithfully remastered from the original mastertapes.”
This is a rather important and also rather unexpected release! Vortex are an under-known and underappreciated band who combined jazz rock with zeuhl and avant-progressive tendencies and recorded two rather rare albums in their lifetime (Vortex and Les Cycles De Thanatos). The first album featured Fender piano, saxes, flute, bass and drums, while the second album eliminated the flute, added more reeds, as well as oboe, English horn, mallet...

“Faithfully remastered from the original mastertape. High quality gatefold cover. 4 page insert with rare photos and liner notes.”

This is a rather important and also rather unexpected reissue! Vortex are an under-known and underappreciated band who combined jazz rock with zeuhl and avant-progressive tendencies and recorded two rather rare albums in their lifetime (Vortex and Les Cycles De Thanatos). This, their first album featured Fender piano, saxes, flute, bass and drums.

“Vortex...

Jake Vossler - Electric Guitar
Aaron McLendon - Drums

“Screaming harpies, preying mantises, and a needle drilling through the Earth's core? Sounds like metal to me! But what makes Jake Vossler and Aaron McLendon's guitar-drums duo opus Versus an incredible standout in the genre and beyond isn't its speed, brutality, or heaviness. It's the uncanny ESP on display, the immediacy of communication in improvisation, shared sense of imagination, and virtuosity not as instrumentalists, but as mind...