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This vinyl version of one of our great releases from earlier in the year was released only in Spain and we have only 8 copies to sell!

If creating an unmistakable group sound is the ultimate goal of a jazz ensemble, the Spanish trio Naima is well on its way to securing a spot as one of the leading combos on the contemporary European scene. Featuring Enrique Ruiz on piano and synths, Luis Torregrosa on drums, and Rafael Ramos Sania on double bass, the Valencia...

“In Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an...

“Duo by two members from Acid Mothers Temple & The Melting Paraiso U.F.O.: Kawabata Makoto "Speed Guru" (electric guitar, synthesizer) and Satoshima Nani (drums, sampler).
Nani & Guru is a hyper-experimental, psychedelic astro-trance duo, spontaneously formed in February 2018 by guitarist Kawabata Makoto and drummer Satoshima Nani from Acid Mothers Temple. Their first album, Vovivizm, was recorded immediately and released on CD by the Acid Mothers Temple in March 2018 in a limited edition of 300...

“Jonny Nash's Make A Wilderness was created over the course of 2017-2018 and is heavily influenced by descriptions of landscape and environment in the work of authors Shusaku Endo, J.G. Ballard, and Cormac McCarthy. Fragments from a land that is a largely silent place. An ancient place. A non-place. A wilderness.”

Joshua Abrams (guimbri & bass)
Lisa Alvarado (harmonium)
Mikel Patrick Avery (drums)
Jason Stein (bass clarinet)
Hamid Drake (percussion)
Josh Berman & Ben Lamar Gay (cornets)
Nick Mazzarella & Mai Sugimoto (alto saxophones & flute)
Kara Bershad (harp)
Ari Brown (tenor saxophone)

“The next chapter of the Natural Information Society is here. Since Time Is Gravity presents a newly expanded manifestation of Joshua Abrams’ nearly 15 year, 7 albums & counting.

“Obscure and outstanding free jazz album reissued for the first time since its original release in 1969. Old-style gatefold LP, with liner notes by Ed Hazell.
In the late 1960s, young jazz musician Bobby Naughton, a keyboardist and vibraphonist, faced significant challenges as he sought to record his first album. With major record labels and jazz clubs catering only to big names, Naughton and other creative musicians of his generation found themselves sidelined by the mainstream music industry....

"There are occasions when you receive an album to review that turns out to be the most delightful curveball. Such was the case with ‘IV’, the latest album from Greek progressive psychedelic outfit Naxatras. With a new member welcomed on board in the shape of Pantelis Kargas on keys and synthesizers, their fourth release proved to be a wonderfully eclectic journey.
What makes ‘IV’ such an enjoyable listening experience is the way in which each song takes on its own identity. There’s nothing formulaic...

"A major work of electronic avant-garde -- high quality deep esoterica of the weird and spooky kind."-Alan Freeman

Lost-in-time kosmische/kraut/avant-garde artifact produced by Toby Robinson, aka The Mad Twiddler, circa 1975 for his private Pyramid label. Tolkien-inspired dark ambient soundscapes with spooky/ritualistic atmosphere, treated percussions, gongs and guitars, trippy Hammond and Mini-Moog, tape loops, weird noises, and drones...
File under dark ambient, proto-industrial, kraut...

"Nazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone/doom metal project Sunn O))) in...

Frank van der Kooij - tenor & soprano saxophone / bass clarinet
Hugh Hopper - bass
Robert Jarvis - trombone
Paul Maassen - synths & piano
Kim Weemhoff - drums
Niels Brouwer - guitar
Henk de Laat - double bass (on 'The City')

This is quite a treat to see come out 15 years after the band originally ended! This is a professional sounding live recording of what both Frank and Hugh remembered as being one of the band’s best gigs! Plus Ravel, which is quietly impressive (ju

“Australian minimalist-jazz trio The Necks' 20th studio album, Bleed, explores a sublime language of stillness. With a single, 42-minute composition, The Necks masterfully express the unspeakable beauty of decay and space in yet another totally distinct entry in a vast and stunning body of work.”

“Their best yet? Four beautiful pieces that somehow manage to sound both improvised and crafted at the same time. If I had to pick one of those words it would be ‘crafted’. Brilliant!”

“Travel, the 19th studio album by Australian improvisational trio The Necks, documents their recent practice of starting each day in the studio with a 20-minute trio improvisation. The recordings offer some of their most ecstatic and captivating music cut to tape.
As bassist Lloyd Swanton puts it: “It’s a...

"The second album by Necromonkey, featuring drummer Mattias Olsson (ex-Anglagard) and keyboardist David Lundberg (known from his work with Gösta Berlings Saga).
Elements of techno, space, avant, alt-rock and symphonic and lounge jazz have been blended together, along with a unique perspective that only these musicians can bring to the table. The album brings forth different moods and styles in a seamless, almost hypnotic fashion. Continuously engaging the listener with subtle tensions is the key...

Note: SLIGHTLY dinged corners. That's life in vinyl-land.

This is the third album by this very excellent, very interesting, songs-with-vocals format, electric jazz/rock band, which means they come out somewhere between Caravan or Wigwam in the song department and Tony Williams Lifetime/Mahavishnu Orchestra/Elephant9 in the jazz/rock department!
The bassist is from Elephant9 and the drummer is from the Rune Grammofon bands Humcrush and Food. I thought that this was basically really...

I have not heard this one, but my understanding is that it is much more improvisationally based than their records would make one think.

"Needlepoint live in concert! Probably Europe’s best progressive rock band serves up a fantastic live medley album that sounds as if it’s been transported directly out of the 1970’s. “In Concert” is a series of live recordings spliced together seamlessly showcasing some album cuts from the past few records as well as new jams and explorations. As of now, this...

This is the sixth studio album by Norway’s Needlepoint, who operate very much in the song arena of progressive rock. You can compare them to Caravan as another band who played progressive rock strongly centered on SONGS, but they don’t really sound like Caravan, just like Junipher Greene "Friendship" and Wigwam "Fairyport", two albums that (perhaps rightly) get compared to Caravan, don’t really sound like Caravan...
Like Sanguine Hum, another contemporary, SONG-centered progressive rock band, they...

This is the fourth album by this very excellent, very interesting, songs-with-vocals format, electric jazz/rock band, which means they come out somewhere between Caravan or Wigwam in the song department and Tony Williams Lifetime/Mahavishnu Orchestra/Elephant9 in the jazz/rock department! Interestingly enought, the bassist is from Elephant9.
By now, they've moved beyond doing something different in bringing these two strands of styles (songs + electic jazz) together, to have a strong and distinctive..

This is the fifth album by Norway’s Needlepoint, who operate very much in the song arena of progressive rock. You can compare them to Caravan as another band who played progressive rock strongly centered on SONGS, but they don’t really sound like Caravan, just like Junipher Greene "Friendship" and Wigwam "Fairyport", two albums that (perhaps rightly) get compared to Caravan, don’t really sound like Caravan...
Like Sanguine Hum, another contemporary, SONG-centered progressive rock band, they are...

The first release by this English group who spent their most popular and productive years in Germany, and are usually thought of as a German band. In 1971, the band landed a contract with German Bellaphon and recorded their first album, which was a spacey concept work. This is by far their most psychedelic album, with incrediblly trippy keyboards and guitar; while they don't sound 'like' 1969 era Pink Floyd, that's a pretty good comparison, and psych/prog and 1968-1971 era Floyd fans will eat this one up...

A 1974 live album by this this English group who spent their most popular years in Germany, and are usually thought of as a German band.
"Special limited edition colored vinyl reissue - 500 purple, 500 clear - of the 1973 concert performance by psychedelic space rock pioneers, Nektar, recorded at the legendary Roundhouse in London!
This classic album comes in a deluxe gatefold sleeve with metallic silver paper and is sequentially numbered for collectors!"-Press Release

“Nemescu was born in Pascani, Romania in 1940. He studied composition with Mihail Jora at University of Music in Bucharest. While still a student, he imposed himself as part of avant-garde movement in Romanian music composition. After 1965 he produced works of the "open creation" type, a blending of conceptual and environmental music. He involved himself after 1967 in the Romanian spectral trend. Starting with the work Concentric (1969), his creation received archetypal vocation by cultivating an...

Two musicians from the glory days of Tangerine Dream meet up and capture some of the old magic, but not in a retro way.

“Neuland started the way many long overdue projects do: with Paul Haslinger and Peter Baumann asking themselves, "Why isn't there anything out there like this?" In their case, that meant a deeply immersive debut album that's respectful of their roots in Tangerine Dream but exists on it's own astral plane.
Far more restless than most ambient records, the pair's self-titled...

“It was in the year 1981 when Belgian electronic musician Michel Huygen and his Spanish colleague Carlos Guirao, both better known as Neuronium, met with Evángelos Odysséas Papathanassíou, better known as Vangelis, to record a joint session in London.
Michel Huygen remembers: "The music we played together starting from my score, was flowing, flowing so fast and smoothly between the 3 of us, that I can now, many years after, say: We recorded all the music's parts in one single "shot", since the result..

Concerto Grosso Per I, from 1971, is a early highlight of the melding of rock music and the classics in Italian progrock.

"The New Trolls' next project was an ambitious attempt to merge heavy progressive music with 18th century inspired...

This is a hand numbered edition of 999 copies!
"La Leggenda New Trolls consists of four historic members of the original New Trolls’ line-up (Gianni Beleno, Giorgio D’Adamo, Vittorio De Scalzi and Nico Di Palo) plus Andrea Maddalone (guitars, choirs) and Francesco Bellia (choirs). Together with legendary Luis Bacalov and the Orchestra of Teatro Felice in Genoa, they have made a brand-new studio album.

“Concerto Grosso n° 3” is the final third chapter of a trilogy that began in 1971 with the...

"Seattle experimentalists Newaxeyes play with tension and contradictions. Merging dark electronics, crystalline guitar melodies, pummeling beats, and samples to refract the volatility, paranoia, and catharsis of the post-Information Age, the band spins carefully orchestrated and recklessly warped instrumentals into something entirely their own. Their debut album, Black Fax, recorded live to tape over the course of two days and produced by Randall Dunn (Sunn O))), Earth, Wolves In The Throne Room), is a...

“Dark and majestic, News from Babel remains ahead of their time.”-Michael Draine

“The second record by this group (Lindsay Cooper, Zeena Parkins and Chris Cutler) with invitees Robert Wyatt, Sally Potter, Phil Minton and Dagmar Krause who sing, and Bill Gilonis (of The Work) who plays occasional guitar and bass, and who also produced the recording.
These are extended songs, unusually orchestrated and arranged and not much like anything else recorded before or since.”-Chris Cutler...

First new one in half a decade from this Argentinian prog quartet who had their greatest exposure in the US when they played (very well) at NEARFest.
Keyboarded Lalo Huber and guitarist Carlos Lucena are the main focus of the album here, with what is a mostly instrumental work.

"If you like ELP influenced prog served up to you hot and heavy there is an hours worth of intense pleasure here. Highly recommended."-Ken Golden

“Composer, filmmaker and photographer Phill Niblock is a true pillar of the New York avant-garde. In the past 50 years, he has curated over 1,000 performances at his Centre Street loft and steadfastly built a massive, multidisciplinary body of work. While his earliest musical compositions date back to 1968, Niblock waited until the early ’80s to release any recordings. Nothin To Look At Just A Record, a powerful debut with densely layered trombones, would be the first to unfurl his unique approach to...

“Boston/Tenor/Index, presents for the first time some of the earliest works by the American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972).
Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this Boston/Tenor/Index LP on Alga Marghen. "Tenor" (1972) represents the first evolution of Niblock's musical thought...

NOTE: ALL COPIES have creasing in the lower right corner of the jacket.

“Fresh from a British tour with Jimi Hendrix and Pink Floyd, in mid-December 1967 the Nice paid a short visit to Scandinavia, and performed this session for broadcast on Sveriges Radio in Gothenburg.
It captures the quartet at their early peak, playing a blend of covers and tracks from their newly recorded (and not yet released) debut LP, including a mind blowing rendition of their signature piece, Rondo....

The third album by Nico and a classic of its cold, undefinable type, and possibly her single most defining work! It's just Nico on voice and harmonium and John Cale on pianos and strings and other instruments at just the right times.

“"This 1970 Reprise Records album finds Nico reunited with her Velvet Underground bandmate John Cale as producer, main instrumentalist and harmony vocalist. Co-produced by Joe Boyd (legendary producer of Nick Drake, Sandy Denny and Incredible String Band)...

The second album by Nico and a classic of its cold, undefinable type, especially considering it was released in 1968! John Cale's arrangements rule too.

"The Marble Index is one of the most uncompromising albums ever to be filed under rock; the first to abandon conventional structures and instrumentation, it was really the product of two European sensibilities - Nico's and John Cale's, the glacial mood and now-deepened voice of one allied to the astonishingly imaginative musicianship of the other..

Czesław Niemen was one of Poland’s earliest rockers and by 1970, he was also one of the earliest progressive rockers from the Eastern Bloc.
These two albums, originally released separately in 1972, had him adopt a shortened version of his name to try and help break him internationally. These two releases are considered some of his best work and is from the period where his backing band were none other than the better known in the western world, SBB. Soon after this they would leave to become SBB!...

This archival release features him at his prog/fusion height, and backed by SBB!

“The acclaimed Polish prog musician, recorded live in Helsinki in 1973. This release includes bonus tracks that were recorded in Munich the previous year.”

“'Strange Is This World' was the first English-language album by Polish rock artist Niemen.
With a backing band including the members of SBB, 'Strange Is This World' is a wild trip through spacey, psychedelic territory. Niemen's vocal performance reminds of psychedelic greats like Arthur Brown.
The end result is a fascinating and original collaboration between some of the great names of Polish '70s prog which will be of interest to all fans of the trippier end of the genre. Originally released..

This is wonderful to see; for 10 years (1980-1991), The Nightcrawlers, based out of Philadelphia, were one of the greatest electronic / cosmic / spacemusic ensembles of their time, giving a unique slant to their work, but obviously also inspired by the greats of the genre like Tangerine Dream and Klaus Schulze.
You night consider them the Radio Massacre International of their time in terms of a large number of recordings and also high quality output. In addition to the 3 vinyl albums they released...

Reissue from the master tapes of this truly 'out music' classic, released in a limited edition of 500 copies!

"One of very few indie label releases on Spin Magazine's list of 100 top counter-cultural music, ahead of legends like Mulatu Astatke, Brigitte Fontaine, Pärson Sound, Ornette Coleman, Sun Ra and His Solar Arkestra, Harry Partch, and Os Mutantes. Zowie!"

"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own ...

Andr� Roligheten saxophones / Petter Eldh double bass / Gard Nilssen drums.

"If you ask the names of the most prominent and sought after jazz- and improvised music drummers in Norway, you can be sure to find Gard Nilssen on that list. Anywhere...

Gard Nilssen drums
Petter Eldh double bass
André Roligheten tenor & soprano saxophones
Feat:
Fredrik Ljungkvist tenor saxophone & clarinet (side C & D)
Kristoffer Berre Alberts alto,tenor & barytone saxophones (side E & F)
Jørgen Mathisen tenor saxophone & clarinet (side E & F)

Side A & B recorded at North Sea Jazz Festival 8th of July 2016 by Alex Fiennes
Side C & D recorded at Ljubljana Jazz Festival 2nd of July 2016 by Luís Delgado
Side E & F recorded at Oslo Jazz...

"The remarkable Finnish prog rock act Nimbus caught live on air in 1974. The set consists almost entirely of previously unheard numbers."

Live at Liisankatu Studios, Helsinki. Live Broadcast on Channel Two, Wednesday, January 16th, 1974, 8 pm to 8.40 pm. Produced by YLE. Hosted by Erkki �Unde� Lehtola.
A1. ODE TO EAGLE (3:20)
A2. PESSIMISTINEN DIALOGI (7:59)
A3. AAMUMAA (7:56)
B1. HERETIC FOOL (5:16)
B2. MYRSKYJEN V�LILL� (6:49)
B3. FEATHERED FRIENDS (4:51)...

“Originally released in 1974, Nine Days Wonder with their third album took the opportunity to do a recording session at London's Chipping Norton Studios in September 1974. With guest musicians Dave Jackson on flute and saxes (of Van der Graaf Generator-fame) and keyboarder Steve Robinson (2066 and then-and-early-AERA) the album shows the band on its musical peak. The album is richly texted and features a mellow progressive rock with slightly glam-rock touches and reminds to David Bowie's Ziggy...

Hand-painted limited edition of 300 copies.
"No Neck Blues Band are the last of their kind, children of a New York City that no longer exists. They've operated in the shadows of Gothams music scene for almost twenty years as likely to perform in...

"Originally released on CD in 1998. Among the most stunning and musical electronic works ever produced, these five compositions represent the complete electronic works of Norwegian composer Arne Nordheim (1931-2010). They have stood the test of time remarkably well and have been embraced by new generations of influential musicians. This audiophile double LP comes in a beautiful gatefold sleeve with updated credits and liner notes. The sound has been mastered by Helge Sten (Deathprod) specifically for....

“The reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain. Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru's fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance), Lady Maid is a testament to the creativity of the early '80s Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free...

“Futuro is Not Waving's sublime synth/ambient soundtrack to one of the world's most intense art/theatre experiences: Sean Rogg's radical immersive artwork The Waldorf Project -- fusing choreography, spatial design, music, and performance into a cohesive experience. Drawn from more than 20 hours of material made for the project between 2013-2018, Futuro finds Alessio Natalizia exploring a style of tonal and spatial minimalism that works as a fine palette cleanser from much of what you've heard from him...

Although this came out of a completely different scene and country, this release has a lot of resemblance, imo, to the classic Zazou / Bikaye CY1 release ‘Noir et Blanc’!

“Areissue of Notorische Reflexe's self-titled release, originally released in 1985 on Rebel Records.
Mark Reeder on Notorische Reflexe: "I honestly can't remember the first time I saw Notorische Reflexe perform, but I imagine it was probably at some mad avant-garde experimental event in SO36 or Tempodrom, or somewhere...

This is an obsessively beautiful reissue of a Finnish progressive rock title! You get the original album, as well as a new remix of the album, made from the original multitracks, which includes a previously unheard song and a 7" replica of their only 7"!

"A symphonic rock band from Rovaniemi, formed in 1974. Their main influences were Yes, Pink Floyd, Procol Harum and Wigwam. Atlantis (1976) contained only four tracks, fronted by Antti Ortamo's organ and vocals...[with] strong melodic elements...

“The Chilean/French duo Nova Materia are known for their hypnotic music which incorporates eerie sounds generated by raw and mineral materials (metal, rocks etc) to create tracks that are in turn hyper-rhythmic and dreamy, poised between postpunk rock and electronic dance music. Caroline Chaspoul and Eduardo Henriquez have also been very active in the field of multimedia & performance arts, and Xpujil explores that other dimension of their talent.
Released on Crammed's revered MADE TO MEASURE series..

"Reissue of an exceptional album of improvisations, recorded when percussionist Charles K. Noyes was lured to the Bay Area in the summer of 1979 by Henry Kaiser.
Noyes and Maercks had played regularly as a duo when Owen was still based in Worcester, MA. But he'd shifted his ass westward in the wake of the Teenage Sex Therapist session, which had been organized by Kaiser following their collaborations in the band, Monster Island.
Half of the album was recorded live at Woody Woodman's Finger...