Zeuhl and related

This release is by a Japanese duo that Soleil Zeuhl discovered. Yoshiyuki plays keyboards/synths/programming and Yoshihiro Yamaji plays guitar and bass. All of the drums are programmed, but they do a very good job of it, and this excellent debut does not suffer from 'canned band syndrome'.

"Amygdala is a Japanese band, heavily Zeuhl-influenced (much more on the UZ side than Magma, I'd say), with that RIO edge that seems to be the landmark of the greatest Japanese bands of these last few years...

BBI is Philippe Bussonet on bass (Magma's magnificent bassist since 1995, as well as one of the powers behind One Shot), Jean-Claude Buire on drums (drummer for Offering in the late 1980s) and Laurent Imperato on guitar (a founding member of Xaal, although he had left by the time they started recording.
This was Philippe's side-band before co-forming One Shot and this studio work was recorded in 1996, but never released until now. They are a power trio that mixes the most 'rock' aspects of One Shot...

Did you ever want to hear Hugh Hopper play tunes by Led Zepelin, Henry Cow, Jimi, the Who and Fracture? Did you ever want to hear John Greaves sing the ones of these that have vocals? Well, this is your one chance to do so!

"Alain Blesing is a French guitar player, known for having been part of the legendary progressive/zeuhl rock band Eskaton, who are considered to be one of the most gifted disciples of Magma. From the late Seventies, he extended his capacities by studying musicology, then in...

File Under: Avant/Industrial jazz/rock. The Dematerialized Passenger is Combat Astronomy's second full length release...masterminding this cult underground act, James Huggett (bass, guitar, electronics, programing) has built on the power and creativity...

A great 5 piece, who simply tore the house down at ProgDay in 2013 and were one of the stunning highlights of the festival. This is the music they played there. Hugely recommended!

I saw Corima about in 2008, but at the time, they were a duo and...

“The seventh album from Chicago's notorious punk-jazz group nails a new high water mark in an already unforgettable discography. "The Truth..." finds the Luttenbachers at their darkest - a band distilled to it's most raw and sore - interspread are hyper-structural epics, minimalist noisescapes, high energy free jazz blows and bizarre electronic satellite transmissions.”

Includes the band’s earliest recording of the Magma classic, De Futura (short version).

Out of print now world-wide , but we found a couple of copies of this Japanese, mini-lp sleeve version in a warehouse and it's here until they are truly gone forever!

An early 80's release by this keyboardist who rightly made a name for himself playing with Magma, Heldon & Weidorje! This crosses the sound of Magma & Heldon.

Players include Richard Pinhas, David Rose, Bernard Paganotti, Christian Vander, Didier Batard, Jean-Pierre Fouquey & more!

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

This is a dramatic and dynamic release that I feel certain will impress a large number of people. Guapo is a British trio that plays an intense music that straddles the boundaries of progressive, noise, minimalism and avant-rock. Their sound has...

Happy Family are a Japanese instrumental quartet (keyboards, guitar, bass, drums) who are influenced by groups such as Magma, Univers Zero, Weidorje, King Crimson & Area. If you can imagine a full CD's worth of the kind of inspired playing & intensity ...

"Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/e...

This title has been out of print for ages, but in anticipation of their new, third album, we made one last printing. Here it is, with the previously Japanese-only bonus track "Dear My Daughter", while they last!

Happy Family are a Japanese...

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, (which includes 3 live bonus tracks) follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of...

The first new studio album from Tatsuya Yoshida and friends in a long time. A wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for.

“Some bands you just have to hear. Japan's KOENJIHYAKKEI (aka Koenji Hyakkei aka Hundred Sights of Koenji) are just such a band. Headed by vocalist/composer/drummer extraordinaire Tatsuya Yoshida and emboldened by overcharged reeds, glittery keyboards and a soaring front-woman...

“A live document of a band that is indescribable - performing at home - fresh off of their European tour, and with new members AH on vocals and Yabuki Taku on keyboards.
Filmed with multiple cameras and excellent sound, "Live at Koenji High" is the bare bones - no interview clips – no special features – no mysteries revealed - just Koenjihyakkei live on stage.”

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

Teddy Lasry is best known as being one of the reed men in the first edition of Magma, appearing on Mekanik, 1001 and Kobaia.
But after leaving Magma circa 1973, he made a bunch of library music albums (which I have never heard), as well as two very excellent, more keyboard / electronic-styled progressive albums for RCA in 1976 and 1979, of which this is the first.
At one point, I tried to license the two RCA albums for Cuneiform, so you know that I think highly of them; this is its first-ever...

In 1981, when Magma and Vander and company were at one of their lowest points (listen to Bobino 1982 recently?), three of the most famous ex-Magmoids joined forced with Christian to record something different; a straightforward, non-Zeuhl oriented...

Magma's final album of the 1970s isn't a bad album and it has some incredibly great moments (and a great cover by H.R. Giger), but it isn't the best place to start with this brilliantly original and idiosyncratic band.
Newly remastered and in a digipack.

First time ever on vinyl, this is limited to 1500 numbered copies.

One of the greatest, most idiosyncratic & original bands ever. This is their amazing recording in fine sound from Top Gear, featuring the classic 1974 line-up, including MONSTER bassist Jannick Top in rare, over the top form.
The definitive live versions of Kohntarkhosz and Wurdah Itah. Essential.
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

One of the greatest, most idiosyncratic & original bands ever. This is their amazing recording in fine sound from Top Gear, featuring the classic 1974 line-up, including MONSTER bassist Jannick Top in rare, over the top form.
The definitive versions of Kohntarkhosz and Wurdah Itah. Essential.
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

One of the greatest, most idiosyncratic & original bands ever. This is a live recording (of reasonably good quality, given the time-period) featuring the 1001o Centigrade band! [Seventh]

The official story is that like Kohntarkhosz Anteria, Emenhntehtt Re (note: I've left many umlats off of the title) was a major, long-form work. It was part of a trilogy along with Kohntarkhosz and K.A. and was written circa in the early/mid 1970s, but never recorded. Unlike K.A., a very good portion all of the parts have appeared on various albums over the years. So, it's hard for a non Kobaian to know if the official story is true or if the story is just a way to make a new, major statement without....

The Ëmëhntëhtt-Rê trilogy performed and released in full for the very first time:
Köhntarkösz Anteria (K.A.)
Köhntarkösz
Ëmëhntëhtt-Rê

Recorded live at Le Triton in France in November, 2014.
"Initiated in 1973, its composition beholds its whole fulfillment after more than four decades. It is the testimony of an unwaveringly timeless inspiration, of which the expectant present asserts itself beyond history. Connecting wide and contrasted scenes, it sets its coherence within its.

Herve Aknin – vocals
Isabelle Feuillebois – vocals
Stella Vander – vocals
Laura Guarrato – vocals
Sandrine Destefanis – vocals
Sylvie Fisichella – vocals
Thierry Eliez – keyboards, vocals
Simon Goubert – keyboards
Rudy Blas – guitar
Jimmy Top – bass
Christian Vander – drums, vocals

Recorded live in 2020, before COVID cut the tour (very) short. This is your first chance to own a recording by the current initeration of the group! ...

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

One of the greatest, most idiosyncratic & original bands ever. This is all otherwise unavailable material, from 6/72-1/75. Musically great with awesome basswork by Janik Top, but it suffers from mediocre-at-best sound. Be prepared for some intense list...

Magma added three more female voices to the mix, and the singing is extra great on here. Additionally the over-all recorded sound seems a bit better over-all from the last few releses. The playing is also very strong, although my heart will always belong to Bubu...

“2020/2021.
More than 18 months without being able to play a gig. This space of time, this imposed "pause", was used to prepare a new album, a group album, working in a way we had not realized for a long time.
Following the..

If my Kobaian doesn't fail me, the 45' Kohntarkhosz Anteria was written circa 1972/1973, but never officially recorded, although a tiny piece of it appears on Inedits, and other little bits were grabbed and used in various other works (most notably the...

One of the greatest, most idiosyncratic & original bands ever. This is a previously unheard version of MDK, recorded about 9 months before the released version, & with some unique differences too! Be prepared for some intense listening, as these all fe...

One of the greatest, most idiosyncratic & original bands ever. This is a previously unheard version of MDK, recorded about 9 months before the released version, & with some unique differences too! Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

"From the very first short version recorded in the summer of 1971 on the compilation album “PUISSANCE 13 + 2” to the spring 1973 version on the eponymous album, “MEKANIK DESTRUKTIW KOMMANDOH” slowly...

Magma has basically made the wonderful Parisian club "Le Triton" their home for multi-date residencies.

In addition to it being a great, small club with terrific sound, they have built in professional audio and video recording facilities!...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...

In May, 2005, Magma took over the Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold-out weeks...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present...

One of the greatest, most idiosyncratic & original bands ever. This is from their reunion concert in Paris in 1980. This is sorta weak; don't start here! [Seventh]

Siegfried Scholz - drums, vocal
Detlef Gherke - piano, organ, synth, vocal

"Magma were a rock duo from Gelsenkirchen. They were playing only on organ and drums like Hardin & York or Hansson & Karlsson.
Their only LP, which turned up very late with collectors, was released in 1975 (Elrec 1026). On this CD you can find five bonus tracks, all of them never released before. The four first ones had been performed live, the last one was recorded at the studio.
Magma, having a lot of gigs

Recorded live at Magma's 30th anniversary concerts in May, 2000, this is the first time that the complete Theusz Hamtaahk trilogy has been released in one set. Excellent live recording and terrific energy coming off of the stage. While you've heard the...

“A limited edition (2,000 copies) hardcover box with 7 black vinyl LPs, and includes a 84-pages hardcover book, a wall flag, a facsimile of the original LP front cover, and a hand-numbered certificate of authenticity.

LP 1 "1972 – Maison De L'ORTF"
This is definitely one of the first recorded live versions of "MDK".
Recorded May 26th 1972 by Le Hollandais Volant.

LP 2 "1973 – Chœurs De L'Orchestre De La Storchhaus"
This studio recording can be regarded as a demo and

For 40 years, although this has been listed as a 'solo' release by Magma's founder, this is, for all intents & purposes, the fourth Magma album, having been released between M.D.K. and Kohntarkhoz.

Now, for this snazzy vinyl reissue, it's been rightfully renamed as being by MAGMA, and more importantly, features a clear photo from the film that this was a soundtrack of (sort of - long story), and you can see for yourself how much the costumes predate GWAR by 15 years!

Stripped down to...

“Zess is the story of the end of everything. The end of time and of everything that has ever existed. Absolute oblivion, like a dreamless night. It feels like nothing has ever existed nor will it ever exist again. All forms of consciousness have vanished.”-Christian Vander.

The legend of Magma’s Zess is that when Zess is recorded and released, it will signal the end of Magma. Happily the band are walking that back ... I guess we'll see, won't we...
This is a less intense, more choral work...

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

This is just over 2 hours of music, recorded at Magma's 'home base' for residencies.
Christian Vander : vocal, drums
Stella Vander : vocal, percussions
Isabelle Feuillebois : vocal , percussions
Hervé Aknin : vocal , percussions...

I saw these guys in France at the 2009 Rock in Opposition festival and they were good and the bassist was the incredible Philippe Bussonnet (of Magma and One Shot fame) who was incredible as always, and he appears here as well!...

During a fairly incredible 7 year run that began in the mid 1970s,
Richard Pinhas released a large string of influencial albums; 7 by Heldon and 5 under his own name, all of which attempted in one way or another to meld (avant-garde) rock music...

Charles Goubin-guitar, piano, vocals
Philippe Goubin-percussion, piano, vocals
Dominique Dubuisson-bass

Potemkine were a great French band who existed throughout most of the 70's. They absorbed influences from zeuhl, fusion, avant-rock and more & fused it into a blend that was their's alone!

This is their fabulous, under-recognized classic 2nd album. It was their most zeuhl-ish recording, but it’s also one of the greatest non-Magma Zeuhl albums of the 70s, based around acoustic.

"Magma and King Crimson comparisons are relevant, but the dark and edgy Present are an entity unto themselves." – Atlanta Press...