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"...arguably one of the finest works in either artist�s canon; hypnotic like Harmonia and monumental like Mountains. ... 4 stars" � Spencer Grady, Record Collector

"Merzbow�s collaboration with French pioneer Richard Pinhas features some of his best music and gleefully amplifies the psychedelic tendencies of both composers." � Luke Schleicher, Laughter

"...an album of ambient soundscapes that prove noise can indeed be beautiful, and that it's possible to dispense with...

Limited edition! Splatter vinyl! Bootleg sound!

May 14, 1967:
A1. Pow R. Toc H.
A2. Astronomy Domine

September 25, 1967:
A3. The Gnome
A4. Scarecrow
A5. Set The Controls For The Heart Of The Sun
A6. Matilda Mother
A7. Flaming

September 25, 1967:
B1. Reaction In G

December 12, 1967:
B2. Green Onions
B3. Instrumental

December 20, 1967:
B4. Vegetable Man
B5. Scream Thy Last Scream
B6.

"Performing on four different dates in 1968, just prior to and following the release of their legendary second LP, A Saucerful of Secrets, this is Pink Floyd at their early psychedelic peak. The first two tracks come from live shows in London at the Barnes Common and East Stratford at the Abbey Mills Pumping Station, recorded live for the BBC programs The Sound of Change and All My Loving, respectively. The four tracks from June 25th were recorded in-studio at the BBC's own Piccadilly Studios for the...

“Pink Floyd at the BBC with David Gilmour now fully in charge. Two different sessions from May and July 1969, showing one of the strongest evolutions in the psych era.
May 12, 1969:
A1. Grandchester Meadows
A2. Cymbaline
A3. Green Is The Colour/Careful With That Axe Eugene
A4. The Narrow Way
July 20, 1969:
B1. Moonhead
B2. Embryo

“California native Justin Pinkerton, aka Golden Void drummer and the man behind El Paraiso Records' own Futuropaco project, delivers a full-length album of playful synthesizer music. In contrast to a lot of the other projects Justin has been involved in over the years, Aak'Ab radiates slowness and tranquility. There's a rare sense of calm in these pieces. It would, however, be a mistake to categorize it as ambient or new age -- the intricate pattern-work and the raga-like structure of these pieces avoid...

Vinyl-only release.

“The instructions were simple. A couple of years ago, Anthony Pirog reached out to old friends and new collaborators alike with an open-ended request: could they send him an original ambient track, between four and five minutes long, that he could then record on top of? He put “ambient” in quotes recognizing that each musician would have a different definition of the term.
“It was an exciting challenge because I had no idea what they were going to send,” the guitarist...

"...a quirky, catchy blend of pop hooks and jazz-centric soloing...it's rare for a group so young to emerge with such a fully formed and distinctive concept, but Pixel seems to have accomplished just that." - AllAboutJazz

The first thirty seconds of this album was enough to tell me that I would probably like Norwegian band Pixel. I did...this band has something new to say musically and produces tunes that are toe-tappingly, wantonly catchy." - London Jazz News
...

"Ultrasound is the result of two individuals with a huge appetite for scandinavian progressive music. Jostein Haugen and Marius Leirånes began to work on the album in late may 2015, and one year later they began the recording of "Ultrasound". During the process the band reached out to Mattias Olsson (Necromonkey, ex Änglagård), and he joined mainly as their producer. He was also in charge of drums, overdubs and mixing. Johan Hals Jørgensen (organist) was later recruited as the bands new keyboard maestro...

“The first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26-minutes+ jazz adventure -- Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover...

"At age 78, Joe McPhee shows no sign of slowing down. Plan B is the master improviser's new trio, with James Keepnews on guitar and laptop and David Berger on drums. A soundtrack to a science fiction movie existing only in their heads, From Outer Space finds McPhee and company envisioning the first encounter between alien life and a delegation of earthlings (while giving a nod to jazz's original man from another planet, Sun Ra, with a side-long suite dedicated to him). It's quite unlike anything else in...

IMPORTANT NOTE: THESE COPIES ARE ALL NEW, BUT ONE CORNER WAS BENT IN TRANSIT TO US. Hence the special low price.

Plank are a instrumental trio whose music sits somewhere between mathrock (think : Sleeping People), Yang, King Crimson & Gordian Knot and maybe even touches of Neu! and motorik. Very good.

"It seems fitting that a trilogy of albums celebrating nature should conclude some eight years after its second chapter. Manchester-via-Todmorden based instrumental trio Plank’s...

This is a beautiful reproduction of a top-drawer psychedelic rarity from 1968. Comes with lyric insert and replica vintage press release.

"Plastic Cloud recorded, quite simply, one of the greatest psychedelic albums ever made. This is a record with few equals, full of foreboding melodies and lovely hippie harmonies, as well as some of the most superb and trippiest, Eastern sounding fuzz guitar ever recorded. There is no point singling out a specific track, they are all excellent -- one is equally..

"Plastic Crimewave Syndicate has finally returned with a wide-ranging/raging new album -- recorded two years ago in an expansive, benevolent alleyway in the midst of a dark, diseased, claustrophobic time of global chaos. The new PCWS album, entitled Space Alley, boldly travels into the relatively unexplored malevolent terrain of free doom, space/noise punk, and darkly dubbed-out library/soundtrack grooves (call it 70's crooked-cop show/freak-funk, if you must). This is all capped off with a sidelong...

Reissue of the most famous (and probably the best as well) album by this classic, TRULY underground rock band from Czechoslovakia, who were destroyed by the state but who actually won in the end when they reformed to play specifically at the request of newly-elected president Vaclav Havel.
Recorded in 1974-75, this was the album whose tapes were smuggled out of the country shortly afterward & released on vinyl with a huge booklet of photos & documentation in 1978. In addition to it's notoriety, it's...

"Previously unreleased second album from Pluto, whose first is highly collectible.
Mixed by the band from original master tapes found in the Morgan tape stores. The band includes members of Dry Ice and The Foundations. Released on 180 gram vinyl."

“The unreleased recording of PLVG (pronounced "plug") recorded in 1973. PLVG is formed of ex-members of the band Calcium, considered the cream of French studio musicians. In May 1971, soon after his triumphant Olympia 70, singer Julien Clerc surrounds himself with musicians Charles Benaroche and Denis Lable. They are joined in '72 by Stéphane Vilar (ex-Calcium) who had just composed the music of Circus Bonjour, Jean Claude Poligot, Richard Lable, and Philippe Gall. The band thus constituted, accompanies..

Steve Swell: trombone
Rob Brown: alto saxophone
Michel Edelin: flutes
Peter Giron: double bass
John Betsch: drums

“Encounters, cross-fertilizations, confrontations and hybridizations are inherent to jazz. PNY Quintet is one of those groups made up of seemingly unlikely encounters. Michel Edelin already has a long career behind him, one in which linearity is clearly not the primary characteristic. He has always been keen to experiment with a wide variety of musical approaches...

First time ever on vinyl!

“Legendary Finnish composer and bassist Pekka Pohjola, known for his work in Wigwam and Made In Sweden, touring with Mike Oldfield, and having a successful solo career, caught live at Tavastia Club, Helsinki, Finland on April 18th 1995. Joining Pohjola (bass) on stage are Seppo Kantonen (keyboards), Markku Kanerva (guitars) and Anssi Nykänen (drums).
During his long career that took him from riding the Finnish prog rock wave to the heavy jazz rock heights of the...

Beautiful, gatefold, vinyl edition of this wonderful release of progressive jazz/rock!

The great first solo album by the bassist of Wigwam. This album, which was recorded in 1972 while Pekka was still in Wigwam, is a masterpiece of progressive...

“During his long career that took him from riding the Finnish prog rock wave with Wigwam to the heavy jazz rock heights of the 1990s, Pekka Pohjola tried his hand in many things. Sinfonia no 1 was his only foray into the world of classical music. Inspired by Sibelius' 5th Symphony, Pohjola created this unforgettable piece of Nordic classical together with the Avanti Orchestra in 1989.”

“My goodness, did this man have any musical limitations? As I listen to this, I realize how fortunate we are to..

"Kerkko Koskinen’s musical visions have always been ambitious. When he put together what was to become the most popular rock/pop band in Finland in the 1990s, Ultra Bra, the instrumentation of a standard band was just not enough. In addition to four vocalists, the 13-member band included a horn section, two percussionists, and a large-scale string assembly, used in the band’s recordings. Striving to create a “big” sound has always been present in Koskinen’s production, and finally, with Agatha, he has...

Boris Cassone – keyboard, vocals
Guilhem Meier – bass, vocals
Adrian Bourget – drums, vocals

This is the fourth Poil album and the first since their collaboration with Ni as PinoiL.
While it still burns with the energy they are known for, either I have gotten a litte more used to their Wildman tactics so it isn’t the first thing I notice, or they’ve kept the musical excellence intact, but have toned things down a little bit [not too much but a little bit] in terms of the noise and..

Antoine Arnera - keyboards, vocals
Boris Cassone - guitar, vocals
Benoit Lecomte - acoustic bass
Guilhem Meier - drums, vocals
Junko Ueda - satsuma biwa, vocals

“The Album
Unexpected encounter between Junko Ueda, eminent figure of the Japanese medieval epic storytelling, whose warm and profound voice summons the terrestrial energies, and the organic madness of the monster PoiL practicing with cosmic rock without net.
Poil Ueda detonnates the limits of rock and w

Antoine Arnera - keyboards, vocals
Boris Cassone - guitar, vocals
Benoit Lecomte - acoustic bass
Guilhem Meier - drums, vocals
Junko Ueda - satsuma biwa, vocals

“Unexpected encounter between Junko Ueda, eminent figure of the Japanese medieval epic storytelling, whose warm and profound voice summons the terrestrial energies, and the organic madness of the monster PoiL practicing with cosmic rock without net.
Just after releasing the debut record, the story continues wi

This is an archival jazz rock that was barely released in 1973, and found its first general release 39 years later!

“British jazz underground masterpiece, originally released in 1973. Ultra-rare UK prog-jazz fusion private-pressing. In 1973, four Englishmen who loved jazz, rock, and groove decided to record an independent album at Zelia Studios in Birmingham. The result was Poliphony, which had few hard copies and became a rarity among jazz rock collectors. The core of the jazz rock quartet...

This is a limited, numbered, authorized vinyl reissue of one of the better known Canadian progressive rock albums.

“Quebec was responsible for harvesting a variety of fine progressive bands that for the most part are overlooked. Eden, Et Cetera, Maniege, L'Engoulevant, Franck Dervieux, and Morse Code are some of the more famous groups.
Pollen is considered by many to be the best of all Quebecois bands. Not surprisingly their music is an amalgam of British and French sources. They combine...

"Issued on Liberty in 1970, the debut LP by Popol Vuh features Florian Fricke's Moog synthesizer experiments at it's most spirited wild. Supported at times by Holger Tr�lszch's percussion, flying free at others, the result has been labeled as a dark...

“A reissue of Michel Portal's Alors !!!, originally released in 1970. Could the missing link between Eric Dolphy and Albert Ayler be the Michel Portal of 1970? After having worked alongside François Tusques defending a free jazz "made in France", you find him here, heading up an international quintet of which each member is on fire: John Surman, Barre Phillips, Stu Martin, and Jean-Pierre Drouet.
The quintet had full leeway to break out the free-form in long ambient tracks to compose this Alors!!!...

Maurizio Di Tollo - vocals, acoustic guitars, drums, additional keyboards, samples
Cristiano Roversi - keyboards, bass pedals, additional guitars & samples
Stefano Zeni - acoustic & electric violins
Marco Remondini - cello, saxophones
Elisa Minari - electric bass
Erik Montanari - acoustic & electric 6- & 12-string guitars
with:
Tiziano Bianchi - saxhorn
Faso - 6-string electric bass
Massimo Menotti - acoustic guitar

“Il Porto di Venere is a new band, mak

Charles Goubin-guitar, piano, vocals
Philippe Goubin-percussion, piano, vocals
Dominique Dubuisson-bass

Potemkine were a great French band who existed throughout most of the 70's. They absorbed influences from zeuhl, fusion, avant-rock and more & fused it into a blend that was their's alone!

This is their fabulous, under-recognized classic 2nd album. It was their most zeuhl-ish recording, but it’s also one of the greatest non-Magma Zeuhl albums of the 70s, based around acoustic.

"After stranding listeners in deep space with Schleißen 4 in 2015, Colin Potter, Alessio Natalizia, and Guido Zen regroup along the percussive vectors of Shut Your Eyes On The Way Out for the Ecstatic label. Three years in the making, taking cues from German synth rock, cosmic disco, abstract EBM, and obscure library sounds, the trio head for seductive new horizons of pulsing rhythms and floating ambient dub tones. The six hands control the mission with masterful skill and sleight of hand, prompting...

“The first ever reissue of Steve Potts's Musique Pour Le Film d'Un Ami, originally released in 1975.
In 1975, Steve Potts left Steve Lacy for a time to compose Musique Pour Le Film d'Un Ami following the proposition from the film's director Joaquín Lledó. With guest musicians of quality and from vairied horizons, the saxophonist recorded a soundtrack ranging from modal jazz to free funk and from dirty grooves, to java wah-wah with disconcerting elegance. Rather than blaxploitation, Potts and his...

Steve Potts – saxophone
Jobic Le Masson – piano

"The paths of Steve Potts and Jobic Le Masson have crossed frequently since the beginning of the 21st century, through collaborations with many artists. They have performed together regularly for the past ten years...the lockdown was an advantageous opportunity for the duo to make researches 'like two scientists looking for a cure'. They concentrated themselves on developing a common language open to free improvisation and new compositions. The..

“A bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7. Via his own Diagonal Records imprint, his work on XL Recordings and, most recently, the opening of audio/film platform A Folder [afolder.studio], Powell has firm footing in the contemporary electronic landscape.
During a wry and obstinate musical life he has twisted myriad synthetic forms into shapes that explore and expand upon the districts of post-punk, techno, noise + computer music, and in the last...

This is decent to rather good progressive/jazz-rock considering it came from Yugoslavia/Serbia in 1977.

This was the group's first and best album. The line up on this one is Andrej Pompe (keyboards), Peter Gruden (guitar, vocals), Aleksander Malahovsky (saxes), Gabriel Lah (bass), Janez Hvale (drums).

This is a limited edition run of 300 copies and it has never been reissued on vinyl before. Despite how the label is hyping it, this isn't the second coming of Jesus, Gigamesh, National...

�It will always be difficult to pinpoint where free jazz started, but it�s reasonable to say it was shaped and cultivated in New York in the late 1950s and early 1960s. Albert Ayler and Cecil Taylor were important players, as was Ornette Coleman. Axiom has significant historical importance by being what is quite possibly the first European free jazz record, even if it was not released at the time.
Recorded in Copenhagen in October 1963, it should have been Tom Prehn Quartet's debut album for the...

"Sam Prekop and John McEntire are two artists, who together and as individuals, have expanded the definition of rock. Each is acclaimed for their singular musical voice and for their sonic innovations. Beyond their work together in The Sea and Cake, Prekop has garnered acclaim for his solo releases in ensemble or on modular synthesis, as well as for his visual art and photography. McEntire is one of the most celebrated engineers, composers, and drummers (Tortoise) in forward-thinking music. With nearly...

last one - seam split at top of jacket, otherwise new
Peter Evans - piccolo trumpet
Matt Nelson - saxophone and effects
Dan Peck - tuba and effects
"The unit takes it's name from an Edgar Allen Poe story in which the narrator suffers from episodes of catalepsy and fears being buried alive. The reader is taken through various stages of paranoia, forced to imagine being trapped inside a coffin, paralyzed and unable to communicate their mortal predicament to the world of the living. <

P.F.M.'s fifth album from 1975 is a fine album, although it is a little late in the band's life to be considered one of their greatest greats (you'll have to look at the first three for that, imo). It's the last with their great original flautist/violinist Mauro Pagani, who was the main composer for this album and his departure was a big blow to the band, imo, although there was still a huge amount of talent left. Still completely worth owning; their 'not quite top tier' is still higher than a lot...

This was PFM's sixth album and was recorded in London and L.A. in 1977. It was the last of their albums to be released in the USA, and perhaps as a last ditch effort to try and appeal to the US market it has a very different flavor than most of their albums. Unlike many bands when that happens, they in no way hurt their music - they just added a new flavor of a very heavy fusion element on this album, with lots of wonderful Fender Rhodes work and violin playing that is more in a fusion vein too. In....

Other than the title, which was released as "Cook" in the USA, the Italian & US versions of this 1974 live album are identical. Since this was recorded in the USA AND Canada, maybe they should have left it with the name Cook! Anyway, it's a very fine work - maybe a little past their utter prime, but still quite amazing.

Please note that all copies has very small corner dings and minimal shelf wear.

"The new live album by PFM – Premiata Forneria Marconi “THE EVENT – Live in Lugano” (Aereostella) is out with the participation of two special guests: Matteo Mancuso, undisputed guitar star and Luca Zabbini, leader of the Barock Project, at the Hammond organ, keyboards and vocals. An hour and a half of music that retraces the career of the most famous Italian prog band in the world, from the Story of a minute..

One of my very favorite 70s symphonic rock bands is PFM; the string of their first six or so releases are really unique and quite stirring. And the first three are truly an apex of that sound.

Storia Di Un Minuto was their first album, and....

�Each of the three pillars of the piece -- choir, metal trio, and pipe organ -- are operating within their own algorithms, their own keys, time and tempo. And the piece is written for them to be on parallel tracks but making a different fourth thing, dovetailing together on the cadences.
Eventually we all began to be able to hear how it all worked, what notes the choir should be singing when you, as the guitarist, were on your third beat of bar number 15, a 4/4 bar, at quarter note = 60, as they....

The GREAT composer/bandleader/drummer Bobby Previte's latest is a vinyl only release!

"Previte has assembled a dream team of experimental musicians from the jazz, indie rock, and classical worlds to create Terminals, a luminous project...

“Prima Materia was a vocal improvisation ensemble, founded by Roberto Laneri in 1973. Composed entirely of vocalists with no academic training, the group developed various techniques-revolving mostly around the use of overtones-that would embody their unique sound. No instruments nor electronic manipulations were ever employed within the group's physiognomy, which was realized purely through the human voice.
La Coda Della Tigre, the group's sole album, was recorded in 1977 by Alvin Curran and...

Double-LP with 20-page booklet with all of Robert Crumb’s previous artworks for the band's albums plus unseen photos.

"The Primitifs Du Futur travel on sound waves back in time to the early twentieth century and make the world seem like a far better place than it ever actually was. I can't get the band's music off my turntable or out of my head. Accordion, mandolin, harmonica, saxophone, musical saw, and beautiful haunting melodies--what's not to love? Even their sad songs make me happy." --Art...

"Straight back to the 60’s, Climbing Light is an acid flashback altogether."-Impose

"It’s heady stuff, but in PRD’s hands it’s catchy, too—the album’s titular track sounds like The Zombies if they’d recorded a song based on The Tibetan Book of the Dead."-Entertainment Weekly

“Climbing Light sees the band at their most confident, unafraid to go wherever their muse may take them, and it's this sense of allowing the songs to be what they need to be, rather than trying to shoehorn them...

"Two very different albums by two almost totally different bands, is all that Procession have left us...The band reappeared in 1974 with a new line-up and a new recording deal, this time it's Fonit that releases their second album Fiaba. A mature work...

Originally released by Garden of Delights, this is what Garden of Delights do, which is finding completely unknown German rarities and reissuing them in the best possible manner. For vinyl, it came out on the equally well curated Long Hair label!
Prosper were a dual guitar, Fender Rhodes/mellotron/mini-Moog, bass and drums progressive band. The keyboards give it a jazzier/fusion touch.
At its best, this has some great guitarwork and a fusion underpinning. At its worst? Well, the vocals ain't so..