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This is the second album by a Chicago retro acid-folky, whose excellent first album was referred to as “… an acid folk, psychedelic gem that resonates with an early seventies vibe and features a collection of tunes that are memorable, beautifully arranged and played with a passion and beauty that seeps deep within.” This new one is its equal!
This is mostly acoustic based, dreamy folk-psych with gentle male/female singing, acoustic guitars, flutes, Mellotron, piano, tabla, mandolin, sitar, bass and...
"Guitar tones linger and reverberate with a mystical translucence"-Dusted.
"Curran's music invokes swarming natural forces, looking for the borderline between the real and the sublime and, maybe, the supernatural."-Jesse Jarnow / Relix
"On Buck Curran's second solo album, Morning Haikus, Afternoon Ragas, the emphasis switches to acoustic guitar, as compared to his first solo album, Immortal Light. Side A, all solo acoustic instrumentals, seems to have fallen out of a wormhole emanating...