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"Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in...

“Robert Schroeder was one of Klaus Schulze's first disciples to record on the master's own Innovative Communications label, and Harmonic Ascendant remains one of the two or three best albums I.C. ever released.
Not content however to be merely a copyist, Schroeder forged his own identity as a composer of romantic, richly-textured electronic music that owed as much to Chopin as it did to Schulze. The architectonic structure of the individual movements that make up the title track is immaculately...

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

New series of quality reissues from on Universal, who own the Brain catalog.
Klaus's seventh album was an album of music for a porno movie from 1977. This is more music created for the soundtrack and is yet another great CD from the great man of spacey electronics. This is a classic 70's space work & is a pretty necessary title in any collection. Written as a soundtrack for a porn film, this is 4 long tracks that ooze those classic Berlin space sounds and feature Harald Grosskopf on drums, which is alw

“Aufbruch, the title of the debut collaboration between electro-acoustic composer J. Peter Schwalm and guitarist Markus Reuter, translates as "departure" or "emergence." Either definition offers an evocative interpretation of the powerfully immersive soundworld they've conjured together, but even more suggestive is the ambiguity between the two meanings. For the music of Aufbruch feels like both an awe-inspiring journey of discovery and a welling up from the murkiest depths of the subconscious....

J. Peter Schwalm : synths / voice / live treatments / electronic percussion / & programming
Stephan Thelen : guitars / keyboards / granular synth & programming.
Eivind Aarset : guitars / e-bow / effects
Tim Harries : bass guitar
Manuel Pasquinelli : drums / percussion
+
Nell Catchpole : voice samples on Sedna

“The demotion of Pluto remains a topic of controversy more than a decade and a half later, but the now dwarf planet is hardly alone way out on the fringes o

The original lineup of the great, radical trio that kept legendarily amazing Raoul Bj�rkenheim active and in the public eye during the early to mid 2000s!
And the rhythm section of Paal Nilssen-Love & Ingebrigt H�ker Flaten were incredible as well.

"XXX is a four LP collection featuring Scorch Trio's recordings. It includes Scorch Trio (2002), Luggumt (2004), Brolt (2008) and a radio session entitled Oval. In Norway, Scorch Trio was greeted with 6/6 reviews in the two biggest newspapers and...

"Classic double live album from this free-spirited international trio, this time expanded with American sax player Mars Williams. Recorded live at Oslo's Caf� Mono and at the Nattjazz festival in Bergen, both in May 2011, this fully shows why new...

“The Screamers were part of the first wave of L.A. punk bands, active in 1977-1981. They cleared new paths for the sound and image of rock music, abandoning electric guitars for a keyboard-based sound, as well as embracing video and theatrics in a manner that put them far ahead of their time. However, the band never released a record and outside of several bootlegs of demos and live performances, there has never been an official aural document of their trailblazing music.”
Until now! ...

In 1978, in the great UK Punk explosion, there emerged a very interesting art/punk trio who combined skittery guitar and sort of Beefheartian tightness/looseness in the rhythm section. They released three EPs and then did a ‘not bad pop single, imo’ with Robert Wyatt playing piano and then totally changed direction and ran as quickly as they could into pretty vapid pop music.
But this is their great early materials, all available on vinyl for the first time in 20 years.

“Emerging from the...

"Sylphid Vitalizers is the debut full-length from New York-based banjo/guitar shredder, Brandon Seabrook. Named "NYC's Best Guitarist of 2012" by the Village Voice, his work has been profiled by NPR, The Wall Street Journal, Fret Board Journal, and...

"Sea Son was originally released in 1974 on CBS and is now considered by many to be the pinnacle of the band's catalog. The fiery interplay between alto/soprano sax player Karsten Vogel, guitarist Claus Bohling and keyboardist Kenneth Knudsen parallel the work of their contemporaries Return to Forever and Mahavishnu Orchestra. With a new rhythm section of bassist Jess Staehr (Burnin Red Ivanhoe) and drummer Ole Streenberg (Coronarias Dans) the band found equal footing in the world of rock and jazz. The...

This lovely record, their 1st and with the most psychedelia smeared onto their already impressive jazz/rock is back! Hugely recommended.
Secret Oyster were a five piece Danish fusion/progressive supergroup of the 1970s, whose members came from the ranks of Burnin' Red Ivanhoe, Hurdy Gurdy and Coronarias Dans. This was their first album, which was released in 1973, and which, I was surprised to realize, I had never actually heard before this reissue.
Having played this one a number of times now..

Secret Oyster were a five piece Danish fusion/progressive supergroup of the 1970s, whose members came from the ranks of Burnin' Red Ivanhoe, Hurdy Gurdy and Coronarias Dans. This album, recorded in the fall of 1975, was the band's fourth and final album; the pressures of having recorded four albums in just over two years, touring constantly and being disappointed when the US branch Columbia broke their promise to the band to give them the same 'priority' treatment they had given to Weather Report...

Amazingly enough, over 40 years later, the fifth, NEVER BEFORE RELEASED, STUDIO album, recorded in 1976, by Denmark’s greatest jazz/rock band gets a release.
Like their third album, Vidunerlige Kaelling, this was music done for a dance / performance work.

"The recordings of 'Striptease' were a long time lost. In 1975 Secret Oyster had reached broad acceptance in Danish cultural life and on the music scene. Their 3rd album 'Vidunderlige Kaelling (Astarte)', received massive media attention...

"Semiramis is one the many "one-shot" bands of 70's Italy. Their only album is one of my favourite albums of 70's Italian art rock. There are fantastic, heavy progressive passages (especially in the middle of the album) with heavy, intense guitar riffs...

Paolo Faenza – drums, vibraphone
Ivo Mileto – bass
Emanuele Barco – electric guitars
Marco Palma – acoustic guitars
Giovanni Barco – vocals
Daniele Sorrenti – keyboards, organs, synth, transverse flute

Fifty years after the release of their classic ‘one and done’ Rock Progressivo Italiano release, Dedicato a Frazz, Semiramis returns with a new studio album.
It is surprisingly very good; does it sound like ‘Dedicato a Frazz’? Not to my ears, but if that’s the hook

"Souffle Continu Records presents the first official vinyl reissue of Essais, the sole album by Semool, originally released in 1971. This LP is the third in Souffle Continu's series of ten reissues from the catalog of the cult French label Futura Records,

High quality vinyl re-edition of this 1976 Sensations Fix album! Highly recommended!
Sensations Fix were for too long a great, under-recognized Italian electronic/spacemusic/rock/progressive band who, unlike so many other 70s greats remained undiscovered until relatively recently because most of their material was never reissued!

This is a beautiful, numbered, limited edition of 889 copies of this classic, which is part of the Prog Rock Italia series - mastered from the original tapes on 180 gram vinyl in a beautiful gatefold sleeve.

Sensations Fix were for too long a great, under-recognized Italian electronic/spacemusic/rock/progressive band who, unlike so many other 70s greats remained undiscovered until relatively recently because most of their material was never reissued!

High quality vinyl re-edition of this 1974 Sensations Fix album! Highly recommended!

Sensations Fix were for too long a great, under-recognized Italian electronic/spacemusic/rock/progressive band who, unlike so many other 70s greats remained undiscovered until relatively recently because most of their material was never reissued!

If you saw this in 1974, like I did, and you read the quote on the back cover, "Dear Robert, you'll be glad to know that the heavenly music organisation is here..

“While releasing only three singles in the early 1970's, Seompi's mystique has continued to grow through the ensuing decades.
Seompi will be taking you on a trip back to 1971, when Texas was a stomping ground for epochal rock music. Having released only a handful of singles during their short time together this collection features the rare first single "We Have Waited" and previously unreleased takes from the band’s later recording sessions.
Navigating the waters between proto-doom, heavy...

Sofia Jernberg (voice), Fred Lonberg-Holm (cello), David Stakenas (guitar), Emil Standberg (trumpet), Patric Thorman (bass).

Formed by the Chicago-based cellist Fred Lonberg-Holm; with Stockholm's Sofia Jernberg, Patric Thorman, Emil Strandberg..

“We’ve waited long for life signs from Seven Impale, meanwhile the members have been busy with life. Vocalist/guitarist Stian graduated from the Grieg Academy as an opera singer and launched an international career. Keyboardist Håkon joined Enslaved. Some got kids, and some finished their education. Life happened. Though, truth being told, the guys have kept the band, if not warm, at least lukewarm. And now, the long-awaited third album from Seven Impale is finally here, seven years after “Contrapasso”...

“Sexmob breaks new sonic ground with longtime producer Scotty Hard on The Hard Way, a new and extraordinary collaboration. For over a quarter-century, the visionary quartet Sexmob has exploded all preconceived notions of what an instrumental jazz band can be. In many cases -- on the albums Dime Grind Palace (2003), Din of Inequity (1998), Solid Sender (1999), and Sex Mob Does Bond (2001) -- they've done so with producer Scotty Hard at the board.
On The Hard Way, Sexmob's remarkable new recording...

"Our second album is darker, heavier, knottier, yet more fragile and vulnerable. It has taken five years, countless studio hours, but zero compromises. Hours of music have been distilled to 45 intense minutes, each one of which a deliberate and necessary part, and not a calorie was spent catering to anyone's preferences but our own. Some might call it a change of direction, but then Shamblemaths never had a direction to begin with. The album is like a picture with many shades, but all from a common, dark...

“You could be forgiven for not knowing how important saxophonist, bandleader, and composer Jesse Sharps is. After all, the only album to come out under his name, Sharps And Flats, was recorded in 1985, and wasn't issued on CD until 2004. But despite this seemingly small recorded footprint, Jesse Sharps is a major figure in the history of jazz music in Los Angeles.
As the bandleader for Horace Tapscott's Pan-Afrikan People's Arkestra (P.A.P.A.) -- the Marshall Allen to Tapscott's Sun Ra -- he led...

“Warren 'Sonny' Sharrock died of a heart attack at the age of 53 in 1994. At the time of his death, many writers noted that he had recently landed a contract with a major label (RCA) and was perhaps 'destined for big things.' In my opinion, these writers missed the point. Although Mr. Sharrock may not have been successful financially (as though that might be a primary motivating goal for any true artist), he was uncommonly successful aesthetically. Certainly, there are a few dubious moments to be found...

Holy moly; this was previously unknown and look at the band; yes it’s Shepp in (spring?) 1964 with the School Days quartet! And as a bonus, the sonics are very good, considering!

Archie Shepp – tenor sax
Steve Lacy – soprano sax
Roswell Rudd – trombone
Arthur Harper – bass
Dennis Charles – drums

“This is the earliest Shepp leader project yet on record. Under supervision of the artist, this previously unissued demo recording is now available.
As the cover of Deraill

Archie Shepp – tenor sax
Dave Burrell – piano
Donald Garrett – bass
Zusaan Fasteau Garrett – percussion, flute, vocals
Muhammad Ali – drums

“This is Archie Shepp caught live at two important European festivals in 1973. Shepp delivers a full program of hot renditions of mostly standards by the likes of Ellington, Monk, and Davis, plus a couple of pieces written by his regular partners of the time, Cal Massey and Grachan Moncur.”

This is an interesting, unique take on 'minimal / systems' music by a composer I wasn't previously aware of. Good stuff!

"Multi-instrumentalist and composer David John Sheppard presents his first bona fide solo album, Vertical Land. The writer and orchestrator behind the acclaimed State River Widening, Ellis Island Sound, Snow Palms, and Leaf recording artists Phelan/Sheppard, Sheppard began the tracks percussively by inserting pencils into guitars to make false bridges, then hammering the...

“The first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa.
Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape.
Wave Notation 3 is a splendid tribute to seminal...

"You wouldn't really call this free jazz, any more than you would suggest the Danes are trying to communicate the same feverish, Southern Baptist Christian-inspired devotions that gripped Coltrane... Which isn't to say that this is a hollow forgery. Spiritual significance resides in the ear of the beholder. Ragged energy can plunge any soul that's ready into the light. If Shiggajon's joyous noise gets you there, why fight the feeling?"-The Wire

"It's tempting to categorize Danish collective....

"Originally released in 1982, Kakashi is another high water mark in the 80s Japanese underground. This album, which has gathered cult status in recent years, is the project of musical visionary Yasuaki Shimizu, and considered to be a highlight of his solo career. Shimizu was the bandleader of Mariah, who also saw their album Utakata No Hibi reissued by Palto Flats in 2015. Kakashi offers a similar blend of saxophone experimentations, jazz fusion and ambient dub excursions."

“The first international reissue of Ayako Shinozaki's Music Now For Harp released in 1974 by Nippon Columbia. The LP was released on the label's cult "Master Sonic" series and features Shinozaki's harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves.
Japanese harpist Ayako..

“It has become clear that Matthew Shipp is the most interesting and important jazz pianist of his generation, the most continually evolving and pushing forward. Now that he's in his sixties and something of an elder statesman of the art form, he's overdue for a retrospective look at his catalog, and to help make that happen, ESP-Disk' will be reissuing some of his great early work that's gone out of print.
The 1990 trio recording Circular Temple (originally self-released on Quinton, then reissued...

Matthew Shipp: piano
“Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell.
Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s....

Matthew Shipp: piano

THE REWARD will be released early December 2020, at the occasion of Matthew Shipp 60th birthday.
This double LP is the first vinyl Matthew Shipp recorded since his very first recording, "Sonic Exploration", a duo with Rob Brown, released on 1988! 500 copies limited edition.

This release is utterly (UTTERLY) different, but many of you folks know Patrick as the saxist in Corima and the Fender Rhodes player in Upsilon Acrux!

“Patrick Shiroishi's Descension is a beautifully elegiac and unflinchingly primal album. With richly layered solo saxophone, electronics, and voice, the album is a meditation on the legacy of a dark history and its echoing relevance in the present era. Descension is a spiritual journey that reveals Shiroishi's deeply reflective and unique musical...

So here is the picture disc edition, without bonus tracks, but with an LP-sized insert of eight pages. The cover artwork designed by H.R. Giger was taken over unchanged. The picture disc is limited to 1000 numbered copies.
Reissue from the master tapes of the only album by this heavy Swiss late 1960's heavy underground cult band, which was originally released in 1969.
A very heavy, world-class psychedelic album. This is one of the rarest albums in the world and includes the H.R. Giger original...

"Siddhartha were formed in 1973 in Korntal near Stuttgart. They were named named after a novel by Hermann Hesse. They performed an intelligent mixture of progressive and art rock influenced by psychedelia and folk. Although their 1975 album is called...

An excellent stoner/hard rock Swedish band. You'll hear influences/sounds of Captain Beyond, early Deep Purple, early Led Zep, mixed with more proggy touches: flute, sitar, organ and even a mellotron bit or two. They do the progressive hard rock mixed with a stoner vibe thing better than nearly anyone right about now.

"Siena Root - Swedish root rock experience! Siena Root came to life in Stockholm and is today considered one of the pioneering Swedish bands in root rock music. They persistently...

“Obscure Heavy psychedelic progressive album from1970! Sole release by this Colombian band that surfaces briefly after the Speakers, Young Beats, Ampex and Time Machine era had come to an end. The band boasts an Italian jazz-rock drummer, Roberto Fiorilli and legendary Genesis (Uruguayan hard rock band) bassist Humberto Monroy. The record consists of one track divided into two long experimental progressive ventures (Viaje I and Viaje II) of fierce, fluid and free collective improvisation with spacey...

"Sykli (Cycle in English), the third album from young Finnish team Siinai, is a brilliant example of what happens when a band go in search of not so much the lost chord as the perfect frequency. All five tracks are quite different from one another, yet each achieves a state of mesmeric immersion that’s comparable to the best ambient or minimal electronica. They never induce mere passivity in the listener – rather, they create a sense of active surrender. Temppeli starts with a celestial synth loop...

This is the first time ever that this one and done, rockin' German rarity has been legitimately reissued.
Originally released on Phillips in 1971, they are a heavy power trio and they are comparable in some ways to their contemporaries Guru Guru, with long tracks and plenty of acid-fueled craziness to their very heavy jams.

"What the fuck...'4 Times Sound Razing' tears at the stitches as elements of Guru Guru's first two albums and Alice Cooper's first three are straddled simultaneously ...

Typically thorough and well done Garden of Delights release of an exceedingly obscure and rare stoner folk album from 1970, with a history of the band, rare photos and documentation and more. Devastatingly loose and vibed up, the two Siloah albums are amongst the most cracked of all early 70s German output! First-ever vinyl reissue!

"This is drug influenced psych-Kraut of the highest level. Private press debut from 1970 from mostly acoustic trippy hippie ethnic LSD-dropping folks from a Munich...

Typically thorough and well done Garden of Delights release of an exceedingly obscure and rare stoner folk album from 1972, with a history of the band, rare photos and documentation and more. Not to mention a bonus track!
Devastatingly loose and vibed up, the two Siloah albums are amongst the most cracked of all early 70s German output! First-ever vinyl reissue! Adding keyboards and a more professional air, this still retains a lot of the completely tripped out vibe of their first album...

�Beacon is the fourth album for the Silver Apples, the "come back album", produced by Steve Albini and originally released in 1997 on CD only. Eight of the tracks were new songs that former exile and Silver Apples leader Simeon had composed with recent additions Xian Hawkins and Michael Lerner. The remaining three tunes are remakes from the Silver Apples's past. A reworking of "I Have Known Love" opens the record. "You and I" is given an appropriate chaotic reading; a wall of cacophonous keyboards forms...

White and purple splatter vinyl!

Nearly 50 years ago, a very unusual and wonderful band emerged from New York City called Silver Apples. They were an amazingly forward looking band, where one guy played drums (in a 1968 Mitch Mitchell/Robert Wyatt kinda vein), and the other guy, Simeon, played a quite amazing home-built contraptions made out of 9 audio oscillators, which he played with his hands, elbows and knees and used his feet for the bass lines and sang. They recorded two very unique...

“First-ever reissue of rare, 1991, cassette-only underground neo-psychedelic punk steeped in Pebbles-era rock, from this Milwaukee band which featured Dan Mullin (Plasticland) on guitar and the talents — songwriting and otherwise — of iconic underground maven Tess (James Tessier).
‘I Want Speed’ shows The SilverBeats’ affinity to West Coast psychedelia. And it’s no coincidence that they cover the Human Expression’s ‘Calm Me Down,’ rich with harmony vocal, and The Pretty Things’ ‘Midnight to Six...