D

"Early pioneers of the German New Wave music scene, Din A Testbild were formed in 1978 by Mark Eins and Gudrun Gut (former member of Einstürzende Neubauten, Mania D. and Malaria!). Din A Testbild played a significant role in defining the avant-garde music of Berlin. Their participation at the Festival Genialer Dilletanten in 1981 is legendary. Programm 4 is their fourth album. Mixed and auto-produced by Mark Eins near the wall in West Berlin in 1983, the album was rejected at the time by Innovative...

"Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La D�sseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the...

"Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La D�sseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the...

“Flow & Heady, the stunning new record from Dire Wolves Just Exactly Perfect Sisters Band, captures the group flying high at the height of their powers. Recorded live at the "Festival Of Endless Gratitude" in Copenhagen, and released jointly on Cardinal Fuzz and Feeding Tube Records, this beautifully packaged LP documents some of the band's 2019 European Tour. For these dates, the Dire Wolves were joined by Nik Rayne of The Myrrors (guitar and clarinet) and Bell Lungs from Scotland (violin, voice, and...

“Jeffrey Alexander has always been into the cool, the weird, and the darkness. He has apparently been heavily dabbling in what the band’s bio describes as “the higher dimensions of cosmic free-rock” since I last hung out with him. I consider him a kind of scholar of outsider and avant-garde music; over the years, he’s run Secret Eye Records, been a member of Jackie O’ Motherfucker, Black Forest Black Sea, and managed to find a way to always remain genuinely excited about creating and performing music...

David Toop (bass, guitar, digital electronics, VCS3 synth)
Phil Minton (voices)
Evan Parker (soprano and tenor saxophones)
Steve Beresford (Farfisa organ, VCS3 synth)
Mark Sanders (drums)
Package designed by Tom Recchion

"Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: The Soft Machine and Pink Floyd 1967-68, The MC5'

Hand-numbered, limited edition of 250 copies!

Featuring all four original members of the group, this is their 19th album, and is their most melodic and acoustic release so far. Combining analog and modular synthesizers with numerous acoustic instruments from around the world, Djam Karet is exploring new territory on this psychedelic journey of discovery. Harmonium, dilruba, mbira, udu and other exotic instruments, help bring a warm vibe to this highly melodic and visionary work, as...

The band’s 20th album and this one is a bit more electronic than the last few and a bit darker. Limited hand numbered edition of just 250 copies pressed on red vinyl.

“Djam Karet have just finished recording their 20th album, titled Island In The Red Night Sky. The group was formed back in 1984, and this is another piece of the puzzle in the world of Djam Karet. Featuring all four original members of the group, this was conceived as the companion release to their previous album A Sky Full Of...

“Pressed for the first time on vinyl, as a limited orange coloured double LP edition, this is a 2022 edition of Djam Karet's masterpiece The Devouring from 1997.
Remastered by Chuck Oken Jr., the album features new artwork by renowned artist Gustaf Fjelstrom and comprehensive liner notes by Mike Ostrich who has interviewed the band over the past year.”

”Those who love the album will fall in love with it all over again, as I have. One of the best albums of the 1990s has received a facelift...

“Tod Dockstader's Aerial series, an electronic/drone masterpiece, is cherished among fans of the artist's work and this second volume is available in an audiophile quality double LP. Tod Dockstader's Aerial series is sourced from his life-long passion for shortwave radio. Dockstader collected over 90 hours of recordings, made at night, and comprised of cross signals and fragments plucked from the atmosphere. Opening with airwave drones, Dockstader gradually allows elements to slowly come and go...

Legit reissue of one of the dead rarest German progressive rock titles, with new mastering and extensive notes!
A spacey classic with tons of organ, early electronics, flute, hand drums, etc. etc. etc. This features ALL of the right moves done in exactly the right way!

"One of the legendary classics of the German underground. A strange, spacious and innovative album fusing rock, folk, ethnic and the avant garde musics most uniquely, Edge of Time is one of those albums that is extremely...

“With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July 1980), Dome 2 (October 1980), and Dome 3 (October 1981). A final fourth album, Will You Speak This Word: Dome IV was released on the Norwegian...

“With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981).
A final fourth album, Will You Speak This Word: Dome IV was released on the Norwegian..

“With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981).
A final fourth album, Will You Speak This Word: Dome IV was released on the Norwegian..

“With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981). A final fourth album, Will You Speak This Word: Dome 4 was released on the Norwegian...

“Power trio Dommengang deliver heavy psych rock on their new album Wished Eye. The album delivers super tasty, dirty guitars, serpentine psychedelic grooves, and propulsive drumming with gleeful abandon. Guitarist Dan “Sig” Wilson switches from explosive to expansive on a knife’s edge, laying down wailing hooks before evaporating into bristling fuzz. Bassist Brian Markham and drummer Adam Bulgasem’s foundations play with time, galloping forward or stretching out into the cosmos. Wished Eye is an...

"By no means a release of new or current Don Cab material (and originally released in 1999), Singles Breaking Up (Vol. 1) offers quite a range of the band's history to appreciate."

Has it really come to this? Really? Shane Paris (co)releases a new album and none of the hype sheets mention Shane's decade and a half-long run with the incredible Ahleuchatistas? Sigh. Nice record too!

"Much has been made of the nesting compulsion that overtakes expecting parents. It's fair to suggest that this album owes its name to the fact that Asheville NC residents Tashi Dorji and Shane Parish were both looking forward to parenthood when they made it, and not much of a stretch to say that...

Jean-Luc Petit contrabass clarinet / Benjamin Duboc double bass.

"'This is Not Art' is the recorded beginning of a second life for the duo maintained by Benjamin Duboc and Jean-Luc Petit, finally justifying the name of the project. Before...

Dezron Douglas – basses
George Burton – piano and rhodes
Joe Dyson Jr. – drums
Emilio Modeste – saxophones
Melvis Santa – vocals and percussion on “Wheeping Birch”

“Followers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's...

"Arguably one of the most important experimental records to emerge from 20th century Ireland, Thalia, as featured on the Nurse With Wound list, is coveted for its inventive, unpredictable, near-psychedelic brilliance, yet has remained scarce due to major label politics, meaning listeners had to fork out a ton for a second hand copy. Now readily available on its intended format, the keening, breezy logic and abstract theatric dramaturgy of Roger Doyle's work on Thalia has been reshuffled to highlight its...

Hand numbered edition of 102 black vinyl copies!

“The 3rd volume of Alien Planet Trips is a collaboration with guitar player, Martin Weaver (Wicked Lady, Dark) and Dr Space (Øresund Space Collective, Black Moon Circle). We met a year ago and found we had a in common musically and should work together.
Synthesizers used on this album were: Nord Lead 2 virtual analog synthesizer, Korg Monotron, Custom Modular Synthesizer, OSCar. Programmed drums were made in Logic. Acoustic guitar, electric..

"An excellent set of fuzz guitar-propelled psych / hard rock... nothing short of great"-The Acid Archives

"This tremendous, dynamic album sits proudly atop the heavy psych heap. Savage riffs, throaty vocals, heavy and precise drumming, badass lyrics, woozy studio effects -- all are present and correct."-Endless Trip

“Ultra loud heavy psychedelic rock from Colorado, late '60s, with loads of fuzz guitar all over. Dragonfly were actually a band called The Legend, who changed their name just.

Who is William D. Drake? William D. Drake was a member of Cardiacs during one of their very greatest periods (there have been more than one) and he also collaborated in the writing as well as making the under-acknowledged Mr & Mrs Smith and Mr Drake...

As the universe reels in pain from the reality, yet becomes used to the idea, of a 'post Cardiacs world', music is still being created by some of the ex-members. And the more I hear, the more I realize what a talented crew manned that ship. William D. Drake was a member of the group and this is his fourth and latest solo album. You can definitely hear traces of Cardiacs in his work, but there's a lot more too. It's mostly songs, but every now and then you will be surprised by a rather intricate and...

"Yew's Paw was an album of thirteen unaccompanied acoustic piano pieces. All of these were original Drake compositions, although inspirations included classical composers such as Debussy, Rachmaninov, Paderewski, Prokofiev and Hindemith as well as jazz, Walt Disney films and Edward Lear). As with Briny Hooves, the album was well received. John L. Walters reviewed Yews Paw in The Guardian, describing it as "piano miniatures whose 'light classical' veneer peels back to reveal a tough musical heart."-Wikipedia

"Like last year's brilliant Wings Dipped in Fire, this new album was recorded by Taylor Hales at Chicago's Electrical Audio. But this time, the duo (once known at Mako Sica) is joined not just by keyboard/trumpet master Thymme Jones, but also percussionist Hamid Drake, bassist Tatsu Aoki (on shamisen) and bassist Joshua Abrams. A total post-form all-star line-up, with more combined chops than a breakfast table crammed with lumberjacks.
The mood on june 22 is weird and simmering. Blasts of heat...

"Anneli Drecker's Revelation For Personal Use is very much a follow-up to the huge artistic success of Rocks & Straws, an ode to her native town and region, and again consists of songs based on lyrics by Norwegian cult poet Arvid Hanssen and translated to English by artist and writer Roy-Frode Løvland. Anneli has written the album's eight lovely songs, plays piano and keyboards, and has produced the album. It largely moves in the same musical landscape as the previous album, with the Arctic Philharmonic...

"Anneli Drecker's ethereal voice first became known through the music of her band with Geir Jenssen (aka Biosphere) and Nils Johansen, Bel Canto, in the '80s. The trio signed to the legendary Belgian label Crammed Discs, alongside Zap Mama and...

"Anneli Drecker's ethereal voice first became known through the music of her band with Geir Jenssen (aka Biosphere) and Nils Johansen, Bel Canto, in the '80s. The trio signed to the legendary Belgian label Crammed Discs, alongside Zap Mama and...

I saw Arnold Dreyblatt & ensemble in 1983 (40 years ago!) at New Music America and he totally blew me away. He would have a small ensemble work with mostly re-tuned /microtonal instruments which he would have them bow and strike according to his score, until the room fills with waves and waves of sound.
It was and still is a singular sound. No one comes close to sounding anything like this.
Now it’s 40 years later and he has a new ensemble, including Oren Ambarchi & this sounds very much like...

“Star Trap presents a selection of hitherto unreleased 1990s recordings from Arnold Dreyblatt and his Orchestra of Excited Strings. Following on from Black Truffle's wide-ranging archival Second Selection (2015), which presented a smorgasbord of unreleased material from between 1978 and 1989, Star Trap mines Dreyblatt's extensive archive of unheard recordings from the 1990s, uncovering six pieces performed by three different iterations of the Orchestra of Excited Strings. While Dreyblatt often performs...

“While isolated examples of Dreyblatt's collaboration with the legendary Dutch multi-media artist appeared on the CD reissue of Propellers in Love and Black Truffle's wide-ranging archival Second Selection, this is the first release to document the variety and playfulness of the concerts that Duo Geloso performed throughout Europe in 1987-88. Both working across sonic and visual forms, fascinated by numerical relationship and the infinite complexity of string harmonics, Dreyblatt and Panhuysen had a...

A beautiful reissue edition on the always great Superior Viaduct label of one of his great, earlier releases.
I really like Dreyblatt's work from this time period. He would have a small ensemble work with mostly re-tuned instruments which he would have them bow and strike according to his score, until the room fills with waves and waves of sound. This is quite similar to what I saw.

"Arnold Dreyblatt has been called “the most rock ‘n’ roll of all the composers to emerge from New York’s....

“This is genre-perfect neo-progressive rock so if you are a fan of that style (Marillion, Pendragon for example) this is easily an essential addition to your collection.
The compositions are highly melodic with all the bombast you expect: emotional and epic guitar solos, punctuating synth, theatrical vocalist who has no problem with quiet breaks featuring softly spoken lyrics and finally atmospheric production throughout.
This band isn't new but after a long hiatus the current incarnation is...

On the heels of Kayo Dot’s 2016 album Plastic House On Base Of Sky, New York City based avant-garde musician Toby Driver sustains his inexhaustible output with a solo album titled Madonnawhore.
After exploring a retro-futurist noir sound on Kayo Dot’s 2014 album Coffins On Io then delving even further into electronic music with his aforementioned last album, Driver was eager to write a different kind of song.
Madonnawhore represents a foray into traditional songwriting, stripped of the...

Peter Giger (dr, perc, mridanga), Marc Hellman (dr), Alex Bally (dr), Joel Vandroogenbroeck (org, p, fl, sit), Gerd Dudek (sax, fl), Isla Eckinger (b), Carole Muriel (voc), Polo Hofer (voc).

"Founder and leader of Drum Circus from Switzerland has been the master drummer Peter Giger. “A giant on drums”, as the newspaper “Rhein-Main-Zeitung” called him.
He was joined, among others, by two additional drummers, as well as by Joel Vandroogenbroeck and Carole Muriel, both from Brainticket....

"After decades of neglect, the work of Goan-born guitarist Amancio D'Silva (1936-96) edged back towards the mic last summer with the re-release of his 1969 cross-cultural masterpiece, Integration. A pioneering blend of Indian raga, hard bop and early electric Miles, plus fainter traces of ska, rembetika, Link Wray, Ennio Morricone and more, Integration featured the recently arrived in London guitarist alongside some of Britain's most inventive jazz musicians, including saxophonist Don Rendell and...

Marc Ducret - electric and acoustic 12 and 6 string guitars, fretless, soprano acoustic and electric, 4 and 6 string bass, prepared guitar, daxophone, percussion, daf, chains, suitcase, voice, handclaps
Fabrice Martinez - trumpet, piccolo trumpet, fluegelhorn, tuba
Sylvaine Hélary - alto flute

Chrstiane Bopp - trombone

Bruno Ducret - cello, voice, handclaps

“Marc Ducret, on his process for creating Palm Sweat:
The material Tim had been sending me was sometimes a piece

Almost all instrumental music performed on electric and acoustic guitars, tenor sax and flute, bass and drums, with guest keyboardist Gian Piero Reverberi added on half of this 1973 album!

Another great one-shot Italian band, but this one as...

George was a straight-forward young jazzer who recorded for the Pacific Jazz label. His albums for them were perfectly decent and very well played, but they never seemed to me to have much real personality. Then, in 1973, he joined Frank Zappa and Frank's influence and his 'pushing' of George into new areas, well it pushed George into new areas!
This was the first album George released after he joined Frank's band and while Frank doesn't appear on it, his influence does. George performs on piano...

Until Faces In Reflection was reissued (that was George's second MPS album - this is his third), I had forgotten how good some of his solo albums were.
This one is from 1974 and has a touch more 'soul' influences on it than Faces, but basically it's a superior 1974 fusion album with the same great band as on Faces: George (multi-keyboards and vocals), John Heard-bass and Leon "Ndugu" Chancler-drums, with guest spots by Airto, Flora Purim and even a guitar solo by Frank under the pseudonymn...

“On the fourth album of his fusion cycle for the man from the Black Forest, George Duke substantially expanded the number of his colleagues. As before, drummer Leon 'Ndugu' Chancler beats as the heart of the rhythm section, and the Brazilian couple, Airto and Flora are again on board. The ten tracks perform a stylistic balancing act. The jittery funk of 'Chariot' and the smooth ballad 'Someday' show off Duke's soulful vocal flair. Flora Purim crowns the complex 'Look Into Her Eyes' with her spheric sound...

“This is George Duke at his utmost, wonderful best! The players he uses are great! This is when Duke was the master of funky jazz back in the 70's.
Great up tunes with classic ballads that no man can do better. His band at that time were Alfonso Johnson (Weather Report) on bass, using a pseudonym, Leon "NDUGU" Chancler on drums, Daryl Stuermer on guitar),Ruth Underwood on vibes (a ex-Zappa bandmember).
An all star line up for an all star release! This is the best of George Duke you will hear.”...

“In 1975, George Duke was dabbling in R&B vocals. But instrumental jazz-fusion was still his primary focus, and he had yet to be played extensively on any of the genres' stations. When The Aura Will Prevail came out that year, no one bought the LP for its occasional R&B vocal -- the main attraction was Duke's keyboard playing. "Fools" is a melancholy soul ballad that finds him singing lead and predicts what was to come on R&B-oriented releases like Don't Let Go (1978) and Master of the Game (1979)...

“Swedish psych-rock stalwarts return after six years away with a bright, buoyant effort that plugs that gap left by Tame Impala’s drift towards full-on pop” - Uncut

“Dungen, torch bearers of Sweden’s rich and fabled history of pastoral psychedelia, return with “One is too many and En är för mycket och tusen aldrig nog, the band’s first full-length album since 2015’s Allas Sak. Creating their own critical and fervent, fan-based lane for guitar-powered, melodic and magisterial rock ‘n’ roll with..

"With 2018's Marfa Myths festival slated to take place in the idyllic namesake backdrop of far West Texas, Mexican Summer once more reveals the fruits of the previous festival's recording residency. For the third Marfa Myths release, we're proud to present seven all-new songs written and recorded by Stockholm's psychedelic masters Dungen and adventurous Brooklyn indie-folk pioneers Woods. As the Marfa Myths record series progresses, the spirit of the collaborations between the artists chosen -- one a....

“A reissue of Dunkelziffer's last studio album Songs For Everyone, originally released 1989. Displaced from their spiritual home (the Stollwerck complex had been levelled in 1987) and robbed of the collaborative exchange it facilitated, Dunkelziffer took a different tack on Songs For Everyone, slimming down to a sextet with a newly streamlined sound. Olek Gelba and Reiner Linke remained in the percussive pocket, laying the foundation for Von Senger and Schubert's melodic prowess, with newcomers Jorge...

This is a very good modern psychedelic / stoner album by a one and done band. There's some vocals, but it is predominantly instrumental and total focused on the (excellent) guitar work.
For fans of the El Paraiso label, the Elektrohasch label, etc.

Legitimate vinyl reissue, taken from the original analog masters.

An underservedly obscure German psychedelic jazz/rock band. By the time of this, their 3rd album, from 1974, they had their best-known line-up of:
Eddy Marron (guitars, sitar, zaz, tambura, mellotron, voice)
Reinhard Karwatky (bass, superstring, mellotron, synthesizer)
Peter Giger (drums, percussion)

Trippy tracks featuring Eastern/middle Eastern motifs, jazz fusion power & psychedelic mind expansion...