C

Laura Ann Singh – vocals

Bob Miller - trumpet, flugelhorn

J.C. Kuhl - bass clarinet, tenor saxophone
Michael McNeill - piano

Adam Hopkins - bass

Scott Clark - drums, composition

“There is a Richmond sound much like there is a Chicago sound, and drummer Scott Clark has been at the center of it for the last 20 years and counting. Dawn & Dusk is his most refined and inventive to date, and this dark, slow moving (heavily influenced by Morton Feldman), drone-focused suite.

“Alga Marghen presents the previously unreleased Collage 2 and Collage 3 (Dies irae) for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s.
The electronic composition Collage 2 dates from 1960. It was the first experiment with electronic music for Clementi whose original and consistent adherence to...

Their 1st release, from 2013.

"Dada-minded insurrectionists hellbent on dismantling various genres then re-assembling them inside out with gleeful aplomb."-The Village Voice

"...I can safely call Cloud Becomes Your Hand one of the most exciting and wonderfully strange bands I've encountered in some time."-Stereogum, "Band To Watch"

"With brilliant melodies, blippy video-game sounds, and Syd Barrett-esque lyrics, Cloud Becomes Your Hand feels like a joyful journey through a strange

"Apropos Cluster (1990) was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent...

Cluster 71 is the first album by Cluster and the least known of their early clasics. It's been reissued a zillion times, but no matter which edition, it's a great release. If you don't have it, you should consider picking this up!

"Originally released on the Philips label in 1971, Bureau B reissues Cluster's eponymous debut full-length album. According to The Wire, Cluster 71 is one of the "One Hundred Records That Set The World On Fire." Very few albums from Germany can lay claim to this honor....

"Formed in Germany in 1971 when Hans-Joachim Roedelius and Dieter Moebius left Conrad Schnitzler's group Kluster, Cluster can be counted among the most important protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, while to others they are firmly embedded in the Krautrock universe. There is some truth in all of these notions. Although Cluster and "rock music" are seldom mentioned in the same breath, their early works in...

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

"After Curiosum, the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster and One Hour. The duo...

This is a document of two modestly well recorded shows by Cluster in a very early and later early prime: 1972 and 1977. Don't start here, but essential and quite worthwhile for fans.

The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster...

"Cluster's hiatus between Curiosum and Apropos Cluster in 1990 lasted for almost 10 years. Roedelius and Moebius spent this time developing their individual musical characteristics in a series of solo albums and collaborations which they released with...

Excellent final release by the pioneers of electronic music in Germany. These two musicians are old enough to be your father or grandfather, yet here they are making new, interesting, cutting-edge music.

"Reissue of the last studio album by Cluster, the legendary krautronic duo of Dieter Moebius and Hans-Joachim Roedelius, recorded in Ohio in 2009 by Tim Story. From Story's liner notes: "My role, as I imagined it, was to emulate Conny Plank, the great Cluster producer and a hero I'd never had a...

Originally released in 1976 and their last as a duo before recording their two famous albums with Brian Eno, this has been relatively difficult to find for some time until now.

"The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster already having recorded two albums with him under..

These shows from Cluster's 1996 US tour are shockingly great and up to par! Recommended if you don't already have these recordings!

"This release consists of tracks from Purple Pyramid's 1997 CD First Encounter Tour 1996, reworked and reselected.

Beautiful, new replica edition of this great, classic German release. There is currently no in-print CD edition; this is the only version currently out there!

After recording their classic II, the duo of Hans Joachim Roedelius and Didier Moebius joined forces with Michael Rother (ex Neu!) for two fabulous albums as Harmonia. So this, their 2nd album for Brain, was not released until the later 70's, & features slightly more sophisticated electronics & slightly less obvious 'junk' than before. Still..

Nice to have this classic spacey/ambient album generally available again. This was the first collaboration, recorded when Eno's star was at its zenith, between him and the great German electronic duo. I remember my first record store job, around 1978...

Reading the release blather below makes me feel so old; I remember when the cassette of this was released; I never did get to hear that cassette, but I can finally hear this now!

"Live In Vienna is the eighth full-length album by German electronic music outfit Cluster and their first and only album with Joshi Farnbauer. It is the first of three live albums recorded by Cluster.
On June 12, 1980 Cluster performed at the Wiener Festwochen Alternativ with Farnbauer. The performance was recorded..

“This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management,UK, remastered from an original master copy out of the vaults of BMG. The album was originally released in 1973 on Transatlantic Records. CMU (stands for Contemporary Music Unit), were founded 1970 in Cambridge (UK) and recorded 2 albums ('Open Space', 1971 and 'Space Cabaret', 1973) before they called it a day late 1973. They were mixing various aspects of art, westcoast, jazz and folkrock with psychedelic...

Collin Walcott : sitar
Don Cherry : trumpet
Nana Vasconcelos : percussion

“The magical encounter of three skillful players, right before their self-titled debut on ECM. On September 1, 1978, the musical trio Codona performed live in Willisau, Switzerland.”

Licensed from Jean Cohen-Solal. Includes eight-page booklet. Clear vinyl; Obi strip; Edition of 700.

"The first ever vinyl reissue of Jean Cohen-Solal's Captain Tarthopom, originally released in 1973.
"Nothing can stop a flutist. We can do whatever we want, whatever we feel. My flute, is a mirror of myself. I express feelings more easily with the flute than with language." This is what Jean Cohen-Solal said on the cover of his first album released in 1972, Flûtes Libres, renowned for its...

“The first ever reissue of Jean Cohen-Solal's Flûtes Libres, originally released in 1972. In a dreamlike fictive and windswept Brittany, hippy pirates and wild women more or less inspired by Gérard de Nerval fight it out in a theater, the magic of which brings to mind Cocteau, and where musical improvisation has an important role: this is Noroît, a cursed film which was never released in cinemas at the time (1976), directed by the great Jacques Rivette, where Jean-Cohen-Solal, his brother Robert and...

Anthony Coleman - Piano
Brian Chase - Drumset

“Legendary pianist Anthony Coleman (John Zorn, Marc Ribot, Glenn Branca), teams up with acclaimed drummer Brian Chase (Yeah Yeah Yeahs, Drums and Drones) for their debut duo album, Arcades. These distinguished figures of the avant-garde craft a kaleidoscopic and expressionistic album from start to finish, hinged upon their synergistic interplay and technical dexterity. The music stands at a cross-section of post-jazz improvisation and...

Cover has moderate sized cut corner; other than that, cover is in VG+ condition. Vinyl is shiny, new and ultra-clean for a 43 year old release! Original 1st pressing, White Dog/Red label RCA pressing of this 1968 classic!

Collage were one of the better of the neo-prog bands that were an important part of the landscape in the 80s (they formed in 1985 and released their first album in 1990). They were also one of the better neo bands over-all, IMO, although being from Poland they didn’t get nearly as much international traction as their UK bretheren.
They disbanded in the mid 2000s and then reformed a decade later and this is their first new one in decades and decades!

"Having accepted the kind invitation to....

“Colleen’s mastery of the art of sound sculpting is fully displayed on Le jour et la nuit du réel, a beautiful 21 song double album that manages to explore the intersections of the material and the imagined, a sonic odyssey unearthing soul from synthesis. The album is organized into several movements. Each movement employs different synthesis settings, but with distinctive chords and motifs that provide a through line, guiding the listener through gorgeous sonic landscapes. Schott elaborates: “To me...

Graham Collier – double bass
Nick Evans – trombone
Harry Beckett – trumpet
Karl Jenkins – oboe, piano
Stan Suzlmann – alto and tenor sax
John Marshall – drums

This hits ALL the right Brit-jazz buttons of 1969! Hugely recommended!

“Previously unreleased recording of bassist/composer Graham Collier's seminal British jazz album 'Down Another Road' recorded live in 1969 at Stockholm's Jazz Day festival, his all-star sextet includes jazz heavyweights Harry Beckett, Stan..

“One of the most important voices in British folk music, this is Shirley Collins' third album after a 38 year absence. Archangel Hill showcases another peerless collection of songs chosen by Collins, some from traditional sources but others from favourite writers of hers.
Produced by Ian Kearey - Shirley Collins’ musical director - the arrangements were shared between Collins, Kearey, Pip Barnes, as well as Dave Arthur and Pete Cooper, players from The Lodestar Band.
All of the songs on...

“The first ever vinyl reissue of a true British prog rock obscurity from 1971, originally released in a tiny run on the custom SRT label. Collusion was a Dagenham-based six-piece featuring twin guitars and interwoven male/female vocals as the main ingredients.
Hard-edged prog-rock with tasty folk and jazz elements. This engaging album features seven original tracks with the stunning 'Bluebirds' and the epic 'Sweetbread Line' as the undisputed highlights.”

“Legendary Liverpudlian Psych-Rock band who made the monumental "Six Day War" track, an international hit that's been remixed by luminaries such as DJ Shadow and sold millions in its various incarnations, with 250 Million + YouTube Views for the last remix! - yet inexplicably, their classic 1973 LP has never been issued in its native England until now so this is the first ever British edition!”

Charles Gorczynski (saxophone, harmonium, electronics), Charles Rumback (drums and bells).

"A Square White Lie is a kaleidoscopic flux of sounds that pools all kinds of ideas and influences into an organic wash, one that is often transcendental..

"Limited 180gm vinyl LP pressing. Those Who Are About to Die Salute You is the debut album by progressive Jazz rockers Colosseum, released in 1969. It is one of the pioneering albums of jazz fusion. The title is a translation of the Latin phrase 'morituri te salutant' that according to popular belief gladiators addressed to the emperor before the beginning of a gladiatorial match. This is a powerful album, unleashing each member's instrumental prowess while consolidating each talent to form an explosive...

Nice die-cut sleeve on this one!

“The third volume of mind altering Colour Haze live recordings, in this case from 2020.”

“And Colour haze can play live! Their studio albums are great, but this live album is superb, as is the previous volume.
A quality recording of how well Colour Haze play live. A solid testament to their continued development. All CH fans will love this recording.”

jackets have minimal wear. Not too bad, but not quite mint. Received this way. A new edition of the 2008 double album by German stoner rockers Colour Haze.

“These German Hippies once again deliver an amazing stoner rock / psychedelic record. In my opinion "All" is a even more catchy then their 2004 release - especially in the first half. Definitely the leading band in their genre since 2000.”-RYM

“Reissue of this 2000 album! All the songs on the debut by this German act breathe the atmosphere of heavy groove rock.”

“A DOUBLE-CD LIVE SET from the awesome stoner band from Germany.”

“Great as always. Super live band. I've seen Colour Haze at least 5 times live and they've always been world class! ... it IS time for a new LP.”

Colour Haze are a great, mostly instrumental, German guitar/bass/drums psychedelic trio. This is a reissue of the group's long out of print first album, originally released in 2001. The sound here is rawer and more guitar-y psychedelic than later, but...

“The second volume of Colour Haze live material was recorded during the band's legendary 2007 concerts on the island of Sardinia.”

“And Colour haze can play live! Their studio albums are great, but this live album is superb, as is the previous volume.
A quality recording of how well Colour Haze play live. A solid testament to their continued development. All CH fans will love this recording.”

“They've managed to take every cool element from 13 prior releases and distill them into one perfect record that does the impossible...”—Clean and sober stoner

“What's not to like? Hazy, LSD drenched, fuzzed out, distressed, tortured guitar woven into brilliant stoner ragas. I can listen to this band (and this release) for ages to come.”-rym

"The musician and spiritual seeker Alice Coltrane was much more than just John Coltrane's second wife. One of the few harpists to feature prominently in jazz, she was also a renowned pianist and composer and her interest in spiritual matters greatly helped steer her husband deeper into Krishna consciousness, which had significant bearing on his music, most notably evident on A Love Supreme (1965). This mesmerizing performance, held at Carnegie Hall four years after John's untimely passing as part of a...

NOTE: These are new and unplayed, but they have some dinged corners.

Joe Cairney (v)
Mark Spalding (g, bv)
Jim Johnston (k)
John Fitzgerald (b, bv)
Bruce Levick (d, p)

“Progradar: “The one thing that I have always loved about this band is, despite obvious nods to the bands of the so-called ‘Neo-Prog’ era, they have resolutely ploughed their own furrow, resulting in a distinct sound that could only emanate from these talented Scotsmen. It is definitely progressiv

“Sonic Youth's Lee Ranaldo and French maverick Pascal Comelade relive The Velvet Underground -- a non-nostalgic reinvention of a musical legacy that takes an influential past into the future.
For the world premiere of his latest book Linger On: The Velvet Underground -- published by Eva and Thurston Moore's Ecstatic Peace Library -- Catalan music journalist Ignacio Julià wanted to relive the New York band's original dynamics, that creative friction between an American noise-guitar player and poet...

“Boom Boom is the follow up of 2015's Traité de guitarres triolectiques à l'usage des portugaises ensablées. Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote and performed another album together.
12 new songs, written by Pascal Comelade & Lionel Liminana. Featuring solo guitarists long-time friends of Pascal Comelade: Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté, and Lalo Lopez.”

"The first reedition (and first-ever vinyl edition) of Pascal Comelade's 1998 cult classic L�Argot Du Bruit, personally overseen by Pascal himself, this very unique edition comes with new updated artwork (done by Pascal) and the three legendary duets with P.J. Harvey and Robert Wyatt on "September Song"."

"Le Rocanrolorama Abrégé is a clear perspective on Pascal Comelade's musical universe; it can be considered an ultimate "best of" and a radical introduction to this chaotic and uncompromising instrumental music. Rocanrolorama Abrégé (abbreviated "rockandrolorama", in English) is the short version of the complete works and reworks of Pascal Comelade, published at the end of 2016 as a six-CD box set, in a limited edition of 1000, numbered and signed copies (now out of print!). Pascal Comelade made this...

Originally released by the Mnemonists on their DYS label, one of the few non Mnemonists-related releases to be found there, this has been exceedingly rare for decades and decades. In addition to its rarity, it’s also really good and was, iirc, the first of his releases to signal his away from electronics and towards toy pianos and etc. Recommended.

"Originally released in 1982, Pascal Comelade's Sentimientos is one of the most elusive and sought after LPs in the French composer's vast catalogue...

“Previously unreleased recordings by various line-ups drawn from Derek Bailey, Tristan Honsinger, Christine Jeffrey, Toshinori Kondo, Charlie Morrow, David Toop, Maarten Altena, Georgie Born, Lindsay Cooper, Steve Lacy, Radu Malfatti, and Jamie Muir.
Journalists often make the brief history of free improvisation conform to the idea that the history of music is a nice straight line from past to present: Beethoven... Brahms... Boulez. Thus Derek Bailey, Evan Parker, and John Stevens -- together...

“Music recorded at London's ICA in July 1982. It's a miracle of group interaction, wonderfully paced, moving steadily between moments of mounting intensity and tension. The passage about halfway through -- when Derek Bailey's harmonics ring out above a sheen of inside piano tremolos and shimmering electronics, topped off by Julie Tippetts's soaring vocalese -- is simply sublime. After which it's fun to try and tell the two pianists apart. Are those runs Ursula Oppens, with her formidable technique honed...

“Acclaimed guitar duo Loren Connors and Alan Licht celebrate their 30-year collaboration with the release of their eighth album - At The Top Of The Stairs.
Across the decades, their improvisations turned increasingly abstract and atonal, while still maintaining complex, ethereal arrangements. The harmonious blend of Licht's meticulously crafted feedback and harmonic patterns with Connors' ghostly blue tones remains the core sound of this partnership.
At The Top Of The Stairs was recorded live...

“Celebrating its one hundredth release, Black Truffle present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt, and Jim O'Rourke. Across a two-night program organized by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O'Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt's ensemble and the second the trio heard...

"Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music. 'Ten Years began with image before sound,' writes Andrew Lampert, 'a row of quadruple projections arranged...