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"Brand new full length from Miminokoto. Highly recommended for fans of Tokyo-Underground, classic era PSF and contemporary Japanese outfits such as LSD March and Suishou No Fune. Featuring members of Acid Mothers Temple, Overhang Party & Che-Shizu....

A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analogue synths and Krautrock...

"Jim O’Rourke first joined Mimir for Mimyriad in 1992. It was completed and released as the first Streamline CD in 1993. In 1998, a radically remixed and reedited version was issued as a limited-edition Streamline LP. This new CD release contains a...

An album so obscure that most of Terje Rypdal's fans didn't even know it existed until it's first reissue (I didn't). Their one and only album, originally recorded and released in 1970. This short lived trio featured guitarist Terje (also playing soprano sax!) Bjornar Andresen-double bass and Espen Rud-drums.
After a really free-jazz start, the album veers between quite free-skronk and free playing with a groove. Obviously, Terje was very influenced by working with Jan Garbarek about the same time.

I have rediscovered the pleasure & the emotion to play free again. This music is full of warmth, melody, energy & fantasy, with, of course, a Mediterranean soul... Pino Minafra-trumpet, Sandro Satta-alto sax, Georgio Occhipinti-piano, Vincenzo Mazzone-...

The 1st North American release by Italian trumpeter/composer/bandleader Pino & his sextet (trombone, saxes, keyboards, bass, drums). His work stradles the boundry between new-jazz & European freemusic. [Victo]

Peter Epstein – Alto Saxophone
Mitch Marcus – Tenor Saxophone
Mark Ferber – Drums
Sam Minaie – Acoustic Bass, Compositions

"Sam Minaie has quickly established himself as one of jazz's most exciting rising stars of both upright and electric bass. His compelling debut as a leader, Heyo!, features a band of heavyweight modern jazz innovators rollicking through mostly original compositions with fire, grit, and attitude, and a distinctive blend of jazz, rock, and world music that's as...

"Since the late 1980's, Carla Kihlstedt and Satoko Fuji have been at the forefront of New Music, performing, recording and touring in Big Bands, rock groups, jazz bands, classical ensembles and improvisational units all over the world. They now get...

"This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010.
Since the early 1970s, Enzo Minarelli has...

Angelika Niescier alto saxophone
Denman Maroney hyperpiano
James Ilgenfritz contrabass
Andrew Drury percussion

"Here is a quartet committed to contrast conventional and unconventional approaches to composition and improvisation. Complex time signatures and intricate notated materials coexist with spontaneous sonic explorations, both timbral and chromatic. The textures and figures are harmonically rich, full of details and with simultaneous organic effects – crude, primal...

This 1970 release was actualy the very first release on the audiophile Three Blind Mice Japanese jazz label.

It's a cross between modal jazz and early electric jazz and it features the first recordings as leader by saxist Kosuke Mine, who is...

If you like the electric 70s jazz/rock sound, there's a lot of great releases from the 70s and into the 80s from the Japanese jazz scene that is well worth investigating. This one is very reminiscent of late period Mwandishi / early period Headhunters...

Tito Pueblo-vocals
Bill Gilonis-guitar (of The Work)
Ilja Komarov-bass
Trixa Arnold-drums

"Tito Pueblo, aka Rob Murphy (Orchestre Murphy), has been responsible for some terrible lapses of judgement & taste. Here he gives us an album of post-Beatles pop songs that deal with the key issues of our times - drinking, sex, love, melancholy, obsession, & drinking. Expect fake French accordion, ludicrous cowboy songs & Flamenco rip-offs."-Chris Cutler

Tito Pueblo-vocals
Bill Gilonis-guitar (of The Work)
Ilja Komarov-bass
Trixa Arnold-drums

"Tito Pueblo, aka Rob Murphy (Orchestre Murphy), has been responsible for some terrible lapses of judgement & taste. Here he gives us an album of post-Beatles pop songs that deal with the key issues of our times - drinking, sex, love, melancholy, obsession, & drinking. Expect fake French accordion, ludicrous cowboy songs & Flamenco rip-offs."-Chris Cutler

“Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.”

For a short period in the mid/late 50s, Charles seemed to be interested in combining spoken word with jazz and he released a couple of albums that did so as the opening track.
I love Charles, but as much as I do love Charles, these are some of the least enjoyable things that he did as far as my personal tastes go.
Having said all that, this is one of his earliest triumphs, and even if you skip the 12’ track with the spoken word, you still get nearly 50’ of fabulous 1957 Charles Mingus. Recommende

So, what are the truly legendary groups in jazz? Probably less than a dozen: Duke Ellington's Orchestra, The Hot Five with Louis Armstrong, The Charlie Parker/Dizzy Gillespie Quintet, Ornette Coleman's original quartet, the John Coltrane Quartet, etc....

A new, previously unheard and unknown track by Charles with Eric Dolphy? Yeah, I’m in.

“The music Charles Mingus and his group recorded during his landmark 1960 sessions for Candid Records produced three of the most revered jazz albums of the era. INCARNATIONS is a new masterpiece thoughtfully assembled from rare and unreleased material from those sessions that stands proudly in the Mingus canon of masterworks.
All but one of the tracks here are from the November 11th, 1960 sessions Mingus...

This 1959 release was Charles first album for Columbia. Charles released a lot of great materials from 1955-1965 and this is one of them.

This is two amazing shows in stupendous sound quality (those German engineers really know how to twiddle the knobs) from two incredible periods in Mingus’s career, with each show taking 2 CDs to present in full. And both are licensed and taken from the original tapes of Radio Bremen and neither one has been officially released before!

So, what are the truly legendary groups in jazz? Probably less than a dozen: Duke Ellington's Orchestra, The Hot Five with Louis Armstrong, The Charlie Parker...

A very, very mediocre 70s Mingus album is transformed into a fairly top notch 70s Mingus album by putting the original album into better context AND by the addition of over an hour of music not previously released before!

“Is this the very best live Mingus? Maybe not. But it's pretty darn close to it. Mingus is in good shape musically and just look at the names of the musicians in his band. The original album had just two tunes--both from Ellington. But with this revised set we have the entire...

This 1960 recording, his second on Candid, is absolutely one of the (many) great 60s Mingus recordings. This is one of the large number of totally fantastic jazz albums that were released by Candid during their short lived lifetime in 1960/1961 and is the first time this has been reissued from the original masters. Hugely personally recommended!

“At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same...

One of the legendary fiascos of modern music, which deserves a second look and reconsideration.
The concert was originally conceived as a "live workshop" of newly composed music which would be recorded for release by United Artists (this was also a way to save money) but rescheduling, lack of rehearsal time, poor sound and interruptions led to the event and subsequent album, which featured only about half the material recorded, being considered a disaster, it features the leader performing...

Charles McPherson, alto saxophone
Bobby Jones, tenor saxophone, clarinet
Jon Faddis, trumpet
John Foster, piano
Charles Mingus, bass
Roy Brooks, drums, saw

Recorded live on August 14-15, 1972 at Ronnie Scott's Jazz Club, London, England.

“This is Mingus and his sextet at Ronnie Scott's club, recorded over two nights in 1972. This set is somewhere between four and five "stars" depending on the tune.
There's nine performances of tunes like (the 35 minute) "Fable

The Young Rebel
Mingus At Antibes
Reincarnation Of A Lovebird
Plays Piano
Town Hall Concert (1964)
Right Now
At Monterey

Not really ‘rare albums’, but certainly some great ones in here!

“Among the most inspirational and innovative composers and musicians of the 20th Century, Charles Mingus remains perhaps jazz music's...

Thierry Payssan – keyboards
Jean-Luc Payssan – guitars, vocal
Eric Rebeyrol – bass
Charly Berna – drums

This very long lived, mostly instrumental French band are still led by the Payssan brothers and are enjoying 35 years of activity with this new release.
As a little birdie said to me, “Quick thing. When you put the minimum vital on your site, say somehow that the first vocal cut is NOT representative of the rest of the really, really strong disc”, and as always, one should..

Second excellent album by synthesist Chuck van Zyl and guitarist Art Cohen. "The Ministry Of Inside Things are considered among the most innovative of US synthesists today. Influenced by the early music of Tangerine Dream, Klaus Schulze and Ash Ra Temp...

Some of you who are fans of US space music will remember synthesist Chuck van Zyl, who released music under the name Xile, his own name, and in collaboration with The Nightcrawlers, among others. For almost 25 years he has hosted "Stars End", a program...

Marco Minnemann is a monster drummer who plays with a lot of the hottest fusion and modern progressive cats; with Eddie Jobson in UKZ, with Bryan Beller and Guthrie Govan in the Aristocrats, etc.
This is a solo album where he plays all the parts...

Either a very long CDEP or a short album (35), this is a really wonderful first release by a female singer/composer named Kelsey Michael, plus trombone, trumpet, sax, piano, bass, drums, & electronics (which are very subtle). The effect is kinda like a...


"The six musicians from Oberhausen released their only LP in 1978. Symphonic rock. The LP "Fly away" was released in two different covers: initially (and that’s the version of this CD) with the legendary bull-headed creature from ancient Crete and, subsequently, with a rather plain airplane. The overall circulation was 1000 copies. The six musicians from Oberhausen played symphonic rock in the style of early Genesis or Yes, which, at a time when punk rock hit the scene, was a bit outdated and bound to...

For many folks, free improvised vocals is one of the hardest genres to ''get''. While this is hardly an easy listen, Minton is a very talented & amusing artist & this set with John Butcher-saxes, Veryan Weston-piano & Roger Turner-drums has 16 short wo...

I've had the great pleasure of seeing this band twice and they are extremely entertaining as well as magnificent players/improvisors. And Phil is always a great hoot to see live! Phil Minton (voice), John Butcher (soprano & tenor saxophones), Veryan...

"These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation....

“Phil Minton is a jazz/free-improvising vocalist and trumpeter. He is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble. Minton is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His vocals...

Phil Minton - voice
David Jäger and Markus Heinze - saxophones
Christofer Varner - trombone
Martin Wolfrum - piano
Gunnar Geisse - laptop guitar
Georg Janker - double bass, electronics
Sunk Pöschl - drums

"What Phil Minton is able to create with nothing but his voice -- those, as Bert Noglik puts it, "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" -- seems to lie beyond what it is possible. He is the indisputable vocal giant o

Phil Minton: Voice
Veryan Weston: Piano, Organ, Voice

"Phil Minton and Veryan Weston, friends for many years, wrote a vocal project for a six-member choir on the topic of anarchism back in 1993. In the middle of the project stood the life...

Phil Minton and Veryan Weston began their collaboration in 1987 when they were commissioned by the Le Mans Festival in 1989 to write and perform a composition for 22 voices based on the prison writings of Ho Chi Minh. Since then they have toured the wo...

"Unlike Bob Mintzer's '80s offerings on Cheetah (Source and Papa Lips), the band used on this session is a quartet made up of star talent: bassist Eddie Gómez, the elegant pianist Steve Kuhn, and drummer Steve Gadd. On first glance it might appear that Gadd is out of place among these more subtle members of the rhythm section. Being a consummate professional as a studio musician, Gadd is an excellent jazz drummer adding grace, subtlety and tension to a very sophisticated rhythm section...

This first-ever release of any music by this excellent Germany duo consisting of Hammond organ & vocals and drums, percussion and vocals.

The two members, Günther Kühlwein (organ) and Walter Helbig (drums) were long-time band mates in a number...

“Was there ever a more paradoxical band than the Minutemen? Comprising Dennes D. Boon, Mike Watt and drummer George Hurley, all natives of working class seaport San Pedro.
Forever jocular and unpretentious to a fault, the Minutemen were alt-rock's blue-collar, union heavies of the 80s underground while also profoundly avant-garde. This was the age of Reagan, ripe for tearing apart and kicking the crap out of, but rather than get lost in a verbal revolt and a street riot, the Minutemen made their own...

Miotic are a math-rock/post-rock/brutal prog trio from Bologna, Italy. They say they are influenced by those sounds, and they certainly are, but they definitely have their own slant to that sound. If you like Upsilon Acrux, Dysrhythmia, Don Caballero, you

For whatever reason, Orquestra Mirasol changed their name to Mirasol Colores with this, their third album. This was originally released in 1977, and, like almost all electric jazz/rock in 1977, it's beginning to run a little bit low on steam...

"In these challenging times, it's nice to count on something that seems to be getting better instead of worse. Miriodor have been around now for about 30 years, quite an accomplishment in itself, but perhaps more amazingly, every CD they release improves in some way upon the last. A case in point is Avanti! (Onward!), the band's seventh Cuneiform CD, released in May 2009.... On Avanti! Miriodor have climbed their highest peak yet and now stand patiently waiting for you to discover them."-All Music...

"The music is both entertainingly accessible and startlingly inventive, filled with more sonic details than can be grasped in a single listen." – All Music Guide

Over a nearly 35 year-long career, Miriodor have...

Bernard Falaise – guitars, bass, keyboards, banjo, turntable
Pascal Globensky – keyboards, synths, piano
Rémi Leclerc – drums, percussion, electronics

There are no other bands in North America that sound even remotely like Miriodor, whose new album Elements is their 10th studio release since their founding in 1980. This likely has to do with where keyboardist Pascal Globensky, guitarist and bassist Bernard Falaise, and drummer Rémi Leclerc are...

Great sounding live, archival release from the period when Miriodor were a trio ("Miriodor" and "3rd Warning"). Both of these albums are unfortunately out of print at this time, so it's also the only way to currently hear this period of the band's...

Bernard Falaise guitars, keyboards, turntable
Pascal Globensky keyboards, synths, piano
Rémi Leclerc drums, percussion, electronics
Nicolas Lessard bass, double bass, keyboards

"With a career going back over 30 years, French-Canadian band Miriodor have carved out an instantly recognizable sound that straddles avant rock and jazz...Miriodor have a wonderful sense of melody to counter their more experimental tendencies, and [the band] pulls off the ha