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"In 1970, nine years after leaving the United States to study music in Canada, Beverly Glenn-Copeland released two self-titled albums. Both were a stunning showcase of classical and jazz acumen, layered with poetry and accompanied by some of the best players of the time. Original pressings now fetch thousands of dollars.
Glenn-Copeland then vanished as a recording artist until his re-emergence in 1986 with the release (just a few hundred copies on cassette) of what many now believe to be his...


“Between March 1972 and their final performance at The Nottingham Boat Club in August 1975, the Global Village Trucking Company played 390 gigs. In that time, they gained many friends, fans and admirers. A Global Village gig was always a special occasion, full of unexpected moments and often passages of true inspiration. They were constantly pushing and stretching the boundaries, with a huge appetite for improvisation that often took them to giddy musical heights. It was for good reason that they were...

"The Globe Unity Orchestra’s music is still like a promise. A commitment to a future-oriented process. Belief in an always developing form. At the same time, quite real sounds and rhythms are produced in a space they fill with unexpected energy..."

"The Globe Unity Orchestra is not just an ensemble of enormous historical importance to jazz but one which proves the continuing relevance of its self-imposed task.
The present line-up, encompassing musicians of several generations and nationalities, lives up to the responsibility of producing genuinely new music, rejecting the commonplace and avoiding cliché, each time they play together. As if to contradict those who accuse the Globe Unity Orchestra (and free jazz in general) of predictability...


This band are from Cookeville, TN, home of The Hosemobile! They are a trio of
Mike Littrell-guitar
Cale Koester-bass
Brad Schroeder-drums
and they even sort of operate somewhere in the same basic sphere of instrumental math rock / post rock, although now is now and then was then. Y'know?
But they are a great little outfit as listening to either of the two clips below will show you and can safely recommended to fans of 'modern, non-retro' progressive rock, ala Us, Today or Crown Lar

Randy Gloss - all percussion, composition, and production

*****5 STARS*****from LA Weekly
"Gloss is a true master of almost anything that can be hand-struck, which he so eloquently demonstrates with sounds and textures that blend together in a delicious confectionary for the ear." —L.A. Weekly

*****5 STARS*****from Percussive Notes
"This album is an opportunity to hear one of America’s great percussion virtuosi in a solo context in which Randy Gloss quite literally brings you a..

I saw this great Richmond group whose members also play in other great better and less known ensembles such as Fight the Big Bull, OMBAK, No BS Brass Band, Bio Ritmo, etc. in May, 2010. Led by guitarist and composer Scott Burton, the band also features...

"Part recorded in the studio part live, Gnawa Bambara features a number of tracks choosen from a vast repertoire and provides an opportunity for an authentic encounter with one of the most interesting and culturally and spiritually fertile North African..

Recordings of the incredible, famous trance music of the Gnawa. [Felmay/Robi Droli]

Good improvised rock music from a Finnish trio of guitar, keyboards and drums. "Gnomus is a group that plays experimental improvised music = asopposed to playing pre-composed pieces the music of Gnomus shapesitself during the performance. The music evo...

“One of Zorn’s most beloved and unique 21st century ensembles, the Gnostic Trio features the distinctive guitar of Bill Frisell, the vibraphone of Kenny Wollesen and the ethereal harp stylings of Carol Emanuel. The sounds are soulful and heavenly and for this, their seventh cd together, they perform nine tunes from the “Book Beri’ah”, the last book of music completing the Masada legacy. Frisell’s magical sonorities dance around harp and vibraphone creating a heavenly improvisational counterpoint. Truly...

"GOAD were first formed in the Florence area by the Rossi brothers, Gianni and Maurilio, in the late Seventies. At the end of 1983 they released the album "Creatures" for Northcott Production, a New York label that had already released in the USA their album of covers, "Who Can It Be". The album was issued by Emmegi (distributed by Polygram) in 1985. In spite of lack of support from the label, another album was completed. "Perfume" is a collection of pieces written and recorded from 1985 to 1988, which...

Great, up and coming, new Swedish psychedelic band from Sweden. Lots of influences from Can, Afro-pop/Fela Kuti early Sabbath, and tribal rhythms. Heavy drums and bass, wild guitar and mesmerizing dual female vocals make this band unique and wonderous...

“The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks...

"‘Headsoup’ is a new compilation that deepens the legend of mysterious Swedish psych collective Goat even further. Collecting rarities from across band’s celebrated career, including standalone singles, B-sides, digital edits and two enormous brand new tracks, it’s a globetrotting acid trip of a record that’s even bigger in its scope than their acclaimed studio LPs.From the incendiary heavy psych of their earliest work, like debut B-side ‘The Sun And Moon’, to the serene ‘Requiem’-era alternate take...

“Formidable psychic warriors, channelers of the mystic and proponents of a spiritual quest that transcends this realm!
It is hard to know how many times the mythology and mystery of Goat’s backstory can be written about, but new release ‘Medicine’ does away with any need to dwell on the past, returning with a more introspective, slightly mellower psych-folk sound that remains recognisably them.
There is a consistently restrained, warm feel across the whole work, and the band suggest that the...

“Formidable psychic warriors, channelers of the mystic and proponents of a spiritual quest that transcends this realm, Goat remain a band shrouded in mystery. Travelling from their origins in the Swedish village of Korpilombo across the stages and festivals of the world in the last decade, this band has created their incendiary music entirely according to their own co-ordinates and conducted their affairs strictly by their own code.
Invigorated by forces we can only guess at the origins of...

Third studio album by this great, up and coming psychedelic band from Sweden. Lots of influences from Can, Afro-pop/Fela Kuti early Sabbath, and tribal rhythms.
As the hype below states, this is more acoustic than previous releases and not as heavy, but the basic blueprint of what they do (Krautrock freakout+Afro-pop+dual female vocals) remains and they remain unique and very fun!

"In a culture obsessed with content, saturation, and continual exposure, it’s rare to find artists who prefer to.

"I compose and play electronic/mixed music with different groups like the laptop duo [KNAPP], the LAPS Ensemble or individual instrumentalists (Nao Momitani, Véronique Delcambre) and I'm part of the SMOG organization staff. I also realized several projects with the visual artist Inger Elisabeth Gleditsch. Currently I'm a professor of electronic composition and mixed music at the Royal Academy of Music of Liège and lecturer-assistant at the Royal Academy of Music of Mons (Arts2). From these last years...

“Goblin recorded live in Austin, Texas, on April 29, 2014, during the third North American Tour. The line-up consists of Massimo Morante, Maurizio Guarini, Fabio Pignatelli and Agostino Marangolo, joined by Steve Moore. Guests include rock duo Zombi. Austinato was recorded at the intimate setting of the Mohawk venue in downtown Austin. In 2013/2014 Goblin toured North America for the first time in their 40 plus year career, performing live the soundtracks the band was renown for, including themes..

Actually, the group is now called "New Goblin", but who is going to look in under "N" for a new Goblin CD? This album was recorded live in Rome on February 18, 2011 and features three original and/or long time members of Goblin: Massimo Morante (guitar),

Goblin were a instrumental quartet of keyboards, guitar, bass & drums who are known for their soundtracks to some seriously scary 70's horror films by Dario Argento. Their music is sorta like a demented, evil Pink Floyd, but they really just sound like...

Goblin were a instrumental quartet of keyboards, guitar, bass & drums who are known for their soundtracks to some seriously scary 70's horror films by Dario Argento. Their music is sorta like a demented, evil Pink Floyd, but they really just sound like...

Goblin were a instrumental quartet of keyboards, guitar, bass & drums who are known for their soundtracks to some seriously scary 70's horror films by Dario Argento. Their music is sorta like a demented, evil Pink Floyd, but they really just sound like...

“Coinciding with Suspiria's 45th anniversary, Claudio Simonetti's Goblin celebrates this anniversary with a new Prog Rock Version of the Famous soundtrack. The Terrifying and atmospheric experience of Dario Argento's films comes from the merging of gorgeously crafted visuals with a soul tingling auditory experience.
Once heard, Goblin's scores are never quite forgotten. Suspiria is no exception, characterized by its Synth Heavy sound, Carillons, Yells and Sighs. Suspiria is perhaps Argento's most...

“Second album of the greatest hits of Claudio Simonetti's Goblin with some unreleased as a rarity. The album contains historical songs such as: – Roller and Aquaman from the Goblin album Roller – Opera, Non Ho Sonno, Death Farm, soundtracks of the homonymous films by Dario Argento – Gamma, a song written by Claudio’s father, Enrico Simonetti, a very successful theme song of the homonymous TV drama – Cut And Run, Simonetti’s soundtrack from the film Inferno in Diretta / Cut and Run directed by Ruggero...

"Rustblade presents Claudio Simonetti and his Goblin playing and reinterpreting the score of one of the most famous horror movies of all times to celebrate 40 years of the idolised film Dawn of the Dead directed by George Romero and produced by Dario Argento. The music that accompanies the movie is a mix of prog and electronic rock full of tension and magic tribalism. Piercing guitars, Synth orchestration and virtualism give life to thousands of blood thirsty zombies. An unmissable release enriched with...

Goblin, Goblin, there are so many Goblins! This is the 'other' Goblin, which features original drummer Agostino Marangolo and bassist Fabio Pignatelli, along with Giacomo Anselmi on guitars and bouzouki and dual keyboardists Danilo Cherni and Aidan Zammit.

Recorded live in Rome in April, 2011, This features tons of tracks from greats like Suspiria, Zombi and Roller and more.

After Claudio Simonetti's Daemonia, then Goblin reunited, then Goblin reunited split into Claudio Simonetti's Goblin and now original rhythm section Fabio Pignatelli and Agostino Marangolo have joined forces with guitarist Giacomo Anselmi and dual...

Michel DELVILLE: e-guitar, glockenspiel, vocals
Antoine GUENET: keyboards, acoustic guitar, vocals
Etienne PLUMER: drums, e-percussions
Christophe BAILLEAU: electronics, visuals, vocals

“Etienne PLUMER (Rêve d’Elephant, Animus Anima), Michel DELVILLE (The Wrong Object, Machine Mass, Comicoperando) and Antoine GUENET (Univers Zero, The Wrong Object, Beautiful Badness) join forces with Christophe BAILLEAU, a sound artist with an interest in the function of noise as a musical code...

Jean-Brice Godet clarinets, radio, dictaphones
Pascal Niggenkemper double bass, objects
Sylvain Darrifourcq drums, percussions, zither
"The name of French clarinetist Jean-Brice Godet may not ring a bell in the minds of American, German or Japanese jazz fans, but if we say he’s a regular companion of the celebrated bassist Joelle Léandre and remember that he already worked with the likes of Anthony Braxton and Fred Frith you have sufficient indication that an album signed by him really...

Magnus Broo, trumpet / Sten Sandell, Hammond B3 organ, piano, voice/ Johan Berthling, double bass / Paal Nilssen-Love, drums & percussion.

"The association of trumpeter Magnus Broo with the Sten Sandell Trio was very much intended and searched...

Lol Creme and Kevin Godley got their start with the classy and possibly 'too smart for their own good' pop band 10cc. Then, at the height of that band's fame, they split off on their own & made three fabulous and infamous releases, which mingled their high-class pop sensibilities with an absolutely cutting, cynical sense of humor and fine musical abilities.

This was their 2nd and, I think, greatest release. Absolute state of the art production for its time and state of the art ideas and...

“First-ever issue of stillborn 1969 studio album from pre- Hotlegs/10cc duo Godley And Creme during their days as Frabjoy And Runcible Spoon. Classic UK late 60s psychedelic/folk sound recorded at Advision Studios with support from future 10cc colleagues Graham Gouldman and Eric Stewart.”

“In mid-1969, legendary British R&B/psychedelic enabler Giorgio Gomelsky signed two Manchester-based art students, renaming them Frabjoy And Runcible Spoon.
Envisaging the pair as a British Simon And...

"Taking the epic scope of Ennio Morricone, the artsy slash of 17 Pygmies, the desert-tones of prime Save Republic, bolster the mix with rhythmic chugalug of The Ex and add the Canadian tradition of radio drama and you begin to get a hint of what the...

The latest, highly praised release by this Montreal big band (3 guitars, 2 basses, 2 drummers, cello, 2 violins + tapes, light projector). They specialize in long pieces with drone content that build up magnificently. Start here! [Kranky]

CDEP: A highly praised releases by this Montreal big band (3 guitars, 2 basses, 2 drummers, cello, 2 violins + tapes, light projector). They specialize in long pieces with drone content that build up magnificently.

This group came out of nowhere about 20 years ago and hugely influenced the underground/progressive music world with their massive and expansive sound. It's a great sound and it resonates still! This is their 1st new album in a full decade; the band...

"Godspeed You! Black Emperor (GYBE) returns with its first single LP-length release since the group's earliest days in 1997-99. Asunder, Sweet And Other Distress clocks in at a succinct 40:23 and is arguably the most focused and best-sounding recording...

“The inimitable GYBE returns with another soundtrack for our times. As the heretical anarcho-punk spirit of the title implies, Godspeed harnesses some particularly raw power, spittle and grit across two riveting 20-minute side-length trajectories of noise-drenched widescreen post-rock: inexorable chug blossoms into blown-out twang, as some of the band's most soaring, searing melodies ricochet and converge amidst violin and bassline counterpoint.
Field recordings and roiling semi-improvised passages...

“THE PLAIN TRUTH=
we drifted through it, arguing. every day a new war crime, every day a flower bloom. we sat down together and wrote it in one room, and then sat down in a different room, recording. NO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody? and then a tally and a date to mark a point on the line, the negative process, the growing pile. the sun setting above beds of ash while we sat together, arguing. the old world order barely pretended to care....

Self released on their own label, this is a new, highly praised release by a Montreal big band (3 guitars, 2 basses, 2 drummers, cello, 2 violins + tapes, light projector). They specialize in long pieces with drone content that build up magnificently. ...

First album, released in 1966, by this NYC-based band. The Godz were part of the Lower East Side scene that produced post-beat avant-hippie rockers/performance artists the Fugs and the Holy Modal Rounders, as well as beat performers like Allen Ginsberg...

"With Chris Cutler, The Icarus Ensemble, Sira and Boubacar Djebate, Johannes Bauer, Tiziano Popoli, Jocelyn B. Smith and the Orchestra of the Teatro Popoli, Bologna, conducted by Yoichi Sugiyama, this is a rare release from one of the pioneers of...

A concert retrospective of their best work, & their final performance together. Heiner & Alfred's music is quite unique & very European. [Victo]

"A long and extraordinarily fruitful partnership started here - continuing through the Sogennantes Linksradikales Blasorchester - where Alfred and Heiner picked up Christoph Anders, the three of whom then went on to co-found Cassiber, with Chris Cutler...

“Karel Goeyvaerts was born in Antwerp in 1923. After receiving a humanistic education in Antwerp, he took courses at the Lemmensinstituut in Mechelen, Belgium. From 1943 until 1947 he studied at the Royal Flemish Conservatoire of Antwerp. From 1947 until 1950 he studied composition with Darius Milhaud and music analysis with Olivier Messiaen and was a pupil of Maurice Martenot at the Conservatoire de Paris. In 1949 he was awarded the 2nd Prize for Composition and the Lili Boulanger Prize at the same...

“The idea of colliding Romany music with punk may at first seem bizarre, but there's more common ground to be found than one might first suspect, not the least of which involves the rejection of authority and dominant cultural norms. Musically, the Romanies' exuberant celebration of life may appear the antithesis of punk's original nihilism, but both are kindled by a sense of immediacy, a "no future, let's play for today" atmosphere that fires every song. And so Gogol Bordello, while certainly unique...