So, so glad to see this classic German title reissued and available again!
This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

Beautiful, new replica edition of this great, classic German release. There is currently no in-print CD edition; this is the only version currently out there!

After recording their classic II, the duo of Hans Joachim Roedelius and Didier Moebius joined forces with Michael Rother (ex Neu!) for two fabulous albums as Harmonia. So this, their 2nd album for Brain, was not released until the later 70's, & features slightly more sophisticated electronics & slightly less obvious 'junk' than before. Still..

“Colleen’s mastery of the art of sound sculpting is fully displayed on Le jour et la nuit du réel, a beautiful 21 song double album that manages to explore the intersections of the material and the imagined, a sonic odyssey unearthing soul from synthesis. The album is organized into several movements. Each movement employs different synthesis settings, but with distinctive chords and motifs that provide a through line, guiding the listener through gorgeous sonic landscapes. Schott elaborates: “To me...

“Common Eider, King Eider return to Cyclic Law with their 13th full length album "Yearn". Since 2012, A.C. and B.S.s. have been crafting a unique aesthetic vision around modern composition, dark ambient, and black metal using voice, viola, percussion, and organic objects such as bone and antler to create a sonic world drenched in animism and project mythology. "Yearn" follows suit with five extended arrangements for viola, percussion, and voice. The pieces slowly unfold as if remembering a dream…

Cosmic Ground is the latest solo project by keyboardist / synthesist Dirk Jan Müller, who I have known for many years, from his work with the duo Octopus’s Garden and then the psychedelic / krautrock band Electric Orange.
All of his releases as Cosmic Ground are Berlin-school solo works and all are very good. This is his latest!

Cosmic Ground is the latest solo project by keyboardist / synthesist Dirk Jan Müller, who I have known for many years, from his work with the duo Octopus’s Garden and then the psychedelic / krautrock band Electric Orange.
All of his releases as Cosmic Ground are Berlin-school solo works and all are very good.

"Anla Courtis continues to produce music and was even quite prolific during his time in Reynols. It goes without saying that Courtis learned a thing or two from his experience in Reynols; and there's a fundamental constant to all of his work...

This is 75’ of pretty glorious cyclical & hypnotic electronic music works with a very modern but also very spacey edge. Hugely recommended.

Individually numbered double 12”
Limited to 1,000 copies in raw die cut sleeve with postcard and download code. One-off pressing available to indie stores only

“Live Works is Craven Faults’ first foray into live performance.
Pressed to vinyl by public demand, this double 12” collects three previously released live and extended versions of.

"Standers is the second full-length album by Craven Faults. It follows a trilogy of long sold out EPs, 2020’s Erratics & Unconformities LP, the Enclosures mini-album and a series of studio performances entitled Live Works.

Meticulously curated, each release moves the Craven Faults story forward. Each one a self-contained analogue electronic journey across northern Britain, viewed through the lens of a century in popular music. Studios, venues and movements. Technology and ingenuity. Vibrations. L

"Cybotron was one of the first,if not the first,electronic rock bands in Australia.Cybotron released this, their self- titled debut in 1976.
The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.
Heavily influenced by the electronic/kraut acts of Germany like Kraftwerk,Neu,Tangerine Dream or Ash Ra Tempel.

Great, noisy, spiky electronic music + drums + vocals duo who ended up being very influential 35 years later. This is #1 of the four mentioned below.

"Many things have been said about this band: they were called the godfathers of techno, the pioneers of EBM and the forefathers of electropunk. Yet they only laugh coolly and remain tight-lipped in the face of any attempt to historicize them. Deutsch Amerikanische Freundschaft better known as DAF is a myth.
What we know is that they released...

Great, noisy, spiky electronic music + drums + vocals duo who ended up being very influential 35 years later. This is #3 of the four mentioned below.

"Many things have been said about this band: they were called the godfathers of techno, the pioneers of EBM and the forefathers of electropunk. Yet they only laugh coolly and remain tight-lipped in the face of any attempt to historicize them. Deutsch Amerikanische Freundschaft better known as DAF is a myth.
What we know is that they released...

“This is an album I have dreamed of for decades. I've experimented with this kind of sustained harmonic shifting and drone but never come close. This is what organs are built for but very few composers have the courage to explore the unique possibilities they create.”–Stuart Maxwell

“The new Sarah Davachi record is an 80 minute, 17 track double album meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering. On two tracks the artist’s own vocals...

“A new longform commissioned work for any ensemble of four similar instruments. 'Long Gradus' began in 2020 when Sarah Davachi was selected to participate in Quatuor Bozzini’s Composer’s Kitchen residency, which was to be a joint production with Gaudeamus Muziekweek in the Netherlands.
With the postponement of the residency to the following year, the composer was given the opportunity to take a step back and look at the piece over a much longer period of time than would have ordinarily been....

“This is the first and second volumes in an archival series of selected electronic and acoustic works by Sarah Davachi, all previously unreleased in the vinyl format. Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings.”

“This is the second volume in an archival series of selected electronic and acoustic works by Sarah Davachi, all previously unreleased in the vinyl format. Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings.”

“The new album from Sarah Davachi is a collection of nine extended compositions for chamber ensemble and solo pipe organ. The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones.
Among the pipe organs featured on the album is an extremely rare Italian tracker organ from 1742, housed now in the Southwest desert region of the...

“The music in "America" is full of deep percussion, loaded with reverb in places, full of brain ticklers and drenched in audio sunshine... and then in other places it is quieter and almost delicate. The vocals are often presented more as harmonic washes of sound, occasionally almost subliminal, and all the time contributing to a high atmosphere. This is heady stuff that bears repeated listening.
I am not sure I would go so far as to call Deacon's work a modern form of Art Rock, but it contains some...

“A composition simply means things being put together. In music, we usually think of composition as a classical idea. But in recent years, the possibilities of what 'composing' can be, have dramatically increased. Based in Oslo, Norway, Deathprod (aka Helge Sten) has been making his own forms of music with no compromise since the early 90s. His specialty is a deeply atmospheric, grainy minimalism that slows time down and explores the very particles of sound itself. This music can sound forbidding and...

“Reissue of the limited self released album from 2019. Den Sorte Død (The Black Death) is a ritual performance by artists Offermose and Angst. From deep within the dark forests of Sweden a depressive spell is cast. Drawn-out and haunting notes ooze eerily from distorted keys, conjuring up images of underground landscapes crawling with unseen apparitions. A lone silhouette wanders endlessly through sunless deserts and smoldering wastelands. Low rumbling echoes from distant mountains, releasing a putrid....

“When it first appeared in 1986, the Desert Equations: Azax Attra album was greeted with enthusiasm, awe and disbelief: nobody had done anything quite like it before, and this dizzying, inspired blend of Persian tradition, New York avant-garde and electronic music remains incomparable, powerful and mesmerizing to this day.
Combining the sublime voice of Iranian vocalist Deyhim and the electronic wizardry of US composer Horowitz, this haunting and futuristic album prompted writer Paul Bowles...

''Reissue of the classic new generation Musique Concrete LP, this is an historic document - with extra contemporary material pursuing the rich drone techniques for which Tom D. has more recently become known. Headlock has been extensively remastered fo...

"`Light & Dark’ is Radio Massacre International member Steve Dinsdale’s fifth solo studio album, and represents a continuation of the somewhat lighter (dare we say `commercial’?) style of his solo music. The running order and length was designed for possible vinyl release, but when this proved impractical, the concise nature of the album still suggested itself as an advantage, and although more material was available Steve was keen to maintain a collection of pieces that could comfortably be listened to...

A solo release by one of the members of Radio Massacre International. This moves outside of the Berlin-style they are known best for, but it still fits in the realm of spacey electronic music and it's a winner; the 45' whizzed by so fast that I had to...

"Steve Dinsdale has been playing and releasing music for over 30 years, most notably with acclaimed British electronic improvising trio Radio Massacre International. This is his fourth studio album. Recorded over the last couple of years, it is a....