Deacon, Dan - America CD (Mega Blowout Sale)
SKU
23-WIGCD 291
“The music in "America" is full of deep percussion, loaded with reverb in places, full of brain ticklers and drenched in audio sunshine... and then in other places it is quieter and almost delicate. The vocals are often presented more as harmonic washes of sound, occasionally almost subliminal, and all the time contributing to a high atmosphere. This is heady stuff that bears repeated listening.
I am not sure I would go so far as to call Deacon's work a modern form of Art Rock, but it contains some of those creative elements. I hear echoes of Brian Eno at times in the vocals, arrangements and treatments. For this long-time fan of such music, Deacon's presentation in "America" can only be a good thing.”-John W Evans
“Though he's made a name for himself based on his irreverent and impossibly enthusiastic electro-pop, Dan Deacon shows off the more thoughtful side of his hectic composition style on the thoughtfully orchestrated America. Rather than the non-stop, sweat-fueled party atmosphere found on Spiderman of the Rings, the album continues the experimentations Deacon started on Bromst, working more and more with live instruments and exploring emotions outside of "party." With a combination of electronic and orchestral elements, Deacon weaves together an album filled with hope and wistfulness, making America an altogether more subtle and nuanced effort than his previous work.
While songs like "Guilford Avenue Bridge" and "Prettyboy" both evoke the beauty of the subtly shifting landscapes that inspired Deacon while he was on a cross-country train trip, the four-part "USA" suite is where the album really comes together. Over the course of its 20-minute running time, the sprawling suite takes Deacon's knack for layering to a new level, especially during the dizzying "USA III: Rail," where the orchestration is chopped up and layered on top of itself to create something intricate, playful, and most importantly, human. In contrast to the shuddering squelch of the synths that kick in at the beginning of "USA IV: Manifest," moments like these serve as a reminder that Deacon, and people as a whole, aren't as beholden to machines as we might think, and America's artful merging of the electronic and the acoustic shows that these tools we dedicate so much time and brain space to can also be used to create something free and emotionally invigorating.”-AllMusic
- LabelDomino
- UPC5034202029120