Rodrigo Pinheiro piano | Hernani Faustino double bass | Gabriel Ferrandini drums and percussion | John Butcher tenor and soprano saxophone.
"Known for the way they manage the energy factor, going from extreme subtlety, almost near-silence, to aggressive noise making, Rodrigo Pinheiro, Hernâni Faustino and Gabriel Ferrandini, the members of Red Trio, brought sharp ears to their presentation with John Butcher as guest during last year’s Jazz em Agosto festival. “Summer Skyshift” is the recording of...

"...constructed from a diverse and unfashionable set of instruments, Alec K. Redfearn and the Eyesores are as bizarre as they appealing. This is wonderful stuff -- brave and experimental, yet warmly human. Make room on your folk revival shelf for....

Alec K. Redfearn – electrified accordion, vocal, Realistic MG-1, loops, ceremonial bell, combo organ
Ann Schattle – French horn
Christopher Sadlers – contrabass, loops, vocals
Matt McLaren – drums, percussion

Eleven chimes usher listeners into the world of The Opposite, the 8th album by the hypnotically eclectic Alec K. Redfearn and The Eyesores. Eight songs later, another set of eleven chimes release us from the music’s hold. In...

Last five copies in existence!

"The Eyesores are an accordion-driven, gypsy cursed band that specialize in funeral marches and hypno-drone trance music, among other, equally odd things. The Eyesores are bad ass motherfuckers in an entirely new way. Recommended." - The Noise.

This one is a little bit different and also rather special. A huge nine-piece band (accordion/vocals, guitar, French horn, violin, electronics, alto sax, string bass/vocals, drums and percussion), they...

“Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listener's surroundings, an Environmental Music"-Gareth Quinn Redmond.

“Working with Still Way as a base for inspiration, Gareth Quinn Redmond takes Ashikawa's meditative sound designs to more dramatic and lyrical landscapes, gracefully instilling his personal touch into the master's melodic patterns and presenting six pieces which blend and..

Alan Reed: Vocals, 12-string, bass pedals
Tudor Davies: Keyboards (Arco)
Mark Spencer: Guitar, vocals (Twelfth Night, Galahad)
Daren Callow: Guitar, vocals
Jennifer Clark: Bass (Horse)
Henry Rogers: Drums (Touchstone)

"This is the debut album from Alan Reed and his band, featuring a selection of Alan’s solo material as well as some Pallas classics. The performances were recorded on the band’s UK dates in 2017.
The album captures the infectious energy of a band enjoy

"Jimmy Reed's second album was a little bit different from his first, but not in a way that detracted from its value. Oh, as with most blues albums of the period, it consisted mostly of previously released single sides, in this case that he'd recorded and released over the prior seven years; but three of the dozen songs here were new to listeners when they showed up on Rockin' with Reed. And, of course, that opens several possible lines of inquiry -- were the later tracks held back for an anticipated...

“In January, 2022, Mike Reed brought together some of the most creative figures in Chicago's experimental and improvised music community -- cornetist Ben LaMar Gay and poet and spoken word artist Marvin Tate -- both of whom worked on his 2017 project Flesh and Bone, and who sporadically joined him in an improvising trio -- along with the members of Bitchin Bajas (multi-instrumentalists Rob Frye, Cooper Crain, and Dan Quinlivan).
He called the new group the Separatist Party, a name he had...

Greg Ward (alto saxophone), Tim Haldeman (tenor saxophone), Jason Roebke (bass), Mike Reed (drums) with Ab Baars (tenor and clarinet), Eric Boeren (cornet), Joost Buis (trombone), Guus Janssen (piano), Oscar Jan Hoogland (piano), Michael Moore (alto...

“I love reimagining great compositions and the tracks on this collection have greatly influenced my musical output. They are songs that I heard through my childhood years, like ‘Chi Mai’, by the legendary composer Ennio Morricone. It’s one of the most haunting melodies he wrote and it became a hit single in the UK when I was a young teenager and I recall playing it to death. The three David Bedford tracks all bring back memories of my innocent youth and I vividly remember listening to the originals on a...

“CD1 contains the new album while CD2 includes bonus tracks and Tom Newman's alternative mix of the whole album The DVD has the complete album mixed in 5.1 surround plus promo videos.”

Will you be surprised to learn that this is very, very influenced by and reminiscent of Mike Oldfield? Only if you’ve been sleeping in a cave.

Joshua Bruneau (trumpet), Jonathan Barber (drums), Rick Germanson (piano), Nat Reeves (bass).

"Nat Reeves has built a successful career touring the world with some of the most important figures in jazz in the last half-century, beginning with...

“Raül Refree is one of the most acclaimed Spanish producers of the last decade. Working with artists such as Silvia Pérez Cruz and Rosalía, he has been at the forefront of the so-called "new flamenco" movement. He also collaborates with rock experimentalists like Lee Ranaldo from Sonic Youth, but Raül's musical life doesn't stop there. He has released six previous solo albums, film soundtracks among other genre-skewing projects. It is this merging of sound worlds that makes Raül's new solo release La...

Decent, listenable, but still very bootleg-quality live recording by this short-lived classical rock trio. If you know and love them, this is worth your nickel, especially as the band plays well and it includes some unreleased material, a good essay...

"Greetings Earth-o-nauts.
The worm has (re) turned! And this time the Regal Worm (Jarrod Gosling of I Monster, Cobalt Chapel) is tackling The Hideous Goblink.
An album painstakingly created by one solitary man ensconced in his darkened, tiny sky parlour of awe, wonder, and heaps of dusty old gear.
Regal Worm’s mission is putting a ‘ggressive’ back into progressive. Getting grubby with the ghosts of the old gods.
The Hideous Goblink reveals a distinct sense of urgency, expressing...

Alejandro Domínguez: Guitar
Arturo García: Bass
Miquel González: Keyboards
Marc Illa: Vocals
Eric Lavado: Drums
Xavier Martínez: Guitar

“Regna is a symphonic prog rock band hailing from Barcelona. In late 2023, the band is set to unveil its debut full-length LP, CINEMA. An honest and concise album where the band aims to showcase all facets of its DNA and gather everything they have learned from their previous work, the conceptual EP Meridian (2015).
The album has

Somehow, this very excellent album of mostly acoustic systems music was released by Rough Trade in the mid 80s. I’ve had it and it’s crap pressing for decades and decades and am finally able to really hear it!
Highly recommended for fans of minimal music / systems music.

“Regular Music were early instigators of the UK post-systems movement whose work straddles the spheres of rock, minimalism and post-punk.
The band was formed in 1980 by composer/performers Helen Ottaway, Jeremy Peyton..

Maria Reich - violin, viola
All tracks solo violin except track 3 & track 6 played on viola
Recorded with an iPhone in Berlin, Germany and Wilsum, Germany between December 2022 and May 2023.

"INTERDEPENDENZEN is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording.

“After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of Grandbrothers), Daniel Brandt and Paul Frick (both of Brandt Brauer Frick) and John Kameel Farah release their interpretation of Steve Reich's "Six Pianos" as a studio recording.
The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it. The basic idea...

Despite their being quite popular at the time, and despite Achim's long history in music, being a big name in the "Beat-era" with The Rattles and then later being a early pioneer of the Krautrock sound, most of his great albums from the 70s have not....

Hans Reichel was a brilliant (difficult, but brilliant) guitarist and instrument-maker. Starting in the 70s, he released a number of truly amazing solo albums, most of them on the FMP label.
Using regular and self-made instruments, his music truly sounds like no one else's. This was his first and is the 1st time it has appeared on CD!
Conditionally hugely recommended!

"Originally released on FMP in 1973, this is the debut LP by legendary German guitar improvisor and instrument inventor...

Tomeka Reid - cello
Taylor Ho Bynum - cornet, flugelhorn
Kyoko Kitamura - voice
Joe Morris - guitar

“This foursome is resolute in its acceptance of communal responsibility and creation. Vocalist Kyoko Kitamura sings and speaks in wordless flurries, matching and Taylor Ho Bynum’s brassy exhortations on cornet. Cellist Tomeka Reid and guitarist Joe Morris worry and pluck their respective strings, applying speed and torque in the loosing of spidery cascades of crinkled and....

First release by a monster axe-slinger + rhythm section who burn up a batch of Dregs-inspired toons. OK, ok, like some others, I guess this isnt the most original release in the catalog, but he really cooks, & those of you whose ears perk up when you h...

This album features the leader on drums with Arthur Blythe-alto sax, Michael Keith-trombone, Les Walker-piano, David Wertman-bass, plus guest appearances from Chris Capers-trumpet, Melvin Smith-guitar and Charles Tyler-baritone sax.

"“The second album from the legendary Steve Reid as a limited edition CD.
Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players – Arthur Blythe...

"Chicago-based cellist and composer Tomeka Reid, a mainstay on the Windy City scene and an important contemporary member of the A.A.C.M., was commissioned to create original music for the first documentary to chronicle the Imagists, Chicago’s hometown post-surrealists who exhibited together starting in the mid-1960s. Reid composed theme music for the film and made a wide range of multi-track improvisations based on moods, creating a tableau from which the film drew as it unwound the artists’ circuitous...