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"Charlie Morrow (b. 1942) is a sound artist, composer, sound poet, event maker. Charlie Morrow is a conceptualist whose music and sound work explores many styles and forms, from events for media and public spaces to commercial soundtracks, new media...

"One of the foremost Quebec prog bands of their day, Morse Code's discography has sold over 100,000 copies and earned them fans around the world. These highly anticipated reissues were green-lighted by EMI Music Canada, remastered from the original...

"One of the foremost Quebec prog bands of their day, Morse Code's discography has sold over 100,000 copies and earned them fans around the world. These highly anticipated reissues were green-lighted by EMI Music Canada, remastered from the original stereo masters, feature 12-page booklets and include band composer Christian Simard as executive producer. This, their first Capitol album, features their biggest hits, the symphonic disco instrumental Cocktail for the mass market, and the eleven-minute title...

"One of the foremost Quebec prog bands of their day, Morse Code's discography has sold over 100,000 copies and earned them fans around the world. These highly anticipated reissues were green-lighted by EMI Music Canada, remastered from the original...

"With "Major Impacts," guitarist extraordinaire Steve Morse pays loving tribute to axemen of the past and present who have most influenced him and helped shape his own unique style. From Page to Clapton, from Hendrix to McLaughlin and then some, Morse...

"You can sum up the artistically and spiritually eclectic drummer, composer, educator, and multi-instrumentalist Rakalam Bob Moses in three words: He was there. He was there in the early sixties as a teenaged sideman to Rahsaan Roland Kirk, and as a...



Hearing Dorthy sing again, 55 years later, is like hearing from an old friend you haven’t seen in decades!

“An amazing and unexpected return from the magical voice of The United States of America. This album reminds me of many different things all at once without sounding exactly like any one: Nico, Marianne Faithful, Robert Wyatt, and Dorothy's own past work. Total chill-out music of the highest order and of high art. I can listen to this on auto-repeat for literally hours. I've already turned...



David Moss: Voice, Drums, Guitar

David Moss: Drums, Voice, Electronics / Jean Chaine: Bass / Anthony Coleman: Keyboards, Sampling / John King: Guitar

David Moss: drums, voice, percussion, electronics / Heiner Goebbels: piano, keyboards, sampler / Catherine Jauniaux: voice / Hans Peter Kuhn: sound artist / Koichi Makigami: voice, mouth harp, conch shells, paper / Christian Marcley: turntables.

David Moss, Voice, Drums
Catherine Jauniaux, Voice
Koichi Makigami, Voice
Phil Minton, Voice
Frank Schulte, Electronics...

"After a hectic summer, touring the festivals with artists such as Röyksopp/Robyn, Lars Vaular, Datarock and Bushman's Revenge, saxophonist and bandleader Kjetil Møster now releases album number two with Møster!, his favorite project. Inner Earth is...

Kjetil Møster tenor saxophone
Jeff Parker guitar
Joshua Abrams double bass
John Herndon drums

"Ran Do comes after the 2014 re-encounter of the quartet with Kjetil Møster, Jeff Parker, John Herndon and Joshua Abrams. Their first coincidental meeting happend at the bar Rodan in Chicago in 2008, where Parker, Herndon and Abrams played every tuesday night for years. Bass player Ingebrigt Håker Flaten brought Kjetil Møster who was touring with electro-rockers DATAROCK at the moment...

“This stunning double live album from Mostly Autumn is the culmination and release of all the pent-up emotion and frustration that gathered after two and a half years of inactivity due to the pandemic. The concert is a mark of some kind of normality returning, and the cast of songs spans 27 years of the band. The magic and intensity is captured deeply in this show and is highly infectious.
Award winning Mostly Autumn’s musical palette is diverse, they draw on influences from the golden age of rock...

“In April 2022 Mostly Autumn were given the amazing opportunity to have two days in Abbey Road studios by York St John University. This recording is the result.
Bryan Josh says: - “Unloading our equipment into Abbey Road - Studio 2 was like some untouchable dream you had as a child but were now part of. With the giants of music breathing down our necks and all those classic songs still ghosting in the walls, we set the band up together with a string quartet to record a live performance. There was...

“After more than ten years, Mostly Other People Do the Killing sounds better than ever; reinvigorated, mischievous and perhaps more willing to take a deep breath in the midst of these multifaceted works.”-Karl Ackerman, All About Jazz

“If you thought the comic avant-garde free-jazz quartet Mostly Other People Do the Killing went off the deep end years ago, it just found a deeper spot.”-Steve Greenlee, Jazz Times

“…uber-talented musicians who have fun with jazz tradition and the music...

“The group that has always straddled the broad and fuzzy line between tradition and chaotic improvisation, has nevertheless managed that process with a mixture of sophistication, revelation and unbridled enthusiasm.” – Karl Ackermann, All About Jazz

"Over the past thirteen years, MOPDtK, led by bassist/composer Moppa Elliott, has earned a place at the forefront of jazz and improvised music, performing in a style that is at once rooted in the jazz tradition and highly improvised and unstructured...

The bad boys of modern jazz return with their fifth album. What? No parody of a beloved, iconic jazz album cover? No titles named after little towns in Pennsylvania? (note: I was later informed by two customers that there is indeed a town in PA named...

This 2004 release is the debut by this very young and fairly extraordinary group. The group consists of Peter Evans-trumpet, John Irabagon-saxes, Moppa Elliot-bass and Kevin Shea-drums. All the players are pretty great - the rhythm section is...

Fred Moten - words
Brandon Lopez - contrabass
Gerald Cleaver - drums

“Critic and theorist Fred Moten joins bassist Brandon López and drummer Gerald Cleaver for a conceptually rich, politically weighty album that asks timeless questions without overexplaining.”-Pitchfork

“Lopez and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic...

"The third album of the German psychedelic/prog rock band Mother Engine is a real unique piece of music, which, on one hand, used to be a concept album to show the evolution of the "Mother Engine" in their fictive story of the spaceship of the same name and its crew, and on the other, as the evolution of the musicians themselves in songwriting and DIY recording and production processes to really get inside of the implementation of their imagination. The album Hangar was made in a very ornate and...

“If you only buy one Mother Gong CD buy this one, to me Mother Gong have gone from strength to strength as their albums progressed, less "jazzy" than the earlier albums with more of the feel of Gilly's welcome to the parade or even as we Glo new tracks are blended with re-workings of earlier material such as Four Horsemen, one of the most easily approachable Mother Gong albums.”
Line-up: Gilli Smyth - vocals, Graham Clarke - violin, fellow Gongster Didier Malherbe - flute & duduk, Tim Hall - bass...

“A laid back mix of spoken word poetry from Gilli Smyth and jazzy, classic Gong textures, vignettes and humor. A lot of sax, chilled out synth and glissando guitar on this one. Overall a relaxing and artistic effort that will soothe and inspire if you approach it with an open mind. A work of art and one of the best post-70s Gong-affiliated releases I've heard.”–rym

“I founded Mother Mallard’s Portable Masterpiece Co. in the spring of 1969. I was Composer-Pianist for Dance at Cornell University but I had also been working nights for two years at the Moog Company in Trumansburg, NY, a short drive from Ithaca, trying to understand the then-in-development Moog Synthesizer for making music and possibly to use it in live performance.

At first I used Mother Mallard to perform new music at Cornell because no one else was doing it....

This is, in a way, the 'lost' third album by MMPMC, from when Dave became the sole composer and was compositionally heading towards his big opus, The Continuing Story Of Counterpoint. Recordings from this period of the band's life - their last 2 years or so - have not previously been released before this.

"A leading force in the roots of minimalism, Mother Mallard began in 1968 as a pioneering group using Moog's prototype synthesizers in live performance. These unique instruments led David Borden..

"The band fuses together such a variety of genres that it is both old and fresh simultaneously."-Birmingham Review

"The Mothers Earth Experiment is a six-piece contemporary progressive outfit from the UK. With a wide range of influences, ranging from electronica, jazz, psychedelia to black metal and back, the band of childhood friends pride themselves on their eclectic inspirations, and weave detailed sonic tapestries and propel their message of social consciousness and environmental awareness...

“Digitally remastered and expanded three CD set. Consider this the Uncle Meat deluxe edition! You get the original 1969 vinyl album mix restored and remastered on CD for the first time, plus loads upon loads of vault tracks from the studio and a few from the stage. But the real gems are the unreleased mix outtakes of "Zolar Czackl," "Electric Aunt Jemima," "Mr. Green Genes" and "Dog Breath Variations;" the single stereo version of "Dog Breath;" multiple variations of "King Kong;" the normal speed guitar...

This was Motian's very first album as a leader and it featured three people he had played with in Keith Jarrett's ensemble (Jarrett, Haden, Brown)...

Paul Motian, drums
Jason Moran, piano
Chris Potter, saxophone
"Birth of a great new band, captured live at New York’s celebrated Village Vanguard, with repertoire emphasizing Paul Motian’s wonderful ballad writing. New Motian tunes are...

"Paul Motian's trio with Bill Frisell and Joe Lovano received ecstatic reviews for "I Have The Room Above Her", Motian's ECM 'comeback' album of 2005, and the recording was a "critic’s choice" all around the world. Appropriately so: the trio was formed...

“The combination of Paul Motian and Charlie Haden was always a guarantee for magical improvisational interaction, and there is much of it in this attractive line-up with the twinned guitars of Sam Brown and Paul Metzke and Carlos Ward’s alto sax.
Motian and Haden had previously collaborated with Brown on Keith Jarrett’s Expectations album and on Carla Bley’s Escalator Over The Hill, and the bassist and drummer had also worked with Carlos Ward on Don Cherry’s Relativity Suite.
Paul Metzke joined.

bass clarinet (track 6) / Håvard Wiik, piano / Håkon Mjåset Johansen, drums / Ole Morten Vågan, double bass.

"Considering what we read somewhere in the package notes, this recording is a "smertzenfrei art transplantation". Don't ask what does...

Eivind Lønning trumpet
Atle Nymo tenor saxophone and bass clarinet
Michael Thieke clarinet
Håvard Wiik piano
Håkon Mjåset Johansen drums
Ole Morten Vågan double bass

"When you have a band mainly formed by Scandinavian musicians, natural is to find that they played, or play, with the top names of Nordic jazz, people like Jan Garbarek, Terje Rypdal, Bugge Wesseltoft, Sidsel Endresen, Trygve Seim and Bobo Stenson. But the members of Motif have a relevance which surpasses

Mick Avery (piano)
Quentin Bryar (saxophone)
John Grimaldi (guitar)
Mark Pasterfield (drums, percussion)
Ian Wilson (vocals, flute)

As it says below, this is NOT a great recording, but it isn’t SO bad. The music can easily be heard through the low/mid-fi murk.

“Darkly gnarled King Crimson style intensity issued in 1973 in 99 copies, the original recording was made by hanging a microphone with string from the ceiling, and is thus gorgeously terribly lo-fi, but those poo

First release from this excellent instrumental Japanese power trio. They are one of the best of the current Japanese rock bands, combining various experimental rock styles in a entertaining and engaging manner. Recommended! [Tzadik]

The band’s 25th studio album (!) and it finds them back to their original trio lineup. I thought that this was pretty great!

“Considering the tight run of albums since the first part of the “Gullvåg Trilogy” in 2017 – three double and a single album in less than four years – the 16 months wait for Ancient Astronauts must feel like an eternity for the fans. And once again we are amazed at the creative forces and consistently high quality at work here.
Much of the music here somehow continue in

"Angels And Daemons At Play is the fourth installment in the ongoing Motorpsycho luxury box-set reissue program. While almost every Motorpsycho release is, in one way or another, a step forward, backwards, sideways, or most often everything at once, Angels And Daemons At Play, originally released in 1997, is probably their first coming-of-age album. Following on the heels of 1995's more streamlined Blissard, AADAP is the typically stubborn response from a band refusing to be categorized. Thus, it is...

"This 4CD luxury set is the second installment in an ongoing series of Motorpsycho re-issues that started with Timothy´s Monster in 2010. In a 2011 poll Blissard (released in 1996) was voted the 25th best Norwegian album of all time by 100 Norwegian...

"Still the favorite of many Motorpsycho fans, the iconic Demon Box was also their breakthrough album. It's a testament to their most drastic period of transition: initially a relatively (but not entirely) straight rock band largely met with....

Motorpsycho are a very interesting, sometimes utterly fantastic Norwegian band who started as a death-metal outfit and very rapidly turned into something rather more uncategorizable. This 2010 release is their latest and combines heaviness with strong...

GREAT album, GREAT recording. This is what I want to hear in a 'modern progressive rock' type record. Hugely recommended

"Since meeting in high school in the central Norwegian town of Steinkjer in the early 1990s, Motorpsycho's founding members Magnus "Snah" Ryan and Bent Sæther have embarked on musical progressions over multiple genres, with collaborations, occasional line-up changes, and the development of a global following -- not to mention numerous awards -- cementing their position as...

“One would think that after the Gullvåg Trilogy -- two double and a single album in a mere three years -- the ultra-productive trio Motorpsycho might be in need of a break of sorts... but on the other hand, riding a golden wave like never before in their 30+ year existence, why stop now? The bulk of the album was recorded in France back before the pandemic, but was added to, tweaked and finished in 2020. The initial idea was to collect big riffs on one album and do a pure hard rock record, but the....

I first heard Motorpsycho when shopping at the great Stockholm record store Mellotronen and an amazing album was playing over the system by them, which I promptly bought. The great thing about them is that they change their sound constantly, which...

"This is the latest installment in Motorpsycho's ongoing series of live documents, Roadwork. It was recorded across Europe over a three-year period spanning 2008-2010, and is the first live record released featuring the Snah/Bent/Kenneth line-up...

"In October of 2012, Motorpsycho entered Brygga Studio in Trondheim for the first time in many, many moons -- this being the studio where they recorded a few of their first albums some 20 years ago -- the vibes were good, and the music happened like...

"The first-ever Motorpsycho anthology, released in conjunction with a 2015 retrospective exhibition at Rockheim, Norway's national museum of pop and rock music, in the band's hometown of Trondheim. For the first anthology since the band's formation in 1989, there are as many possible track selections as there are fans, and the band's selection for Supersonic Scientists: A Young Person's Guide to Motorpsycho will likely incite much discussion.

Roughly containing one song from every studio album...