This is the second album, originally released in 2001, by this great Spanish classical / symphonic rock group. This new edition of a long out of print release includes a 10’ bonus track.

“At this early point of Kotebel's career Carlos Plaza always shook a bit the line-up of his project. For the second recording of Kotebel Plaza was helped, besides Acosta and Garcia, by Carolina Prieto on choirs and cellist Franscisco Ochando....
The compositions of Plaza become even more ambitious and daring.

Excellent contemporary Mali / Afro-beat sounds!

“Ba Power, Bassekou Kouyate & Ngoni Ba's fourth album is a striking, career-defining record marked by mesmerizing songs, razor-sharp riffs, and full-throttle emotions. Following two years of worldwide touring for the much-heralded Jama Ko, Bassekou's band, Ngoni Ba, has turned up the volume and dynamics significantly and Bassekou's masterful ngoni playing has achieved a new level of intensity that can only be called: Afro-rock.
Distortion and...

A new generation of artists is now emerging on the music scene, revealing an enormous well of as yet untapped talent on the African continent. In their thirties, theyve already made their mark in their own country, having mastered the local traditions ...

Boris Kovac is a mavelous composer from Serbia. He released 1 CD on ReR and two on Victo (and I luckily managed to see him and his ensemble when they performed at the Victoriaville Festival in the late 80s), but he's really very little known here...

Boris Kovac is a marvelous composer from Serbia. He released 1 CD on ReR and two on Victo (and I luckily managed to see him and his ensemble when they performed at the Victoriaville Festival in the late 80s), but he's really very little known here...

“Boris Kovacs was born in Vojvodina, the multi-ethnic region of what was then Yugoslavia. He studied accordion and saxophone, going on to teach himself many other instruments. On this record he plays mainly soprano saxophone, leaving Jasna Jovisevic to take alto and bassclarinet. Like pianist Slobodank Stevic, she was classically trained, as was bassist Sinisa Mazalica. The drummer, Boris' son Lav Kovac, is celebrated for his very different playing in Howling Owl and with a variety of eastern bands...

Peter Kowald, bass, tuba, alphorn
Paul Rutherford, trombone
Günter Christmann, trombone
Peter van de Locht, alto saxophone
Paul Lovens, drums

Recorded January 19, 1972 Akademie Der Künste Berlin by Eberhard Sengpiel.

“The only LP featuring a band under Peter Kowald's name, Peter Kowald Quintet comes from a vital moment in the German bassist's career. A close colleague of Peter Brötzmann's in their formative years, including the saxophonist's debut For Adolphe Sax and th

Duos on double bass from these two groundbreaking free jazz bassists, recorded live 5/19/02 at the Victo Fest. [Victo]

This has been out of print for about five years; we found some languishing in a CD warehouse being converted into a new high-end restaurant (that's where the money is now, you know), and this is definitely your last chance to pick this up at...

This legendary German progressive / jazz-rock band returns with a new one almost fifty years after their first album!
At this point the band is a trio of the core members: Hellmut Hattler (bass), Jan Fride (drums), Peter Wolbrandt (guitar), but guest musicians help out and these three still definitely got what it takes to deliver a new Kraan album.

This Cuneiform title is LONG out of print, but we found a few and can offer them to you at the regular price, while they last! Don't blink and miss it!

This was the third and final release from a wonderful young band who only lasted about 5 years, but who managed to put out 3 unique and charming discs before dissolving.
One of the most frustrating cases of 'signing a band I really liked and thought had a huge potential and who broke up much too soon after their signing'....

"David Krakauer is one of the greatest of all modern Klezmer clarinetists. A veteran of countless bands and ensembles and a founding member of the Klezmatics, his ensemble Klezmer Madness has been forging new roads in the world of Jewish music since...

''This second CD for Tzadik pays tribute to one of the greatest clarinet soloists in jazz: pioneer Sidney Bechet. In this extended, multi-faceted suite, the Krakauer trio explores the hidden connections between Bechet and Klezmer giant Naftule Brandwei...

In his dramatic follow-up to Transmigrations:Gilgul, Wolf Krakowski weaves unique and heartfelt world-beat soul stylings with Yiddish folk, theatre and pop songs to create a compelling international downtown sound rooted in the blues, country-rock, tan...

After what seems like a very, very long lay-off musically, it's great to see the uniquely eccentric music force of Kramer back again! And with Bill Frisell!

"Everyone’s favorite guitarist and American Song aficionado Bill Frisell joins forces with producer/arranger Kramer for a brilliant and soulful exploration of the classic songwriting teams that were born and flourished in the legendary Brill Building. Picking up where 2012’s “The Brill Building, Book One” left off, this collection includes...

The mastermind behind Shimmy Disc and co-conspirator of Bongwater, Shockabilly and countless other twisted indie bands, Kramer is finally coming into his own as a composer in the Twenty-first Century. His first solo project in five years is a delightfu...

“Obscure, and often ridiculed during his lifetime, Erik Satie, the most unusual protagonist of the early 20th century French avant-garde, has transcended cult status and is now a composer whose modernity is at last appreciated.
Satie's inimitable, bare and serenely objective music was largely neglected until the eclectic 1960s and '70s when such pioneering figures as John Cage, who was enthralled by the composer's desire to tear up the rule-book, to embrace the absurd and the surreal, and to blend...

“Israeli singer Shmulik Kraus wrote a classic of psychedelic rock while sitting in a jail cell in the 1970s. His album deserves another listen.

In March of 1971, an otherwise mild-mannered 36-year-old songwriter named Shmulik Kraus, holding a Kalashnikov in one hand and a sniper’s rifle in the other, faced down a group of Israeli soldiers who had come to kick him off his land. Standing in front of the small building he had built on a plot near Nebi Samwil, just north of Jerusalem, Kraus argued...

“In a year of the moon, Kreidler have produced the album Spells And Daubs. In September 2020 the band met for exploratory sessions and initial recordings in Düsseldorf, in the familiar settings of the Kabawil Theater. The impetus this time was a solitary gig in the conspicuously spacious surroundings of the (former) Philipshalle. Over the winter Kreidler worked remotely, sifting through the material, arranging the pieces, adding textures and contours. They met again in the spring of 2021 for further...

This is a collection of all the Kriegel tracks from the original Biton LPs. Biton specialized in 'music library' music. The material was recorded between 1974 and 1982.

“Biton thus produced a total of five albums in which Volker Kriegel was involved - but which were forgotten for a long time and did not even appear in many early discographies. However, collectors in the completion mania then paid ever higher amounts for these LPs, and also some DJs had discovered the Biton sound and obtained...

"The 'Motor' of this concert was built from the core of the 'Mild Maniac Orchestra' with Volker Kriegel on guitar and Thomas Bettermann on keyboards. Completing the line-up are three extraordinary musicians: The Eberhard Weber on bass, Wolfgang...

In his native Germany, guitarist Volker Kriegel was a very well known figure, and one of the fathers of German jazz/rock. This was his first solo release, and was recorded in 1971 and released on MPS. Another fine all-star band: Kriegel plays guitars a...

Volker Kriegel-guitars
Rainer Brunninghaus-keyboards
Eberhard Weber-bass, electric bass, cello
Joe Nay-drums
Peter Giger-percussion

First time on CD and with mucho live bonus material!

“The ingredients of a Kriegel style jazz rock are as simple as they are complex: an often pumping rock bass, whose stoic groove Eberhard Weber leaves behind in wide arcs on his corpus-less electro contrabass, and a drumset drumming crisply dry to the beat by Joe Nay, which is put under...

“Starting at a very young age, Katrina Krimsky developed her musical self along a pathway of strong classical, pianistic training. Highlights of her playing on the classical side include her wonderful recording of Samuel Barber's monumental Sonata for Piano, Op. 26, (Transonic Records 3008, 1975), a composition that is a virtual dictionary of early and mid-Twentieth Century composition techniques, first performed by Vladimir Horowitz in 1949 and 1950. Another example is her equally wonderful recording of...

A CD release of what was either the weirdest album ever released on Lovely Music or the most normal. Or both. Plus much more rare and never-heard stuff!

“The first ever collection of Jill Kroesen’s wildly inventive & often dystopian compositions from ‘72 through ‘84. Includes her art rock master-piece ‘Stop Vicious Cycles’, her coveted ‘80 single, an equal amount of unissued treasures, and copious liner notes.”

“Her voice is large, unique, and charismatic. Her presence is charming...