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“With a number of traditional Korean instruments being played you might expect some parochial World Music. And that's what you get to start with to lull you into a false sense of security. Then mayhem breaks out in a God Speed You Black Emperor sort of fashion, but with much heavier drums. A stunning noise that sounds very fresh, blending post rock sounds with a generous dose of traditional Korean instruments. Those two elements are combined seamlessly, constantly creating images of wild nature to the...

Classic ESP release, recorded May 10, 1965. Yes, this is the same Bob James who practically invented 'smooth and happy jazz', but this is a completely different animal and features the great Barre Phillips.

"Probably the first recording of...

"One of the most important and influential figures on the post war blues scene, singer, guitarist and songwriter Elmore James was the unchallenged king of the electric slide guitar, updating the legacy of the country blues to post-war Chicago. His music, and particularly his guitar playing, has been a major source of inspiration for countless blues and rock musicians over the years. Eric Clapton, Duane Allman and Jimi Hendrix are just a few of the rock legends who have acknowledged his influence. This...

"Vanguard gave us a magnificent gift this year,with this issue of a complete unknown session by the very great Nehemiah "Skip" James (1902-1969),the most original master of the country blues. Born in Bentonia (like Jack Owens),Skip gave to the blues...

''Two young performers of the great Northern Indian Classical Music born one in USA, Steve James, sarod, the other in Italy, Federico Sanesi, tabla. Pupils of two Indian Master like Ravi Shakar and Shanka Chatterjee the two Westerns add to the respect ...

The second album by one of the two "Jane's" out there making music. Theirs is a odd, very 'rock 'n' roll' tale, but many years ago, Jane split into two bands, one led by Peter Panka and the other led by Klaus Hess. This is by the one led by Peter Panka...

"Janel & Anthony - guitars and 'cello respectively - play a haunting and humbly virtuosic form of music wherein the elements of electronics, looping, and lo-fi timbres live both in intimacy and in majesty in the same house as acoustic...

Janel Leppin – cello, modified cello, vocals, bass, synthesizers, piano, koto, hammered dulcimer
Anthony Pirog - electric and acoustic guitars, guitar synth, synthesizers, bass, percussion

Hugely influential and appearing nearly everywhere within Washington D.C.'s contemporary music scene as bandleaders and contributing artistic voices, cellist and vocalist Janel Leppin and guitarist Anthony Pirog have long been creative partners as well as life partners.

“This O.U.R.S. (or 'ours', French for bear) has a unifying growl. O.U.R.S. has deep roots, and an airy joy. Fine. But what exactly is O.U.R.S.? A mispronunciation of a bygone communist realm, or a sophisticated spelling of a word used to refer to a quadruped with a sore head? Nothing of the sort. Far from it. O.U.R.S is a jazz quartet. A quartet of fine blades that cut through the current jazz scene in as many playgrounds as possible. Labelling each one, they embrace them all. O.U.R.S. It's probably prog...

"Paris, 1965. Pianist François Tusques laid the foundation stone of French-style free jazz with his first, soberly titled, album Free Jazz. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles Saudrais, and François Jeanneau) all of whom honed their skills at the beginning of the decade in Jef Gilson's groups, although he was none too fond of the turbulent new face of jazz at the time.
Ten years later, Jef Gilson had obviously...

“The fact that Bert Jansch continues to produce superb records more than 30 years into his career is proof not only of his talent, but of his longevity, and Toy Balloon follows up on the excellent When the Circus Comes to Town to show that his touch -- both as a writer and guitarist -- remains sure. "She Moves Through the Fair" is a traditional piece that's been tackled by almost everybody, but in his hands it becomes beautifully meditative and hypnotic, the perfect lead-in to the gentle love song...

Steve Jansen-drums, percussion, synthesizers
Richard Barbieri-keyboards, synthesizers
Mick Karn-electric bass, saxophone
Steven Wilson-electric guitar

"Lumen is a recording of the only concert ever performed by Steve Jansen/Richard Barbieri, from 1st November 1996.

Performing songs from the duo’s 'Stone To Flesh, Stories Across Borders' and 'Beginning To Melt' albums, the show was recorded at the Milky Way as part of the famous Dutch Magazine OOR’s 25th anniversary celebrati

This is the beginning of their very interesting and influential phase, after their fairly unremarkable earlier recordings.

"Influenced by Roxy Music, David Bowie and Brian Eno, Japan's stylish synth-pop sound made them one of the more intriguing and successful artists of their time. Featuring David Sylvian on vocals, bassist Mick Karn, guitarist Steven Jansen and drummer Richard Barbieri."

From the group’s last tour, this set was recorded at The Budokan, Tokyo in December 1982 and was their fifth from last show on that tour. The band had become friends with Yellow Magic Orchestra who joined them on some of the performances here - "Bamboo Music" is a duet featuring Akiko Yano, and "Taking Islands In Africa" features Yukihiro Takahashi. Ryuichi Sakamoto also plays on those tracks.”

This was their final studio album and also their best, showing off their influences like Roxy Music, Eno and Bowie.

“Jarre’s fourth album had seen him develop a sound that was unique to him – dynamic, rhythmic and employing bassline sequences. It has since become one of the most instantly recognisable pieces of electronic work ever via the likes of Equinoxe Parts 4 and 5.
With Equinoxe Infinity comes ten brand new tracks (or movements) which cleverly follow the path of the original album. Breaks of thunder and lightning with bubbling and running water are repeated with synths sounding ‘vintage’ but with a modern...

"Recorded within two weeks of Miles Davis's death, this CD is a direct emotional response to the trumpeter's passing from a long-established trio of his former sidemen: pianist Keith Jarrett, bassist Gary Peacock, and drummer Jack DeJohnette....

This excellent 1972 release, Jarrett's only release on Columbia (he got canned from Columbia on the same day as Ornette, so he was in good company), has long gone in and out of print on CD and now it's back again. And it's a GOOD one.

"Pianist and composer Keith Jarrett's sole Columbia album is ironically titled, since scarcely a track on it gives the listener much indication of what follows. Originally a double LP, this 1972 set features at least half a dozen different combos - Jarrett's...

"Keith Jarrett's first solo acoustic piano recording remains one of his best. At this point in late 1971, Jarrett had just started improvising completely freely. That does not mean that his solos were necessarily atonal but simply that they were not...

Fort Yawuh features Keith, Dewey Redman-tenor sax, Charlie Haden-bass, Paul Motian-drums and Danny Johnson-percussion and was recorded on February 24, 1973, and Death and the Flower features the same band, but it substitutes Guilherme Falco on percuss...

Impulse! Is celebrating their 50th anniversary with several re-issues including a collection of “2-fers," two albums on one compact disc.

"Pianist Keith Jarrett's mid-'70s quintet was the strongest regular group that he ever led and all of...

Includes five complete albums:
Life Between The Exit Signs
Restoration Ruin
Somewhere Before
The Mourning Of A Star
El Juicio (The Judgment)

Standards Live, from 1987, continued at the same high level of previous Standards, Vol. 1 and Vol. 2 with pianist Keith Jarrett often recalling his early influence, Bill Evans. The well-integrated trio (Gary Peacock, bass; Jack DeJohnette, drums) plays...

While he has some wonderful discs, I can't say I'm the biggest Keith Jarrett fan in the world, but Haden is a earthy, direct player and he pulls Keith away from the florishes he reels off too easily and grounds him. One of the most enjoyable Jarrett...

Piero Bittolo Bon, alto saxophone, smartphone / Stefano Senni, double bass / Francesco Cusa, drums.

"If you're curious to know what's happening in the Transalpine scene besides the Italian Instabile Orchestra and its members personal projects...

Trombonist Robert has appeared on several Hugh Hopper projects as a guest, & this release, which includes HH Band saxist Frank van der Kooij & drummer Oscar Schulze is similar in spirit & tone to a Hugh Hopper Band CD.

"This is the first digital issue of Belgian songsmith Catherine Jauniaux’s classic recording from 1983. Her main co-conspirator is Tim Hodgkinson (Henry Cow, The Work), himself a mainstay in the world of modern, experimental music.
Together they perform a work which defies both categorization and genre labeling, offering up almost as many different styles of music as the instruments that played them. Besides capturing what could arguably be Catherine’s most unique and auspicious vocal work, this....

Two musicians interested equally - as they put it - in "compact improvisations, bent towards the song form". Ikue has made the much maligned drum machine into an art-form Jauniaux is world-renowned for her vocal talents.


"Violin Waves" is a new, important chapter devoted to the examination of the art of one of the major representative of South Indian classical music. In "Violin Waves" LALGUDI G JAYARAMAN is accompanied by the violin of Lalgudi GJR Krishnan and by the...

One of the greatest violin masters in India is undoubtably Lalgudi G. Jayamaran, and he is particularly appreciated for his ability to maintain a high level of concentration in his interpretations. Carnatic music is made of short ragas and the player c...

Over the past fifty years the Lalgudi family has gradually affirmed its position as one of the key reference points of Carnatic music whose thousand-year-old tradition is a cornerstone of Southern Indian culture. On Violin Soul the amazing musicianship...

"German-born composer/trumpeter Michael Mantler and his then-wife Carla Bley were instrumental in developing within jazz the idea of self-sufficiency and independence from established record companies.
Their creation of the Jazz Composer's Orchestra, with recordings released on their own label, was the culmination of this endeavor, and the first recording was one of the masterpieces of creative music in the '60s. Mantler had come from the European avant-classical tradition and sought to provide an..

Frank Lowe – tenor sax
Billy Bang - violin
Rafael Garrett – bass (1-6)
Wilber Morris – bass (7-11)
Dennis Charles – drums (1-6)
Thurman Barker – drums (7-11)

Subtitled The Billy Bang Quartet Sessions 1983-1984, that’s exactly what this is! And what a personal joy to get some rare / unreleased 80s prime period Frank Lowe! Hugely recommended.

“For the first time on CD, here is the Jazz Doctors session from 1983 that was released on LP as Intensive Care, with the sess

"Hipness is over. When in 1987 Roy Nathanson, Curtis Fowlkes, Marc Ribot, and E.J. Rodriguez decided to no longer function as John Lurie's backing band Lounge Lizards, they formed the Jazz Passengers. At this 1990 show they already had canned three studio albums, just enough to present a diversified touring programme. From Zappa-esque originals 'The Faker' and 'Peace In The Valley' to the soft and sweet rendering of Duke's 'Do Nothing Till You Hear From Me' and the warmhearted (at least before it....

The return of one of the many, many great bands centered around the Downtown / Knitting Factory in the mid/late 80s. Delightful.

"The JAZZ PASSENGERS are a fantastical fusion of post-bop and musical comedy, once called 'a perverse mainstream hard-bop group as imagined by Frank Zappa' - Bob Blumenthal, Boston Globe, 1989).
Their name, a take-off on Art Blakey's Jazz Messengers, reveals the musicians wild ride along the eccentric currents in modern American music. Saxophonist Roy Nathanson...

Jazz Q were the top jazz/rock band from Czechoslovakia in the 70s and into the very early 80s. The group was originally formed at the very beginning of the 70s by the electric pianist/electric keyboardist Martin Kartochvil, who remained the leader until the band’s end. This is a high quality, never before released live recording.

"Titans of Czechoslovak fusion in concert. Unpublished material from 1980, recorded several months after the premiere of the "Hodokvas" album, is a perfect symbiosis...

Ari Hoenig - drums, jingle stick, shells
Tim Motzer - guitars, guitar synth, banjo, mandolin
Chris Cuzme - saxophones, didgeridoo
Ben Bocardo - upright electric and fender bass

The re-issued 1999 Philly/Brooklyn underground jazz



Hilary is a young English trombonist who is making a name for himself on the UK jazz/improvisation circuit. He may currently be best known for his work with the Paul Dunmall Octet. "Solo outing for one of Europe's leading trombonists, a member of numer...

The third album by San Francisco's Jefferson Airplane, and for my money, probably their greatest album and one of the great West Coast psychedelic albums of the 60s.

" Jefferson Airplane: Paul Kantner, Jorma Kaukonen (vocals, guitar); Grace...

This is an authorized issue of a recording of the concert given on May 7, 1969 by Jefferson Airplane at Golden Gate Park in San Francisco. This concert was popularly bootlegged several times and this is the first time it has been officially released. It is a very, very good audience tape for the time period and shows the band at home in front of their hometown crowd and enjoying themselves.
While there are repeats from Bless It's Pointed Little Head, this has more later period Jefferson Airplane...

"Marty Balin, Paul Kantner, Jorma Kaukonen (vocals, guitar); Grace Slick (vocals); Jack Casady (bass) Spencer Dryden (drums). Additional personnel: Gary Blackman, Charles Cockey (vocals, guitar); David Crosby (guitar); Tim Davis (congas); Bill Goodwin...

One of the most essential and quintessential West Coast (meaning San Francisco) psych bands of the 60s, this is an excellent quality early/prime period release. The sound is quite excellent for what these are and the age that these are - a bit hissy...

The second album by the Jefferson Airplane, and the one with both their big hits! Pretty essential West Coast psychedelia. "This newly remastered 2003 deluxe edition contains bonus tracks. Jefferson Airplane: Grace Slick (vocals, recorder, piano, organ); Paul Kantner, Jorma Kaukonen, Marty Balin (vocals, guitar); Jack Casady (guitar, bass); Spencer Dryden (percussion). Recorded at RCA Victor's Music Center Of The World, Hollywood, California. Originally released on RCA Victor (3766). Includes liner...

"Jefferson Airplane were less focused in 1969 than they had been in the Summer of Love two years before. Recorded at the Fillmore East, these performances find the Airplane coming off their most recent album, Volunteers, released a month earlier, with the band a lot looser (drug use aside) and fractured. The factions in the group were presenting themselves during performances, and this set is no exception. Guitarist Jorma Kaukonen and bassist Jack Casady connected and jammed like they would have been....

The first release includes a different lineup than the 'famous' version of the band. It is still a very good, early psychedelic release.

"Marty Balin, Signe Toly Anderson (vocals); Paul Kantner (guitar, vocals); Jorma Ludwik Kaukonen (guitar)...

While there were other albums released under the Jefferson Airplane name, this is really the final album by the classic band. The five bonus tracks are fantastic, recorded live in November, 1969 at the Filmore East!

"This is Jefferson Airplane at its peak, political and trippy, at the end of the Sixties. Before their legendary squabbles would, finally, make them implode, they managed one last great album, and here it is. Each of them seem to have hit their stride, Kantner's writing...

Simon Jeffes was the founder, leader and composer of the great Penguin Cafe Orchestra, and this is a posthumous tribute to him, consisting of a large number of piano-only pieces, most of which have never been heard before and one final work by the PCO,...