“Three long and recent compositions: Under the Void, scored for flute, oboe, clarinet, trumpet, horn, trombone, 2 violins, 2 violas, cello, bass, piano and percussion, here virtually realised; Then, for virtual strings, brass, woodwinds, accordion and piano -combined with real Siberian frame drums, gongs, viola, electronics, bowed cymbals, lap steel guitar and Yamaha DX21 keyboard assembled by ear in the studio, not from a score, and Ortemchei, scored and assembled from parts of a live performance by...