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This disc, the fourth in a series of recordings from the visionary geography of Anaphoria Island, is the premiere recording of a new acoustic orchestra of instruments created and hand-built by Kraig Grady. All of the instruments are tuned to a unique m...


Jon Eberson – guitars
Hakon Graf – electric piano, synthesizers
Jon Christensen – drums
Svinung Hovensjø – 4 & 6 string electric bass

A lost minor classic of the mid 70s jazz/rock era, originally released on Compendium (Hopper Tunity Box! Henry Cow Concerts!) and now reissued (FINALLY) on CD legitimately for the very first time.
This one, often known as being by the band Blow Out, which was the album name, not the group name and is fondly remembered by a lot of folks and if you

First time ever on CD for this 1982 title!

“An unusual trio, consisting of Håkon Graf (Vanessa, Ruphus, Blowout), Jon Christensen (ECM) and Sveinung Hovensjø (Terje Rypdal) and sonically it sounds as if ECM meets jazz rock. Hovensjø plays almost like Eberhard Weber, while Jon Christensen plays groove (!). The only one who does something similar to what he usually does is Håkon Graf, who plays high-octane fusion on top.
An incredible record that came 10 years too late, or 10 years too early...


The most famous album by this legendary guitarist. Considering when this was made, it really is an amazing work. "Folk, Blues & Beyond was first released on Decca Records in 1965, and is one of the most important recordings from the 1960s folk revival....

"First released in 1969 on Decca Records, Hat has not previously appeared on compact disc. The album is a rounded portrait of Davy Graham's remarkable guitar style - drawing together Willie Dixon, Charles Mingus, The Beatles, Henry Purcell and Indian...

Fledg'ling Records are very proud to announce the release of this classic album on CD. First released in 1968, Large As Life And Twice As Natural is a tremendous acoustic-folk-blues-jazz masterpiece. As always with Davy Graham the music seems to defy c...

Forbes Graham - Trumpet, Drum Machine, Laptop Computer
Brandon Lopez - Double Bass
Cecilia Lopez - Synthesizers

“Forbes Graham (trumpet, drum machine, laptop computer) is joined by Cecilia Lopez (analog synth) and Brandon Lopez (bass) on a session recorded at Firehouse 12 in August of 2021.
Each musician is wholly distinct and themselves on this recording, but their sounds unite to create a dark and quizzical sci-fi journey.”


Seventh and probably the best yet by this heavy, instrumental band from Portland, OR. They are definitely a modern, post-punk, post-modern, post-rock band, but they also embrace psychedelia and space music and other 'pre-hipster' influences and make...

Deep and pretty entrancing music with beautiful violin work on top of eerie background(s) created via various instruments, overdubbing and computer work.

“Catherine Graindorge is a Belgian violinist, violist and composer. Gorgeous and haunting, Graindorge uses strings, harmonium and electronic treatments to explore intimate corners and widescreen vistas.
Over the centuries Eldorado has become a word weighted down by so many meanings, layer upon layer of possibility and expectation. But it...

“Unexpected great, well played and full of intresting moments, this first album named grantorinoProg from 2011 of the italian band Gran Torino. Progressive/jazz fusion is what they offer, but a fine one all the way.
Formed in 2000 in Verona they manage to come with first opus only in 2011. Musicaly speaking this release is almost in places spectacular to my ears, the musicianship is excellent, they play very easy on instruments, creating some great moments here.
The opening track Sinapsi shows..

Another very strong release 'rock/electric jazz/avant-progressive/call it anything' release from Rune Gramofon who are definitely on a roll these days. Then again, they have one of the most fertile contemporary scenes to draw on (their home turf in...

Hew Montgomery (Abel Ganz): keyboards
Joe Cairney (Comedy of Errors): vocals
Bruce Levick (Comedy of Errors): drums
Mark Spalding (Comedy of Errors): guitar
Chris Radford: bass

“2005 was the year it all started… having played keyboards with Glasgow’s Abel Ganz since 1982, Hew had begun to feel the need to take more direct control of his own material as the Ganz machine moved off in a slightly different musical direction from his. Grand Tour was born from a long held fascination.

Good stuff! Try to hear a sample of this somewhere if you can!

“At its core, Grandbrothers’ music represents a communion between the old and the new. On their extraordinary new album Late Reflections, the German-Swiss duo place their art in communion with an institution so old it predates their music by seven centuries: Cologne Cathedral. The iconic monument of Gothic architecture, which is both a UNESCO World Heritage Site and Germany’s most visited landmark, served as an unorthodox recording...

Don Preston-lead vocals, keyboards, electronics, iPhone
Bunk Gardner-saxophones, flute
Mat Kuttner-guitar, vocals (Android Trio)
Eric Klerks-bass, vocals (Android Trio)
Christopher Garcia-drums, percussion, vocals

“Those of you who have been to a live concert of The Mothers of Inventions probably have had quite an experience. Although the band in which Frank Zappa was active only existed for a short while in its original form, it was formative for many musicians of that...

"Drummer on Vince Guaraldi's "A Charlie Brown Christmas" lp and the Peanuts TV soundtracks, cited in the Rock and Roll Hall of Fame as one of the inventors of psychedelic music, pioneer in world-jazz fusion and electro-acoustic percussion in the hippie...


"Equally earthy and avant-garde ... intellectually stimulating though anything but academic."-JazzTimes

"Grass Roots is a new collective devoted to creating music that combines soul and fresh, contemporary songwriting. Alto saxophonist Darius...

“Incredible performance live from San Francisco, 1970. Includes appearances by Linda Ronstadt and Boz Scaggs. Includes the entire KQED-TV broadcast.”
PART 1 GRATEFUL DEAD 1. Easy Wind 2. Candyman 3. Casey Jones 4. Brokedown Palace 5. Uncle John's Band
PART 2 BOZ SCAGGS 6. I m Easy 7. Look What I've Got
PART 3 LINDA RONSTADT 8. (She s A) Very Lovely Woman 9. Break My Mind 10. Long, Long Time

Frank Gratkowski alto saxophone, flute, clarinet, bass clarinet
Simon Nabatov piano

"German reed-player Frank Gratkowski and Russian-born pianist Simon Nabatov have been making music together in a wide variety of constellations and contexts for over 30 years. The fruitful collaboration began in Klaus König’s large ensemble projects, found the two interpreting Nabatov’s musical readings of Russian literature, or as members of numerous ad hoc settings. Playing in duo, however, always allowed.

“The release of Kamasi Washington's The Epic last year marked a seismic shift in the jazz landscape and the game-changing arrival of the genre-blurring Los Angeles collective West Coast Get Down. That evolution continues with the release of Planetary Prince, the debut album by visionary pianist, keyboardist, composer and WCGD founding member Cameron Graves.
The core of the players on Planetary Prince are made up of fellow West Coast Get Down members, whose musical and personal relationships with...

The long-awaited first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on all the drums and replacing the snare with two toms, which allowed him a much more nuanced sense of indirectness in his...

"Percussionist Milford Graves recorded his first and only ESP-Disk recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each me

Another one of the most talked about sets of the month was this historic meeting between two of music's most powerful and controversial iconoclasts. Playing together yearly since 1999 for very special occasions, their musical connection and spiritual b...

Famous/infamous underground/improvisational/order"Although the Gravity Adjusters Expansion Band (GAEB) started in 1967 they remain one of the long lost and underestimated groups that explored the areas of sound sculpture, improvisation, experimental...

4th and final album, and their most overtly progressive rock oriented album - down to the Roger Dean cover! This was originally on Dawn from 1974. "Lack of commercial success drove them away from Vertigo into the arms of Dawn, while gigging all over th...

“A newly re-mastered and expanded edition of the highly collectable and legendary 1974 album by Gravy Train, "Staircase To The Day".
Formed in Lancashire in 1969, Gravy Train was fronted by guitarist and vocalist Norman Barratt, along with J.D. Hughes on keyboards, flute and saxophones, Les Williams on bass and Barry Davenport on drums. The band first came to public attention when they signed to Vertigo Records in 1970.
Gravy Train recorded two classic progressive rock albums for the label...

“German pianist Georg Gräwe, one of the most impeccable and imaginative improvisers in contemporary free music, made his debut recording, New Movements, in 1976, under the auspices of Free Music Production, the legendary Berlin-based organization run by Jost Gebers. At FMP's Jazz Now festival, in April of that year, Gräwe presented his working band, a classic hard-bop configuration with trumpet, saxophone, and rhythm section. Indeed, some vestiges of that hard-bop feel permeate the music, however it's...

“German pianist Georg Gräwe, one of the most impeccable and imaginative improvisers in contemporary free music, made his debut recording, New Movements, in 1976, under the auspices of Free Music Production, the legendary Berlin-based organization run by Jost Gebers. At FMP's Jazz Now festival, in April of that year, Gräwe presented his working band, a classic hard-bop configuration with trumpet, saxophone, and rhythm section. Indeed, some vestiges of that hard-bop feel permeate the music, however it's...

Gordon Grdina guitar, oud
Mat Maneri viola
Christian Lillinger drums

“The GLM trio brings together three world class improvisers from North America and Europe. The album was recorded live at the Armoury Studios and It captures the unedited intensity and excitement of the band playing live with the flawless audio expected from the studio experience.
Gordon Grdina is a JUNO Award (Canadian Grammy) winning oud/guitarist whose career has spanned continents, decades and constant genre...

“Juno award-winning Vancouver guitar/oud player Gordon Grdina ''continues to passionately explore the depths of jazz improvisation, cross-cultural fusions and the fun that comes with cutting loose'' (Stuart Derdeyn). Following on Inroads (2017), this second release by his wildly eclectic NY jazz-rock quartet combines intricate, through-composed counterpoint with the ebb and flow of dynamic yet focused improvisation.
The band comprises Oscar Noriega (Tim Berne) on alto sax and bass clarinet), Russ...

"One of those albums that rolls around about once a year, one that manages free itself of labels so it can [be] elevated to a higher plane--one that is called 'music'. And yet, it's not pretentious...It manages to be so rich AND fun to hear. (8/10)"-John Garratt, PopMatters

"Vancouver guitar/oud player Gordon Grdina "continues to passionately explore the depths of jazz improvisation, cross-cultural fusions and the fun that comes with cutting loose" (Stuart Derdeyn). His new and wildly eclectic NY..

Audiophile 24/88.2 recording and stereo/multi-channel mix. Playable on any CD player.

"I have probably listened to a track from this album or the whole album every week since 2007. The CD travels with me to audio dealers and hi-fi shows. The recording is crystalline and showcases the magnificent cymbal prowess of Paul Motian who keeps rhythm like no other drummer. The recording highlights the fantastic fingerwork of Gordon Grdina on his electric guitar, and especially on his oud. And the...

“With their second release, Vancouver oud player Gordon Grdina's middle eastern/avant jazz ensemble is now a quintet with three outstanding string players: illustrious New York improvisers Mark Helias (bass) and Hank Roberts (cello) are joined by Vancouver violinist Josh Zubot; Hamin Honari continues on Persian percussion. Grdina's compositions are mostly based on classical middle eastern traditions but are performed in a creative jazz context where improvised group interplay is as important as solos...

"The Great Harry Hillman – the current definition of what it means to be a new young modern jazz band in these times. Four very strong individual musicians come together to create an extremely personal style of music that could only exist through time invested band chemistry. From fragile melodies, twisted grooves, to massive band climaxes, they deliver flawless and exciting music" – drummer / composer Jim Black

Switzerland doesn’t produce many musical acts compared to other...

John Greaves: voice, bass guitar piano, sequences, string arrangements
Annie Barbazza: voice (3,6,7,11) piano (11), acoustic guitar (3)
Valérie Gabail: voice (1, 10)
Himiko Paganotti: voice (8)
Vincent Courtois: cello
Matthieu Rabaté: drums
Olivier Mellano: guitar (1,2,6,8)
Sophia Domancich: treated piano (8)
Zeena Parkins: harp (10)
Jakko Jakszyk: electric guitar (4)
Lino Capra Vaccina: piano, gongs, vibes, cymbals, percussion (12)
...

This 1998 recording, released in 2001, was the first release of John’s solo performances at a piano; just his voice and the keyboard. Lots of classics here!

“At last John, a piano and his songs. Taken from a concert at Star Pines, Tokyo and wisely minimally edited, this follows the dynamic of the concert and lives in the minutiae of its performance. Persuasive and gripping because so real - warts and struggle and all. What comes out is the essence of a performance that is engrained with character..

Limited initial pressing of 980 individually hand-numbered copies!

John Greaves solo reminds me a lot - in a way - of Peter Hammill solo. They both have a core repertoire that they nearly always perform, so you tend to get a certain number of songs you always get, as well as new or unusual selections; the setlist changes very gradually over the decades.

Having said that, they are both wonderful solo performers with a unique body of works to draw from.

This isn't necessarily...

I guess you just can't keep a great album down! This is the 3rd or 4th edition of this fantastic 1994 effort from John Greaves, which is, imo, his single finest work.
This is a great mid 90s release & probably his best solo album, with great songs & great performances, especially by guest vocalist Robert Wyatt on three stunningly beautiful tracks; maybe some of Robert's best vocal work ever! Yes, really!
In addition to Roberts vocals, you'll find vocalists S'Ange, Caroline Loeb and Kristoffer...

"Tambien started life in 1995 when Voiceprint MD Rob Ayling suggested to John Greaves that he record an ambient album. Almost ten years later the album is finished. It is around an hour long and consists of seven pieces of improvised music. Why Seven. Well according to John Greaves, 'It's a friendly number.'" Completely different from anything that you've ever heard out of John, this is a really nice one if you give it the quiet space that it needs.
"I'm still not sure what "ambient" means. Does it...

This is very different for John and also very, very good; if I had to pigeonhole it anywhere, it reminds me a little of very arty, early 80s instrumental post-punk (think: Deux Filles, Colin Newman “Singing Fish”, etc) as well as “Another Green World” and the soundtrack from ‘Twin Peaks’, but it doesn’t really sound like any of those records and it combines THAT sound with things that sound like influences from the likes of ZNR and Julverne and other drummerless ‘neo-classical ensembles’ (also of the 70s...

"John Greaves is a bit of an enigma. Apart from his solo career, he has played bass with Michael Nyman, sung opera with Jack Bruce, collaborated with Robert Wyatt and Carla Bley, and played piano with Robert Crumb. Over the last two decades, he has...

Here is JG in full-bore 'chanteur Français" mode. I like him & his voice and his style so much it's ok with me, but do bear that in mind when ordering, as he now he even out Charles' Charles Aznavour in the photo on the cover. Who would have guessed...

“This album is composed only by live recordings: no overdubs, no tricks. Annie and John are touring all over Italy and Europe with a ever-changing tracklist, usually decided at the very last minute before jump on the stage. This album collects some of the songs, mostly written by John, that form the main core of their shows.
Sometimes they perform some of Annie’s repertoire, like Greg Lake’s Moonchild or Epitaph as she performed at the Rock In Opposition Festival in Lyon in May 2019. Sometimes they...

Easily available again for the first time in many, many years.

John Greaves was the bassist for Henry Cow during their prime. He later went onto an interesting solo career featuring more "song oriented" material, and also some fine writing...

This was advertised as a John Greaves / Pip Pyle release, but like so many things VP, turned out to be only half true, but with a very happy ending nonetheless!

"It started out as a collaboration between John, and this guy Philippe-Marcel, after John said in an interview that he was looking for fellow musicians to work together. Anyway, they got together, and eventually Pip became involved too....
Still, it has, I think some of John and Pip's best stuff in years."-Aymeric Leroy

Fourth release from everyone's favorite very young Japanese noise/psych extravaganza experience!
"Two recordings from summer 2004 Portland, OR. almost representing a transition between "He's Crying Look" and "City Calls Revolution". Here we have another chance meeting of the Green Milk trio hanging with the Zig Zag man and smoking out two improvised, one take, no over dubs, recorded straight to glorious analog tape jams. “KillMeKillMeKillMe” leans toward the Rock In Opposition/Avant Rock space...

Craig Green - guitar
Clive Deamer - drums and percussion

"The son of Bill Frisell, and the grandson of Derek Bailey" - All About Jazz

“Love Notes In Binary Code comprises four beautifully recorded duets of Green’s acoustic guitar with drummer Clive Deamer (Radiohead, Robert Plant, Portishead, Hawkwind).
Guitarist and Composer Craig Green's unique vision and constant exploration has spanned that last 20 years, through a wide and diverse constellation of artistic projects from.