Thomas Haberland-vocals
Claus Peter-bass
Niko Dragun-keyboards
Reinhard Hennecke-guitar
Erlend Luck-gutar
Heiko Klingenberg-drums

“Dhope from Paderborn played progressive rock in the style of the seventies and were thus almost a bit out of time when punk and new wave had spread. Their only release, the LP "Musical exhibitions" from 1978, brings almost exclusively their own songs, is nearly impossible to find, is traded today at about 500€ to 700€ in mint condition and wa

''Unusual and quirky sampling collages from the Italian neo-primitive composer Giustino Di Gregorio. Combining modern technology with concepts inspired by John Oswald's plunderphonics...these charming and intriguing pieces chop, mix and blend known and...

"The sticker on the cover of this cd announces its Di Meola's return to solid body electric guitar. I think this statement led many people think this was going to be Land of the Midnight Sun 2 or Elegant Gypsy 2. It is not and it is not meant to be...

"With his acclaimed current studio album 'OPUS', Al di Meola not only topped the TOP 5 of the Official German Jazz Album Charts and burst to #1 position in the US Contemporary Jazz Album Charts, but once again proved his status as a 'guitar superstar'. His curriculum vitae is full of exciting musical moments and incredible works and he still finds ways to challenging himself: he is a jack-of-all-trades, who does not take a real break in supposedly quieter times. Al di Meola is burning for his passion...

Includes five complete albums:
Land Of The Midnight Sun
Elegant Gypsy
Casino
Splendido Hotel
Electric Rendezvous

"In 2008 the world famous guitarist, Al DiMeola and the virtuoso Hungarian flute player, Eszter Horgas played together in Hungary to perform the remake of Bizet’s "Carmen." The concert was recorded and leadto a remarkable album called "He & Carmen."...

About a decade ago, Diagonal seemingly came out of nowhere with their splendid debut album. A few years later, they returned for an even better second. Then silence until now...

"Less is more’ is somewhat of a cliché but just ask Diagonal whether that rings true. Seven years on from 2012’s The Second Mechanism – the group’s second LP following their eponymous debut – they return as suddenly as they seemed to disappear, with arguably their finest effort to-date, Arc. It’s a record that maintains...

Nelson Coelho - Guitar, Mellotron Guitar (13)
Gabriel Costa - Bass Guitar, Vocals (10)
Fred Barley - Drums, Vocals (9, 13)
David Cross - Violin (5 to 13)

Dialeto are a Brazilian power trio who are best known outside of Brazil for their album they released with MoonJune a few years ago.
Their most recent release was them performing the music of Bela Bartok in a rock context with guest David Cross (King Crimson) on one track.
For the release of the CD, the band arranged f

"When Os Mutantes called it a day at the end of the 1970's, guitar player Sergio Dias launched a solo career, in search of new ways and musical directions. Soon he left for the USA where he would live until 1985, playing with musicians such...

Robert Dick: Contrabass Flute
"A true revolutionary, composer/performer/improviser Robert Dick has literally redefined the flute for our age. He has worked with a wide range of musicians from classical, jazz and improvised music backgrounds including Steve Lacy, Evan Parker, George Lewis and many others. Here he focuses in on the elusive contrabass flute, and uses a wide range of extended techniques including multiphonics, percussive effects, circular breathing and more! A unique and heartfelt CD of..

''This music, rock solid, is almost tactile in our hands. It is performed by the American flautist Robert Dick, this Irish-Swiss pianist John Wolf Brennan & the Italian contrabasse player Daniele Patumi.'' [Victo]

Whit Dickey: drums, composition
Rob Brown: alto saxophone
Mat Maneri: viola
Brandon Lopez: bass

“The interaction between players is perfect. Entrances, exits, the spaces between sound and silence, all meeting at the right moment. This is great human music that will stand up to any dark forces in any universe.”
 –William Parker


2020's breathtaking trio date, Expanding Light, featuring his 30+ year colleague, maestro alto saxophonist Rob Brown, and young firebrand bassis

“On this breathtaking debut the new Whit Dickey Trio shines a powerful collective invention. Expanding Light teams the veteran drummer with one of his most long-standing collaborators, saxophonist Rob Brown, and for the first time with the young firebrand bassist Brandon Lopez. The album maintains a visceral ferocity even at it's most abstract and quieter moments, a sonic territory that the drummer refers to as "free grunge", influenced as much by Nirvana at their finest as by the holistic...

CD 1: Whit Dickey/Matthew Shipp Duo: Reckoning
CD2: Whit Dickey/Matthew Shipp/Nate Wooley Trio: Pacific Noir

“Whit Dickey has been a quiet but brilliant presence on the New York avant-jazz scene since his discographical debut in 1991 on the legendary Matthew Shipp Trio album, Circular Temple (1992).
In concert and on recordings in groups led by Shipp, David S. Ware, Ivo Perelman, Joe Morris, and Rob Brown, he built a reputation for distinctively space-filled, subtle rhythmic support...

Whit Dickey – drums, direction
Tony Malaby – tenor sax
Matthew Shipp – piano
Brandon Lopez – bass

“Whit Dickey guides a formidable new quartet through deep waters on Root Perspectives. As he states, "I get into music not just by playing but by accessing a vibration." This work gets to the heart of what he means by that elliptical phrase. It is the latest recording from his TAO Forms label, which since it's 2020 founding has released some of the freshest material in recent memory...

Whit Dickey drums
Kirk Knuffke cornet
I've had the great pleasure of working with cornetist Kirk in Ideal Bread and seeing him nearly a dozen times over the years in various bands. He is one of the greatest trumpeters out there, with a quick mind and beautiful tone. Whit plays, Kirk responds. Kirk plays, Whit responds. All beautifully.

"If you tend to imagine the music of a new CD, before listening to it, by what you heard before coming from the musicians involved, “Fierce Silence” is...

"Vessel In Orbit presents the first new group music in over a decade from singular drummer-composer Whit Dickey. It is a richly melodic and deeply focused set; structural integrity and emotional resonance are paramount throughout. Created together with the impeccable improvisers Mat Maneri on viola and pianist Matthew Shipp. Each of these men has a lifetime commitment to creative music, and they share a musical relationship with one another that dates back decades. Wide-open listening and fluid...

“Chord is *awesome* ... gave it a proper spin last night and got completely lost in it. I think 'extinction event' is my favorite.” - Alex Geisel, musician

“I hear history in CHORD. Subtle glimpses of Jimi Hendrix, John Coltrane (Om especially), and Led Zeppelin's Kashmir. Oh, and one more, because of your exquisite use of feedback: Alvin Lucier’s I am sitting in a room. I also want to tell you how much I appreciate the detail in the sound, especially in the noise. And your presence! It's as...

Die Noodle continued the stream of ideas started with their first album. There are some more vocal tracks on this album, for example "Notiknotok," which manages to sound suprisingly mainstream, but is not at all dull. The songs are as masterfully shape...

"Dilloway & Yeh recorded live to 4-track cassette Summer 2006 in Ann Arbor. Yeh on violin, Dilloway on Tape loops of Yeh's Violin. Originally released on LP, this Digipak CD version includes a bonus track collage of the 3 tracks from the duo's out of...

Andrew Trim - Guitar
Kurt Schweitz - Bass
Devin Drobka - Drums

"This introspective trio, led by Chicago guitarist Andrew Trim, celebrates the release of a live album recorded at Constellation last fall by returning to the scene of the crime. The other two members, Milwaukee drummer Devin Drobka and local bassist Kurt Schweitz, have a precise, easygoing rapport; they generally play with restraint, opting for slow grooves that allow Trim’s warm, vibrato-rich tone to resonate with the woody.

“Really solid local garage rock. What makes it slightly unusual and above-average is the lack of slow material. Too bad Collectables, in typical Collectables fashion, butchered the cover picture.”

“Celebrated Chicago frat-garage LP that's also one of the real rarities of the local mid-1960s LP scene. For those who find the North-East preprock LPs too lowkey this is the remedy - a solid party mood similar to the Raider's best albums with some Stones thrown in. The tape splice in "Mary Lou" derives..