“This is the first and second volumes in an archival series of selected electronic and acoustic works by Sarah Davachi, all previously unreleased in the vinyl format. Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings.”

“The new album from Sarah Davachi is a collection of nine extended compositions for chamber ensemble and solo pipe organ. The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones.
Among the pipe organs featured on the album is an extremely rare Italian tracker organ from 1742, housed now in the Southwest desert region of the...

Rhodri Davies - pedal harp, electric harp
Ryoko Akama - electronics
Sarah Hughes – zither
Sofia Jernberg – vocals
Pia Palme - contrabass recorder
Adam Parkinson – programming
Lucy Railton – cello
Pat Thomas - piano, electronics
Dafne Vicente-Sandoval – bassoon

Live performance recorded on the April 13th, 2018 at Chapter, Cardiff, Wales.

"Transversal Time was composed by Rhodri Davies in 2017. For its starting point it assigns different time systems

Comes in a oversized booklet.

“One challenge of this frustrating time has been finding methods to handle grief. The loss of loved ones, enforced isolation, and abounding uncertainty have only heightened anxiety and it's painful effects. Learning how to cope with grief and work through it is imperative for one's mental health.
Saxophonist and composer Caroline Davis has done much to try to allay her own emotions after the harsh period she dealt with in 2019. Davis lost her father early in the year and was trying to cope with this..

Ingrid Laubrock, sax / Kris Davis, piano / Mat Maneri, viola / Tom Rainey, drums / Trevor Dunn, bass.

I know I say this a lot, but holy moly, what a great band of players!

"Over the last couple of years in New York, one method for...

Kris Davis (piano/composition)
Craig Taborn (piano/composition)

On her 2016 album Duopoly, pianist Kris Davis highlighted her deeply attuned artistry as never before. Conceived as a set of rotating duo performances, Duopoly found Davis in the company of Bill Frisell, Tim Berne, Don Byron, Julian Lage, Marcus Gilmore and other musical giants. Of all these fascinating encounters, it was the pairing of Davis and fellow piano great Craig Taborn, that sparked further extensive collaboration...

Kris Davis, piano / Ingrid Laubrock, tenor saxophone / Tyshawn Sorey, drums.

"This exciting new trio release sees Drummer Tyshawn Sorey, pianist Kris Davis and reedist Ingrid Laubrock, all extremely thoughtful and engaging composer-improvisers...

The smokiest, noir-est, most atmospheric 50s jazz album you would ever hope to hear and own.
This is seldom considered one of Miles’ great ones, but it’s absolutely one of my favorites of his pre-electric era! Highly recommended to anyone looking for their personal ‘French noir film soundtrack’; “Set ‘em up, Joe!”

“Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is...

More info below, but basically, the 3 quartet tracks which are released here for the 1st time ever are fantastic and great recordings. Chick was the Rhodes MASTER! The Isle of Wight show is a great show and if you don't already have it, this is a great release and great value.

"It would be easy to casually dismiss one CD with a running time slightly under one hour after the wealth of "box" sets from the vault, since it would seem that the number of tapes which can be cleaned up are thinning out...

This album rather gently began the electric period of Miles' career. Herbie is on half the tracks playing electric piano, while Chick is on the other half on electric piano. 1968 and you can early the earliest traces of rock and funk in his music here....

If it is possible for there to be one album that is THE 'ground zero' for jazz/rock, this is it.

Tremendous price on two albums of (mostly live) astonishment. This album was (mostly) recorded live at Washington DC's Cellar Door on the one night (October 19, 1970) that John McLaughlin came down from NYC to join the regular group of Miles, Keith Jarrett, Gary Bartz, Michael Henderson, Jack DeJohnette and Airto Moreira. Too bad I was only 12 at the time, or I would have mosey'd down there too.
With the posthumous release of all of the shows in the "Cellar Door" box, I have read a lot of reviews...

"Miles' quintet (with George Coleman, Herbie Hancock, Ron Carter and Tony Williams) was a band for the ages, one that performed with an incandescent beauty remarkable even for them on February 12, 1964 at Lincoln Center. Their explorations of...

Of all the great, crazy-ass albums Miles released in his drug-addled but musically brilliant 1970s period, there was nothing as crazy or as utterly confoundingly brilliant as On The Corner.

Completely inspired by Sly and the Family Stone and contemporary, hard-rocking r'n'b, Miles made what I *think* he thought would be his commercial breakthrough, but he turned it all inside out and made the most conceptually reductionist funk record ever which was also anathema to the jazz world (I seem to...

Thrilled to see this long out of print electric Miles classic reissued! Get it while you can!

"This is the second of two performances from February 1975 at the Osaka Festival Hall in Japan. This is the evening show; the Columbia release Agharta was the afternoon show. Pangaea is comprised of two tracks, "Zimbabwe" and "Gondwana." Each is divided into two parts. The band here is comprised of Sonny Fortune on saxophones, Pete Cosey (who also played synth) and Reggie Lucas on guitars, Michael...

Miles Davis – trumpet
Gary Bartz – alto and soprano sax
Keith Jarrett – electric piano, organ
Michael Henderson – electric bass
Ndugu Chancler – drums
Don Alias & James Mtume – congas, percussion

Excellent quality sound and performance from Chateau Neuf, Oslo, Norway, 9th November 1971.

"May 1967 was the beginning of an amazing burst of studio creativity for Miles Davis; the first recordings in that burst are on this album. Sorcerer is even darker and moodier than its predecessor, Miles Smiles. (And even for a Miles Davis album...

Ace price on a great disc. This is 3 sessions from June, 1967, featuring Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d) and one session (a early, great lost 'proto-fusion' session) from 11/11/68 with Miles...

"The debut release on Nathan Davis' own Tomorrow International label, If remains the funkiest, hardest-driving of the saxophonist's LPs; some distance removed from his previous MPS and Polydor dates, the record boasts a streamlined approach that...

"Raw, wild and untainted, this is a new world envisioned, produced and realized by the mystical figure On Ka'a Davis. Drawing inspiration from the outer realms of blackness, On Ka'a channels Sun Ra, P-Funk, Hendrix, Fela Kuti and more into the squat...

Here’s one I never even heard until some time after it was reissued on CD and which I had put off hearing, as I was afraid it would be awful. I was wrong.
It's an extremely good 1970-style, English, proto-progressive album of songs featuring Graham Bell-electric piano, acoustic guitar, lead vocals, Geoffrey Peach-reeds, backing vocals, Alan Cartwright-bass, John Hedley-gutar and Brian Davison-drums (yes, Brian of The Nice and Refugee). If you like that very late 60s/very early 70s progressive/song...

''Davka is an acoustic group at the forefront of the new Jewish Renaissance. Based in San Franciscol these three masterful musicians have been performing modern Jewish music since 1992. Their third release features their flowing melodic compositions an...