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Don Cherry - cornet, piano, bamboo flute, gong
Karl Berger - vibes, marimba, piano, celeste, percussion
Jacques Thollot - drums, bells, timbales
”Don Cherry Trio, live from Studio 105, Maison de l'ORTF, Paris on March 18th, 1967. Having played with a who's who of cutting-edge American jazz musicians (including Ornette Coleman, Albert Ayler, Sonny Rollins, Archie Shepp, and Pharoah Sanders), by the mid-60s Don Cherry was spending increasing amounts of time in Europe. There he developed his
Recorded in concert at Molde Jazzfestival, Norway, July 20th 2007. Featuring: Joe McPhee, Peter Brötzmann, Kent Kessler, Michael Zerang, Johannes Bauer, Per Ake Holmlander, Fred Lonberg-Holm, Mats Gustafsson, Ken Vandermark, Paal Nilssen-Love.
Antoine Mermet : saxophone, synthétiseur, delay, voix, composition
Camille Durieux : synthétiseurs, voix
Léo Dumont : batterie, voix
Lucas Hercberg : basse, voix, composition
“CHROMB! has been making CHROMB! for ten years, five albums and many concerts. And CHROMB! is music. The band is driven by four heads, propelled by an overflowing imagination, electrically powered and impervious to classification.
Sometimes its mother is jazz, since CHROMB! looks like her in photo
Léo Dumont - drums, percussion, objects
Camille Durieux - keyboards, synths, vocals
Lucas Hercberg - bass, synth, vocals
Antoine Mermet - alto sax, delay, synths, vocals
This is the greatly awaited fourth release by this group from Lyon, France, part of a very vibrant and exciting French scene that is currently churning out amazing bands and records!
Chromb! are a little less noisy than some of the other bands in this scene (Ni, Poil) and a little more melodically oriented/song
"Are Chrome Hoof the best live band in the UK...?" – headline from The Quietus
"...has the subtlety of Can, the pomp of Pentagram and Sabbath, faithfully reproducing the looping musical themes of Magma and Goblin..." – Don’t Panic
"...a dizzying, many-limbed whirlwind of space-funk, soul, prog, jazz & titanic doom." –NME
"...a mind-blowing energetic mix of math-rock, prog, funk, disco, & psychedelia [with] some hints of jazz & metal.” – The 405