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''Digital recordings from the Nordlydd Contemporary Music Festival and Berlin's Tacheles from 1991. Plus the historic prescient noise-music 1978 analogue recording from Limoges as a bonus. All singing, all dancing, all hell let loose. Float like a butterfly, sting like a bee...'' -Chris Cutler

“There must have been something special going on in Verona last April; neither of these old sparring partners from Henry Cow and Art Bears can remember anything about this concert! By far the most aggressive of their duo albums, it leads us via howling fuzz guitar and machine gun percussion into walls of post-rock improvisation, obsessive industrial rhythms, and levels of excitement rarely generated by two people on a stage. The album is remarkable for Chris and Fred's rediscovery of melody and time...

“Single work song cycle written by Cutler (words) and Glandien (music), with performances by Fred Frith, Dagmar Krause and Alfred Harth.
Full book of texts and pictures. Following on from Art Bears and News From Babel. Cover by Peter Blegvad.”

“Alternately harrowing and slyly humorous, this collaboration between Chris Cutler and Lutz Glandien plays more like an Art Bears reunion featuring, Fred Frith on guitar and the irrepressible Dagmar Krause on vocals. What Glandien brings to these...

This improvised live session features Chris' work with electronics - a long time interest of his - in addition to his drums, aided by the digital electronic manipulations of Tom. Definitely a success! [ReR]

“Two extended live duos on drums/objects/electronics & harp/melodica/ electrification. From almost subliminal to searingly intense.”

“This album is very much a game of two halves, consisting as it does of two live imporvisations by Chris Cutler and electric harpist Zeena Parkins (News From Babel, Skelton Crew, Bjork). The style is not that far removed from the Cutler/Frith improvisations, although (perhaps surprisingly) it often comes closer to straight ahead rock music than the guitar/drum duets..

"The two teamed up in 99 for a series of concerts and an album, Quake, where they laid down the fundamentals of their partnership; subterranean groans, vast drones and tectonic clashes. Dust follows in wake of this seismi...


"A collection of 5 songs and 4 instrumental pieces that explore equally - and simultaneously - spontaneous performance values, close compositional detail and extensive processing. Made out on the rocky coast of Maine with just a TV eye keeping tabs on...

Ivor Cutler is a octagenarian Scottish poet, humorist and songwriter. He is best known for his appearance in The Beatles' Magical Mystery Tour (as Mr. Buster Bloodvessel). Somehow, amongst all the other wonderful craziness that was going on there at th...

Ivor Cutler is a octagenarian Scottish poet, humorist and songwriter. He is best known for his appearance in The Beatles' Magical Mystery Tour (as Mr. Buster Bloodvessel). Somehow, amongst all the other wonderful craziness that was going on there at th...

A very early release by humorist/poet/musician Ivor Cutler, probably best known for his appearance in Magical Mystery Tour and his albums on Virgin in the mid 1970's. This is a reissue of a 1967 artifact by "The Ivor Cutler Trio" (Ivor on vocals &...

Ivor Cutler is a octagenarian Scottish poet, humorist and songwriter. He is best known for his appearance in The Beatles' Magical Mystery Tour (as Mr. Buster Bloodvessel). Somehow, amongst all the other wonderful craziness that was going on there at th...

This 1996 release has got to be the last - or at least one of the very last - CMP releases. Scott Cutshall-drums, percussion, Dave Liebman-soprano sax, Russ Lossing-piano and Tony Marino-bass.

"Scott did the RIGHT THING!! He let the musicians...


“This very limited edition companion CD to ‘Pictures From The Other Side’ has a running time of 64 minutes. The album contains 8 songs; 4 of which are re-mixes from the main album and 4 are live acoustic performances of songs from ‘For King And County’.”

“Magenta’s Robert Reed and Camel’s Peter Jones join forces once again with new Cyan album, ‘Pictures From The Other Side’.
The album contains 6 songs, including the epic 17 minute track ‘Nosferatu’. The CD is accompanied by a DVD with a full 5.1 surround mix of the album and a live acoustic performance of songs from ‘For King And County’.
Cyan was originally formed by Robert Reed (Magenta) when in school, back in 1983. After recording some demos at a local studio, the band went their separate...

Robert Reed - (Magenta/Kompendium/Sanctuary/Chimpan A)
Dan Nelson - (Godsticks/Magenta)
Peter Jones - (Tiger Moth Tales/Camel/Francis Dunnery’s It Bites)
Luke Machin - (Maschine/The Tangent/Francis Dunnery’s It Bites/Karnataka)

“Cyan was the formed by Magenta’s Robert Reed back in 1983, whilst still at school. ‘For King And Country’ was the first of three albums by Cyan released in the 1990s before Robert formed the award winning band Magenta. 2021 saw the reformation of a new Cyan..

"Cybotron was one of the first,if not the first,electronic rock bands in Australia.Cybotron released this, their self- titled debut in 1976.
The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.
Heavily influenced by the electronic/kraut acts of Germany like Kraftwerk,Neu,Tangerine Dream or Ash Ra Tempel.

Darren Johnston, trumpet / Aram Shelton, alto saxophone, Bb clarinet, bass clarinet / Lisa Mezzacappa, double bass / Kjell Nordeson, drums, percussion.

Great new band with some familiar names; all play great, but Darren has released a previous...

"Previously unreleased DIY homemade psychedelia, teen beat, and fuzz-psych/prog by the amazing Swedish band Cymbeline, recorded from 1965-1971. Tracks like "Third Image" or "Look At The Stars" are an incredible find for anyone into US garage-psych (they wouldn't sound out of place on any Pebbles or Psychedelic Unknowns volume) and others like "Flicka", "Stolta Vingar", or "Mittuppslag" are top-notch, '70s fuzzed-out Scandinavian psych/prog. Formed in the industrial town of Norrköping in the mid '60s...

"Jeremiah Cymerman's second CD for Tzadik presents four new cut-up pieces using "recycled" source materials. Collapsed Eustachian for two trumpets and processing draws from two separate solo concerts of Nate Wooley and Peter Evans. I Woke Up Early the...

"Jeremiah Cymerman is a remarkable clarinetist and conceptualist who now resides in Brooklyn. He has performed and recorded with Matt Welch, Sam Kulik, Mary Halvorson and Jessica Pavone among many others. The bulk of his work centers around creating a...

"The melody and texture of the Persian language exerts a subtle hold on the composing and improvising of the Berlin-based Cyminology quartet, heard here on its ECM debut Bandleader Cymin Samawatie, charismatic German-Iranian vocalist, sings her own...

Very good, rock / prog style release; very little ‘metal’ to be found here.

"CYNIC has made its long-awaited return with ‘Ascension Codes,’ the highly anticipated follow up to 2014’s critically acclaimed ‘Kindly Bent to Free Us.’ ‘Ascension Codes’ is the latest evolution in CYNIC’s legendary career as the band is now fully immersed within the progressive rock genre, once again exploring new territory and pushing the boundaries as they boldly step outside their comfort zone to reach a new apex...

Founded in 1987, Cynic distinguished themselves for their unique (for the time) combination of extremely proficient metal with progressive rock and even fusion leanings. The band made one album called "Focus" in the early 1990s, did a European tour and then broke up in 1993. Now 15 years later, (almost all of) the original band return and this is a great, modern technical metal disc with good singing and good musical ideas. I'll let Ken take over now...

"Fantasy becomes reality - after 15 years...

Andrew Cyrille: Drums, Percussion

Andrew Cyrille’s longtime companion Oliver Lake praises the master of African-American rhythms in his poem The Real Cyrille – “making the real magic … the real rhythms … the real sounds … expanding his African/Haitian roots … surfing the drums for masterful lyrical snippets … a master of color … painting coloring riffing always stretchin’ searchin’ lookin’ for that next sound color sound!” Lake’s words astutely describe the artistry of Andrew Cyrille and the...

Andrew Cyrille - drums
Bill McHenry - tenor saxophone

"The rare duo setting between percussionist and saxophonist has only a few recorded examples, think John Coltrane and Rashied Ali’s classic Interstellar Space.
Inspired by a remarkable Village Vanguard performance, first time producer Max Koslow asked the legendary drummer Andrew Cyrille and saxophone luminary Bill McHenry to record an album for him. The resulting recording Proximity highlights these two masters in the most intimate..

“Der Osten Ist Rot starts off with the atrocious "Photo Song" which reeks of mid-80s banality and, open first listen, suggests that Czukay had completely lost his relevance. But if you can make it past that first track, the remainder of the album is completely out there - so much so that I am surprised Virgin released it - with only "Das Massenmedium" offering anything catchy, albeit still firmly within a left-of-center approach. In fact, once you've grown accustomed to Der Osten Ist Rot's warped...

Czukay's second album continues his fascination with and expermentation of using recordings from radio, television, short-wave and more, and 'gluing' non-similar sources together and making something unique from them, but also something that 'works' musically.
In the pre-sampling days of 1979, when this was first released, incorporating recordings off of the tv and radio into already existing songs was a fairly amazingly weird thing to be doing. For my tastes, this is his best realized solo album...

“I was about to give up on Czukay, but then he released this, easily his best work since Der Osten Ist Rot. Moving Pictures is an elusive, understated, and fleeting album, perfectly replicating that liminal stage between sleep and wakefulness. The space between the sounds is just as important as the sounds themselves. A really unique work that is also notable for the lyrical content of the final track, which preempts The Matrix.”-rateyourmusic

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or...

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or...

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves...

"One of the most celebrated folks in improvised music, Swedish saxophonist Mats Gustafsson made three ultra-limited edition vinyl LPs, each featuring a different dedication to a favorite musician from the past. Released in batches of 99, these records found Gustafsson playing compositions by Duke Ellington, Albert (and his brother Donald) Ayler, and the important post-bop baritone player Lars Gullin. Long out-of-print, these priceless slabs of free music have quickly become sought after collector’s items...

"Helios Creed is a founding member of legendary US avantgarde space rock band Chrome. Chrome was founded in San Francisco in 1975. Their sound wasn't easy to label - being ahead of their time, Helios Creed and Damon Edge created music that featured heavy elements of feedback and distortion. They experimented in mixing synthesized noise with rock instrumentation, therefore they are now seen as part of the post punk movement (even when punk was still in full flow at that time). Their breakthrough came in...

"I've been working hard finishing the new Sanctuary IV album, but needed a break to clean the musical pallatte, so I really wanted to do something different. At the age of 8 I had two albums for Christmas, "The Sound OF Music" and "Tubular Bells". The latter defined my musical path. That Christmas my brother had Jean Michel Jarre "Oxygen" as his present.
Over the years, and especially of late, I've realised how much of an influence that electronic music has been to me over the years. From Jarre...

"Tangele explores the fascinating nexus of Yiddish song and Tango and features songs from European Ghettos and Concentration Camps, and from the Yiddish Theatre in Buenos Aires and New York, radically transformed into the language of Tango by the...

Legendary, NWW name-checked, 1968 tape assemblage by Holger Czukay and Rolf Dammers.

“Holger Czukay, before his famous work in Can, was disciple of Karlhein Stochausen. He learned a lot about electronic and concrete music and tape manipulation. His first album, "Canaxis" predates almost every experiment with world music: from Popol Vuh to Brian Eno, from Steve Roach to SPK. Holger created tape loops with found voices and sounds (coming from Vietnam, China and Japan generally). "Canaxis" uses...