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The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (over 20 participants) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Alan Gowen, Dave Stewart, Mike Westbrook & Fred Frith, among others.

Here, he's tackling the Soft Machine book, but even though the title is "Play Soft Machine", a more accurate title would be "Plays Hugh Hopper's Tunes For Soft Machine", as that's what this mostly is....

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (with 25 participants on this album) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Hugh Hopper, Alan Gowen, Robert Wyatt, Dave Stewart, Mike Westbrook & Fred Frith, among others.
For this, their third album, he has chosen to highlight the compositions of the late Lindsay Cooper. They band perform:
1. Half The Sky (from "Western Culture").

This is a fairly heavy prog/psych/folk release; maybe think Fern Knight or Espers but heavier.

“Alessandro Arturo Cucurnia (alias Arthuan Rebis ) is a composer, multi-instrumentalist, harpist, writer, sound operator, international concert artist. He is a scholar of musical and spiritual traditions of the East and the West.
His musical training is characterized by the study and practice of musical stylistic elements distant in space and time, which range from Nordic and Celtic folk to...

Tom Arthurs trumpets
Isambard Khroustaliov electronics
Julian Sartorious drums and percussion

"The best music is always the one created by singular musicians, as we learned from the history of jazz. Tom Arthurs, Isambard Khroustaliov (the alias of Sam Britton) and Julian Sartorius are three of them in present times, and from them we can only expect... the unexpected. Arthurs has a duo with Khroystaliov for some years now, Vaucanson's Muse, and his collaborations with Sartorius aren’t

Lautaro Acosta – vioin
Furio Chirico – drums
Roberto Puggioni – electric bass
Gigi Venegoni – electric guitar
Piero Mortara – accordion, keyboards, piano

A revamped lineup of one of the best jazz/rock bands to emerge from Italy perform in front of a clearly excited audience in Japan. Happily this includes main composer and original leader Gigi Venegoni, who wasn’t with the band when I saw them a decade ago!

“One of the most important historical bands of Italian progress

“The Official Live Bootleg, double CD in papersleeve packaging in a hand-numbered edition of 300, tells the complete concert by Arti & Mestieri (Furio Chirico – drums, Lautaro Acosta – violin, Roberto Puggioni – bass, Piero Mortara – keyboards, Gabriele Tommaso – guitar) recorded at Notte Bianca Live 2021 in Rome.”
1. Alter Ego 06:29
2.Dune 03:53
3.Pacha Mama 00:52
4.Finisterre 06:34
5.In Cammino 05:35
6.Linea d'Ombra 06:06
7.Positivo Negativo 03:28
8.Borea 05:01...

Arti E Mestieri were one of THE great Italian bands of the early 70's. In the last decade, they reformed with three of the band's most important original members: guitarist/composer Gigi Venegoni, keyboardist/composer Beppe Crovella and drummer Furio...

"Featuring four young musicians of diverse artistic backgrounds, the Artichaut Orkestra is a fabulous new ensemble out of Toulouse, France. Led by a colleague of the great modern klezmer David Krakauer, they brilliantly mix jazz, klezmer and classical...

"Arts & Sciences is a genre-bending quartet rooted in the jazz and improvising traditions but borrowing extensively from pop song writing and old field recordings. The group features a unique instrumentation of alto and tenor saxophones, monophonic...

Alfonso Vergara – clarinet
Efra Vidal – bassoon
Eduardo Rubio – electric bass, double bass
Christian Peralta – cello
Leonardo Saavedra – drums and percussion
Arianne Guerra – violin
Oscar Pizarro – piano, electric piano
Rodrigo Maccioni – acoustic and electric guitar, flute, synths

This is very good chamber rock, which is more acoustic based than electric, although it does rawk at points. Hints (but never copying) of Univers Zero or a less electric Far Corner make

Rodrigo Maccioni: Electric guitar, flute, synthesizer
Cristián Peralta: Cello
Alfonso Vergara: Clarinet, bass clarinet
Arianne Guerra: Violin
Alejandro Vera: Bassoon
Eduardo Rubio: Electric bass, upright bass
Leonardo Saavedra: Drums, percussion
guest musicians:
Oscar Pizarro: Piano
Pascal Montenegro: Oboe

The second release by this excellent chamber rock band from Chile. Like their first, this leans more towards the chamber (Julverne) than towards t

The incredible first album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!
The incredible power trio (guitar, bass, drums) first effort from 1971 by Germany's Ash Ra Tempel has Manuel Gottsching (guitar), Harmut Enke (bass) and Klaus Schulze (drums - this is before he became a space music pioneer!). Great, over-the-top, psychedelic power rock.

"After a couple of aborted demo's Ash Ra Tempel decided to go to Hamburg and record an album proper, with the aid of...

This was originally recorded and released in 2000 and was one of two efforts by 'Ash Ra Tempel", which is the meeting again after quite some time of Klaus Schulze and Manuel Gottsching.
This one was always hard to find and while it isn't going to shame their classic 70s work, it's more than quite good, trance music with MG actually really letting it rip HARD here and there. Conditionally recommended!

This is the Ash Ra Tempel "reunion" live reunion show from April 2000, announced by the very excited MC at the beginning that they are playing together for the first time in 30 years. I guess Mr MC never heard any of the work Klaus and Manuel did together in the 80s and 90s. This is still really good stuff though and this is the first time that the video footage has been seen!

“Julian Cope (author of "Krautrock-Sampler") had invited Schulze and Göttsching to his "Cornucopia Festival" in London...

The very good, if somewhat overlooked fourth album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!

The band's fourth album, this is the first time since their self-titled first that you have the trio of Manuel...

Back in print after at least a decade of unavailability. This is a previously unreleased 1975 album, issued for the first time in the mid 1990's as a film soundtrack. For that reason, it's definitely not one of the classics, but it is still really good overall.

"In 1975 I was doing a series of concerts in France with Lutz Ulbrich, where we were presenting 'Inventions for Electric Guitar' and other compositions, which we developed together that year. In August, we were invited for two concerts in...

The second album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!

Their 2nd album came out in 1972, & was quite a bit different from the first, as Klaus Schulze had split. So Manuel & Harmut enlisted some other...

The fairly insane third album where Timothy Leary, on the run from the Feds, ends up in Switzerland surrounded by happy hippies. Remastered by Manuel Göttsching himself!

Their third album was named after the LSD-laced soft drink that these guys were now ingesting by the caseload. A big psychedelic / spaceout jam type disc, with the side long live track being a real highlight. This does have some pretty great moments (the live side being pretty outstanding overall) (& if you are a fan of stoned...

The fifth album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!

"The dubious reputation Starring Rosi has incurred over the years is, to these set of ears, altogether undeserved. The tightening of focus and....

"2015 live recording from the Supersense Festival in Melbourne, previously unreleased, featuring a supergroup of Manuel Göttsching, Ariel Pink, Oren Ambarchi, and Shags Chamberlain playing material from classic Ash Ra Tempel releases, 1972's Schwingungen (and 1973's Seven Up."

"Out of the blue -- I was invited to perform in Melbourne, Australia. It happened thanks to my dear old friend Mick Glossop, who made the suggestion to Sophia Brous, at the time the curator of a music-festival called...


“The duo of saxophonist Larry Stabbins and percussionist Roy Ashbury was a mainstay of the London improvised music scene in the early 1970s. They recorded their lone LP, Fire Without Bricks, in 1976, and issued it in a tiny edition on the cooperatively run Bead label.
Stabbins has toggled between more pop-oriented projects like Working Week and Jerry Dammers Spatial AKA Orchestra and adventurous free music in bands led by Peter Brötzmann and Tony Oxley.
Born in Wolverhampton and based initially.

“This recording was made at the Hebbel Theater, Berlin on May 12, 1995. The opera was also heard live at the Festival d'Avignon, the Brooklyn Academy of Music, Musica Strasbourg, and Site Santa Fe.
Foreign Experiences is one of the opera tetralogy that Ashley wrote in the early 1990s, following Perfect Lives) and Atalanta (Act of God). He would give it the overall title (also the name of one of the component operas) Now Eleanor's Idea. These four operas would follow the stories of some of the...

"At long last, the complete Now Eleanor's Idea quartet of operas is available on CD with the release of the final opera in the quartet, also called Now Eleanor's Idea. This release includes a booklet with the libretto and several pages of fantastic...

“I'd Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley's mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand's wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics.
The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley's opera company, with whom he...

"Limited one-time collectors' edition released in 2008 and previously only available from MG.ART's mailorder.
The first disc is a remastered version of the 1990 Virgin CD reissue of Correlations, recorded and mixed at Panne-Paulsen Studio, Frankfurt, in 1978 by Mick Glossop and originally released by Virgin in 1979.
The second disc is the first release of Phantasus, Manuel Göttsching and Udo Arndt's original 1978 recording and mix of the album that was partially re-recorded and totally remixed to...

This album, recorded in Berlin, and originally released in 1977 on Virgin, marks the first time Manuel Gottsching used the name Ashra (as opposed to Ash Ra Tempel). This was also possibly the first time that the term "new age" was used on a record!
It's another completely wonderful, flowing, spacey album, featuring just Manuel performing on sequencer, keyboards and a lot of guitar. He did one more great one after this, Blackouts, then took some time off and returned to utter greatness and glory with..

"A French-Turkish band that recorded two albums in the late 70's then split. Their sound could be related to a mesh between Snow Goose period Camel, King Crimson type guitar pyrotechnics, and the very French sound of bands like Pulsar and Ange, with some slight jazz influences. Vocals are sung in English, and sung well. (Between Flesh and Divine) is absolutely essential.(It) is a classic of French symphonic rock."-Gibraltar Encyclopedia Of Progressive Rock

Setrak Bakirel / vocals, guitar
Eril Tekeli / flute, guitar
Evelyne Kandel / bass
Micha Rousseau / keyboards
Julien Tekeyan / drums

“How did I miss this? A new Asia Minor album? Finally, more "moon madness"! That's crazy! Asia Minor has long been shrouded in mystery to me. They released two excellent albums in 1979 and 1981 (including the great Between Flesh and Divine, in my opinion the best prog album of the 1980s, certainly holds its own with Moving Pictures and Misplaced...

"This album highlights the role of Eritrean musicians in the creation of Ethio-jazz. Eritrea is back. After 30 years of war with Ethiopia and a decade of seclusion, the Asmara All Stars now introduce some of the best musicians and vocalists from Eritrea..

"When it comes to seminal albums in alternative rock, Pixies 1988 debut Surfer Rosa qualifies as a true game-changer. With strong production and even stronger songs, the album tore a rift in the rock n roll continuum, influencing everyone from Kurt...

This is a 2010 release by Projeto Meretrio, a Brazilian power trio of guitar/bass/drums (interestingly, I just figured out that the bassist and drummer are the rhythm section of Pig Soul! Anyway, we carry several CDs by Meretrio and they're quite good...

Very good second album by these San Franciscans who manage to genuinely sound like it is 1970/1971 at the Filmore West and it's space rock night. Not quite as good as their amazing 3rd album, When Sweet Sleep Returned, it's still really good and if you...

Pretty great third album by these San Franciscans who somehow manage to simultaneously channel the best of Amon Duul II merged with the sound of Pink Floyd at the Filmore West circa 1970. Heavy and tasteful and with great sounds, songs and spacejams...

I didn't know much about Gustavo until I saw a clip of a couple of tracks from this CD/DVD set, but he's an amazing, fluid jazz/rock guitarist with a great tone. He can be amazingly fleet, although the music isn't in the Allan Holdsworth style of superfas


While it's pretty certain that Miles kick started the whole electric jazz-jazz/rock movement with In A Silent Way and Bitches Brew in 1969, there were other people working towards the same goals at aproximately the same time, some of them better known...

“To Know Without Knowing, Mulatu Astatke & Black Jesus Experience's album, is their second together. A grooving transcontinental gem, recorded in Melbourne, Australia, and Addis Ababa, Ethiopia. Filled with the warmth of the mentorship and friendship of their creative partnership honed over a decade of performing together in Africa, Australia, and UK/Europe. Mulatu Astatke is the father of Ethio-jazz and one of Africa's most influential and enduring musical figures. Black Jesus Experience is a community...

"Astral Son is the neo-psych-solo-project of the Dutch artist Leonardo. This is his second album A colourful soundscape like a fleet-footed dancing monument made of warm-hearted acoustic poetry, invites the listener into it's colorful world. A concept album full of wonderful songs blending into each other, so that the album appears as a complete work, like a psychedelic stage play - pictorial and enchanted. The sound is absolutely experienced and exalted but also saturated through a big dose of childlike...

This is their first recordings, originally released on cassette and ONLY sold at gigs in 1988/1989 + two previously unreleased tracks from the same era.
Very early ambient dub rave, and probably their furthest out / spaciest stuff. At its most ‘clubby’ it sounds like Chrome Hoof taking itself seriously ,and at its most out, it sounds like a cross between Rainbow Dome Music and Ashra.

“The mysterious ambient-dub and tribal house unit known as Astralasia fits in with other British electro...

"These days, it's quite an unlikely event that a non-Norwegian artist will end up releasing a record on Rune Grammofon. But when presented with these recordings, the label realized that this was simply too good to turn down. French group Astrïd began...

"The Echo From The Purple Dawn is a brand new full length from C.C.C.C. member Hiroshi Hasegawa's solo project Astro. Using a battery of oscillators, ring modulators and field recordings Hasegawa has created an engaging and versitile album that...

Long unavailable, this is the group's second album album from 1990. Now it's available again at a reasonable price, especially for a Japanese release, as a special blu-spec CD release!

"Structurally this one follows the same path as ''Circle in the forest'', three mid-length instrumental tracks are the the first menu, giving space to the 22-min. title-track. An even more mature album compared to the previous one, ''Brilliant streams'' actually recalls the music of MINIMUM VITAL around the same...

Long unavailable, this is the group's very first album album from 1988, and the one that made their reputation!
Now it's available again at a reasonable price, especially for a Japanese release, as a special blu-spec CD release!

"The Japanese band - Asturias - (commanded by the multi-instrumentalist Yoh Ohyama) in his first studio work Circle in the Forest", presents a sonority that blends of New Age (influenced mainly by KITARO & MIKE OLDFIELD) and Jazz-Prog in the style of bands such as...

Long unavailable, this 1993 release was the group's third and their final album, until they re-emerged 15 years later.
Now it's available again at a reasonable price, especially for a Japanese release, as a special blu-spec CD release!

"On his third album album with Asturias composer Yoh Ohyama would make a slight stylistical turn. Akira Hanamoto was no longer a member of the band, instead Ohyama introduced two string instrumentalists, Udai Shika on cello and Tatsuya Murayamy on viola...

This new group is an instrumental power prog trio leaping onto the progressive scene. The project is the brainchild of guitarist/multi-instrumentalist Glenn Snelwar. Torn Between Dimensions, the band's debut recording, features Snelwar on guitar, mando...

VASKO ATANASOVSKI - alto & soprano saxophone, flute (Slovenia)
SIMONE ZANCHINI - accordion (Italy)
MICHEL GODARD - tuba, serpent (France)
BODEK JANKE - drums & tabla (Poland/Germany)
Special Guest:
ARIEL VEI ATANASOVSKI - cello (Slovenia)

“The Adrabesa Quartet consists of four exceptional musicians, brought together by its long-standing founder and leader: composer and saxophonist, Vasko Atanasovski.
Vasko is a well-known and established European maestr

Very good, previously unreleased garage/psychedelia/art-rock.
"The follow-up to the acclaimed Flashback finds Athanor (the duo formed by Greg Herriges and Rick Vittenson) digging deeper into their archives and coming out with an amazing set of...

“I’m a singer songwriter and have been since I first started singing in 1984. As well as my solo I'm also the vocalist and co- writer with MOON HALO and RIVERSEA. I've previously been a member of NINE STONES CLOSE and MANDALABAND. Before that my early bands were GABRIEL, THE COMPANY, FRONTIER and EXPRESSIONS.
It was always my intention to record an all acoustic solo album during 2020 so I started putting together ideas in Early Feb. Around the middle of March the world suddenly shifted, Covid 19 had..

"Born of a time when jazz musicians crossed in to the world of rock music, Atlantic Bridge was a quartet featuring Mike McNaught (piano, electric piano), Daryl Runswick (bass, bass guitar), Jim Philip (flute, soprano sax, tenor sax) & Mike Travis (drums). All four musicians were seasoned players on the London jazz circuit, but sought to expand their musical horizons.
Influenced by the experimentation of Miles Davis on his album Bitches Brew and by the work of British musicians such as Keith Tippett..