"This set of six discs – previously collected in a box, but now only available individually - is a collection, arranged more-or-less chronologically, of things that we've never released in any form before.
It consists of recordings made between 1987-2003, using unreleased material to tell an alternative story of the earlier years of the band.
As well as a set of thematically related artworks, each sleeve is fully annotated on the reverse with sleeve notes detailing the origins of each piece"

Mixed & edited from concerts recorded at the Y-Theater, Leicster, September 1, 2007 & at Orion Sound Studios, Baltimore, November 18, 2007
Special Guests:
Martin Archer : Reeds, Wind Synth (Leicester)
Cyndee Lee Rule : Electric Violin (Baltimore)
Premik Russell Tubbs : Reeds, Wind Synth (Baltimore)

Radio Massacre International is a unbelievably prolific British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton

Recorded at The Gatherings, St. Mary's Church, November 17, 2007 (part two)

Radio Massacre International is a unbelievably prolific British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70's and formed R.M.I. in 1993.

In addition to their many 'regular' albums, RMI have also....

Is RMI the most prolific band in the world? They might be. And they keep releasing great work. In addition to their many albums, RMI have also released a number of very limited edition CDRs. The musical and sound quality of these releases is excellent; as good as their regular releases, but do remember that these are CDRs in simple, flat packaging.

Recorded at The Gatherings, St Mary's Church, Philadelphia, PA 18th April 2010.

In addition to their many albums, RMI have also released a number of very limited edition CDRs. The musical and sound quality of these releases is excellent; as good as their regular releases, but do remember that these are CDRs in simple, flat packagi...

In addition to their many albums, RMI have also released a number of very limited edition CDRs. The musical and sound quality of these releases is excellent; as good as their regular releases, but do remember that these are CDRs in simple, flat packaging.

Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various...

“In 2011 Radio Massacre International made their first appearance at St Clements church in Chorlton, Manchester. The gig has been documented on a [long out of print] DVD called M21 which featured highlights of the music played that night.
[editor's note: The gig itself is released on the CD M21. This is the rehearsals for that gig.]
We had tracked down a Rhodes stage piano and were trying this out for the first time. It surpassed all expectations. The stereo cabinet with built in tremolo which...

Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together...

"Eccentricity in music is tricky in that it's difficult to embrace it in moderation. There's risk of having it come off as either overly (and gratingly) deliberate, or teetering over the precipice into full-blown novelty. Pere Ubu co-founder Allen Ravenstine's Waiting For The Bomb is one of these rare exceptions where peculiarity, nuance and genuine warmth align in such a way that it's perched right on that edge and all the more evocative because of it. One of the album's most striking and disorienting...

“Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listener's surroundings, an Environmental Music"-Gareth Quinn Redmond.

“Working with Still Way as a base for inspiration, Gareth Quinn Redmond takes Ashikawa's meditative sound designs to more dramatic and lyrical landscapes, gracefully instilling his personal touch into the master's melodic patterns and presenting six pieces which blend and..

Nice, new, spacey / electronic album from Mexico, with all synthesizers and etc. performed by Alejandro.

"An imaginary soundtrack to a sci-fi movie. Not as cosmic as the Berlin school but definitely influenced by Tangerine Dream and Ashra. You...

“A reissue of Martin Rev's Clouds of Glory, originally released in 1985. Martin Rev is best known as one half of the seminal duo Suicide (with Alan Vega). Listening to his solo albums, it becomes clear that Rev was responsible for the group's music.
Clouds of Glory, his second solo effort, was released on the French label New Rose in 1985. Suicide mirrored the reductive and radical traits of the contemporaneous punk scene that was in the process of emerging, but their electronic, minimalist form of...

Limted Red Vinyl Edition

"[Martin] Rev initially explored free jazz and similarly free forms of musical expression before discovering the magnetic attraction of electronic production and instrumentation, enabling him to create music in a wholly independent and autonomous environment. Using the most rudimentary equipment, he grafted the roots of rock n' roll into the process of combining effects and devices to generate electrified sounds, the likes of which had never been heard before. This music...

Rimarimba was the project of Robert Cox from the UK who released several cassette and/or lp releases in the 80s. Until now, none of his work has been reissued; I have one of his original albums which I’ve treasured since I found it 35 years ago! His work as Rimarimba is a cross between systems music/minimalism and spacey/trancey sounds.
This is really superior stuff and if you sound intrigued, by the short description I gave it, you are going to love this!

“Somewhere out there around the...

Rimarimba was the project of Robert Cox from the UK who released several cassette and/or lp releases in the 80s. Until now, none of his work has been reissued; I have one of his original albums which I’ve treasured since I found it 35 years ago! His work as Rimarimba is a cross between systems music/minimalism and spacey/trancey sounds.
This is really superior stuff and if you sound intrigued, by the short description I gave it, you are going to love this!

For Rimarimba's 1984 album On Dry...

“A Soul Ascends is a majestic, deeply moving sonic suspension drawn from the essence of Roach's visionary ambient/electronic music. A vast and intimate holding-the-space of heart-centered serenity and compassion, the album couples the body to the eternal flow of a vaporizing weightlessness - back to a divine nothingness, the Tabula Rasa where everything began. The expansive, lush timbral embrace has an undeniable connection to the DNA of Steve's classic-era Structures from Silence and Quiet Music...

"Since it's release in 1988, Dreamtime Return has earned it's reputation as a genuine classic. The two-CD magnum opus is one of the most important, widely known and highly respected release in Steve Roach's vast body of work. It serves as an essential benchmark within the Electronic-Ethno-Atmospheric genre. Roach's travels in the Australian outback, along with studies of the Aboriginal Dreamtime, and his desert walkabouts in California were the lifeblood for this recording which even today sounds like a...

"On his first studio album since his recent Grammy nomination, Roach calls upon an expansive 35-year legacy at the forefront of electronic music creation. Molecules of Motion is a masterful album with roots in the Berlin School and a foot in the transcendent unknown of the future flowing into now. The album is a sonic marvel: shimmering, pulsing, moving, emotional and engaging. A tapestry of sequencer-spun patterns floats upon an atmosphere of lush emotive textures alive with a vibrant, life-affirming...

“Steve Roach's new purely atmospheric statement hovers within a warm and embracing expression of etheric ambience. One Day of Forever pulls back the layers of memory, time and perception to express life's amber-lit emotions, continuing an intimate, mystical-revealing vision within Roach's work.
The pieces began with a minimal collection of instruments leading to emotive sonic choices which paint the impressionistic realm contained in each of the album's five long-form pieces. The core of the release...

“Reflections in Repose captures the pure essence of Steve Roach's ever-deepening intimate embrace of silence, breath, rich harmonic inventiveness, and shifting liminal states; it's a sound and style completely unique to his electronic/ambient vision. Created over two evenings at the close of 2023, the music was recorded in the same sequenced flow as presented on the two discs' 116 minutes. The five long-form tracks were performed on a single instrument -- the Oberheim OB-X8 -- the modern equivalent of...

“Masterfully joining the two worlds that define Steve Roach's signature styles, the 153-minute 2CD Sanctuary of Desire combines deep ambience and mesmerizing, spiral-like electronic forms in a majestic flow of stately elegance and breathtaking aural drift. Disc one explores a realm of suspended tranquility, sustained reflection and emotional resonance. Disc two soars into the mythic imagination by way of multi-dimensional mandala-like tapestries woven from Steve's mastery of analog-based synths textures...

'Forty years after the release of Steve Roach's Structures from Silence, the intervening decades have only proved that it's as serenely timeless as we thought it was the first time around, still sounding like slow motion surfing on the perfect wave to infinity.'-John Diliberto

Steve Roach's 1984 Structures from Silence is an ambient classic often spoken of in the same breath as Eno's Music For Airports. Projekt celebrates Structures' 40th anniversary with a beautiful remastered edition...

This is a collection of pieces by synthesist Steve Roach from 1988-1992, which either appeared on compilations or never appeared at all. All of Steve's work is quite fine, but I really miss his early period, which was a uniquely Californian take on the...

“Tomorrow's five deeply stirring transcendent electronic pieces draw from Steve's current high tide of creativity and introspection. Developed over the last six months within the stylistic mode he describes as "elegant futurism," cyclical melodic weavings flow and ebb in a graceful momentum infused with deep emotion. Tomorrow finds a rare balance between a feeling of floating and one of kinetic movement; this unexpected symmetry breathes life and energy into each piece. Primarily composed and performed...