“Duet Emmo is the legendary collaboration between Bruce Gilbert and Graham Lewis (both of Wire and Dome) and Daniel Miller (The Normal and founder/owner of Mute).
Or So It Seems... was originally released in 1983, and was the act's only release. The result was the perfect amalgamation of Miller's hard-line electronics and Gilbert and Lewis's abstract and sparse textures, exhibiting why the anagrammatic combination of Dome and Mute was a fitting name for this project.”

This was the very first (and one of the best and also the least ‘new-agey’) release by this duo who at this time were working in a more 'kosmiche' vein but with its own personality.

"Nice mix of sequencer based electronic music, fluttering flute, airy female voice and acoustic/electric guitar. Excellent atmospheres and even a few heavy rocked out moments towards the end that are well placed to add some much needed spice. A quite varied album, that needs a few listens to appreciate."-rateyourmusic.

"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida-raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s, Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser shows above...

This CD edition includes 7 bonus tracks not found on the original single CD issue.

This was the third 'official' release by the great, modern space/cosmic-sound group Emeralds. Like Cluster, Fripp and Eno and Richard Pinhas (among others) before them, they are the ultimate in dream-state/trance music. Highly recommended

“In the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but..

This was the third 'official' release by the great, modern space/cosmic-sound group Emeralds. Like Cluster, Fripp and Eno and Richard Pinhas (among others) before them, they are the ultimate in dream-state/trance music. Highly recommended

“In the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but in the aughts, psyche-expanding Kosmische wasn't necessarily Cleveland's calling card...

“Typical ambient / instrumental Eno apart from the first track, which is a refreshing guitar-featuring piece, and this didn’t disappoint. It’s an amazing film with an incredible soundtrack. I've been recommending it to anyone who'll listen.”

One of a number of classic albums that pianist/composer Harold Budd made with the collaboration of Brian Eno on the EG label. This has Budd's beautiful, watery piano sound with various treatments and atmospherics. Icily lovely.

“Originally released in France, in 1978, a unique LP by keyboardist and composer Joël Fajerman (in collaboration with Jan Yrssen) sees its first reissue.
Some of these songs were featured on the soundtrack of 'L'Aventure Des Plantes', one of the first ecological programs on French TV. This is an astonishing album filled with ambient moods, abstract moves, melancholia and beauty.”

“Very nice electronic-prog french release. If you're into Prophet sequences, Korg and Harp Odissey...old electro..

“Composer and recording artist Forrest Fang refined his dynamic hybrid style of composition over the past four decades, expanding upon his roots in progressive music, minimalism, textural ambient, and the traditional musics of Asia. Drawing on his deep knowledge of sound creation and manipulation, he uses the studio like a separate instrument to create distinctive, alluring and otherworldly atmospheres. With captivating approaches to sound creation, his latest Projekt album Forever Cascades presents a...

“The lush ambient space music of veteran Bay Area composer Forrest Fang explores the tactile nature of sound. On his latest, The Lost Seasons of Amorphia, he brings electronically-treated Asian instruments such as gu-zheng, kim and Javanese gamelan to the fore, subtly complementing them with hypnotic processed electronics in a manner that evokes his explorative sensitivities. Over four decades, Fang developed a distinctive style deeply informed and inspired by his studies of electronic music, minimalism...

Forrest's exquisite 3rd and 4th albums! Limited edition of 300 copies!

“Fang’s compositional stylings applied to the genre of space music with exceptional results.” – Billboard

Projekt opens the archives to bring back two formative ambient works. Originally released in 1989 and 1986 respectively, The Wolf At The Ruins and Migration have been out of print for over 20 years. They’re from the period when Fang began his own fusion of electronics and traditional non-Western instruments into a..

It's a pretty great thing to see this French musique concrete composer get his first US release at the age of 69! This includes two lengthy works; Cellule 75 ''an explosive, dynamic work for piano, percussion & tape'' & the excellent tape piece Place D...

“An intriguing and impressive new offering from Floating Points. This is less fragile than some of Sam Shepherd's more recent work and charts a further chapter in the twisting growth of his idiosyncratic musical style and sound design. His electronic compositions navigate through a myriad of textures: minimalist backdrops, emotive refrains that approach almost orchestral intensity, skittish rhythms that seem on the verge of losing control, modulating synth work that shifts between serene and piercing...

This is a minor classic of 1974-era French electronic space/frazzle, and features great contributions from Richard Pinhas! Recommended.

"Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge.
'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features.

“Ex-Tangerine Dream artist Christopher Franke released his second and third solo efforts simultaneously, following the successful Pacific Coast Highway. First, The London Concert, recorded live at London's Royal Apollo Theatre in October 1991. While three tracks are versions of pieces from Pacific Coast Highway, the material is mostly new, starting with "Empire of Light," awith its powerful, hypnotic entrance into Franke's spellbinding world of sonic images, combining dramatic electronic and calming...

Peter Frohmader Synthesizers, E-MU Samplers and 5-string Bass
Richard Pinhas - Roland Guitars + Arboretum Hyperprism process

'The best Pinhas release since the glory days of Heldon's Standby. Incendiary, musicially consistent, cohesive...one of the most powerful, dynamic & totally mind blowing releases you'll hear in 1999.''-Andy G./C&D.

These two giants of European electronic music join forces. Richard's sustained, instantly recognizable guitar work...

Pretty fascinatingly hypnotic noisy electronics, sounding somewhere like early Suicide (without Alan Vega’s singing), Pascal Comelade’s early electronic experiments, ala Parallelo and Plaster Falling by John Bender. Conditionally highly recommended!

“Japanese experimentalist Hiiragi Fukuda supposedly picked up an aging monophonic Yamaha synthesizer, hooked it up to a cheap digital delay, turned on his hand-held cassette machine, and began improvising; a couple days later, the five-song album...

"In the body of work of Cologne artist Wolfgang Voigt - who, like few others, has informed, shaped and influenced the world of electronic music with countless different projects since the early 1990s - Gas stands out in particular, a saturnine sound cosmos based on heavily condensed classic sequences. Even after nearly 20 years, the sound of Gas doesn't seem to have lost any of its luster. The overwhelming feedback from a loyal international fan community and worldwide media outlets attests once again...

"In the body of work of Cologne artist Wolfgang Voigt - who, like few others, has informed, shaped and influenced the world of electronic music with countless different projects since the early 1990s - Gas stands out in particular, a saturnine sound cosmos based on heavily condensed classic sequences. Even after nearly 20 years, the sound of Gas doesn't seem to have lost any of its luster.
Rausch was created as a single composition. The intention is to listen to the album as a whole from beginning...

"Former Planet Mu affiliate Christopher Reeves continues his electronic journey as The Gasman, delivering his umpteenth album in 13 years. Aeriform isn't far removed from work by other Mu luminaries such as founder Mike Paradinas' strangely engaging bob-and-weave synth-antipop or a certain Richard James, truth be told.
Essentially though, Reeves mines a far more retro seam than his counterparts - titles like Syntax, Trip and Zports suggest there's an element of geek and a love of the ZX Spectrum, BBC..

“Limited hand numbered edition of 500 in golden audiophile CD.”

“In 1969, I was commissioned to make all the music and organized noises for nineteen looped films to be run in the British Pavilion at Expo 70 in Osaka, Japan. The overall concept was to have all the films running in fixed positions so that the individual visitors would ‘mix’ their audio and visual experience by the speed and direction of their movement through and around the environment.
Since most of the ninety-second films...

First-ever reissue of the first by this Philadelphia electro duo!

“Philadelphia experimental duo The Ghostwriters resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear.
The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling...

Strangely enough, this new ambient / electronic album (and even more so, The Evening Falls, the previous one by KJG) reminds me, more than anyone else I've heard, of the electronic music of Piero Milesi!

"A piece of intricate scales and moods, by turn streaming with the quiet flow of a small meandering rill, then suddenly veering off into an oceanic kind of tumult, In The Fields Of Nothing was conceived as a proper film soundtrack with its rhythmic ebb-and-flow and deep sense of immersion...

"In 1970, nine years after leaving the United States to study music in Canada, Beverly Glenn-Copeland released two self-titled albums. Both were a stunning showcase of classical and jazz acumen, layered with poetry and accompanied by some of the best players of the time. Original pressings now fetch thousands of dollars.
Glenn-Copeland then vanished as a recording artist until his re-emergence in 1986 with the release (just a few hundred copies on cassette) of what many now believe to be his...

Limited to 3000 sets only. Recorded live in August 2006 at the Metamorphose Open-Air Festival, Japan. Including 16page full-color booklet.

“Composed, performed, and mixed by Manuel Göttsching. Recorded in 1981 and first released in 1984, Manuel Göttsching's masterwork E2-E4 has since become a milestone in electronic music. This 2006 concert marks its first-ever live performance.”