Used copy.

Miles Davis - trumpet
Chick Corea - electric piano
Steve Grossman - soprano saxophone
Dave Holland - bass, electric bass
Jack DeJohnette - drums
Airto Moreira - percussion

"This 66 minute set from April 9th 1970 at the Fillmore West is a different beast to what followed in the next two days, with the April 10th concert available as 'Black Beauty' and the April 11th one in part on 'The Bootleg Series Volume 3' and in full on 'April 11th 1970 Fillmore West'. Whilst all these.

If it is possible for there to be one album that is THE 'ground zero' for jazz/rock, this is it.

Tremendous price on two albums of (mostly live) astonishment. This album was (mostly) recorded live at Washington DC's Cellar Door on the one night (October 19, 1970) that John McLaughlin came down from NYC to join the regular group of Miles, Keith Jarrett, Gary Bartz, Michael Henderson, Jack DeJohnette and Airto Moreira. Too bad I was only 12 at the time, or I would have mosey'd down there too.
With the posthumous release of all of the shows in the "Cellar Door" box, I have read a lot of reviews...

"Miles' quintet (with George Coleman, Herbie Hancock, Ron Carter and Tony Williams) was a band for the ages, one that performed with an incandescent beauty remarkable even for them on February 12, 1964 at Lincoln Center. Their explorations of...

Of all the great, crazy-ass albums Miles released in his drug-addled but musically brilliant 1970s period, there was nothing as crazy or as utterly confoundingly brilliant as On The Corner.

Completely inspired by Sly and the Family Stone and contemporary, hard-rocking r'n'b, Miles made what I *think* he thought would be his commercial breakthrough, but he turned it all inside out and made the most conceptually reductionist funk record ever which was also anathema to the jazz world (I seem to...

"In a very short time, this has quickly become one of my favorite Miles Davis CD's. This is unexpected in that this CD is from a time when Miles was transitioning band members without a whole lot of stability. The album has...

Ace price on a great disc. This is 3 sessions from June, 1967, featuring Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d) and one session (a early, great lost 'proto-fusion' session) from 11/11/68 with Miles...

While best known for his over-the-top, high-energy electronica, Dan Deacon is also known for his work in the contemporary classical field, his soundtracks and for his deep knowledge of computer music and electro-acoustic music, which he studied in college. This is a great, ambient/electronic album; moody and very different from what he is best known for.

“Most people who are aware of Dan Deacon tend to associate him with the wacky, cartoonish side of his persona: the dance contests, the trippy...

One of the most instantly recognizable voices of jazz of the 50s, 60s and beyond. She influenced lots of indie rock bands' female vocalists with her youthful style.

When Blossom Dearie first emerged as a solo artist she was already unique in many ways. Straightaway there was that voice - kittenish, intimate, coquettish and understated where so many other jazz divas were straining to belt out every song. With the fascinating 1957-58 albums 'Give Him the Ooh-la-la' and 'Once Upon a Summertime'...

“Debo Band are a Boston-based ensemble who play music heavily inspired by Ethiopian pop music as well as American funk and Eastern European brass bands. Founded in 2006 by saxophonist Danny Mekonnen, the group is led by singer Bruck Tesfaye. Other members include guitarist Brendon Wood and electric violinist Jonah Rapino (both of Devil Music), accordion player Marié Abe (Japonize Elephants), violinist Käthe Hostetter (Qwanqwa), and sousaphonist Arik Grier (Fat Day). They have toured Ethiopia twice and...

Decibel were a legendary Mexican chamber/rock group with improvisational leanings who are probably best known for their very fine contribution to the excellent Recommended Records Sampler double album. This has a 40’ concert recording from Mexico City, May, 2000, as well as very rare archive recordings from the 70's. The sound of the archival materials isn't awful, but it is definitely lo-fi, so that should be kept in mind.

“The Archives are taken from the private pressing cassette "Chiasognathus..

“Reissue of the limited self released album from 2019. Den Sorte Død (The Black Death) is a ritual performance by artists Offermose and Angst. From deep within the dark forests of Sweden a depressive spell is cast. Drawn-out and haunting notes ooze eerily from distorted keys, conjuring up images of underground landscapes crawling with unseen apparitions. A lone silhouette wanders endlessly through sunless deserts and smoldering wastelands. Low rumbling echoes from distant mountains, releasing a putrid....

“People know Hauke Harms as founding member and driving force behind the cult band Girls Under Glass. Also in the previous band Calling Dead Red Roses, DerHarms was holding the electronic reins. Despite his extensive band activities, he has always had the desire to publish a solo project under his artist's name DerHarms. However, the first attempt in 1994 resulted in a successful collaboration with GUG companion Volker Zacharias under the name TRAUMA. This liaison resulted in 3 albums. But the second...

"Now listeners can enter the heart of the Paul Desmond/Jim Hall sessions, a great quartet date with Gene Cherico manning the bass (Gene Wright deputizes on the title track) and MJQ drummer Connie Kay displaying other sides of his personality. Everyone...

Featuring John McLaughlin, Al DiMeola and Paco de Lucia, this is the great guitar trio's classic original recording.

“Really solid local garage rock. What makes it slightly unusual and above-average is the lack of slow material. Too bad Collectables, in typical Collectables fashion, butchered the cover picture.”

“Celebrated Chicago frat-garage LP that's also one of the real rarities of the local mid-1960s LP scene. For those who find the North-East preprock LPs too lowkey this is the remedy - a solid party mood similar to the Raider's best albums with some Stones thrown in. The tape splice in "Mary Lou" derives..

“The debut album from Swedish heavy progg band. THE DIVINE BAZE ORCHESTRA follows the path of long time legends URIAH HEEP, KING CRIMSON and a slice of MAHAVISHNU ORCHESTRA with their 10 tracker that's filled with charming guitar leads and heavy organ / mellotron sounds. Raw, spontaneous and plenty of that lovely 70's retro feeling, unfortunalety hard not to be compared to new bands like WICKED MINDS and BLACK BONZO.”

"A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have been...

"The finest composer who ever worked in the medium of sounds assembled on tape"-OP

"The legendary collaboration between a leading American Musique Concrete composer and an instrumental ensemble directed by James Reichert where, for I think the first and to date only time, there was full integration of the written, played and manipulated sounds. The instrumental parts were derived from 'cells' of concrete sound and in turn were electronically transformed (in Robert Moog's then state of the art...

This is a solo album from the leader of Passport, which was released in 1983. Unlike Passport, it's a all keyboard / synthesizer album which fits right in with what Tangering Dream was doing at this time and can easily be compared to White Eagle! So, a surprise, but a very nice surprise!

“August, 1970: With Jim Morrison's ongoing Miami obscenity trial casting an ominous shadow over the band, The Doors flew to England to play the Isle of Wight Festival. Waiting for them at "The Last Great Festival" were over 600,000 fans who had already torn down the barriers, crashed the gates, and enjoyed performances by the world's top acts such as Jimi Hendrix, The Who, Miles Davis and Joni Mitchell.
The Doors took the stage at 2 am, playing with the weight of the trial on their backs, and showed..

“Mac "Dr. John" Rebennack playing songs from the canon of Duke Ellington is as natural as the break of day. But the gris-gris king interprets Ellington in a way unlike anyone else. "Mood Indigo," arranged for Dr. John's six-man New Orleans group, takes on a fresh, heartfelt immediacy with the good doctor's vocals and piano locked into a relaxed groove. He sings another slice of essential Ellingtonia, "Do Nothing 'til You Hear from Me," with a lighthearted nonchalance that epitomizes the worthiest New...

Bob's fifth album is another of his completely uncategorizable works. Bob performs on vocals, strings (guitars, bass, violin, etc.) keyboards & real drums, making these sound like a band effort.

"The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob undermines musical, technical and production norms with a breathtaking amalgam of broken rules and unimaginable..

What Day Is It is Bob Drake’s first-ever solo album and was self-released by Bob in a hand-made package in 1993. He performed all the music with some assistance from Dave Kerman on drums. Odd songs with an almost folk or Cajun feel to them; folk music from another planet, perhaps. This is a great one for me if only simply because it was the first time that anyone heard Bob’s instantly recognizable solo sound! Recommended.

"Bob is already celebrated for his many ReR solo CDs, as well as for his...