Mega Blowout Sale

"It's hard to quarrel with an album devoted to the music of Wayne Shorter, and Rachel Z certainly has the pedigree to pursue such a project. Having co-created Shorter's masterful High Life with him, she is well qualified to interpret and expand on his lengthy catalog of high-quality jazz compositions.

Interestingly, for those familiar with her primarily through her synthesized electronics on that album, here she plays only acoustic piano, and quite well. This trio sounds bigger than it is, and...

"You never could be sure just what sort of a band Frank Zappa would show up with. Figure on a quartet, an orchestra would arrive. Bet on a jazz septet, and a rock n roll combo appears. In fact, the only things you could count on were that the band would be super-tight, that they would be incredible live performers, and that the show would be unlike any you had ever seen.
Zappa’s appearance in Detroit in November 1976 was only a few weeks into a gruelling tour, which would eventually stretch across...

"On October 1, 1975, the CBC-FM radio station broadcast live the show that Frank Zappa held that evening at the War Memorial in Vancouver during his first solo tour: this unofficial double CD digipack with gatefold cover, enriched with photos vintage notes and interview excerpts reproduces a performance as usual marked by caustic humor and crossed by numerous flashes of musical genius, in which classics such as "Apostrophe", "The Illinois Enema Bandit", "Chunga's Revenge" (Part One & Two) and "Zoot...

Official album #17 and one of his most popular albums. I saw FZ for the first time in 1973 before this album was released, but featuring this amazing band. Still one of the greatest concerts I have ever seen, and I have seen plenty.
FZ: guitar & vocals
Ralph Humphrey: drums
Sal Marquez: trumpet & vocals
George Duke: keyboards & synthesizer
Tom Fowler: bass
Bruce Fowler: trombone
Ruth Underwood: marimba, vibes & percussion
Ian Underwood: flute, clarinet, alto & tenor sa.

"This little CD of twenty-nine tracks from Frank's Utility Muffin Research Kitchen from his home/basement in the Hollywood Hills really serves as a mini-autobiography of his life and works. How may a composer's life's works be condensed onto a single, shiny plastic disc? Well, it can't, but FZ gave us a taste of what his life's works were all about: Let's just say the "good, bad, and ugly" of it. Yes, tracks 4 and 5 are genuine "booger stories," and who doesn't recount such sophomoric stories of one's...

Frank Zappa / Ray Collins / Roy Estrada / Don Preston / Ian Underwood / Bunk Gardner / Motorhead Sherwood / Jimmy Carl Black / Billy Mundi
Recorded live at Konserthuset, Stockholm, Sweden on 9/30/67, this excellent radio recording from the Mothers' first European tour, first surfaced on a bootleg entitled 'Tis The Season To Be Jelly. This bootleg was later made part of the official 'Beat The Boots" series.
Out of print in any form for over a decade, it comes back now just as nice as it ever was...

Cool and weird African electronica; well worth a hearing for folks attuned to the often surprising and interesting stuff pouring out of Africa; kind of like a Zazou/Bikaye for the 20’s...

SHORT:
“Rarely heard Tanzanian gogo music meets slick electronic production, for a borderless but powerful fusion sound. The Wagogo people are Msafiri's traditionally nomadic tribe from the center of the Tanzania, known for their musicality and made famous by Hukwe Zawose - Msafiri's father, who toured the..

Miguel is a young, rising, award-winning alto saxist. The music here on his fourth album is modern jazz with just a touch of electricity (there's a bit of Fender Rhodes). Basically a quartet of sax, piano, bass and drums, with a few guests, this offers...

"The music of Zevious shrewdly juxtaposes order and its opposite: structural intensity pushed to its breaking point in the most appealing way. These boys are brilliant and fearless."–Vijay Iyer

"...Zevious is for anyone who loves aggressive, rock-oriented improv with grooves and some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesnt mean you can't have arrangements and following a script doesnt mean you can't let your hair down." – DownBeat..

Zevious split the difference between the Tony Williams Lifetime & the 80s Downtown scene...[they make] algebraic music feel wholly organic , almost swinging." – Jazz Times

"...[This] is for anyone who loves aggressive, rock-oriented improv with grooves & some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesn't mean you can't have arrangements & following a script doesn't mean you can't let your hair down." – DownBeat

We did a deep dig into the lost warehouse to come up with these; they are new and unplayed, but they’ve been sitting for over 30 years and there may be small corner dings, seam splits from travel, etc etc.
These are the original issues on Points East, which was ReR’s pre-CD vinyl label ‘dedicated solely to new music from Central Europe’.

“This is an extraordinary record from a group who build their own instruments from metal, springs, transducers, electronic parts, as well playing more...

"Classic recording by the ever deeper Russian instrument builders and masters of live electroacoustic/song/sound sculptures. Dangerous, Bitter, Desperate and Down to the Bone, but carrying a huge emotional charge and a rare beauty. This is lived music, both mature and profound."-Chris Cutler

Long out of print second ReR release by this Rigan electro-acoustic ensemble. “Stonery industrial with noise pop hints. Great and psychedelic.”

Patrick Zimmerli, tenor saxophone
Ben Monder, guitar
Stomu Takeishi, bass
Satoshi Takeishi, percussion

"Zimmerli’s originals are as abstract and exotic as ever. “Sand,” the opener, begins with a drone note that sets up a strikingly subtle, Eastern-influenced rubato theme. (Kevin Whitehead’s second-by-second analysis in the liner notes is well worth reading.)…Both the originals and the standards bear clear marks of Zimmerli’s highly individual style, in which contemporary classical an

Patrick Zimmerli, tenor saxophone
Ben Monder, guitar
Stomu Takeishi, fretless electric bass
Satoshi Takeishi, percussion

“Zimmerli has unveiled an ornate and shining vista of new sounds…The Ensemble compositions are all twelve tone, but they are also tonal — Zimmerli’s mastery of counterpoint enables him to combine serial practice with a love of tonal harmony, yielding tightly organized but aurally exotic material that can nonetheless be represented by traditional chord symbols…

Most of you have never heard of this guy, but he’s a brilliantly great (and accessible!) composer doing interesting new things in the realm where jazz, classical music and electronic music all meet. Highly recommended.

“Phoenix, the sixth CD by Patrick Zimmerli, finds the New York-based composer/saxophonist investigating new avenues of expression. The record integrates saxophone and jazz instruments with electronics and strings to create an appealing hybrid sound. It draws on Zimmerli’s wealth...

Patrick Zimmerli, soprano saxophone
Laurent Blondiau, trumpet, flugelhorn
Geoffroy De Masure, trombone
Guillame Orti, alto saxophone
Bo Van der Werf, baritone saxophone
Fabian Fiorini, piano
Pierre Van Dormael, electric guitar
Otti Van der Werf, Jean-Luc Lehr, electric bass
Stéphane Galland, Chander Sardjoe, drums
Ben Monder, acoustic/electric guitars (1, 10)

"Patrick Zimmerli is one of the most unusual jazz composer/saxophonists around. For his third So

''Mexican electro-world siren Alquimia (London) meets through cyberspace Bavarian electro-prog bat Zinkl (Munich),...and during almost one year, & only by email & post they created musical fantasy tales about the secret life of underwater creatures.'' ...