Second, final and best album by this folk/psych duo who used male and female vocals, acoustic guitars, pianos, organs, mellotron, bass, synths, percussion and more.

"Being in Berlin at the time, they soon caught the attention of of the enthusiastic Rolf-Ulrich Kaiser who signed them up for his 'new German folk music label" Pilz. The album Saat was a truly progressive folk masterpiece, with the beautiful 'English' vocals of Dolly Homes and occasionally the contrastingly Teutonic voice of Maik...

“A document of a unique – if until now little-known – performance given by BRIAN ENO, HOLGER CZUKAY & J.PETER SCHWALM, in which they were accompanied by Raoul Walton and Jern Atai, members of Schwalm’s group, Slop Shop.
Billed as a “High-Altitude-Food-Performance with Incidental Music by Slop Shop and Brian Eno”, with Can co-founder Czukay’s appearance kept under wraps in advance, it was recorded on August 27, 1998 outside the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland – the Art and...

Hmmmm...Eno, Moebius & Roedelius...that would make this.... The second of two releases by Cluster and Eno, released in 1978, this follows onward from their classic first album. Nice to have this classic spacey/ambient album generally available again. This was recorded when Eno's star was at its zenith.

"Originally released in 1978 on Sky Records, After The Heat was the second collaborative release by Brian Eno with Dieter Moebius and Hans-Joachim Roedelius (Cluster). Produced once again by Conny...

Limited edition of 150 copies on clear vinyl.

“They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an album that uncovers two wings of their manifold musical explorations.
The A-Side, “Die Zukunft ist den Kindern und den Narren“, is an epic live recording from Easter Sunday 1988, when Schickreich first performed at Das Arschloch, an open-air pit at Kreuzberg’s Oranienstr. 1 / Manteuffelstrasse 43 at Berlin’s Görlitzer Straße...

Another extraordinarily good archival find in fine sound. E.S. were a progressive hard rock Krautrock outfit, featuring an excellent heavy guitarist who reminds me of a cross of early Martin Barre/Mick Abrahams with a bit of Jimi Hendrix tossed in! The quartet also included a reed player who mostly played flute as well as bass & drums. Long, heavy instrumental jams that might be comparable to the heaviest instrumental bits of early Tull, due to the guitar style & flute. They had a contract to record for...

"When it comes to outrageous German sleeve designs, it's impossible to not mention (this) album. It presents a half-burned chicken lying in a frying pan. The album offers a typical German progressive blend, drawing equally from heavy rock, folk, jazz and classical. The six tracks were cleverly arranged, with rich instrumentation and sudden shifts of tempo. Inside the fold-out cover was a Black Sabbath-like shot of the band at a graveyard, burying a chicken!"-Cosmic Dreams At Play.

"The album offers a typical German progressive blend, drawing equally from heavy rock, folk, jazz and classical. The [band's music was] cleverly arranged, with rich instrumentation and sudden shifts of tempo. The magnum opus was the 22 mintue Abfall, which went through innumberable changes in mood and melody."-Cosmic Dreams At Play.

“This is a real sensation! Eulenspygel's English version of 'Ausschuss' was intended for release by Intercord in 1972, but never went beyond the status of an 8-track..

Exmagma were a mostly instrumental crazy German jazz/rock trio of Thomas Baluff (organ & piano), Andy Goldner (guitar, bass, alto sax) and Fred Braceful (drums).
They recorded two albums, including a very rare and quite strange 1st album and their 2nd (this one), more progressive fusion album, which I've always been extremely fond of, and which, 'strangely', was only released in France (and on Richard Pinhas' Urus label to boot)!
By the way, their original name was Magma, and then they found...

"The first LP of Faithful Breath, ”Fading Beauty” from 1974, has meanwhile become a classic of symphonic rock and can definitely be recommended. In 1977/1978 they recorded their second album ”Back on my hill” - again including the mellotron - which was released only in 1980, on the Sky label. The long track on the flip side has been played in keeping with the first LP’s style. The first side consists of four shorter tracks already with some hard rock sounds - some few years later Faithful Breath should...

"This second Long Hair release by Fashion Pink contains previously unreleased studio recordings made between 1969-1971 + 2 live tracks. First part of this release (6 cuts) continues the SWR-Radio Sessions, truly reflecting the Krautrock jam...

“After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand-new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff.
Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create...

"The Bureau B label breaks into new territory and presents a newly-recorded album by Krautrock legends, Faust. "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope in his classic of the genre...

When Wayside Music started, I bought something like 250 of these from an overstock dealer and was selling them for $2.00 each for years and years!
Nice to have this old friend from the past back once again at a bargain price (with the passage of 40 years, at the equivalent of the same price, actually!), and it’s also a little bit weird too!

Faust are a rightly legendary experimental German ensemble from the early 1970's. This was the last album to be released in their lifetime and the 1st to.

"Faust's new album Fresh Air differs in several respects from its predecessor, Just Us. The recordings were made at Jean-Hervé Péron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Péron and Werner "Zappi" Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changing ensembles at changing locations in the USA (during a tour in 2016). In these community...

"Faust tell of an heroic time when reaching for the stars did not have to include getting the stars in order to be successful."-Julian Cope

I assume that the $2.00 more than usual price is because this apparently includes a license for you to...

“Originally part of 2021's Faust Box Set release commemorating the bands 50th anniversary Momentaufnahme I and II are now set for their own standalone release by popular demand. This is for all those that missed out on the limited-edition box set release. They collect together music recorded at the band's studio -- a converted schoolhouse in rural Wümme between 1971 and 1974 in a similar vein to the way in which The Faust Tapes (released in 1973) was assembled. These two albums range from minimal...

“Originally part of 2021's Faust Box Set release commemorating the bands 50th anniversary Momentaufnahme I and II are now set for their own standalone release by popular demand. This is for all those that missed out on the limited-edition box set release. They collect together music recorded at the band's studio -- a converted schoolhouse in rural Wümme between 1971 and 1974 in a similar vein to the way in which The Faust Tapes (released in 1973) was assembled. These two albums range from minimal...

The good: This is great stuff!
The bad: They go out of their way to hide the fact that this material has been out before on the records ‘Munic & Elsewhere’, ‘The Last LP’ ‘BBC Sessions +’ and the double CD version of ‘Faust IV’.
If you own these, you own this material. If you don’t own these, these are well worth picking up!

The good: This is great stuff!
The bad: They go out of their way to hide the fact that this material has been out before on the records ‘Munic & Elsewhere’, ‘The Last LP’ ‘BBC Sessions +’ and the double CD version of ‘Faust IV’.
If you own these, you own this material. If you don’t own these, these are well worth picking up!

“For the first time ever this lost "last" album recording, Punkt gets a deserved and necessary standalone release.”

"The band called it 5½, fans referred to it as the 'Munich album' and for almost fifty years it's been the missing chapter in Faustian mythology. Now for the first time, the German iconoclasts' previously unreleased fifth album sees the light of day as Punkt . . . Punkt is Faust at their most unhindered, untethered and unstoppable.
Returning to Germany after a loss-making U.K...

Faust are a rightly legendary experimental German ensemble from the early 1970's. This is almost all of their two posthumous albums which feature the unreleased "Faust V" album and their recordings before they dissolved in the 70's. [ReR]

Faust are a rightly legendary experimental German ensemble from the early 1970's. This was their 3rd release, & was assembled from private tapes of the band, & shows them at their most spontaneous, & least rehearsed. One of the great ones, & is...

"Faust was among the most adventurous and creative German bands of the 70s, and after disappearing for a decade and a half, they reunited in the 90s and made several startlingly good albums. Today, drummer Werner 'Zappi' Diermaier and bassist Jean...

“Ex-Tangerine Dream artist Christopher Franke released his second and third solo efforts simultaneously, following the successful Pacific Coast Highway. First, The London Concert, recorded live at London's Royal Apollo Theatre in October 1991. While three tracks are versions of pieces from Pacific Coast Highway, the material is mostly new, starting with "Empire of Light," awith its powerful, hypnotic entrance into Franke's spellbinding world of sonic images, combining dramatic electronic and calming...

Last FIVE copies in existence anywhere!
This straddles the boundries between the menacing works of his past, & a more spacier side. Despite it's less intense nature, it still has that "bite" that you expect from him. "...a brilliant achievement...