"Baumann/Koek is another hitherto undiscovered treasure of German electronic music, the only album by the electronic music pairing of Wolfgang Baumann and Ata Koek, both from Kempten, Bavaria, Germany. It was mixed in Conny Plank's studio and distributed, without a label, by the duo themselves in 1978. The music owes much to the Berlin School; layered sequencer patterns, swirling chord tapestries, a computer beat here and there. Eastern elements or hints thereof add a particular charm to Baumann/Koek...

An important, long-time and key member of Tangerine Dream, Peter Baumann was with the group through basically all of their most important work.
This was his first solo album and was released while he was still in TD. It's a fine work and it has been unavailable on CD for nearly 20 years.

"While still a member of Tangerine Dream, Peter Baumann released his first solo album, Romance '76. It's not far removed from the music that TD was making at the time -- in fact, references to Rubycon...

This was originally issued by Pilz in 1972, was one of their last releases. Berkers was a bassist and a member of both the Cosmic Jokers and Wallenstein. This features him on guitar with various Kosmiche pals. More of a 'rock album' than you might expe...

Reissue in high-quality form from the master tapes from the master tapes of the first album by this improvisational/folk/world music, formed in 1970 by Peter Michael Hamel, and actually featuring the soon to be world-wide famous classical star James....

"The Norwegian outfit BIG ROBOT describes itself as a musical collective, where members Per Sjoberg and Ole Christensen make up the central core of the collective. "Aquafit" is the debut effort by this project, and adding their input to the proceedings...

Among the earliest of Krautrock bands, The Blackbirds (like Xhol) started elsewhere before venturing on to experimental realms...by the time of their second (and last) album A Touch Of Music, the three year gap had made a lot of difference...they had m...

This is a never before released live gig in excellent sound, from 4/74 by this jazz rock band who played flute, organ/electric piano, saxes, bass, drums & vocals. I can hear elements of Supersister at times, & maybe even a little bit of the Mothers...

The great first album (of 3 great ones and then a number of not so great ones) by this Swiss band who operated in Germany and are thought of as being a 'krautrock' band and who were in terms of the music and the spirit, if not actually of German nationality.
"Being as LSD was first developed in a laboratory in Basel, it is perhaps no coincidence that one of the most far-out albums of all time was made by this Swiss band -- no small feat, given the competition! Brainticket's 1971 debut...

Very good quality, previously unheard live recordings for the time period from Zurich, Switzerland on 2/4/193 and Lausanne, Switzerland 10/20/84.
"...In 1980 Brainticket was revived with Joel Vandroogenbroeck, Willy Seefeldt and Hans Deyssenroth, and one year later Joel and I formed a duo. We tried to bridge the gap between jazz improvisation and electronic music with an array of acoustic instruments, synthesizers and drum machines. And there was Hans Deyssenroth, who had in the meanwhile created...

First-ever vinyl reissue from the masters.

“Pilz present a reissue of Bröselmaschine's self-titled debut release, originally released in 1971. What an amazing improvement in the sound of this 50-year-old recording. With the help of the original analog master tapes and state-of-the-art technical equipment, the sensitive melodies of the original cast appear in a wonderful light of romance and empathy. Remastered at Dierks Studios, where the recordings were also made. Produced with the assistance...

"Bröselmaschine is one of the oldest bands from Germany and still alive!
The reactions to their latest studio album (2017) were awesome by critics and fans. All over the world, especially in USA and Japan, the debut album from 1971 is listed as one of the most important Krautrock albums of all time - beneath Amon Düül, Can and Tangerine Dream (e.g. the New York Blog 'Pigeon & Planes' rank 9 of 20).
On the occasion of their 50th anniversary MIG will release an anthology box set containing 5 CDs....

Roman Bunka is well known for his work with Embryo and Aera and this was the first project under his own name.

‘”Dein Kopf Ist Ein Schlafendes Auto" (English: Your Head is a Sleeping Car) was one of the most interesting German formations of the exciting late 1970s. The album, which bears the title of the band's name, was recorded in 1980 and was released on record the same year. The band presented a unique mix of avant-garde rock, soul, jazz and oriental music. Hardly any other band offered...

"Started as the so-called 'Krautrock Guerrilla' in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album, Emotional Detox. Customarily associated with the likes of NEU! and La Düsseldorf it is time to allow Camera to break free of the krautrock tradition. For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, linking everything together as he crosses the soundscape of everything captured on Camera...

Recorded in 1972, this is one of my personal favorites by the band, as there is a bit more 'groove' in the playing (and drummer Jaki was always one of the great groove drummers ever).

"The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried...

“Live in Aston 1977 is a whole new lens through which we can view a unique band with seemingly inexhaustible energy for live performance. It comes at a difficult period for Can; their recently released eighth studio album, Saw Delight, had been badly received and although posterity has been kinder, the reviews on release were savage. It might be expected that the live performances from this time would reflect some of the criticisms of the album, that they were slowing down, perhaps even feeling a little...

Can Live in Paris 1973 features a performance recorded at L'Olympia in Paris on May 12, 1973. There are a lot of fine, stretched out versions of tunes from Ege Bamyasi, the recording quality is extremely good for what this is (a 50 year old archival, non professional recording) and FINALLY, a show from this series with Damo!

This was actually a little bit of a revelation to me, because even though I absolutely do consider myself a Can fan (man!), my interest in their albums basically ends after Soon After Babaluma, as I always felt that their albums went from being kinda magnificent throughout before then to being quite spotty.

And I still do think that, but apparently Can as a live band remained a very strong force longer than they did on record! This is a very good recording both sonically and in terms of...

Recorded in 1968-1969 and released in 1969, this really is an album that was ahead of its time...

"Can's debut is the only full-length, proper release to feature original vocalist Malcolm Mooney, whose free-form ranting is matched by a raw...

Recorded in 1970, and actually consisting of film soundtracks for arty films (none of which I've ever seen surfacing anywhere!), this finds the band in transition, with some tracks featuring original vocalist Malcolm Mooney and some featuring new...

Very good, previously unknown, heavy keyboard-driven progressive band who never made an album. Shocking that something this good could be sitting in the vaults, ignored and forgotten, for 35 years!

"Another forgotten pearl from the vaults of...

"Latecomers to the krautrock party, Circles created a manifesto of frenzied inertia in the late 1980s, swimming in the same gene pool as Cluster and Popol Vuh. Ambient music for the end of time does not get any more authentic than this. The Structures album is a time capsule unlocked, containing previously unreleased recordings from 1985 to 1989. Music that blends the extremes of end-times foreboding and drifting lightness to beguiling effect. Music that succeeds in sounding more contemporary in 2016...

Cluster 71 is the first album by Cluster and the least known of their early clasics. It is reissued here with the original cover art in a digipack. It's been reissued a zillion times, but no matter which edition, it's a great release...

"Formed in Germany in 1971 when Hans-Joachim Roedelius and Dieter Moebius left Conrad Schnitzler's group Kluster, Cluster can be counted among the most important protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, while to others they are firmly embedded in the Krautrock universe. There is some truth in all of these notions. Although Cluster and "rock music" are seldom mentioned in the same breath, their early works in...

So, so glad to see this classic German title reissued and available again!
This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!