A beautiful, fully licensed, gatefold lp replica of the original. It sez here: "Heldon's startling second album. Sounds like Cluser or Harmonia combined with Gastr del Sol."...

"Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music. 'Ten Years began with image before sound,' writes Andrew Lampert, 'a row of quadruple projections arranged...

“American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early ’70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic.
Canti E Vedute Del Giardino Magnetico, Curran’s solo debut, was recorded by....

"Philosopher, musician and anti-art activist, Henry Flynt has long foregone the academicism often associated with “serious music” in favor of a uniquely intuitive, emotional approach to composition. In the 1960s and 1970s he was a part of NYC’s vibrant avant-garde scene, studying with Hindustani singer Pandit Pran Nath and developing his own proprietary technique on violin.
You Are My Everlovin’, Flynt’s first published musical work, finds the composer in peak form, recorded live at Inroads, New York

This was Richard's first album after the dissolution of Heldon and it's an mostly solo work (Francois Auger (drums) and Jean-Philippe Goude (mini-moog) join him on one track) that conjures up impressions of icy, pristine landscapes.

“Consisting of longer, brooding synth-based pieces as well as short proto-industrial études and interstitial sketches, Iceland features Pinhas’ delay-ridden electric guitar, pulsating machine rhythms and analog synthesizer washes—all vivid in texture and timbre...

Excellent first album by this Australian post-punk ensemble! First-time vinyl reissue since its initial release in 1983.

"In the fertile terrain of New Zealand’s 1980s post-punk scene, few figures loom as large as the Jefferies brothers. Graeme Jefferies and Peter Jefferies—the primary forces behind This Kind Of Punishment—wrote some of the best music to come out on Flying Nun, Xpressway or elsewhere. A dizzying mix of pastoral ballads and DIY experimentation, TKP’s songwriting was at once...

"Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -a name chosen for the ease and speed with which it could be spray-painted onto a wall-have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a firing squad...

“To understand the significance of the word ‘featuring’ on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used.
“The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution’s continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra....

"On his fourth album, Clic, Franco Battiato moves further out—into realms of pure and elemental approaches to sound—to create a seminal work that flows naturally from one musical form to the next. Every second ripples with orbital chords, kosmische textures and schizophrenic string quartets, yet somehow manages the same dramatic pacing and variety as his avant-rock albums Fetus and Pollution.
Originally released in 1974 on Bla Bla, Clic features Battiato on VCS3 synthesizer and piano, along with...

“Flaming Tunes' sole release is perhaps the finest elegy to the '80s home recording ethos that you've never heard. Originally released in 1985 on cassette (with individually hand-colored covers), this self-titled album grew out of the collaboration between childhood friends Gareth Williams and Mary Currie.
Williams is best known as a member of English art-rock band This Heat. After leaving the group in the early '80s, he travelled to India where he studied classical Kathakali dance-an experience...

Excellent, weird, darkly circular electronic release from 1981, which, strangely enough, was originally released on John Fahey's Takoma label.

"This first-time CD release is mastered from the original analog tapes. First appearing...

“The Screamers were part of the first wave of L.A. punk bands, active in 1977-1981. They cleared new paths for the sound and image of rock music, abandoning electric guitars for a keyboard-based sound, as well as embracing video and theatrics in a manner that put them far ahead of their time. However, the band never released a record and outside of several bootlegs of demos and live performances, there has never been an official aural document of their trailblazing music.”
Until now! ...

“Ellen Fullman began developing The Long String Instrument in her St. Paul, Minnesota studio in 1980 and moved to Brooklyn the following year.
Inspired by composer and instrument builder Harry Partch, Fullman's large-scale work creates droning, organ-like overtones that are as unique in the world of sound as her vision of the instrument itself. Along with her 1985 debut album-appropriately titled The Long String Instrument-Fullman's only output in the 1980s would be two self-released cassettes...

"Takehisa Kosugi is an inter-media artist and performer who started his career back in the '60s in Tokyo. With his first band Group Ongaku (free anarchist-conceptual improvisations) he was introduced to the Fluxus avant-garde movement. During the '70s, he was a member of the mystical, psychedelic, droning rock band Taj Mahal Travellers. He co-founded the band in 1969. Since the end of the '70s until now, he has released several solo albums and commissioned works for events and sound installations. His...

"Limited vinyl LP repressing includes bonus 7” pressing of the rare Move EP.
1979 solo debut from The Homosexuals bassist Jim Welton (aka. L. Voag). A band by the name of The Rejects were formed in the bar of Goldsmith's College in South London in 1976. The name The Rejects was too deeply embedded in what was regarded as "the new conformity of punk," leading to the name change to The Homosexuals. The band then lived in a series of squats while making music and recording. Their angular guitars...

“While awaiting the release of Dignity Of Labour, The Ex headed back into the studio in early 1983; this time with a new friend-The Mekons' Jon Langford-helping produce.
Originally released in April 1983 (only a month after Dignity Of Labour), Tumult marks a major evolution in Ex-sound. Opener "Bouquet Of Barbed Wire" emerges snarling out of post-punk atmospherics with Terrie Ex's glacial guitar, Bas Masbeck's loping bass and cascading tom-toms from new recruit Sabien Witteman, while "Fear" and...

“In the summer of 1981, The Fall embarked on their second American tour, criss-crossing the States over a two-month period. Featuring the dual guitar of Marc Riley and Craig Scanlon and rhythm section of Stephen Hanley and Karl Burns, A Part Of America Therein, 1981 would document this fabled journey with crucial performances that show the band evolve from noisemaking lout cultists into true post-punk legends.
"From the riot-torn streets of Manchester, England to the scenic sewers of Chicago..."...

The sheer brutality and energy of this album are still hard to take (and even believe) 25 years later. And these people were on heroin, which is a depressant? Oh, to be young and filled with energy.

"In 1979 the quintessential 'no wave' group released two albums simultaneously; Buy was effectively the group's debut, originally appearing on the indie label ZE, while the same project was released as Off White under the adopted alias of James White, one of the many identities of leader James Chance...

“Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars...

First ever CD issue of this weird, sort-of-systems-music release from 1976!

“David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition - continuing...

"La Monte Young is the daddy of us all." - Brian Eno

“La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian...

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

“Warren 'Sonny' Sharrock died of a heart attack at the age of 53 in 1994. At the time of his death, many writers noted that he had recently landed a contract with a major label (RCA) and was perhaps 'destined for big things.' In my opinion, these writers missed the point. Although Mr. Sharrock may not have been successful financially (as though that might be a primary motivating goal for any true artist), he was uncommonly successful aesthetically. Certainly, there are a few dubious moments to be found...

Beautiful reproduction, including the great, psychedelic, gatefold jacket, of one of my favorite albums by Albert!

"In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering -- aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the...

"The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era-he is, simply put, free jazz...