"Mike Pride's From Bacteria To Boys features four of the most startling and beautiful new voices in modern jazz and blurs the lines between forward-looking, groove-based modern jazz, chant works, R&B (R. Kelly, mainly) and 20th/21st century classical...

"The 33 minute maximum intensity transformative epic Drummer's Corpse was recorded within the same month as the diametrically opposed (in concept, content and title) Birthday Days, and no pair of records better represent his multifarious artistic...

Matthew Shipp: piano
“Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell.
Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s....

Jason Stein - bass clarinet
Joshua Abrams - bass
Gerald Cleaver - drums
Boon - guitar on 'Anchor'

“With Anchors, Chicago-based bass clarinetist-composer Jason Stein arises from a six-year hiatus as bandleader with his most personal, nuanced, and expansive album to date. It was created together with bassist Joshua Abrams (Natural Information Society, of which Stein has been a member since 2017), drummer Gerald Cleaver (whose bona fides run deep & wide), and guest artist...

Fay Victor – vocals
Michaël Attias - alto & baritone sax
Anthony Coleman - piano
Ratzo Harris – bass
Tom Rainey - drums

“Acclaimed vocalist-lyricist-arranger Fay Victor & her Herbie Nichols SUNG Quintet celebrate & thoroughly reconsider the rich legacy of jazz composer Herbie Nichols with Life Is Funny That Way, and bring it singing boldly into this century.
Following on Billie Holiday, who famously wrote "Lady Sings The Blues" to Nichols' "Serenade," Victor developed th

"David S. Ware's new quartet Planetary Unknown debuted in June 2011 with their self-titled studio communion on AUM Fidelity. That album documented an epic occurrence with major artistic circles between members Ware, Cooper-Moore, William Parker and...

"The recording and release of Onecept celebrates David S. Ware's 50th year of singular and profound saxophone artistry; a studio session specifically arranged for same featuring Ware on three horns: saxello, stritch, tenor along with fellow musical....

"The Balance is the fourth edition in the DSW-ARC Series; it presents an outstanding and incendiary David S. Ware concert, in trio with William Parker and Warren Smith. A tenor sax / bass / drums excursion of full intensity from the first note, this suite of spontaneous form was created at NYC's Vision Festival in 2010. Ware had been a perennial at this vital annual gathering since its beginning; this was his first time back since his revered Quartet bid farewell there in 2006, and it was a wholly...

"Birth Of A Being (Expanded) presents the essential first studio recordings by incomparable jazz saxophonist David S. Ware as a bandleader.
Recorded in New York, April 1977, the first disc features material originally released on LP by the Swiss label, hat Hut Records -- out of print for over 30 years. The second disc features a full additional album of top-shelf material from those same sessions that have never been released in any form. This definitive edition was sourced from the original analog...

"Live in Sant'Anna Arresi, 2004 is the 2nd volume in AUM Fidelity's David S. Ware Archive Series, and the first release of the saxophone master in rare duo performance with fellow master of music, pianist Matthew Shipp. Though sharing 17 years together in the legendary David S. Ware Quartet (along with bassist William Parker and a series of drummers), Shipp recalls that he and Ware performed duo concerts perhaps six times at most in that period. Thankfully, on this latter-day occasion, their work...

“A seed is a star, a star is a seed. Stevie Wonder's cosmically aphoristic title could also describe pianist and composer Eri Yamamoto's Goshu Ondo Suite.
"About two years ago," she writes in the liner notes accompanying her momentous seven-part opus, "I was vacuuming my apartment, and with the rhythm of the movement, I began singing "Goshu Ondo," a traditional circle dance song from Shiga, near Kyoto, Japan." This is how the prolific musician channeled deeply felt resonances with various traditions...

"Pianist-composer Eri Yamamoto returns with a bountiful new collection of her singular all-original music, performed with her perennial trio partners of deep empathy, bassist David Ambrosio and drummer Ikuo Takeuchi. As the album title suggests, the material moves through a far range of emotional evocation, from ebullient to thoughtfully introspective, reflecting the absolute vibrancy of her long-time adopted home, New York City, and the importance of finding space within the perpetual motion of the city...