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"Amongst the most legendary of Austrian underground bands, but with a virtually undocumented history, Paternoster originated from Vienna, and existed for only two years in the early-70's, disbanding after the release of just one album."-The Crack In The Cosmic Egg

"Before releasing their lone self-titled debut album, one of the most rare rock records to be released in Europe in the 1970s, Paternoster provided the soundtrack for a film that could only have been made while the psychedelic movement...

Michael has been performing since 1982. Raised on the Canadian prairie, he was classically schooled in violin, piano, voice and guitar. Discouraged by the parched landscape of contemporary Western classical music, he gave up playing entirely for cross ...

This guy kinda looks like Andrew W.K., but at the same time he could also be Ritchie Kotzen's (one time guitar player of 80's hair metal heroes Poison) brother. He also has a really thin mustache. Italian import CD.

Busy, odd-yet-pop Philadelphia band with a great name and a unique style that touches on many things. Check their myspace page and hear them - they leave me unable to describe them coherently, even though I really like them!

"The combination...

CDR Promo version in a plastic picture sleeve.

“2019 studio album by Tony Patterson and Doug Melbourne. The Divide is the result of a musical collaboration between singer and multi-instrumentalist Tony Patterson, and keyboardist Doug Melbourne.
The musicians have worked together in the past - most notably in the UK's best loved Genesis tribute band ReGenesis. Doug has also contributed to some of Tony's other projects including his solo album Equations of Meaning and the acclaimed Northlands album. However, The Divide is their first collaboration..

“The duo, both accomplished musicians in their own right, have joined forces on a number of projects in the past, most notably as members of the UK's best-loved Genesis Tribute band, ReGenesis. Doug has also contributed to Tony's other projects, including his solo album 'Equations of Meaning', and his acclaimed collaboration with Brendan Eyre.
Recorded in 2020 and completed in Autumn 2021, Dark Before Dawn follows on from The Divide both lyrically and musically but is instrumentally more diverse and...

“Audio and video collection of UK progressive eccentrics Patto at the height of their powers on stage in the form of a previously unreleased recording of the band rocking and looning at the Torrington in London at the start of 1973, plus their surviving TV appearances.
The Patto's virtuosity and eclecticism are in full swing as they perform an inspired set which includes most of their (then current) third album, Roll 'Em Smoke 'Em, to an enthusiastic but intimate crowd. Includes a never released...

"One of the truly great bands of the early 1970s, Patto featured a line-up comprising Mike Patto (vocals), Ollie Halsall (guitar, vibes, keyboards, vocals), Clive Griffiths (bass) and John Halsey (drums). The band arose from the ashes of the group Timebox and recorded their self-titled debut album in 1970. Patto were graced by the presence of the stunning guitar playing of Ollie Halsall and a highly original and unique musical style that set them aside from their Progressive Rock contemporaries of the...

"Esoteric Recordings are pleased to announce the release of the first ever official edition of the legendary final, unissued Patto album Monkey’s Bum, recorded in 1973.
One of the truly great bands of the early 1970s, Patto featured a line-up comprising Mike Patto (vocals), Ollie Halsall (guitar, vibes, keyboards, vocals), Clive Griffiths (bass) and John Halsey (drums). The band arose from the ashes of the group Timebox and were graced by the presence of the stunning guitar playing of Ollie Halsall..

"One of the truly great bands of the early 1970s, Patto featured a line-up comprising Mike Patto (vocals), Ollie Halsall (guitar, vibes, keyboards, vocals), Clive Griffiths (bass) and John Halsey (drums). The band arose from the ashes of the group Timebox and were graced by the presence of the stunning guitar playing of Ollie Halsall and a highly original and unique musical style that set them aside from their Progressive Rock contemporaries of the era."

"Despite being criminally underrated at...

"One of the truly great bands of the early 1970s, Patto featured a line-up comprising Mike Patto (vocals), Ollie Halsall (guitar, vibes, keyboards, vocals), Clive Griffiths (bass) and John Halsey (drums). The band arose from the ashes of the group Timebox and were graced by the presence of the stunning guitar playing of Ollie Halsall and a highly original and unique musical style that set them aside from their Progressive Rock contemporaries of the era.
This, the band’s third album, was released in..

The vocalist of Faith No More & Mr. Bungle, goes ''one step further with a debut solo of experimental sounds never imagined possible from just voice & microphone. Compositions such as ''Catheter'' & ''Orgy In Reverb'' live up to their titles.'' [Tzadik]

''Patton's extended composition 'Pranzo Oltranzista: Musica da Ravola per Cinque (Banque Piece for Five Players)' is inspired by Filippo Tommaso Marinetti's 'Futurist Cookbook' (1932). Performed by an all-star ensemble, 'Pranzo...' magically transports...

“The debut solo album by bassist from the DAVID CROSS BAND containing 14 top-quality self-written and produced melodic prog songs that feature some superb guest players and vocalists!
The musician line-up is: Mick Paul (bass / guitar / backing vocals), Sheila Maloney (piano / keyboards), Ondes Martinet (vocal / synthesizers), Steve Roberts (drums), Craig Blundell (drums), Jinian Wilde (vocals), David Cross (violin), David Jackson (flutes / whistles), Paul Clark (guitar), Dennis Mahon (vocal) and...

"The piano solo format is a natural one for this musician of great inner density. João Paulo is a composer of exquisite melodic and harmonic sensibility. He's also a very special improviser, with the same drive, deliverance and proficiency that we recogni

"Speaks. But not for itself.

A secret dialogue between music and words had already began, beyond frontiers, before the first note was played, even before the first word was spoken.

I believe in this dialogue, in this secret, that asks

14 pieces by this improvising guitarist, known for his work with Catalogue.





Matt Pavolka - bass, composer
Ben Monder - guitar
Santiago Leibson - keyboards
Allan Mednard - drums

“Bandleaders frequently have different ensembles that represent particular aspects of their musical personalities. Bassist/composer Matt Pavolka maintains a handful of groups, some focusing on his writing in more traditional jazz formats and others that provide more open, raucous fare. The Matt Pavolka Band represents the latter, their freewheeling style on full display on their ne

Jessica Pavone: composer
Katherine Young: bassoon solo (tracks II, III)
Aimée Niemann and Charlotte Munn-Wood: violin
Abby Swidler and Jessica Pavone (solo on tracks III, IV): viola
Mariel Roberts (solo on track IV): cello
Shayna Dulberger: double bass

“Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender nor

"Following up on her acclaimed first CD for Tzadik, Songs of Synastry and Solitude (2009), Jessica Pavone has created a beautiful and evocative song cycle that meditates on themes of destruction and rebuilding, migration, falsities and undeniable...

Jessica Pavone - composer/viola
soloists:
Brian Chase - percussion solo
Nate Wooley - Bb trumpet solo
Aimée Niemann and Charlotte Munn-Wood - violin
Abby Swidler - viola
Christopher Hoffman and Meaghan Burke - cello
Shayna Dulberger and Nicholas Jozwiak - double bass

“Jessica Pavone, eminent figure of NYC’s avant-classical scene, delivers Lull, a timely new album of transfixing sonic textures. Featuring a distinguished ensemble of New York-based musicians.

“Sometimes I forget to be grateful. When I’m feeling distracted or impatient, my ears start to blur sounds just as tired eyes soften shapes; I hear the overall shape but start to reject the nuances within them, casually allowing the nourishment of total experience to pass me by. Sometimes I need a record like Silent Spills in order to reset myself; a release that takes each gesture one at a time, lingering on the circumstances that bring each moment to be, and depriving me of certain musical devices so...

"Brooklyn-based string instrumentalist/composer Jessica Pavone is known for her sparse, melodic music inspired by folk music, improvisation and minimalism. Modeled after the legendary Leonard Cohen album Songs of Love and Hate, these eleven marvelous...

Jessica Pavone - compositions, viola, effects, track 2 performed using one of Ken Butler’s hybrid instruments

"What Happens Has Become Now is Jessica Pavone's fifth solo viola album and her fourth for Relative Pitch Records. Over the past twenty years, Pavone has been developing solo music based on the pitches of the open strings intended to accentuate the natural sympathetic resonances of her particularly loud viola. Over the years, she has incorporated and experimented with electronic effects...

Jessica Pavone – viola, voice

“As both an instrumentalist and composer, Jessica Pavone explores the tactile and sensorial experience of music as a vibration-based medium.
Since 2012, she has established an individual body of material for solo viola, concentrating on these elements of performance. The structured yet indeterminate pieces stem from intensive long tone practice and an interest in repetition, song form, and sympathetic vibration. "When No One Around You is There but Nowhere to be.

“This album celebrates the first release from Jessica Pavone's newest incarnation for string ensemble, which features two violins and two violas. Brick and Mortar is her first body of string ensemble music since pausing to focus on writing for solo viola for the last six years. Her earlier work for string quartet, which substituted a second violin for double bass was documented on her 2009 and 2012 releases from the Tzadik label; Songs of Synastry and Solitude and Hope Dawson is Missing, highlighted...

Mario Pavone double bass / Matt Mitchell piano / Tyshawn Sorey drums.

"It’s always a joy to have a new recording from someone like Mario Pavone, for five decades a central figure of the most defying and uncompromised jazz played in the United...

Mario Pavone - bass, compositions
Dave Ballou - trumpet, arrangements
Matt Mitchell - piano
Tyshawn Sorey - drums

“Blue Vertical is to be the final recording by the legendary bassist and composer Mario Pavone, who passed on May 15 2021. Though in the final stages of a 17-year battle with cancer, Pavone pushed throughout April 2021 to make sure this music would be a part of his recorded legacy.
On March 25 and 26 2021 he gathered his Dialect Trio with Matt Mitchell and Tyshawn

Mario Pavone double bass
Dave Ballou trumpet
Tony Malaby tenor and soprano saxophone
Oscar Noriega clarinet and bass clarinet
Peter McEachern trombone
Mike Sarin drums
"By now, Mario Pavone doesn’t need more presentations: he’s on the top of the jazz nobility of today, after a life of partnerships with the greatest, namely Paul Bley, Bill Dixon, Thomas Chapin, Anthony Braxton, Wadada Leo Smith, Marty Ehrlich and others of similar status. In his own bands, Pavone chooses the

Mario Pavone double bass
Matt Mitchell piano
Tyshawn Sorey drums

“The piano jazz trio format was, of course, an invention of pianists, establishing a triangular hierarchy with the piano on top and the double bass / drums positioned on the bottom. When the leader of such a trio is the bassist or the drummer , almost certain is that there is the idea to turn this kind of instrumentation into a more democratic one. Simply because a bassist or a drummer don’t imagine the dynamics of...

Michael Pavone guitar
Mike DiRubbo alto saxophone
Mario Pavone double bass
Michael Sarin drums

“Mario Pavone recorded two albums in the final stages of a cancer that he fought for 17 years, when 2021 was starting: “Blue Vertical” (Out of Your Head Records) and this “Isabella”.
Now that Pavone isn’t with us anymore, the second of these two final editions has a special significance: it’s a pungent tribute to his granddaughter Isabella, who died in 2020 when she was only 23...

"The Peace were an obscure band from Copperbelt, Zambia. According to some rumors, they were in fact a band from the Zambian Air Force. Before they became The Peace the band was called The Boyfriends, a popular local band featuring Ted Makombe and...

“After her stunning, groundbreaking album X-Dreams received wildly enthusiastic critical reviews and attained nothing less than complete public indifference, composer, singer, songwriter, and pianist Annette Peacock was at an artistic crossroads. While she wasn't willing to compromise her musical vision, for financial reasons she needed to expand her view to include what she perceived to be the popular music of the time: Steely Dan, Rickie Lee Jones, et al. (Apparently her vision did not include the....

“Arriving in 1978, X-Dreams is an infatuating and resolutely feminine free-form exploration of the politics and dynamics of sex. In the pursuit to reconcile the duality of attraction & repulsion and love & cruelty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances alongside an improvisational jazz-rock fusion masterpiece of musicianship...

“Gary Peacock’s recordings of the 1980s are production projects on which great players convened to play the bassist’s tunes. And the bass is fully a lead voice here, with title piece Guamba a Peacock solo to open the proceedings.
As Paul Bley once said, “Gary is one of those rare musicians you could always count on to play better than you.”
Nonetheless, there are mighty contributions from saxophone, trumpet and drums, with Jan Garbarek in particularly strong form. Jazz Forum: “Garbarek plays...

Featuring Sara Hammarström, flutes; George Kentros, violin; Mats Olofsson, cello; Marten Landström, piano, Pearls Before Swine Experience is a Swedish alt-classical ensemble who combine excellent 'old style' minimalism with modern, non classical..

This was the first solo album by one of the two guitarists in the classical progressive group Sky and this presents similarly proggy/classical music.

Those of you with long memories and/or large Wayside record collections will remember Victor de Bros, who started his career with Debile Menthol and later released a couple of great, eccentric dub and reggae influenced albums under the moniker Peeni...

Those of you with long memories and/or large Wayside record collections will remember Victor de Bros, who started his career with Debile Menthol and later released a couple of great, eccentric dub and reggae influenced albums under the moniker Peeni Waali

After Iceberg disbanded, the two main movers of the band, keyboardist Kitflus Mas and guitarist Max Sunyer formed Pegasus with a new bassist and drummer. This was their fourth album, originally released in 1983, and recorded live. It's instrumental ja...

(Portugal) W/ Mario Delgado & Jose Salgueiro.



"Reissue of the classic 1972 Quebec masterpiece. Includes 'Monsieur L'Indien' and 'Mama Vagina'. When it was originally released, this record was 30 years ahead of its time. Launched in 1972, Laissez-nous vous embrasser ou a fait mal is one of the most...

Jeremy Pelt – trumpet
Chien Chien Lu – vibraphone
Victor Gould – piano & Fender Rhodes
Vicente Archer – acoustic & electric bass
Allan Mednard – drums
Anne Drummond – flute (tracks 4 & 5)
Brittany Anjou – Mellotron (track 5), Moog Sub 37 (track 7)

“Jazz trumpeter, composer and author Jeremy Pelt has certainly never shied away from themed albums so one might expect something cinematic from the enigmatically-titled Soundtrack. However, as Pelt himself explains, “I'