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Take a bunch of old, traditional English ballads, a young man who loves them but also loves electronica and this is what you get. Not for traditionalists, but then again, neither was Fairport Convention...until one day it was! Conditionally recommended!

"This is just folk music from the point of view of someone that has heard hip-hop and The Smiths and Radiohead and S-Club"-Jim Moray

"This the lowdown on Moray: the man is only 21 and has un undying love for old, traditional English folk...

Famously uneven album recorded by Patrick Moraz in 1975, while he was still in Yes. But the good parts are really very good. "The year was 1976. The attack of the killer Yes solo albums! Swiss keyboardist Patrick Moraz provided us with this uneven yet ...

''Saracenia is the land, real and fantastic at the same time, that La Moresca is painting with his music. From the first approach to the traditional music of Naples, to the researches of Mediterranean sounds, the band is moving along our sea shores: th...

''The 2nd CD by the Neapolitan band. Along with dance music for feasts & rituals, the contemporary flavor of the lyrics should come as no surprise, as they have always kept in touch with their surrounding reality, never failing to raise their voices in...

Luiz Moretto – violin & rabeca
Alípio C Neto – tenor & soprano saxophone, Brazilian bells, whistles
Francesco Lo Cascio – vibraphone, percussion
Gianfranco Tedeschi – double bass
Marco Ariano – drums, percussion

" Br

Greg Morgan (saxophones), Dan Haywood (guitar), Pete French (organ), Chas Ambler (drums, percussion), Jeff Barnes (drums).

"A world somewhere between Atlantis and Greenwich Village"-Other Music

"This music draws on an ancient tradition..

plaintively beautiful without, thankfully, sentimentality- Bruce Coates/Rubberneck [Slam]

Includes five complete Blue Note albums:
Delightfulee
The Cooker
Lee-Way
The Rumproller
Search for The New Land

Lee Morgan (trumpet)
Bennie Maupin (tenor sax)
Harold Mabern (piano)
Jymie Merritt (bass)
Mickey Roker (drums)

“One of the greatest trumpeters of the post-bop era, Lee Morgan died aged only 33 in 1972. This recording was made for FM broadcast in the summer of 1970, only one month before he recorded his classic 1971 album Live At The Lighthouse in Hermosa Beach.
It showcases some of the best music Morgan's group ever performed, and is presented here in its entirety.”

"A mistaken but widely-held view of Japanese music is that it consists of two completely separate and non-communicating areas: on one hand the disposable J-pop music scene based on Western models, on the other the traditional classical music world with...

''Ikue Mori's electric percussion is quite simply some of the most original and exciting work happening in electronic music today. For her third Tzadik release, Ikue has assembled a varied collection of her most interesting tracks originally recorded f...

"One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark No Wave band DNA, to her years as a regular in the downtown improvisation community and...

''A legend on the NY music scene, she has played regularly with theworld's top improvisers since 1979, as well as in the groups DNA, Tohban Djan, Death Praxis, Fukuko, Worlds of Love and Death Ambient. Mori has developed a personal and innovative techn...

''Mori has developed a personal and innovative technique of playing samplers triggered by adapted drum machines. Hex Kitchen, which includes the soundtrack to Abigail Child's 8 Million Way to Die, features both Mori solos and performances with an all s...

"A winner of electronic music awards in Europe and the United States, Ikue Mori is one of the most respected composers working in the growing field of laptop electronics. A dedicated and passionate perfectionist, she has created a completely unique and...

''Eleven new earsplitting, brain-twisting electronic compositions by downtown legend Ikue Mori, one of the most respected composers in the contemporary electronica community. Labyrinth, her second CD of solo music for Tzadik, is a multi-faceted collect...

Laptop pioneer and downtown cult figure, Ikue Mori is one of the most important musicians working in the field of electronics. Her highly unique sound world is known and respected by musicians everywhere. This newest solo recording, created expressly f...

"Universally acclaimed as a pioneer in live laptop electronics, Ikue’s signature style is still uniquely her own and has influenced two generations of laptop performers. Her new band project Obelisk is a super-band featuring three of the most acclaimed and original players in the Downtown scene—Okkyung Lee, Jim Black and Sylvie Courvoisier. Ikue’s startling compositions blend gorgeous melodies with hypnotic rhythms and evocative soundscapes. Strange and beautiful music from a legendary master of laptop...

''Ikue Mori's career in music reaches back to 1978 asdrummer/co-founder/co-composer of the seminal punk/no-wave band DNA. In the 80s she became involved in the blossoming downtown scene, improvising with Bill Frisell, Christian Marclay, John Zorn, Tom ...

"Tracing The Magic is Ikue Mori’s most varied and fabulous CD to date and it is an absolute masterpiece! Seven pieces, each inspired by (and dedicated to) women artists whose powerful vision and creativity drove them to continue creating well into their ’80s and ’90s: Joan Jonas, Louise Bourgeois, Agnes Martin, Judit Reigl, Leonora Carrington, and Jakucho Sekuchi. The ensemble lineups feature some of the most exciting musicians working today and include friends new and old. Moody, lyrical, textural, and...

“Laptop wizard Ikue Mori, master keyboardist Brian Marsella and classical percussion virtuoso Sae Hashimoto are Archipelago X, a dynamic new trio born during the 2020 pandemic. Recording at their home studios and exchanging tracks back and forth for months, the music is detailed, evocative and dramatically mysterious, blending electronica, classical, ambient, film soundtrack, pop and jazz into a remarkably original aggregate. Inspiring and engaging music by this fabulous trio of Downtown musical masters...

"Tzadik is proud to present this historic meeting of four major figures in the new music pantheon, each a master improviser and groundbreaking instrumentalist in their own right. Their work together is symbiotic, telepathic—the music powerful and...

This trio recording featuring the leader and composer Jonathan Moritz on tenor and soprano saxophones, Shayna Dulberger on acoustic bass and Mike Pride on drums represents the first recording by a long-standing New York experimental jazz trio...

Plain and simple, Takeo Moriyama is one bad ass mofo of a drummer. A staple of the Japanese "J-Jazz" scene, he's released many killer albums over the years. BBE has reissued his rarest album East Plants in cooperation with Moriyama and the original label VAP.
The music is a mix of modal and post-bop jazz. Moriyama hits the skins so hard you would think his kit will explode. He's like Japan's answer to Elvin Jones. If you have any interest in modal jazz or overlooked Japanese jazz musicians...

"Shadoks Music are really proud to release an album from Russia 1973. It might be the first time ever that a Western label is releasing an underground album from the former USSR. Yury Morozov sadly passed away a few years ago, but with the help of good...

"An inventive progressive fusion band, with a notable debt to Kraan, Aera and nods to Munju, Missus Beastly and Secret Oyster."-The Crack In The Cosmic Egg

"Morpheus from the Warburg and Kassel area played instrumental jazz-rock, also called fusion. They released their only LP ”Rabenteuer”, which is meanwhile very expensive, in 1976.
They re-united again later, and in 2002 they performed at the well-known Herzberg festival, almost with the original line-up. Their very relaxed CD, ”For a...

“Stromatolites is unique in Morphogenesis' recorded output in that it specifically requires the use of overdubbing, whereas most of the band's other work is recorded live. Instead of "overdubbing," the group prefers the term "lamination pieces" for these tracks, which are mixed in the studio by superimposing separately recorded material (even from completely different recording times and locations). Because of the lamination, even though the two "Stromatolites" tracks were recorded with a small number...


"Joe Morris, William Parker and Gerald Cleaver are among the most gifted instrumentalists & improvisers in the world today --natural and consistent innovators all, always sharing, always igniting new ideas, always seeking something beyond description....

Joe Morris, guitar / Mat Maneri, viola / Chris Lightcap, bass / Gerald Cleaver drums.

“Balance” may be the return of an old Joe Morris project and band, but the always innovative guitarist embraces it as a new adventure. And sure it is: Morris...

Personel: Jim Hobbs (as), Joe Morris (g), Luther Gray (d), Timo Shanko (b)

"We were affraid that Joe Morris didn’t make up with his guitar, but fortunately “Beautiful Existence” show us that peace is restaured. Morris may be a good double...

"The great improvising guitarist, Joe Morris, returns with Luther Gray on drums and adds the masterful string section of Katt Hernandez on violin and Junko Fujiwara Simons on cello for his follow up to 2009's Colorfield. Drawing inspiration from the

Joe Morris returns both to the guitar and to ESP-Disk' with the long form improvisation album 'Colorfield'. Much as the Colorfield painters simplified their compositions to evoke emotion with color, this trio emphasizes harmony, phrase, tempo and rhythm..

“From the opener, "Hurricane Point," you're reminded of the Betty Davis quote from the 1950s movie All About Eve, "Fasten your seatbelts. It's going to be a bumpy night." Morris' guitar shreds notes against the wall of rumbling bass and crush of battered drums. This opening salvo signals a take-no-prisoners session, or what Myles Boisen of Splatter Trio used to call, "club clearing music."
As intense as it is, the inner workings retain the undiluted Joe Morris guitar sound. His unique "language"...

“Using a multitude of extended picking techniques, moods, atmospheres, hell, even fully fleshed out novels were seemingly created in an instant. Some that he showed us early on were revisited, only twisted and turned inside out creating yet further ideas. My experience to all this was one of surrender, letting go and finally full engulfment into the sonic maelstrom. Spanish themes occasionally popped their heads up only to be quickly supplanted by what sounded like a vicious bowing technique of a...

"'I call what I play Free Music because I want to be free to render my work in any way I feel necessary to express my feelings and ideas. Today on Earth is quartet music that emphasizes the groove; some folk-like melodies mixed in with some other things..

"All improvised quartet music by four acclaimed leaders in free jazz and improvised music. The superior collective interplay on this recording is matched by the individual virtuosity of the four players, each a master voice on their respective...

"A gorgeous modern jazz album with vintage microphone glow; four fully inviting long-form collective improvisations. Wildlife is the debut recording of a new group concept from jazz master nonpareil Joe Morris. Within this trio anything is possible....

“Automatos’ offers a parabolic curve structure where you can focus, starting from the opening, on very discrete elements of the ensemble - each instrument could be perfectly self-sufficient and this is not always true for every single part of a score if it has not been conceived as a solo piece - merging in a really dense and involving continuous. Fernandez is immediately terse, stinging with short phrases contrasted in the first half by the hoarse voice of Wooley and the initial far grating of Morris...

Joe Morris: guitar
Mary Halvorson: guitar

Joe was one of the first of the new American ‘out jazz’ musicians who I followed in their emergence in the late 80s/early 90s, after I’d given up on contemporary jazz due to too many young men in suits and ties with no dirt under their nails....
Joe didn’t do that and his wonderful hot ‘n’ sweaty power trio showed another way.
Joe was also one of Mary’s teachers before she left her native Boston and she (correctly) acknowledges how much she..

Joe Morris: guitar
Tomeka Reid: cello

“Joe Morris and Tomeka Reid offer a few new “standards” that are the fulcrum between a set of prepared instrument pieces where it is difficult to recognize either instrument and attention is absorbed by the overall density and character of sound, and a set notable for its sparseness as both Reid and Morris play primarily independent lines. Within that set, the effect, most apparent in the rare moments in which one musician briefly acknowledges the other...

"A state-of-the-art duo recording from two masters of improvised music. Joe Morris (guitar) and Agustí Fernández (piano) create new musical vistas using rich melodic invention, resulting in completely unique and unprecedented sounds that challenge the...

Barre Phillips (b)/Joe Morris (g)

"Guitarist (and sometimes bassist) Joe Morris has in “Elm City Duets” a new chapter of his ongoing objective to play with his lifetime heroes: after the meeting with the renowned multi-instrumentalist Anthony...

"Guitarist Joe Morris, bassist John Voigt, and trombonist Tom Plesk, all long time associates of the late, legendary, Boston-based multi-instrumentalist, biochemist, and composer Lowell Skinner Davidson here perform their interpretations of his graphic...

Personel: Joe Morris (guitar), Ken Vandermark (reeds), Luther Gray (drums)

"Joe Morris plays guitar on this record, and that is good news. He certainly is one of the best players in that music called “free jazz” that traces its roots to the...

Joe Morris, acoustic guitar / Nate Wooley, trumpet.

"After previous partnerships with Anthony Braxton and Barre Phillips in the Clean Feed catalogue, here we find the guitarrist in another duet, this time with Nate Wooley. We could expect such..

"Recorded at the 25th Festival International de Musique Actuelle de Victoriaville on May 28, 2008."

PROMO "Recorded at the 25th Festival International de Musique Actuelle de Victoriaville on May 28, 2008."

Led by baritone saxist Morris, who is backed by bassist Lewis and drummer Ughi, this presents 3 unknown UK jazzmen in a setting of mostly shortish pieces by the leader, with a few improvisations mixed in. [SLAM]

“With the brilliant 'Tupelo Honey' due for release the following month, Van Morrison performed this remarkable set in San Francisco on September 5th 1971 for broadcast on KSAN-FM. Featuring a crack band, it finds him playing a variety of gems, including material from 'Astral Weeks', 'Moondance' and 'His Band & The Street Choir' as well as classic covers. A stunning overview of his solo career to date, this remastered concert is presented here in a six panel digipak together with 8 page booklet containing...