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“The first Piece 'Distant Radio Transmission' was first recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013 and released as the third composition on Roscoe Mitchell Conversations I. It was then transcribed by Stephen P. Harvey in 2016 with further Transcription and Orchestration of air sounds for Strings by John Ivers in 2017 and finally then fully Orchestrated by Roscoe Mitchell in 2017. Here it is performed in 2019 by Mr Mitchell on Soprano Saxophone and the...

Roscoe Mitchell (saxophones)
Sandy Ewen (guitar)
Damon Smith (double bass)
Weasel Walter (drums)

“Full of masterfully cranky improvisational challenges and squabbles forming and resolving in a really unusual sound universe.”

““Don’t follow.”

That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly...

“This live date from the world famous Smalls Jazz Club is led by long-time Sun Ra bassist Tyler Mitchell, & features legendary saxophonist Marshall Allen in a deeply soulful journey into the music of Sun Ra.
This project is special to Tyler's heart - a journey into the music of Sun Ra, who's band Tyler has been a long-standing member. The miracle is Marshall Allen, who has somehow discovered the fountain of youth and in his late nineties is still inventive, spry as well as wise and beautiful...

Gabriele Mitelli cornet, soprano sax, alto flugelhorn, electronics, objects, voice
Rob Mazurek piccolo trumpet, electronics, objects, voice

“Here is one more example of a musical project inspired in literature. Star Splitter, the duo by the multi-instrumentalists Gabriele Mitelli and Rob Mazurek, makes reference to a poem by Robert Frost, in which this author tells the story of Brad McLaughlin, a farmer who failed to produce agricultural income and decided to burn his house to get the...

“Mitten’s ‘post-minimal’ style is inspired by everyone from Wagner to Reich, and these grandly cinematic pieces are rich with pizzicato strings, sweeping violins, blaring trumpets and burbling modern woodwinds. His clever programming ensures you’re only occasionally reminded you’re not listening to a real, 100-piece orchestra.”-PROG MAGAZINE – March 2021

“The two-hour album comprises cinematic orchestral recompositions of all of the material contained on Twelfth Night's three seminal albums...

“This latest project sees Clive covering, in a fully orchestral style, some of progressive rock's greatest tracks; ones that inspired him as teenager, to create something entirely new.
The double album includes the work of some of the best-known artists and some of their best-loved songs, beautifully interpreted, in what we hope will be a series of releases.
This first volume includes tracks by Pink Floyd, Genesis, Rush, Peter Gabriel, Jethro Tull, Mike Oldfield, and Supertramp! It is being...

“This is the follow-up to Clive Mitten’s highly acclaimed first volume covering, in his own ‘cinematic orchestral’ style, some the music that inspired him in his earlier years, mostly dating from the 1970s. The double album includes some of the best-known artists and some of their best-loved songs, beautifully interpreted, in this the second volume in the series.
Clive studied piano and classical guitar at school. In 1978, at Reading University, he became a founding member of the progressive rock...



First time ever CD reissue for a rare, Japanese big band jazz album that has been out of print and rare for 40 years!
Big sound and music that veers widely and wildly between quiet synthy zen contemplation, crazy free-style stuff, and big Gil Evans charts.
IF I understand this release properly, half of this set was headed by keyboardist Shumko Mizuno, who plays keyboards and drums on the fist half and wrote all the music on both sides.
The other half seems to be led by Toshiyuki Miyama's big

"The highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU Ensemble, sourced from the original masters.
Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi (1982), Colored Music's self-titled LP, MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe...

"The official reissue of legendary album KI-Motion by Japanese percussionist Midori Takada's MKWAJU Ensemble, originally released in 1981.
A highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion, and synthesizers, KI-Motion was recorded in 1981 and captures the birth of Midori Takada's exploration of minimalism, African rhythmic tradition, and ambient music. The album takes its conceptual inspiration from the tamarind ("mkwaju" in Swahili), a drought resistant tree....

Joëlle Léandre: double bass
Fred Frith: electric guitar
Alvin Curran: piano, synthesizer, samples
Urs Leimgruber: tenor and soprano saxophone

"This is powerful music, even dangerous. Not just because of this quartet’s name - MillsMusicMafia (aka MMM) - which offers some irreverent tendencies among its musicians. It is dangerous because of its suggestive power on us, a power that transcends the music, forming it into a deep spiritual experience one that may motivate us to kick out...

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

The 3rd release by this acclaimed organized sound group from Colorado, & their first, classic, which is a high-water mark of churning sonic storms. This is some of their finest work.

"...reminiscent of peering through a mircoscope at a drop of pond water: There's a lot more going on than you'd ever suspect."-Option

"Mnemonists were the precursor to Biota, essentially the same band with a different name, and a slightly more alien quality to their stream of consciousness expression...

“MobiUS began their musical quest in the summer of 2020. The band is a collective of seasoned session musicians, considered classical performers and radical recording professionals. MobiUS is, however, less of an artistic enigma and more a mosaic of inspirational musical ideas. Tim Newcombe is the creative architect of the music, drawing influences from the likes of Pink Floyd, King Crimson and Camel, whilst seamlessly morphing inspiration from later more contemporary artists such as Frost* or Porcupine...

Lorenzo Cellupica - piano, organ, keyboards and vocals
Nico Fabrizi - tenor sax, alto sax, soprano sax, percussions
Eros Capoccitti - electric bass, percussions
Davide Ruffo - drums and percussions

“We can breathe air of summer in the music of this band originally from Sora (FR); known on the music scene initially with the name of “Yellow cake”, jazz fusion band.
In 2017 they released the first and self-titled album with the current name and musicians. After 4 years, the....


“The songs on ‘Funeral For Justice’ speak unflinchingly to the plight of Niger and of the Tuareg people. “This album is really different for me,” explains Moctar, the band’s singer, namesake, and indisputably iconic guitarist. “Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they’re going to help us, but what we see is really different. They never help us to find a solution.”
“Mdou Moctar has been a strong anti-colonial band ever since...

Bartok was one of THE greatest composers of the last century and his work in adapting and transcribing Eastern European folk music is sublime.

"Anyone who at any time in their life has heard a sensitive performance of a single work by Bartok, can feel that his works have some kind of more or less hidden message. That they are perfect acoustic crystalline structures, is of course what makes him one of the most important composers of all time, but for the listener, what counts, is the primary...

I stumbled on this one by chance and it’s strange and strangely alluring! Alexander Hawkins and Evan Parker appear here, among a number of others. Sparse, but also nicely orchestrated. Recommended.

“A meandering blend of bucolic folk, experimental jazz, and psych-tinged indie rock, Modern Nature is a project led by British musician Jack Cooper. They made a strong critical impression with their 2019 debut How to Live, which introduced the amorphous musical style that has become their calling card..

"A very singular chapter in the Amos/It's War Boys/Milk From Cheltenham/Homosexuals history. Directly taken from the original It's War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First "issued" on tape...

Hafez Modirzadeh - tenor saxophone (2-5, 7, 10, 11, 13, 15, 17)
Kris Davis - piano (3, 4, 6, 9, 12, 16)
Tyshawn Sorey - piano (2, 5, 8, 10, 14, 17)
Craig Taborn - piano (1, 7, 11, 13, 15, 18)

“Facets is saxophonist/composer Hafez Modirzadeh’s latest radical entreaty against the cultural hegemony of the Western notion of equal temperament and his argument that musicians should be free to explore a variety of tonal possibilities, even on piano. His 2012 release Post-Chromodal Out!.

"In Convergence Liberation represents the latest step in saxophonist/ composer/theorist Hafez Modirzadeh’s thirty-year quest to create a seamless exchange between the world’s musical systems. It follows on the heels of his 2012 release Post Chromodal...

"Scintillating ... a radical cultural exchange"-New York Times

"Thick with ideas and inspiration."-Los Angeles Times

"Post-Chromodal Out! represents the next step in Iranian-American saxophonist Hafez Modirzadeh’s quest to create a...

“Modney is a composer and violinist based in NYC. Modney is a co-director of the Wet Ink Ensemble and a member of the International Contemporary Ensemble. Ascending Primes” is a double album of Modney’s compositions for solo, trio, quintet, septet, and undectet pursuing transcendence and ecstatic space. Built on the foundation of Modney’s interests in tuning systems and exploring extremes of harmonicity and dissonance, the album convenes prime-numbered ensembles made up of the composer’s peers in the...

Craig Brenan (trombone), Jeff Johnson (electric and acoustic basses), Bill George (drums), Jamie Saft (piano, Rhodes, mini Moog, guitar).

"This recording began as an idea to unite the Modo Trio with muliti-keyboardist/instrumentalist Jamie Saft..

M.E. (Blue Effect) were one of the very best Czech progressive bands of the 70s, led by guitarist Radim Hladik, who is still remembered fondly by many. This is the awaited issue of what I consider to be their best album. From 75, this is an all instrumental fusion/progressive oriented work with tasty guitarwork taking the spotlight. Also includes 2 bonus tracks! Start here with this minor classic & work backwards.

Modry Effekt or M. Effekt (as they are called here) (Blue Effect in English) were one of the very best Czech progressive bands of the 70s, led by guitarist Radim Hladik, who is still remembered fondly by many. This one, from 79, has tons of long instrumental passages & several long tracks with some mind-expanding guitar & keyboard work (by Oldrich Vesely) & good backing from the rhythm section.
Includes 7 bonus tracks from 3 singles and a live track!

M.E. (Blue Effect) were one of the very best Czech progressive bands of the 70s, led by guitarist Radim Hladik, who is still remembered fondly by many. This is their 1st album from '70 & is am early psych/prog Eastern Euro classic. Includes 7 bonus tra...

Sergiy Okhrimchuk violin
Robert Jędrzejewski cello
Jacek Mazurkiewicz contrabass, electronics
Łukasz Kacperczyk modular synth
"The title “Ants, Bees and Butterflies” may seem descriptive, but there are enough elements here to puzzle you. First of all, the Modular String Trio is not a trio, but a quartet. You can either accept it as an arithmetic incongruence or understand what’s in stake: that there’s a real string trio in this band, with a violin (Sergiy Okhrimchuck), a cello...

Surprisingly, this is a legitimate release of a huge rarity from Brazil that goes for huge money, and which, for once, is not only rare, but really good! This is very, very excellent psychedelic/proto-prog material, recorded in 1970 and performed on...

Guro Skumsnes Moe – bass, voice
Håvard Skaset - guitar
Mette Rasmussen - saxophone
Ikuro Takahashi – drums

“Norwegian experimental rock band MoE and alto sax virtuoso Mette Rasmussen have since their first musical meeting in 2018 already toured Norway, Mexico and Japan together. Their 2019 album «Tolerancia Picante» sent them on a long and intense Japan tour where they collaborated and played with several important figures from the Japanese improv scene. In Sapporo they teamed up...

"Dieter Moebius (1944-2015) was one of the most important protagonists of avant-garde electronic music in Germany. He was a founding member of Kluster/Cluster (with Conrad Schnitzer and Hans-Joachim Roedelius) and Harmonia (with Michael Rother and Hans-Joachim Roedelius) and worked with several artists such as Brian Eno, Conny Plank, Mayo Thompson, Hellmut Hattler, Asmus Tietchens, Mani Neumeier, Arno Steffen, Jürgen Engler, Jean Hervé Peron, Zappi Diermaier, and Chris Karrer. In 2012, Dieter Moebius was...

"By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called...

"This album was made for the movie "Blue Moon" (1986). The original lp was released on Sky Records in 1986. Reissue with elaborate miniature paper sleeve of the original lp. Digital remaster version, limited 1,000 copies!!"

"This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans...

"In 1984, two years after their first album collaboration, Strange Music, Dieter Moebius and Gerd Beerbohm issued their second LP, Double Cut. It bore the same distinctive hallmarks as its predecessor, but this time around, the two musicians had...

"The first collaborative release by Dieter Moebius and Gerd Beerbohm, originally released by Sky Records in 1982. In the latter half of the 1970s, alongside their Cluster collaboration, Dieter Moebius and Hans-Joachim Roedelius embarked almost...

"En Route was created in 1986, when the era of analog synths and rhythm machines seemed to be drawing to a close. Drum computers, samplers and digital instruments such as the Synclavier and Fairlight CMS would shape the immediate future of electronic...

"On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but...

This is a really great one, Krautrock fans. Don't miss this, which is somewhat unusual in the oeuvre and one of the late period great ones!

"Dieter Moebius and Conny Plank got to know each other through their work on Cluster's 1971 album and remained close friends until Plank's death in 1987. They made a congenial pair as musicians, as amply demonstrated by their first album as a duo, Rastakraut Pasta, originally released on Sky Records in 1980.

On this album, drums, electric guitars...

"Bureau B reissues this collaboration between Dieter Moebius and Karl Renziehausen, initially released on the Pinpoint label in 1990. Liner notes by Asmus Tietchens."

"1990 sees Dieter Moebius enter new musical territory, cautiously...

"The first release of Dieter Moebius and Karl Renziehausen, a painter. The original lp was released on Pinpoint Records in 1990. Reissue with elaborate miniature paper sleeve of the original lp. Digital remaster version, limited 1,000 copies!!"

"The second release of Dieter Moebius and Karl Renziehausen. The tracks were recorded in 1991-92 and released on Nova Era in 1992. Reissue with special miniature paper sleeve. Digital remaster version, limited 1,000 copies!!"

"Bureau B reissues the second collaboration between Dieter Moebius and Karl Renziehausen, originally released in 1992 on the Spanish Nova Era label. Liner notes by Asmus Tietchens."

"Two years after the release of Ersatz (1990), Moebius and...

"With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmonia...

"17 years after Other Places, a sophomore album from these innovative musicians. Dieter Moebius (Kluster, Cluster, Harmonia), Mani Neumeier (Guru Guru) and Jürgen Engler (Male, Die Krupps) got back together to carry on exactly where they left off in...

"Improvisation was and still is the magic word in jazz and live electronica. Transforming spontaneous ideas in real time, listening and reacting immediately to one another -- these are the signs of truly vibrant collaboration. If the musicians can also...

One of the great ones from the Moebius axis.

"In 1983, Dieter Moebius (Cluster) and legendary producer Conny Plank teamed up for the third time, resulting in the Zero Set project, originally released on Sky Records. On this occasion, they...