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"This set of four concerti is an epic masterwork by composer/bassist Steuart Liebig. It featues soloists Nels Cline on electric guitar, Mark Dresser on contrabass, Vinny Golia on sopranino saxophone and Tom Varner on french horn. These soloists are...

Tony Atherton - Alto Saxophone
Bill Barrett - Chromatic Harmonica
Scot Ray - Slide Guitar
Dan Clucas - Cornet
Joseph Berardi - Drumset, Percussion
Steuart Liebig - Contrabass Guitars

“It has roots, from Ornette to boogie. It's avant, but it grooves. The players sound completely natural, like they ain't even trying, though they must be. The interplay flows. The harmonies spark. And mainly, it's fun. Talkin bout saxist Tony Atherton, harmonicat Bill Barrett, drummer Joe Berar

Dave Liebman - soprano sax, piano, wooden flute
Tyshawn Sorey - drum set, piano
Adam Rudolph - handrumset, percussion, live electronic processing

“The genesis of this threesome coming together seemed to be a quite natural one.
Liebman and Rudolph began playing duo in 2016 and Sorey and Rudolph began performing as a percussion duet in 2018. Sorey states "we seemed so in sync with each other, in part, perhaps, because we are both composers as well as percussionists." When the...

“Earth is the culmination of Liebman's decades-long elements series, a focal point of the iconic artist's career spanning 30 years. Overall the music interprets nature's four elements in a musical context... Water, Air, Fire and now Earth. Employing masterful compositional tactics and a rich improvisational palate refined by fifty years at the front-line of jazz, Lieb presents an intense, deeply human musical experience. Hear Dave like you never have before, emphasizing the musical element of...

"Although Dave Liebman had recorded a few unaccompanied saxophone records before, The Distance Runner was his first live CD in that format. Switching between soprano, tenor, and wooden flute, Liebman is mostly heard in a thoughtful and lyrical mood...

Dave Liebman – tenor and soprano saxophones, c flute, native american flute, recorder, piri, fender rhodes (track 10)
Tatsuya Nakatani – drum kit, gongs, metal percussion, percussion
Adam Rudolph – handrumset (kongos, djembe, tarija, zabumba) thumb piano, sintir, mbuti harp, slit drum, percussion, overtone flutes, fender rhodes (track 11), live electronic processing

"The Unknowable is a completely improvised, spontaneous group-composed body of music created by legendary saxophone and...

“The release of Eternal Voices celebrates the 50th year anniversary of Dave Liebman and Richie Beirach meeting, playing, and recording music together. It has been an amazing run, and happily, it is still ongoing, stronger than ever. This Eternal Voices recording is very special even for both musicians. They chose to use short but very powerful masterpieces of classical music from Bach to Schoenberg as a format for improvisations. Both have played these kinds of music before but this is the first time...

“In the philosophical tradition of Taoism, "Chi" is the word used to describe the animating force of the universe, the breath of life that permeates all existence. A natural phenomenon, when channeled it can provide a spark to ignite seemingly supernatural powers. In their first meeting as a trio, saxophone great and NEA Jazz Master Dave Liebman and virtuoso percussionists Adam Rudolph and Hamid Drake tap into that spiritual force to create Chi, a transcendent collaboration deeply possessed of fresh...

Susana Santos Silva trumpet and flugelhorn
Lotte Anker tenor and soprano saxophone
Sten Sandell piano
Torbjörn Zetterberg double bass
Jon Fält drums
"Trumpeter Susana Santos Silva became one of the most important ambassadors of Portuguese jazz in the world, and in this new opus we find her in notable company – a quartet of amazing musicians picked among the many with whom she’s playing with these days, like Joe Morris, Mats Gustafsson, Fred Frith, Christine Wodrascka, Mat Maneri...

Really great instrumental album by this duo + guests who channel the motorik groove of Neu! and other krautrock hipster classics better than almost anyone I have ever heard. If you love that sound, you'll totally love this!

"Life Coach is Phil...

"This is the second full-length release by Life On Earth!, the follow-up to the acclaimed 2007 debut Look!! There is Life On Earth!. The debut was like a journey past green summer hills and skipping lambs; a celebration of imperishable eternal beauty...

“Ultra rare £3000+ serene folk inflected progressive rock. Cherry Red recently used one song from a poor condition acetate on a recent compilation.
Three acetate copies were made in 1970, and Seelie Court used the only surviving near mint LP that’s owned by an ex–member as source with great audio. The songs ’Oakenshade’ and ’Waxing Of The Moon’ are poetic genius, using a guitar with a damaged bridge to create a sitar like drone, the vocals have an air of resigned melancholia, and the lyrics connect...

“Lifeblud captured live by a pal standing at the back of a Town Hall holding a portable cassette recorder. Pure archival field recording, it catches the band at their poetry-prog-folk-rock best. This recording was made at a gig in which they supported Stray, and includes their electric phase.”

"Double CD with an awe inspiring 34 songs totalling circa 110 minutes, these later tracks find Roger Knott taking on the Lifeblud mantle with various members of The Fixx, Adam and the Ants, and Ducks Deluxe helping out.
Seelie Court has edged toward overworld respectability and packaged this refined rock rarity with an eye toward Randy Newmanesque sophistication. Here Lifeblud reflect backwards and immerse themselves in the Golden Age of Rock, drawing influences from Roy Orbinson, The Everly...

“This unlikely group of pond-life obsessives formed in the confines of a Bristolian industrial lift in 2002. The spawn of the Young Marble Giants but sounds a little bit like none of the above.
Luftwaffe Pond sees The Liftmen step out of the shaft and into the light, presenting eleven new shapes in amphibious rock music. ‘Troubled Teens’ is a smart, scuttling intro about religious zealots trying to entice the vulnerable: there are echoes throughout of those fertile times when punk’s brusque energy....

"Ligeia Mare is a loose aggregation of musicians within the Boulder/ Denver area who convene to create spontaneous original music.

Amplifier" was recorded live in the studio by Colin Bricker at Mighty Fine Audio in Denver, CO. The performances...

"Ligeia Mare is a loose aggregation of musicians within the Boulder/ Denver area who convene to create spontaneous original music. This release has standardized artwork on the outside and unique renderings of various and odd assortments on the inner....

"Lukas Ligeti is a young drummer and composer of deep musical lineage (editor's note: this is another way of saying he is the son of Gyorgi Ligeti) who has developed into one of the most interesting compositional voices working today. For his second...

A fabulous string quartet, a dynamic piece for percussion ensemble, a bizarre miniature for string quartet with drum machine and a classic composition for two marimbas from this interesting young composer of Hungarian descent, who was raised in Vienna,...

With “Pattern Time”, Lukas Ligeti and his group introduce a style of music that is hard to categorize for the best of reasons: it is something the likes of which have not been heard before. Is it a new direction in jazz, perhaps more specifically in...

"The Light was a dynamic, multi-talented supergroup from California's Inland Empire. Formed in early 1967, the group united the brightest talents from two of the area's most popular garage bands, the Bush and the Northside Moss. After attracting the...

Chris Lightcap, double bass / Craig Taborn, wurlitzer electric piano, piano / Gerald Cleaver, drums / Chris Cheek, tenor saxophone / Tony Malaby, tenor saxophone / Andrew D'Angelo, alto saxophone on "Silvertone", "Ting" and "Fuzz".

"Featuring...

Craig Taborn: Organ, Piano, Wurlitzer

Tony Malaby: Tenor Saxophone (Solo: Queenside)
Chris Cheek: Tenor Saxophone (Solo: Deep River)
Jonathan Goldberger: Guitar (Solo: Queenside)
Curtis Hasselbring: Guitar (Solo: Quinine)
Chris Lightcap: Bass

Gerald Cleaver: Drums

Dan Rieser: Drums

“Two guitars, two drum kits, two tenor saxophones, bass, keyboards and a whole lot of reverb. Sounds like a ton, no? It helps that Lightcap writes for this new band (a smashu

Chris Lightcap double bass, acoustic guitars (1) and organ (1) / Craig Taborn Wurlitzer electric piano (1-3, 6, 7) piano (4-5, 8), organ (1) / Tony Malaby tenor saxophone / Chris Cheek tenor saxophone / Gerald Cleaver drums, percussion...

Really excellent 'spiritual jazz' from a very obscure group who released this in 1970. Hugely recommended to fans of that sound / the Strata-East sound.

"Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Free As You Wanna Be predates the deep-set, maverick..

"Revolutionary, spiritual jazz from the unlikely city of Houston, Texas: the definitive issue, mastered from the original tapes. Bonus disc contains previously unreleased tracks. Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Energy Control Center, his third LP...

“Lightning Bolt play with abandon that is unmatched and remarkably undiluted since the duo's formation 25 years ago. They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale's drums twist from primal patterns into....

"MoonJune Records continues its streak of astonishing musical discoveries from Indonesia with Dictionary 2, the first international release by Jakarta's celebrated jazz-rock trio, Ligro. Founded in 2004 by authoritative guitarist Agam Hamzah and...

"After a nearly three-year absence, Indonesian jazz and fusion guitarist etraordinaire, Agam Hamzah, and his scintillating power trio make a powerful return to the spotlight with guns blazing! Ligro's Dictionary 3 makes good on all of the promise....

"Introducing the debut collaborative release from sometime Nurse With Wound/Current 93 member, Andrew Liles and Jean Hervé Peron of Faust. Neither of these artists needs any introduction and all expectations are overtaken with this incredible album...

"Electronic music pioneer Dieter Moebius (Cluster, Harmonia) wanted to record an album together with his musical soul-mates, Okko Bekker and Asmus Tietchens, at Conny Plank’s studio in 1976. In the event, Plank himself even participated in the recordings as a musician. Two other musicians also joined the fold: bassist Helmut Hattler and saxophonist Johannes Pappert (both from Kraan) had just finished working on an album and were happy to stay on at the studio. Suddenly, there were six musicians with six...

Achim Kaufmann, piano / Christopher Dell, vibraphone / Pierre Borel, alto saxophone / Tobias Delius, tenor saxophone / Jonas Westergaard, double bass / Robert Landfermann, double bass / Christian Lillinger, drums

"The sequel of “First Reason”...

Christian Lillinger-drums
Tobias Delius-tenor sax & clarinet

“In conversations Delius often mumbles, he sometimes gets lost in anacoluthons, just to use very elaborate and eloquent constructions in the next sentences. Lillinger, on the other hand, is someone who talks very rapidly, his sentences ricochet through the air. He throws in ideas, interrupts his thoughts, turns in another direction, just to be absolutely precise within a second. As a drummer his style is incredibly inventive and...

Christian Lillinger (d), Joachim Kühn (p), Jonas Westergaard (b), Robert Landfermann (b), Tobias Delius (reeds), Wanja Slavin (reeds)

"Yes, this is organic music, with the low frequencies of two basses forging the ground (and that explains the.

"War jazz for the emotionally underdeveloped. Terror grind for cowards. Harsh noise for the sensitive man. Own it.”

This reissues the 2nd Limbus album, which was originally released by OHR in 1970. This is very early, very crazy Germanic freakout, freeform madness "Formed in 1968, Limbus were a most unusual band who grew a unique music out of jazz, folk and avant-ga...

Andrea Chendi – vocals
Ambra Bianchi - flute, vocals and harp
Antonello Giovannelli – keyboards
Luca Trabanelli – guitars
Paolo Bolognesi – drums
Francesco Gigante - bass

This is a very good first album by a Rock Progressivo Italiano band.
The description of the vocalist as sounding a bit like Aldo Tagliapietra of Le Orme is right on.

"It is a delight to see a constant flow of superb Italian progressive rock groups. This time, the spotlight is on a highly...

Another eclectic rock/pop band out of the infamous Kansai scene that produced the Boredoms, Omoide Hatoba and more. This exciting young three piece unit based in Kyoto presents their debut recording after years of playing in just about every small club...

Performs John cage, Christian Wolff and others.

"This disc is a reissue of lps on Pogus and Radium. Rune Lindblad (1923-1991) was an early pioneer in electronic and concrète music. Lindblad did not see these genres as mutually exclusive. Important and wonderful works by a composer who represented no...

"Volume 2 of the music of Rune Lindblad (1923-1991). This CD consists of the remainder of the long out of print Radium double LP. These works cover the years 1962-1988. Lindblad, a Swede, began composing in 1953. Ignored by the musical establishment of...

This 1992 solo release by one of the principals of Birdsongs Of The Mesozoic, is the closest he’s come on his own to their 'chamber-esque with rock' sound.

“Three recent works from Boston's Birdsongs of the Mesozoic keyboardist. Chamber Suite is a 30 minute musical escapade composed of a dozen curious selections that explore a dream-like state of mind picking up where Brian Wilson and Van Dyke Parks left off. Levels of Insanity I/II are 20-minute soundtracks reminiscent of ambient music that...

It has been my great pleasure to have known and to have been friends with keyboardist, composer and general musical mover & shaker Erik Lindgren for nearly 30 years.
He is a great person and also a really fascinating musician who combines great love for some very disparate musical genres into a unique end result. This is a great and fascinating listen; I doubt that most will love everything, but there is plenty here for basically ANYONE. Which is what makes this release (and Erik) so great!...

Par is a classically trained keyboardist strongly in the vein of Rick Wakeman or Keith Emerson. His band includes a female singer who also plays violin, guitar, bass & drums. Strongly performed classical/symphonic rock by one of the current masters of t..

"This DVD presents footage from the band's outstanding performance at Wyspianski Theater in Poland, which proves the band's virtuosity as well as cleverness in devising remarkably intelligent compositions. The DVD also includes an interview with Pär...

"Lindisfarne's second album, Fog on the Tyne fulfilled and expanded on the promise of their debut, offering a brace of memorable folk-rock (or, perhaps more properly, acoustic rock) songs that were compared favorably with Bob Dylan's work and that of...

"Easily the best album the group ever recorded, Nicely Out Of Tune is one of the prettiest folk-rock albums of the late 1960s. If Lindisfarne had never recorded anything else, they'd be one of the most fondly remembered acts of their era just for this album. "Lady Eleanor" is a very pretty tune that manages to incorporate elegant mandolin over some heavy rock riffing. "Road To Kingdom Come" is closer in spirit to the group's usual pub-rock sound, a singalong-type number with lots of really crunchy...

Arto Lindsay – guitar
Joe McPhee - alto and tenor saxophone, pocket trumpet
Ken Vandermark - tenor and baritone saxophone, clarinet
Phil Sudderberg, drums

“One day in the studio, something ridiculously great happened. It was deep Chicago winter, cold as shit. Four musicians assembled for a round-robin set of improvisations -- duets, trios, a few quartets. Approached casually, the late morning bloomed into Largest Afternoon, 15 crackling encounters between guitarist Arto Lindsay...