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"Some music lovers believe that the quality an improviser needs most is not technical skill, or even creativeness, but personality characteristics, an ability to socialize, musically or not, with other people. Improvised music starts BEFORE any music is m

Luís Lopes, electric guitar / Robert Landfermann, double bass / Christian Lillinger, drums.

"The encounter of a Lisbon-born and two Berliners documented by this CD isn’t, of course, the only focus of interest proposed by this music. There’s...

Luis Lopes electric guitar
Flak electric guitar
Jari Marjamaki electronics
Travassos electronics
Felipe Zenícola electric bass
Yedo Gibson tenor , alto, soprano sax
Bruno Parrinha alto, soprano sax
Helena Espvall cello
Maria da Rocha violin
Ernesto Rodrigues viola

"From the music recorded in two days at Namouche Studios Lisbon, and reaching the public through this cd, comes a constantly changing sound and atmospheric passages, managed with the tense restraint of...

Luís Lopes electric guitar
Rodrigo Amado tenor saxophone
Aaron Gonzalez doublebass
Stefan Gonzalez drums

"It took some time (“Live in Madison”, the previous releaseof this Luso-American band, dates back from 2013), but here is the much expected fourth album by portuguese guitarist Luís Lopes’ Humanization 4tet. With tenor saxophonist Rodrigo Amado and the Gonzalez brothers Aaron and Stefan playing the double bass and the drum kit, respectively, the quartet goes further into th

Luís Lopes electric guitar / Jean-Luc Guionnet alto saxophone

"When the concert of this live recording was announced in Lisbon, it was with some surprise. The backgrounds, references and styles of the Portuguese guitarist Luís Lopes and the French alto saxophonist (and church organist, and electro-acoustic manipulator) Jean-Luc Guionnet couldn’t be more different. Lopes is known for his free improvised settings, his noise solo blastings and the open jazz, but tintet with rock, he plays with...

Luís Lopes electric guitar
Rodrigo Pinheiro fender rhodes
Robert Landfermann double bass (with effects)
Christian Lillinger drums

"Luis Lopes’ Lisbon Berlin Quartet immediately references the residences of the contributing musicians, Lopes and Rodrigo Pinheiro from Lisbon, Robert Landfermann and Christian Lillinger from Berlin, but there’s more than this that feeds the specific urban relations of this music. To say each is a city with a past, is understatement. If Berlin will loom...

Adam Lane, double bass / Igal Foni, drums / Luís Lopes, guitar

"In music, the art of time, you necessarily find the “what” in the “when”. And the “what / when” factor, here, is a jumpy, unquiet, syncopated music coming from the same sources...

Brandon Lopez - bass
Steve Baczkowski - saxophones
Gerald Cleaver - percussion

“Brandon Lopez (contrabass), Steve Baczkowski (saxophones), and Gerald Cleaver (percussion) freely play propulsive grooves drawing as much from heavy metal aggression as free jazz freakouts. Baczkowski’s reeds with their acoustic distortions impart a crunch to the music and their snaking lines dance over the sinister and doomed romp of the rhythm section. Lopez and Cleaver are most often locked into a...

Brandon Lopez - bass
Steve Baczkowski - saxophones
Gerald Cleaver - percussion
Cecilia Lopez - synthesizer (track 5)

“Brandon Lopez works at the fringes of jazz, free improvisation, noise and new music. This collaborative powerhouse never lets up with underground sax hero Steve Baczkowski and Gerald Cleaver who is among the most agile and wide-ranging first-call musicians on the 21st century jazz scene.”

“Vilevilevilevilevilevilevilevile is the exquisite new solo work by virtuosic bassist/composer Brandon López. A record about perceptions. More pointedly: this new work is "less about -a thing- than it is about perceptions of things, questioning those perceptions, and possibly altering perceptions."
From New York Philharmonic's David Geffen Hall to the DIY basements of Brooklyn, López has worked extensively beside many luminaries of jazz, classical, poetry, and experimental music. As with all bass ...

“The best free improvisation ensembles generally carry three characteristics: tremendous mastery by the individual instrumentalists, sympathetic listening, and instinctual timing. This quartet displays all three on this fantastic recording released by Relative Pitch. The group is comprised of Brandon Lopez (Brandon Lopez Trio, Xivaros, The Mess, Nate Wooley Quartet) on Contrabass, Matt Nelson (Battle Trance, GRID, tUnE-yArDs) on Tenor Saxophone, Andria Nicodemou (Leap of Faith, London Improvisers...

CECILIA LOPEZ: Electronics and processing
INGRID LAUBROCK: Soprano and tenor saxophone

“MAROMAS is the debut recording of the duo of Ingrid Laubrock and Cecilia Lopez. Recorded in April 2022, the album is a collection of improvised pieces for tenor and soprano saxophone, processing and electronics. Maromas refers to the doing of tricksters, conjurers and acrobats. The music is dark, harsh but also playful in its pirouettes. The electronics process the saxophone as much as the saxophone...

Cecilia Lopez - electronics
Brandon Lopez - bass
Gerald Cleaver - drums

“Fusing architecture, installation, and composition, in RED (db), two large woven wire nets hung from Roulette’s ceiling holding instruments creating a complex feedback organism. The suspended drums and double bass acted as resonant bodies intensified by the instruments simultaneously played in the space by percussionist Gerald Cleaver, bassist Brandon Lopez and Cecilia Lopez on electronics.”


"...while these ears can't claim to have heard even close to everything that López has churned out in recent years, the quality of his recordings is one of the safer bets in modern music."-Dusted

"Untitled #274 was composed by Francisco López...

Ramon Lopez – drums
Mark Feldman – violin

“One of the most prominent violin players, Mark Feldman, meets one of the most creative and innovative drummers, Ramon Lopez. The results of this magic encounter consists of seven tunes. Seven pearls of contemporary improvisation, where the synergy and energy, abstraction and melodic concept, lyricism and powerful expression unite forming a gigantic superposition.”-Maciej Lewenstein.

“Cuban pianist Harold López-Nussa, of a musical family, is well-versed in classical and jazz piano as well as with Cuban popular music. He played with the National Symphony Orchestra of Cuba, performed with Buena Vista Social Club artists, and won awards at Montreaux Jazz Festival. Here we hear his Latin jazz renditions of his own compositions and works by Thelonious Monk, Chucho Valdés, uncle Ernán López-Nussa, Aldo López-Gavilán, and Miguel Nuñez. López-Nussa plays electronic keyboard, too, and has...

Jon Lord is the great Hammond player of the original Deep Purple (and current version as well). This 1976 album is considered by many - including Lord himself, I believe, to be his best (and most proggy) work...

The sound quality, while NOT professional, is more than decent enough to listen to and this is actually the real deal of early, unknown, pretty out style Krautrock!

“This CD contains all audio recordings of the legendary hippie commune between 1971 and 1974!
LORD'S FAMILY was a rural and music commune that was founded in Nuremberg in 1970 and lived in Beilngries in the Altmühltal from 1971 to 1974 in an old castle called The Schlössl! The group's mystical and ecological self-image, which...

I was pleased to see this reissued for the very first time and also to hear it for the very first time since its original issue on vinyl in 1983.

Rudiger Lorenz was a musician, a collector and also builder of analog synthesizers and also a...

Hey! We here at Wayside Music are so cool that we used to carry all of Rudiger's releases, back before they were re-discovered by the tastemakers who sneered at them back then. And think how much these original would be worth if you had bought them...

"French-Japanese violist Frantz Loriot use to keep a little notebook with him, in which he writes all the musical ideas coming to his mind. One day, he noticed there was sufficient material to work with. He had a conversation with Swiss arranger and...

"The Los Angeles Electric 8 is a chamber octet that plays 400 years of art music on eight electric guitars. The group showcases its unconventional instrumentation playing dense interwoven lines that conjure harpsichords, bells, pianos and choral...

"Paul Bley has an heir at last, and his name is Russ Lossing. With strong classical training and the natural talent to improvise, this pianist is, like Bley, walking a hard road to achieve his purposes. As far as free jazz is concerned, he doesn’t play wh

Nicola Baigent - clarinet, bass clarinet, recorder
Charlie Cawood - bass guitar
Sharron Fortnam - vocals
Keepsie - drums, handbells
Richard Larcombe - lead vocal, guitar, handbells
Rhodri Marsden - piano, harmonium, electric piano, bassoon, saw, harpsichord, vocals
Josh Perl - synthesiser, vocals, handbells

Without really copying them in any way other than just musical density, somehow, this reminds me tremendously of the work of the 5uu's(!!) So, if you want..

•Whopping 32-page booklet has the full story of the band and info on the recordings
•Includes a multitude of unseen photos from his personal archive
•Carefully remastered from the original tapes (+ the occasional post-Lost Souls 45 single)
"Lost Souls indeed—this is one of the great lost groups of the 60's.”-Option Magazine

"The Lost Souls never released any records, yet the meager recorded evidence that survives indicates that they were one of the finest unknown American groups of..

"Lost World is the name of a Russian Progressive rock band, founded in the year 1990 by Andrii Didorenko (guitar, bass & violin), Vassily Soloviev (flute & drums) and Alex Akimov (keyboards & programming), who were music college students at that time...

"If your only interest in Lothar And The Hand People lies in the outré use of Theremin and early Moog synthesisers on their two LPs, you may move on. This is an early days document – a live recording in which they have a quite competent and listenable rip through several of the garage-band classics of the day, sounding quite like all the Chocolate Watch Bands and Shadows of Knightses who took their cues more from the Stones than from The Beatles. The Theremin would come later. But this is much more than...

“Lothar And The Hand People emerged as one of the earliest pioneers to mix electronics into rock, incorporating theremin and synthesizers into their sonic onslaught.
Led by Lothar (a theremin) and his cast of digit possessing musicians wielding guitar, bass, drums, and one of the first (and largest) modular Moogs! While technically live recordings, these takes rival the studio cuts and even include some completely unheard compositions that will finally reach the ears of the Hand fans.
This...


Very obscure Norwegian fusion outfit who released this one album in 1979. This has never been reissued before in any format!
Vidar Johansen – sax, flute
Ole Gjørtz – piano
Bent Patey – guitar
Asmund Snortheim – bass
Finn Sletten – drums
guest:
Espen Rud – percussion

“This is elegant and dreamy jazz fusion from Norway by a band, consisting of future veteran jazzmen. The album is characterized by the lovely sax leaks, Akkerman-styled electric guitar solos, smooth

"After a four year break after their last album, L’oste del diau, the LOU DALFIN is back on the international scenes. The release of the new I Virasolelhs (the sunflowers) is also an opportunity to celebrate the twenty-five year long career of a band..

Led by hurdy gurdy maestro Sergio Berardo, Lou Dalfin mixes hurdy-gurdy with with the rough and strong sounds of rock. Here they are at the top of their game, displaying all of their power. [Felmay]

Mazen Kerbaj - Trumpet/Electronics
Sharif Sehnaoui - Guitar
Raed Yassin - Double Bass
Anthea Caddy - Cello
Christine Kazaryan - Harp
Khaled Yassine - Percussions/Gamelan
Maurice Louca - Guitar
guest appearances by
Ayman Asfour - Violin on “Bidayat (Holocene)”
Devin Brahja - Alto Sax on “El-Gullashah (Foul Tongue)”

“Maurice Louca, one of the most gifted musicians and composers on Egypt's thriving underground music scene, announces his new album

“Maurice Louca's Moonshine shines brightly with a live, raw, collective sound. The Elephantine band is incredible: Double drummers Tommaso Cappellato & Ozun Usta; Piero Bittolo Bon on alto, Daniel Gahrton on baritone and Isak Hedtjarn on clarinet; Rasmus Svale Kjærgård Lund on tuba; Rosa Brunell on bass; Els Vandeweyer on vibraphone; Louca on guitar/lap steel/synth. Abstract territories of freedom, always grounded, expansive, multiple, internally differentiated, and elephantine.”

"The Loudest Whisper originated in rural Fermoy, Co. Cork in the early '60s. This psychedelic folk classic was recorded in 1974, and has gone on to become one of the rarest records ever issued in Ireland. The Children of Lir was a musical score, based...

"Sarah Louises music is spiritually and tangibly set apart from her peers, her 12-string compositions culled from birdsong and rivers as well as the sacred drone of Appalachian folk music. - NPR Music, Songs We Love Praised by Pitchfork as one of the most exciting figures in solo guitar music masterful 12-string guitarist and vocalist Sarah Louise integrates elements of drone, spiritual jazz, and minimalism into her compositions. Her Thrill Jockey debut Deeper Woods is her first album to prominently....

A great guitarist, following a singular path...this one is somewhere between guitar heroics and laptop electronics...

“Following a series of highly acclaimed solo guitar albums, Nighttime Birds and Morning Stars is Sarah Louise’s most fearless work to date. Louise broadens beyond folk forms, turning streams of raw electric guitar into entire oceans of aural texture. Her rich playing is warped beyond recognition through inventive synthesizing and digital manipulations. The innovative songs mine...

Here's what I know, and it isn't much. Julien Lourau is a saxist and bandleader in France who gained a lot of attention in the 90s by mixing up electro-music with jazz.
This is an electric, eclectic jazz release on the long gone and missed Label Bleu.
The lineup is:
Eric Lohrer-guitar
Bojan Zulfikarpasic-Fender Rhodes, CX3 synth
Vincent Artaud-double bass
Daniel Garcia-Bruno-drums
Julien Lourau-tenor & soprano sax, Rhodes
with guest vocals by John Greaves (!), Malik

Joe Lovano - sax
Dave Douglas - trumpet
Lawrence Fields - piano
Linda May Han Oh - bass
Joey Barron - drums

"Scandal marks the first time that trumpeter Dave Douglas and saxophonist Joe Lovano have recorded a full studio album of material together, revealing a passionately adventurous band for whom no territory is off-limits. The super group heads off into swinging, heartfelt and sophisticated new territory inspired by saxophonist giant Wayne Shorter. Two of Shorter's pieces...

''An All-star band the one that in 1989 recorded this cd. Joe Lovano, saxes, Franco DAndrea, one of the best European pianists, Furio Di Castri (R. Galliano, M. Petrucciani, C. Lloyd, a.o.) on bass and the master Paul Motian on drums. 11 original compo...

Classic 1967, dark psychedelic/folk-rock classic from this Los Angeles band. This was their third album, and the last before the original band imploded in a nasty haze of drug troubles and paranoia, and is generally acknowledged to be their crowning ac...

Famous, often great, sometimes lackluster, 1971 psych/freak Jap-rock classic with Chito Kawachi (drums), Hiro Yanagida (keyboards), Kimio Mizutani (guitar), Kosuke Ichihara (saxophone, flute), Masaoki Terakawa (bass), Naomi Kawahara (percussion), Takao...Justly famous, often great, sometimes lacklaster, 1971 psych/freak Jap-rock classic with Chito Kawachi (drums), Hiro Yanagida (keyboards), Kimio Mizutani (guitar), Kosuke Ichihara (saxophone, flute), Masaoki Terakawa (bass), Naomi Kawahara (percussion)...

Jason Köhnen (Mansur / The Kilimanjaro Darkjazz Ensemble / The Mount Fuji Doomjazz Corporation) returns to his experimentations within the realms of Darkjazz.
The Lovecraft Sextet is his new creative outlet regarding further explorations into cinematic jazz orientated compositions.
'In Memoriam' is a debut inspired by death, release and rebirth. Jason Köhnen has chosen to incorporate funereal aspects of classical, operatic and Gregorian music for this debut release.
The music is also...

“Lovely Little Girls is a theatrical art-rock band from Chicago that features members of Cheer-Accident and The Flying Luttenbachers. They specialize in odd harmonies and catchy melodies served with a histrionic flair.
“Effusive Supreme”, their third LP for SKiN GRAFT Records, delves into more personal and abstract territory, highlighting the utilitarian and fetishistic relationship to shoes on one track, while enthusiastically accepting ego-death’s indifferent embrace on the next. Equally informed...

"This is the fourth full-length release from The Low Frequency In Stereo. Founded in 2001 in Haugesund on the west coast of Norway, they have been called the band with one foot in Pompeii and one in space. With their first three albums released from...


“Saxophonist/guitarist/composer/music historian/ provocateur Allen Lowe spans the history of jazz in his music in a way that few besides Jaki Byard, Beaver Harris, Steven Bernstein, and Air have ever done, intertwining blues, early jazz, bebop, and the avant-garde.
A prolific composer who was incorporating American roots music into his jazz decades before it was hip, he has led project bands featuring a broad array of jazz greats ranging from Doc Cheatham, Randy Sandke, Joe Albany, Don Byron, Ken....

"America: The Rough Cut is my statement not only on American music and American song, but also my commentary on the way American musicians of all styles handle that old-time music and those old song forms . . . The old things -- not just the blues, but gospel music and pre-blues shouts and language, plus hillbilly/minstrel song and medicine show irony -- reflect a disinterest in the polite trappings of (primarily but not only white) society, an implicit rejection of basic tonal, sonic, and harmonic....

"In the Dark is a commemoration (sic) of the worst time of my life -- a period during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour -- encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the television set on and slept fitfully to...