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"Fred Frith continues to be one of the most important composer/performers of his generation—a groundbreaking, genre busting musical master whose work ranges from improvisation to rock, classical, folk and more. The third volume of his film soundtrack..

With a career spanning over three decades, Fred Frith continues his fruitful relationship on Tzadik with this, his fifth release in as many years. Always breaking new ground, Eye to Ear II, the second volume dedicated to his work for films, is an adven...

"14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, saxophonist Lotte Anker, the Arte Sax and Arditti Quartets, Kiku Day (playing occasional shakuhachi), and...

Gravity is one of Fred's most enduring & endearing works. It was his first post-Henry Cow solo album, and he recorded it with the backing of The Muffins on one side of the original album and Samla Mammas Manna on the other + Marc Hollander.
It's the closest thing to a progressive rock disc that Fred has ever released and it's a tuneful yet still avant progressive rock work. This is a classic and is highly recommended!

“1980's GRAVITY represented guitarist Fred Frith's first major break from.

In the almost 30 years since this was released, so much has happened, and artists like Keith Rowe and Derek Bailey have become relatively well known, so that the shock of this record back then is hard to imagine now. But it was shocking, believe me. "H...

"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France involving as many of the students as possible, grouped according to their departments - early music, rock, African drumming...

"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France involving as many of the students as possible, grouped according to their departments - early music, rock, African drumming, classical etc. Each group was set up in a different room in the school building and during the concert the public was encouraged to wander around creating their own mix, or to sit in the courtyard and listen to the sound drifting out through the open...

"Impur II is totally different from Impur I - which was a deconstructed, spatialised simultaneity of musical events that could only be heard through open windows or by wandering through rooms - Impur 2 took the form of an unannounced performance across...

with: Ikue Mori, Theresa Wong, Jason Hoopes, Jessica Lurie, Pauline Oliveros, Syvie Courvoisier, Shelly Hirsch, Evan Parker, Laurie Anderson, Miya Masaoka and many more!
Recorded between 2006 and 2016 at the Stone, New York, USA.

“Between 2006 and 2016, Fred Frith played 80 concerts at New York's unique space for experimental music, The Stone. A selection of his encounters with such powerful and creative personalities as Laurie Anderson, Pauline Oliveros, Sylvie Courvoisier, Evan Parker....

Long time Waysiders will remember the limited edition box that we sold with the two albums of this concert a very long time ago. They may also remember the many concerts that Fred performed with this set up in that style in the late 70s/early 80s all over the world. I do.

“Concert recordings made at various venues in Japan in 1981 and released by Recommended Records Japan in 1982 in an edition of 1000. Out of print since, though highly sought after, it has now been transferred and remastered...

"This is a retrospective compendium of Fred's work over the last 17 years, with a lot of new material, perfectly put together and exceptionally listenable start to finish- an enlightening journey. It's my favourite of Fred's works in recent times. Close composition for electric and acoustic resources, tapework, concrete constructions, songs, sound effects and noise-art improvisations."
Guests included:
Iva Bittova, Tom Cora, Jean Derome, Haco, Tim Hodgkinson, Lars Hollmer, Rene Lussier...

"This is a retrospective compendium of Fred's work over the last 17 years, with a lot of new material, perfectly put together and exceptionally listenable start to finish- an enlightening journey. It's my favourite of Fred's works in recent times. Close composition for electric and acoustic resources, tapework, concrete constructions, songs, sound effects and noise-art improvisations."
Guests included:
Iva Bittova, Tom Cora, Jean Derome, Haco, Tim Hodgkinson, Lars Hollmer, Rene Lussier...

"Fred’s sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ‘a certain obsession with melodic deconstruction.’ Two of them feature – and were especially written for - the remarkable...

''A major new composition by the world-famous guitarist, improvisor and composer. Over an hour in length and composed for a large ensemble of winds, strings and percussion, Pacifica sets the poetry of Pablo Neruda into a seductive and hypnotizing sound...

Its a real pleasure to hear a new album of Freds songs. Hes rather shy about his singing, but he shouldnt be; he sounds like a cross between David Byrne, Christoph Anders and Robert Wyatt. The songs often make use of samples from well-known sources, an...

Originally released as part of the double vinyl lp "Technology Of Tears" in 1986, Propaganda was substantially shortened so as to fit onto a single lp side. Now, the music has been reconstructed from the original two track masters as is now heard as originally intended for the 1st time!

"Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise-sculpting - as well as invented and real instruments, all played by Fred..

Fred Frith (guitar, samples, violin, piano, berimbao), Karoline Hofler-double bass, Bernd Settelmeyer (percussion), Wolfgang Stryi (soprano sax, bass clarinet). "The land art works by Andy Goldsworthy, a British artist living in Scotland, gave Thomas....

Fred Frith: Electric Guitar, Voice
Jason Hoopes: Electric Bass, Double Bass
Jordan Glenn: Drums, Percussion
with
Susana Santos Silva: Trumpet
Lotte Anker: Saxophones

“Fred Frith is a multi-instrumentalist and a shrewd outsider who walks the line between rock and jazz, improvisation and composition, and hereby presents a breathtaking live double CD with his long-time Bay Area trio.
CD1 documents an inspiring trio concert by these extraordinarily creative musicians at.

First of a three-box collection by one of the most innovative guitarists and composers of his generation, containing 8 ReR CDs, a bonus Fred title and a fat historic booklet with artwork, photographs, extensive notes & other comments by Fred, all packed into in a sturdy box - and at a budget price.

Box 1 Contains:
Guitar Solos
Gravity
Cheap at Half the Price
Killing Time
Impur
Middle of the Moment
Keep the Dog (2 x CDs)
plus bonus CD
Dropera

Speechless is one of Fred's most enduring & endearing works. It was his second post-Henry Cow solo album, and he recorded it with the backing of Etron Fou Leloublan on one side of the original album and Massacre on the other.

“After Gravity, where he worked with The Muffins and Samla Mammas Manna, this was Fred's second solo release for The Residents' Ralph Records, this time working with French RIO band Etron Fou Leloublan - notably their drummer, Gigou Chenevier, who makes a major musical and...

This is the soundtrack to the film which followed Fred touring & playing in the late 80's, when he was actively on the road all the time. This functions as a sort of a 'best of' sampler, featuring many aspects of his work, some of which can be found on other albums, but most of which is only available here.
This includes many great players: Tom Cora, Haco, Zeena Parkins, John Zorn, Rene Lussier, Bob Ostertag, Lars Hollmer, Eino Haapala, Iva Bittova, Hans Bruniusson, Joey Barron, and many many others..

This is the soundtrack to the film which followed Fred touring & playing in the late 80's, when he was actively on the road all the time. This functions as a sort of a 'best of' sampler, featuring many aspects of his work, some of which can be found on other albums, but most of which is only available here.
This includes many great players: Tom Cora, Haco, Zeena Parkins, John Zorn, Rene Lussier, Bob Ostertag, Lars Hollmer, Eino Haapala, Iva Bittova, Hans Bruniusson, Joey Barron, and many many others..

Third of a three-box collection by one of the most innovative guitarists and composers of his generation, containing 8 ReR CDs, a bonus Fred title and a fat historic booklet with artwork, photographs, extensive notes & other comments by Fred, all packed into in a sturdy box - and at a budget price.
Box 3 Contains:
Technology of Tears
Propaganda
Allies
Accidental
The Previous Evening
Happy End Problem
Nowhere, Sideshow
Field days
plus bonus CD
In

“With an all-star line-up that features Tenko, John Zorn and Christian Marclay (with guest Jim Staley on trombone), Technology of Tears started life in New York in 1986 as a dance commission by Rosalind Newman.
Fred took this opportunity to experiment with Henry Kaiser's brand new synclavier (the absolute state-of-the-art sampling and processing technology of the time - Henry had to take out a second mortgage on his house to buy it). It was the sophisticated sampling that fascinated Fred, and the...

“With an all-star line-up that features Tenko, John Zorn and Christian Marclay (with guest Jim Staley on trombone), Technology of Tears started life in New York in 1986 as a dance commission by Rosalind Newman.
Fred took this opportunity to experiment with Henry Kaiser's brand new synclavier (the absolute state-of-the-art sampling and processing technology of the time - Henry had to take out a second mortgage on his house to buy it). It was the sophisticated sampling that fascinated Fred, and the...

"An instant Fred classic, ‘Happy End’ presents two, related, small-ensemble works for 6 and 7 musicians respectively - mostly strings of one sort or another, with percussion, flute, clarinet and electronics. Fred, violinist Carla Kilsteht and percussionist Willie Wynant play throughout providing continuity across the pieces, as the music constantly unfolds into new textures and dialects. Melody, harmony and rhythm are omnipresent, though not always obviously colluding, and the music moves with a...

''Written for a dance programme, this is Fred's hommage, in three pieces to the work and influence of John Cage, Earl Brown and Morton Feldman. Beautifully conceived and executed and full of minute and fascinating detail. Also an unalloyed pleasure to ...

"One of the most profound solo statements to date from a musical master who has been crossing musical borders for over three decades! Concentrating exclusively on the acoustic guitar, Fred Frith stretches himself and the instrument like never before...

“Fred Frith is one of the most important musicians of our time. He was born in Sussex, UK and now lives in California, USA. He first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was and is also a member of groups like Massacre, Art Bears, Skeleton Crew or Cosa Brava.
Over the past 40 years Fred has collaborated with outstanding musicians like John Zorn, Tom Cora, Bill Laswell, Carla Kihlstedt, Henry Kaiser, Phil Minton, Brian Eno, The Residents....

"Sonic manna...5 out of 5 stars"- Alternative Press

“In 1979, guitarists Fred Frith and Henry Kaiser made an album titled With Friends Like These... on the Metalanguage label. It was one of the defining documents of the downtown avant-garde scene, a collection of improvised duets on which both players essentially redefined the sound of the guitar, Frith with his physically altered (and sometimes beaten) instruments, and Kaiser with his virtuosic and harmonically adventurous technique...

“Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improvisor. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew.
Annie Lewandowski is a composer and performer who works in song and improvisation. As an improviser on piano, accordion, and electronics, she has performed and recorded with musicians like...

Beat Hofstetter, soprano sax / Sascha Armbruster, alto sax / Andrea Formenti, tenor sax / Beat Kappeler, baritone and alto saxes / Fred Frith, electric guitar

Still Urban paints a panorama of urbanity in nine images with Fred Frith’s guitar...

Electric guitar and the amplified acoustic bass – two distinctive sound generators capable of creating a picture of almost symphonic dimensions.

Never having performed on the same stage, we created a music which is syllogistic in the sense...

Fred Frith Electric & acoustic Guitars
Chris Brown Piano & Electronics

"Chris Brown, composer, pianist, and electronic musician, creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising.

Fred Frith guitar, bass, voice / Carla Kihlstedt violin, nyckelharpa, bass harmonica, voice / Zeena Parkins accordion, keyboards, foley objects, voice / Matthias Bossi drums, percussion, sruti box, voice / The Norman Conquest sound manipulation...

Fred Frith guitar, bass, voice / Carla Kihlstedt violin, bass harmonica, voice / Zeena Parkins accordion, keyboards, foley objects, voice / Shahzad Ismaily bass, voice / Matthias Bossi drums, percussion, mayhem, voice / The Norman Conquest sound

Fred Frith guitar / Darren Johnston trumpet.

"This is the first duo effort to be released by Canada-born, but long time contributor to the San Francisco Bay Area scene trumpeter Darren Johnston,and the legendary guitar iconoclast FredFrith. They can also be heard together on the fine release “Reasons For Moving,”(Not Two, 2007), alongside Larry Ochs, Devin Hoff and Ches Smith, but in this more intimate musical gathering, the results are truly astonishing. The genesis for this session was...

Fred Frith - guitar, composition
Ensemble Musiques Nouvelles:
Berten D'Hollander – flute
Charles Michiels – clarinet
Adrien Lambinet – trombone
Hughes Kolp – guitar
Pierre Quiriny – percussion
Claire Bourdet et Laurent Houque – violins
Karel Coninx – viola
Jean-Paul Zanutel – cello
Jean-Paul Dessy - conductor

"From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what

"Evan played mostly soprano sax and Fred often had his guitar on his lap with a table filled with objects: an e-bow, chopsticks, an ashtray, paintbrush, etc. Each of these men have their own vocabulary of sounds so they took their time to work their...

Fred Frith: electric guitar, various small objects
Hans Koch: bass clarinet, soprano and tenor saxophones, spit
"Fred Frith is a world renowned improvisor, composer and multi-instrumentalist who has positioned himself on the contemporary music scene between rock and jazz, improvisation and compostition. Experimental saxophonist and bass clarinetist Hans Koch has a similarly superb reputation. In the past few years Hans has dedicated himself to the quieter side of improvisation...

"A collaboration between one of Jazz's most important musicians and the main composer from the Residents."

"Hardy Fox grew up in Texas. After college he moved to San Francisco reveling in the free love days of 1967-68. He co-founded the much loved cult band, the Residents, where he was primary composer.
Hardy retired from The Residents in 2015 but continued to compose for the group through 2017."

"Fred Frith never felt the need to hide behind an eyeball mask, & I - for one - am...

FRED FRITH:
Home-made instruments, various toys and objects, electric guitar (on Nothing to It and Now Here)
IKUE MORI:
Laptop electronics

“A Mountain Doesn't Know It's Tall. The title reflects the mood of this duo record of Fred Frith and Ikue Mori – playful, poetic, mysterious and open. The guitarist and the sound-artist have been working together for forty years. Live excerpts from their work are documented on Fred Frith's 3 CD box set Live at the Stone.
In January 2015, Fri

"Guitarist Fred Frith and saxophonist John Butcher are titans within the world of improvised music. Over the last four decades, each of these two men has permanently altered the way in which his instrument is heard: Frith with his (at times literal)...

Great, great album and new, lower price as well!
Keep The Dog was Fred's all-star, late 1980's/early 1990's touring band, which played all over Europe and beyond, but strangely never released anything until 15 years later! The band at the time of these recordings consisted of
Jean Derome (saxes, flute, voice)
Fred Frith (guitar, bass, violin, voice)
Charles Hayward (drums, voice)
Rene Lussier (guitar, bass)
Bob Ostertag (sampler)
Zeena Parkins (accordion, electric harp..

"In the last few years I seem to have gravitated every summer to Copenhagen – sometimes for some teaching at the so-called "rhythm academy" but mostly to work in a variety of contexts with Lotte Anker, who I've come to consider the musical soul of the...

Fred Frith: guitar, bass, organ, piano
Nicolas Humbert: composition
Marc Parisotto: composition

Original music and words by Fred Frith, Tom Cora, Haco, Iva Bittová, Pavel Fajt, Ted Milton, John Zorn, Donald Frith, Robert Frank, Jonas Mekas.

“One hundred tapes. Recorded by Jean Vapeur on the now legendary Nagra IV S tape recorder. A box full of the original sound recordings for Step Across the Border, the film Werner Penzel and I travelled around the world to make in 1988-1989 wit

“Núria Andorrà is a percussionist, improviser and composer. From the classical and contemporarily background but always drawing from other sources of inspiration. Núria proposes a universe where images, sound and the body come together to transmit the same emotions and create from an interdisciplinary perspective. She has performed with Agustín Fernández, Fred Frith, Lê Quan Nihn, Joëlle Léandre, Mats Gustafsson, Nate Wooley and Joe Morris. She has also worked with Carles Santos, Hector Parra, Matmos and...

Fred Frith: acoustic guitar, lowry organ, violin / Carla Kihlstedt: violin, nyckelharpa / Stevie Wishart: hurdy-gurdy, electronics, violin

"The CD The Compass, Log and Lead is a feast of string instruments: Fred Frith paints wonderful colors...

Fred Frith: electric guitar
Susana Santos Silva: trumpet

“The first collaboration (and for sure not the last one...) between Fred Frith and Susana Santos Silva, recorded live on August 27th 2021 at Motoco, Mulhouse, France.”

“The long-awaited follow up to their first release on Derek Bailey's Incus label and a kind of prequel, going back to the time when Fred was playing home-made instruments and John was using mouthpieces and duck-calls as much or more than alto sax; this was back in the New York glory days when 100 new ideas popped up somewhere every day, and these performances lie right at the fringe of what most people would accept as "music".
Anyone wanting to get back to one of the roots of what later became known..