B

"The single features a live recording of Swan Hunter and a 2018 remix of the studio version of the song which originally featured on the English Electric album.
The single also includes two previously unreleased tracks: a new version of Seen Better Days which features Tim Bowness on vocals alongside Big Big Train’s singer, David Longdon, and a live studio recording of Summer’s Lease."

“The award-winning progressive rock band BIG BIG TRAIN release their 15th studio album, marking the first full release with new frontman Alberto Bravin (ex-PFM).
The album is a stunning piece of work that retains all the elements that make the band so special, including absorbing and memorable arrangements and first-rate musicianship. Definitions aside, BIG BIG TRAIN are a big fish in their chosen pond. Back in 2021, the group’s album ‘Common Ground’ returned prog rock to the UK national Top 40...

“For their large and growing fan base, the imminent arrival of a new album, particularly one that wasn’t actually expected is something joyfully anticipated but… and let’s say it… our hearts are broken because of the unexpected and tragic passing of David Longdon. Web and print media has seen a torrent of grief, expressed in many ways, telling many stories of this amazing man who was taken from us all too soon. Much has been said, and no doubt will be said… but I feel the best tribute I can give is to...

If, like me, you think that Big Brother were a terrific little psychedelic combo who were unjustly overlooked and possibly even unfairly dismissed as ‘not very good’ in the light of the discovery of the (admittedly great) greatness of their singer, Janis Joplin, this release of outtakes and etc from their great second album – released under the name they originally envisioned for their second album – will blow your mind. Even without dope!
For me, Big Brother was far and away her best and most...

I dunno. I always thought Big Brother got a bum rap. Were they the best San Francisco band? No. Were they the best musicians of that scene? No. But they were fun and joyous and genuinely psychedelic and whoever it was that dragged Janis away from them by telling her that 'she could do better than them', obviously never heard the inferior albums that she made without them. Both recordings are very, very good, professional sounding live recordings for rock concerts of over 50 years.

"Big Brother...

"Five of BCO's greatest performed by dAS, Robo, Daevid Allen, Brook Hinton, Mic Gendreau. Four test tones specially mixed by John Duncan, Monte Cazazza, G. X. Jupitter-Larsen."

“Conceived in near darkness in a garden on Titwood Road during the late summer of 2018, 'Pageant Of Beasts' is perhaps the first ‘true’ Big Hogg album, being almost entirely planned, written and arranged by the whole group, and also self-engineered and produced at The Space in Glasgow's east end.
Recruiting ace electric and double bass wizard Martin Beer proved the first step on the journey into a Canterburian world of magic and madness, his supple jazz lines paving the way...

"The Norwegian outfit BIG ROBOT describes itself as a musical collective, where members Per Sjoberg and Ole Christensen make up the central core of the collective. "Aquafit" is the debut effort by this project, and adding their input to the proceedings...

"A Chaos Of Flowers is an album that builds on their ferocious 2023 album Nature Morte. BIG|BRAVE's music has been described as massive minimalism. Their fusillades of textural distortion and feedback emphasize their music's frayed edges as much as its all-encompassing weight. The potency of the trio's work is their singular artistry combining elements of traditional folk techniques and a modern deconstruction of guitar music. Gain, feedback, and amplitude are essential.
For A Chaos Of Flowers...

The first album by this California retro-hard rock/progressive/stoner-rock band who add all the right touches, including amazingly huge amounts of mellotron, as well as sitar drones, Atomic Rooster Hammond organ, etc. etc. In addition to these...

Another one-shot Italian band with a classic heavy keyboard-driven progressive disc. Their name translates as "Ticket To Hell"! Dual keyboards, guitar, vocals/flute, bass & drums. Some great interplay between the keyboards & the guitar. One of their tw...

A sextet of dual keyboards, electric/acoustic guitars, bass, drums & vocals/flute Biglietto were one of the great classical progressive one-album Italian bands...until this early 90's issue of their never released 2nd album! While the sonics are not perfect, they are not bad at all & will not detract from the enjoyment of this surprising and unexpected 2nd act!

"The group has a zealous affecton for even the smallest musical detail balancing their complex and dense sound between classically...

Beautifully packaged in a mini-lp sleeve with a booklet and a number of color photos of the band that I had never seen before. That's the good news. The news that you were all expecting, I suppose, is that the sonics are strictly bootleg quality. It is...

"Biglietto Per L'Inferno returns to the scene of Prog (and more...) with a new CD, suggestively entitled “VIVI. LOTTA. PENSA.” (Live. Fight. Think.).

Once again the band’s effort focuses on the recovery of the old Biglietto’s tracks from the...

"From the vaults of radio station SWF (today SWR) and previously unreleased, this fantastic group with a rather unusual instrumentation (flutes, bass, drums) blow your ears away. They played music you probably haven't heard before. Call it free rock...

"The Sanskrit term ‘bija’ means seed – the origin or cause of things. The Italian trio "bija" take their beginning with a vibration, a sound from which their music grows, developing surprising soundscapes. Salento, the region of Italy where the trio...

"Billow Observatory is the trans-Atlantic duo consisting of Detroit's Jason Kolb (Auburn Lull) and Danish producer Jonas Munk (Manual). II: Plains/Patterns departs from their self-titled debut's (2012) amorphous ambient haze with a more rigid, albeit subtle, underpinning of rhythm and pulse. Traces of shoegaze, modern minimal electronica, and kosmische appear on every track, but are mutated into something mysterious and new. "Pulsus", for example, opens the album with a driving Teutonic stutter and...

“III: Chroma/Contour is the third album from Billow Observatory, the collaborative project of Danish producer Jonas Munk (Manual, Ulrich Schnauss collaborator, and more) and Michigan native Jason Kolb (Auburn Lull). The album's nine tracks eschew the pulse and rhythm that defined the duo's previous effort -- II: Plains/Patterns (2017) -- in favor of sparse melodic possibilities and a more abstract palette of sounds.
Chroma/Contour suggests looking both 20 years forward and twenty years back, while...


''Bimstein's music is not meant for theorists to wring their hands over in some future century; it's meant to be enjoyed & understood, it's stories told, right now.''-John Schaefer. ''Alternative classical'' music, firmly influenced by Scott Johnson/La...

Luciano Biondini: Accordion / Michel Godard: Tuba, Serpent, Bass / Lucas Niggli: Drums

Mavì is the title of the Biondini-Godard-Niggli trio's new CD. It refers to a clear blue, the colour seen when looking at the earth from outer space...

Luciano Biondini: Accordion solo
"Luciano Biondini is one of the few outstanding masters of the accordion in Europe, a musician who is at home with jazz music as well as being deeply rooted in the music of his homeland: the mediterranean.

After two CDs with Swiss drummer Lucas Niggli and French tuba player Michel Godard, Biondini has recorded a solo album for the Intakt label, dedicated entirely to the music of the area he grew up in: the city of Spoleto, in Umbria, Northern Italy. His plays..

Luciano Biondini: Accordion / Michel Godard: Tuba, Serpent, Bass / Lucas Niggli: Drums

"When Luciano Biondini, Michel Godard und Lucas Niggli play music together the borders between Early and New Music, between imaginary folk and jazz inspired.

"A remastered edition of Biosphere's The Hilvarenbeek Recordings, originally released in 2016."

"'As The Sun Kissed The Horizon' is one of my favorite Biosphere tracks. It's a recording of (what to me sounds like) the empty fields after a bustling summer's day, as the sun slowly sets and people leave for home. It reminds me of my summer's youth, and every time I listen, I picture myself in that exact field, the same field I spent my summers playing football in, hanging with friends and generally...

"Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalog of ambient electronic music. He is well known for his "ambient techno" and "arctic ambient" styles and his use of loops and peculiar samples from sci-fi sources. His 1997 album Substrata is generally seen as one of the all-time classic ambient albums. Deathprod is a pseudonym used by Norwegian artist Helge Sten. Sten began creating music under this name in 1991, and in 2004 a self-titled...

After many, many years of work, this is apparently the final Biota release and it's also probably their finest as well as their most accessible. The heavily treated sonic material remains, but as in their last few, it's applied to a very 'folky' under-carriage.
Think of the most twisted-yet-musical take possible on Sandy Denny/June Tabor/Judy Collins imaginable and you have a glimmer of what they are doing here. Really nice. REALLY NICE. And a gorgeous art portfolio is included. Highly recommended...

“After 4 years of work on their 11th release for ReR, this extraordinary, reclusive, and highly individual audio-visual collective continues to evolve through the painstaking accumulation and disposition of a seemingly incompatible range of both exotic and familiar musical languages, instruments, techniques and studio manipulations - into one of the few genuinely original bands at work today. It took a long time to refine their unique process of composition to this level of ambiguity and depth, and...

Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of...

"Six years in the making, this is the sixth CD released by ReR from the visual/sonic art group Biota. Unique in their history and method, Biota painstakingly construct complex, organic structures that mix extensive studio processing and musique concréte techniques, with a highly eclectic orchestra of acoustic and electronic resources - from kit drums, through mediaeval winds, strings and barrel organs, to early experimental electronic instruments. Their works are always performance driven and interleaved...

If fans of Biota were shocked by the pop songs that appeared for the first time on the previous Biota release, Invisible map is going to send them reeling. They are sung by Genevieve Heistek, from the same school of Montreal musicians who spawned Godsp...

Biota is a unique project consisting of both musicians and artists. Their work is complex, subtle, vast, exquisite and powerful. Layers and layers of processed sound, all originating in played, mostly acoustic sources. All CD's come with books of prints by their visual art component.

"Stunning work that breaks new ground; an extraordinary achievement that was 3 years in the making and rewrote lot of rules in passing. With texts and singing by the inimitable Susanne Lewis, the CD also features...

Contents:
Funnel to a Thread
Half a True Day
Invisible Map
Object Holder
Gyromancy
and the box-only bonus Counterbalance.

The music on the bonus disc is all unheard music built from the group archives and is dedicated to Charles O'Meara, who contributed his piano work to the group for several decades.

“Without any obvious keystone event, Biota – who started recording in the late 1970’s as the Mnemonist Orchestra – have quietly become a musical fixture...

I was at this show! It was very, very disorienting, and the visuals gave me severe motion sickness! Not kidding. This was the only live performance they have undertaken since 1981!

"Biota was founded in 1979 in Fort Collins, Colorado, as the Mnemonist Orchestra. Over the years, the Mnemonist Orchestra developed into Biota (the musical contingent) and Mnemonists (the visual contingent). Both Biota and Mnemonists work as one on productions of musical and visual components. Heard on this CD is...

"Shadoks' first release from Indonesia is very special and was featured in Hans Pokora's 4001 Record Collector Dreams book as one of the rarest items from Asia. Originally released in 1973, this album contains beautiful, well-crafted songs with lots of...

"Nat Birchall charts new paths toward spiritual communion, connecting jazz with classical Indian influences guided by the wistful flow of the harmonium. Cosmic Language sees the UK-based saxophonist, composer, and arranger return to Jazzman Records with a cross-cultural approach: an exploration of the parallel musical paths of jazz and Indian ragas. Here he takes influence from spiritual jazz forebears such as Alice Coltrane and Yusef Lateef and introduces the Indian harmonium to his band, where it takes...

Aaron Standon (saxophones and guitar) has been around and back again playing every thing from straight ahead to free jazz. Pete Evans is a classically trained violinist who can be seen performing with a number of orchestras around the south-west...

Low stock warning! Less than 12 copies remain and this is not being reprinted!

Released in 1995, this was the first release by the fantastic, current line-up of the band (Michael Bierylo-guitars and computer, Erik Lindgren-keyboards, Rick Scott...

For the first time ever, all of the band's 3 recordings for Ace of Hearts (Birdsongs of the Mesozoic, Magnetic Flip and Beat of the Mesozoic) are reissued in their entirety and in the order in which they were originally heard when they were issued...

''...a fresh & almost indescribable fusion of rock, jazz, modern classical, sampled sound & noise.' - The Boston Phoenix

BOTM are a superb instrumental 4 piece (multi-keyboards, guitar, electronic percussion, & sax) who combine equal parts progressive rock, pulse, classical, & more into an instantly recognizable whole; no rock band uses interlocking parts as brilliantly as these guys. This is their first in 5 years and many people think it is their best yet! Start here.

For their 13th album and in their 25th year together, post-punk, art-rock pioneers Birdsongs of the Mesozoic do a 180 degree musical swerve and link up with bass-baritone vocalist Oral Moses, one of the preeminent African-American performers of...

“Commissioned by the Ethnographic Museum of Geneva (MEG), Jean-Jacques Birgé composed a work based on the MEG's International Archives of Folk Music (IAFM). Perspectives for the 22nd Century includes 31 pieces recorded between 1930 and 1952 and compiled by Constantin Brăiloiu (1893-1958), founder of the IAFM and an authoritative reference in the field of traditional music.
Perspectives for the 22nd Century is written on the basis of an anticipation scenario where the survivors of the disaster of...

“French group Un Drame Musical Instantané was founded in 1976. They present an original, unclassifiable, inventive music, which drifts from jazz to electronic sounds and contemporary music. Klanggalerie has started an extensive re-issue programme with these unqiue avantgarde pioneers which will bring back their classic albums but also side projects like this one. "Rendez-Vous" was recorded in 1981 but never released.
This is what group founder Birgé has to say about the recording: "I met Hélène...

The best Italian band playing Irish music. A real surprise for those who thinks that Latins cannot play jigs, reels, hornpipes, in pure Irish style. After much travel and sessions in Ireland, their instrumental dextery and fresh compositive vein are sh...

''The best Italian band playing Irish music. A real surprise for those who thinks that Latins cannot play jigs, reels, hornpipes, in pure Irish style. After many travel and sessions in Ireland, their instrumental dextery and fresh compositive vein are ...

''The best Italian band playing Irish music. A real surprise for those who thinks that Latins cannot play jigs, reels, hornpipes, in pure Irish style. After many travel and sessions in Ireland, their instrumental dextery and fresh compositive vein are ...

“Hotel Erika is an epic synth instrumental suite that harks back to the days of 1970s ‘kosmische’ electronic pioneers such as Tangerine Dream, Klaus Schulze and Vangelis, as well as Euro-jazz experimentalists.
Inspired by a one of his childhood holiday destinations in the heart of the Alps, Biro charts a journey through the upheavals of Eastern European history. As always, he plays all keyboards, most of them vintage analogue synths, as well as his trademark Rhodes piano.
A continuous listening.


Jean-Pierre Larouche : Guitar
Nathanaël Labrèche : Guitar
Julien Daoust : Drums
Hugo Veilleux : Drums
Vincent Savary : Bass

"...a hyper-caffeinated...all-out assault with...interlocking polyrhythms, frequent time changes, and dense riffing....Thumbs way up." – Avant Music News...

Here's how you know that this is a great, great one; we don't carry CDRs unless they are REALLY special. This is REALLY special.
Great technical math-metal release from this instrumental Canadian outfit of dual guitars, dual drums and bass. Think: 50% Zevious, 25% Upsilon Acrux, 25% King Crimson. The stereo, obviously 100% live, ping-pong left / right attack of the two guitars / two drums will knock your soxx off.

"Featuring members of Fecking Bahamas favourites Golden Python, this obscure...

“The title track starts with a written structure that eventually leads to an unaccompanied bass solo which reminds these ears that, as much as I enjoy Bisio with pianist Matthew Shipp, a greater appreciation of his technique and writing comes across when he steps away from the individualistic pianist. The music is grounded, not free and wild, but that nevertheless generates close listening. Sometimes Knuffke and Bisio play in an in-between place which doesn't feel like the bass is echoing the cornet...

Kirk Knuffke-cornet
Art Bailey-accordion
Michael Bisio-bass
Michael Wimberly-drums

“There's much to listen for on "Accortet" - the sound quality is excellent (kudos to Jim Clouse of Park West Studio in Brooklyn, NY), the compositions are thoughtful, and the musicianship unbeatable.
Kurt Knuffke continues to impress in every setting he plays in and Art Bailey's musical palette shows how he continues to expand the vocabulary of the accordion. And the rhythm section keeps the...