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“Groundbreaking first major album from the controversial comedian. Lenny Bruce was an American stand-up comedian, social critic, satirist, and screenwriter. He was renowned for his open, free-style and critical form of comedy which integrated satire, politics, religion, sex, and vulgarity.
The lion's share of this release, The Sick Humor of Lenny Bruce (1959), seems to have been gleaned from a bountiful cache of recordings that Bruce documented during a multi-week run at the infamous Ann's 440 Club...
Included here is a booklet with the official biograpy of the band, photos, documents and interviews.
My personal favorite of all the Argentinian progressive artifacts, and, in fact, one of the great progressive albums of the entire 1970s. This, their one and only album features a 7 piece group (violin, flute, sax, guitar, bass, drums, with a relatively small amount of vocals) playing pieces obviously influenced by Mahavishnu Orchestra, jazzy Frank Zappa, King Crimson and others that give this a more...
Tony Buck: electric guitar, electric baritone guitar, arch-top acoustic guitar, bass guitar, mono-chord, waterphone, zulu-bells, and instrument preparations
Mark Nauseef: bells and gongs from Bali, Java, Korea, Japan, India, China and Tibet
“Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese..