B

"He is an icon of the Rock world: the legendary song writer, bassist, pianist and singer Jack Bruce. In 2006 at the 37th German Jazz Festival Frankfurt, he joined forces with the hr-Bigband to perform a highly acclaimed concert, presenting classic Cream songs and other landmarks of his career in gripping new arrangements. It was a magic moment of dialogue between Jazz and Rock that roamed between composition, improvisation and vibrant, virtuoso performances. The hr-Bigband is one of the most innovative...

“This is a must-have. Period. Recorded before the Lenny's life itself became the drama, when his ideas could be judged on their own terms. Here is Lenny having fun, riffing, creating characters. Lenny's perspective was that of the underdog, the average guy--just trying to get by, have a few laughs, not be bugged--and how hard it was in mid-20th century America just to do THAT.
A lot of the references in here might be lost on contemporary audiences--to obscure B-movie actors, for example. Still, no...

“Lenny's master work in many ways, it must be noted that if you are new to Lenny Bruce this is his thesis work towards his PhD in Freestyle Social Commentary. By this show Mr. Bruce no longer does bits, he is all free form, and lays this show out like a brilliant jazz piece. In lieu of a Louis Armstrong or Kermit Ruffins delivernig tales of love, loss, trials and tribulations through beautifully combined notes from their trumpets, however, his music is the truth and his instrument is his style.
This...

“Groundbreaking first major album from the controversial comedian. Lenny Bruce was an American stand-up comedian, social critic, satirist, and screenwriter. He was renowned for his open, free-style and critical form of comedy which integrated satire, politics, religion, sex, and vulgarity.
The lion's share of this release, The Sick Humor of Lenny Bruce (1959), seems to have been gleaned from a bountiful cache of recordings that Bruce documented during a multi-week run at the infamous Ann's 440 Club...

PROMO COPY. "The '50s are often portrayed as a very innocent time -- an era in which Father Knows Best and Leave It to Beaver were popular sitcoms. Americans were less likely to have sex before marriage, poodle skirts were in fashion, and stay-at-home...

“Probably the last coherent performance Lenny Bruce ever gave, before a very appreciative and forgiving audience, and he was really great. There's even a moment where he loses his train of thought, and he makes a funny bit out of that. A really brilliant performance, and, although some of "those" words appear here and there, you might be surprised at how little of that there was--it's certainly quite tame by today standards. He didn't need to curse to be funny. He was a brilliant social commentator and...

Kyle Bruckmann (oboe, english horn, suona, mijwiz) with Kurt Johnson (bass).

"“An improviser's response to the paradoxes and absurdities of recording improvised music. Sounds generated by the direct application of wind, water and flesh to wood...

This release includes a CD of a new stereo remix, and a DVD with a new 5.1 surround sound mix along with the original 1978 mix, all taken from the original 1978 analogue tapes.
This album, originally released in 1977, established (ex Yes, King Crimson, Genesis, National Health) drummer Bill Bruford as a (very) credible composer and bandleader. For me, this is one of the finest fusion albums to have come out of the UK.
In addition to Bill's excellent playing, there is Dave Stewart on keyboards...

This is the third and fourth (and last) albums by this very fine, UK fusion ensemble. If these aren’t held in quite as high regard as the first two, well, that’s because the first two are essentially unbeatable, but these are still very good.
The Bruford Tapes is taken from a radio broadcast by the touring-band version of Bruford: Dave Stewart-keyboards, John Clark-guitar, Jeff Berlin-bass and Bill-drums. Spirited, live, edgy ("aproximate", says Dave Stewart) versions of tunes from the great 1st...

“Bill Bruford is the original drummer in YES and was a long term member of King Crimson. The band Bruford achieved critical acclaim and commercial success at the time and the band's catalogue has enjoyed longevity in the rock genre.
The line-up on the album is: Bill Bruford, John Clark, Dave Stewart and Jeff Berlin.
Both of these discs were previously only available in the "Seems Like a Lifetime Ago" box set and see their first release outside of the box here.”

This release includes a CD of a new stereo remix, and a DVD with a new 5.1 surround sound mix along with the original 1979 mix, AND an outtake of Five G, all taken from the original 1979 analogue tapes.
Follow-up to the superb debut by Bill Bruford and featuring the same band: Bill-drums, Jeff Berlin-bass, and Dave Stewart. This is a slightly more conventional fusion album than Feels Good To Me, but it suffers not a bit for that, as this 1979 album is one of the best late-period straight-ahead fusion..

Double live album of Bill's very good jazz outfit (saxes, piano, bass and drums) recorded live in London in 2001. 2 hours of music! [DGM]

The second album from the band who call themselves "New York‘s Most Decorated Avant-Country Instrumental Merle Haggard Cover Band", and who am I to argue with that designation?

"...their debut, is satisfying as both a commentary on Mr. Haggard’s.


"Gavin Bryars' music, post "The Sinking of the Titanic" and "Jesus' Blood...", is well known and often performed today. Less known are the earlier works featured on this CD, created during the years 1969-71. At that time, Bryars became associated with...

“Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars...

This is a special limited edition of 2000 packaged in a special wallet + postcard. This version was recorded at the 49th International Festival of Contemporary Music at The Venice Biennale on 1st October 2005 at the Teatro Maliban.

Gavin Bryars..

This great, unassuming-but-tremendous debut album did what so few do: It actually sold! People paid some attention!
And rightly so - this is great.
Back in stock and you should buy this. Period!

Note: If you buy this title directly from Wayside Music here, you will receive, WHILE THEY LAST, a special, bonus, custom printed flashlight keychain which is only available to folks who buy the release directly from us or from the band.

“Turn out the lights, switch on the UV lamp, and read along in the dark. The lyrics illuminate the way as you ascend.”

Bubblemath’s new album, Turf Ascension, is the finest progressive-rock album you’re ever going to read...

Included here is a booklet with the official biograpy of the band, photos, documents and interviews.
My personal favorite of all the Argentinian progressive artifacts, and, in fact, one of the great progressive albums of the entire 1970s. This, their one and only album features a 7 piece group (violin, flute, sax, guitar, bass, drums, with a relatively small amount of vocals) playing pieces obviously influenced by Mahavishnu Orchestra, jazzy Frank Zappa, King Crimson and others that give this a more...

The ill-fated guitar legend in the best, clearest video of him that I've ever seen. In DC, Danny Gatton was king, but Roy was certainly a prince at least...

"The Rolling Stones wanted him to replace Brian Jones, and Eric Clapton asked him to play the guitar for Derek & The Dominos - but he turned down both offers. Roy Buchanan was a true master of the Fender Telecaster guitar; and his playing technique significantly influenced musicians such as Gary Moore and Jeff Beck. He moved to Los Angeles...


"Trumpeter, composer, long-time leader of the Flying Bulgar Klezmer Band and founder of the famed Ashkenaz festival of New Yiddish Culture teams with award winning pianist/composer Hilario Duran to explore the exciting nexus of Cuban/Klezmer fusion...

"Jewish music composer and trumpeter David Buchbinder teams up with Cuban master pianist Hilario Durán and a crew of Canada’s top jazz and world musicians to present this follow-up to the first award-winning Odessa/Havana release. Working with JUNO...

Tony Buck: electric guitar, electric baritone guitar, arch-top acoustic guitar, bass guitar, mono-chord, waterphone, zulu-bells, and instrument preparations
Mark Nauseef: bells and gongs from Bali, Java, Korea, Japan, India, China and Tibet

“Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese..

Tony Buck - drums, percussion, vibraphone
Massimo Pupillo - bass, electronics

“Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation. Pupillo and Buck are well known for their work with their long-running bands, as well as for their collaborations with musicians of the current international avantgarde scene; Pupillo released for....

Never quite got the whole 'raised by chickens' thing, but he sure can play! Here's some very early material released - I believe - for the first time.

"An "official" Buckethead album, Acoustic Shards features Buckethead alone on acoustic guitar..

Say what you want, this half man/half android, who was raised by chickens, can really kick on the jams on the guitar. This includes the lovely ballad She Sells Sea Shells By The Slaughterhouse. "Buckethead is one of the most amazing and original guitar...

“It sometimes seems there must have been some indefatigable taper who followed Tim Buckley anywhere and everywhere he performed during his all-too-short lifetime, recording his shows with the determination of the most obsessed Deadhead. Ever since the release of Dream Letter: Live in London 1968 in 1990, long-lost archival recordings of Buckley on-stage have been surfacing with remarkable frequency, and coming from a performer who jumped stylistic borders with the ease and elan of Buckley, it's not...

Tim Buckley on vocals and 12-string guitar
John Miller on bass
David Friedman on vibraphone
Carter C.C. Collins on percussion

“This is the most important Tim Buckley release since Dream Letter, featuring a singular performance with a jazz-rock lineup that calls to mind Van Morrison’s Astral Weeks. Buckley, father of Jeff Buckley, made his mark with his Southern California folk-rock sound and four-octave vocal range. But this rich weave of accessible, warm, improvisational music...

Includes five complete albums:
Tim Buckley (1966)
Goodbye And Hello (1967)
Blue Afternoon (1969)
Happy Sad (1969)
Lorca (1970)

Tim Buckley was an extremely talented folkie guitarist and singer who started to stretch his music way beyond the boundaries of folk, culminating in his masterpieces Blue Afternoon, Lorca and especially, this particularly weird album of totally balls-out experimental music, performed with an immense confidence and daring and the peak of his career in my (and many other folks’ opinion), Starsailor, in 1970.
It still sounds like nothing else ever.
It has been available on CD before, but not for...

“The folks at Manifesto have done an excellent job in keeping the music of Tim Buckley on the market over the past ten years, even going so far as to release three highly revealing new discs of live recordings. Nicely bookending Buckley's most productive years, The Dream Belongs to Me continued that streak. Split between two 1968 demo sessions and a similar tracking date from 1973, the music contained illustrates that quite a lot had happened to Buckley in the intervening years, both personally and...

Tim Buckley was an extremely talented folkie guitarist and singer who started to stretch his music way beyond the boundaries of folk, culminating in his masterpieces Blue Afternoon, Lorca and Starsailor in 1970.
A little over 20 years ago, a great, professionally recorded live set, taken from his five day run at LA's The Troubadour in early September 1969 was released called "Live At The Troubadour".
This and its companion set, Greetings From West Hollywood, are drawn from the same professional...



Hopefully I don’t have to tell you that these folks are NOT really a band of 70s musicians who were revived from their cryogenic slumber in the 20s in order to rock you ‘Under The Sign Of The Lamprey” with their (admittedly very good) retro Rock Progressivo Italino ...

“A band of musicians from the seventies to the present day, who escaped an unlikely plane crash awakened from a cryogenic sleep after being hibernated in an iceberg? "Under The Sign Of The Lamprey" is the name of the album...

One of a number of classic albums that pianist/composer Harold Budd made with the collaboration of Brian Eno and sometimes others on the EG label. This has Budd's beautiful, watery piano sound with various treatments and atmospherics. Icily lovely.

"The long-awaited collaborative release from legendary American minimalist composer and pianist Harold Budd and Milanese producer and experimental electronic composer Eraldo Bernocchi. Recorded during a magic night in the courtyard of a Renaissance palazzo in Siena, Italy, Music For 'Fragments From The Inside' melds Budd's light tonal wash and sparse keyboard treatments with the deep electronic rumbles of Bernocchi. An astonished piano player drifts on beats and scrapes, while bass and drones join...

The members of Sixnorth, the jazz rock band who have released a CD on Musea and drummer Futoshi Okano (Ghost, Damo Suzuki touring band) performed these improvisations 11/24/02 at the Big Apple in Kobe, Japan. "It is the live recording of the day; lots ...

"David Buddin’s “Canticles” CD is an electronic music realization of the instrumental parts for a six movement chamber work featuring soprano voice. The music is vigorous, dissonant, rhythmically complex and exhilarating. Influenced heavily by the thrust of the Western classical music tradition, Buddin is a modern musical maverick in the lineage of radical, iconoclastic American composers like Charles Ives, Carl Ruggles, Elliott Carter, Ralph Shapey and Milton Babbitt. The timbral character of this...

Until MoonJune started mining the field, who knew that there were so many interesting jazz and fusion musicians in Indonesia?

"MoonJune Records is proud and pleased to present the incredible artistry of legendary world-class guitarist, Dewa...

"Joined by a superb cast of marquee players, Dewa Budjana's new release (his 4th on MoonJune), "Hasta Karma," sets a new benchmark for modern progressive jazz excellence in the 21st century. With a vibe and feel more akin to that of a band with decades...

" Every so often a major pop artist steps out of the loop and shows the world another side of his or her technical acumen and penchant for executing within a more demanding, if not less commercially viable art-form. Drummer Charlie Watts of the Rolling...

“When an artist takes an unexpected turn into new musical directions, it may cause stirring among fans. This is not the case of the increasingly global fanbase of progressive fusion maestro Dewa Budjana, who always come prepared to the perennial journeys through the world of their favored guitarist. With a list of collaborations that sums up the who is who of contemporary progressive rock and jazz scene (Jack DeJohnette, Peter Erskine, Vinnie Colaiuta, Antonio Sanchez, Chad Wackerman, Gary Husband, Tony...

"The seventh solo album from Indonesian progressive guitar legend Dewa Budjana (his third for MoonJune Records) sees the maestro cast aside the dense, meticulously-arranged approach that defined his previous MJR releases (ast year's critically...

Sarah Buechi: Voice
Franz Hellmüller: Guitar
Rafael Jerjen: Bass

“She makes the music of the future”, headlines Zurich jazz critic Manfred Papst in an extensive portrait of singer Sarah Buechi. The singer has studied a wide variety of music in America, Ireland, Ghana and India to further develop songwriting, world and jazz in a highly personal way, whereby the balance of composition and improvisation is central. With Moon Trail she presents her new trio.
“A strong shared feeling...

Sarah Buechi: Voice
Franz Hellmüller: Guitar
Rafael Jerjen: Bass
Kristina Brunner: Schwyzerörgeli
Andreas Gabriel: Violine
Marianne Domide: Alphorn
Emmanuel Krucker: Hackbrett

“The first album Moon Trail by Buechi – Hellmüller – Jerjen was celebrated by Swiss National Radio as the surprise of the year 2022. Now the trio is releasing a long-awaited second album, Pink Mountain Sagas, featuring guests Kristina Brunner on the Schwyzerörgeli and Andreas Gabriel on the violi

Sarah Buechi, Voice, Composition, Lyrics
Stefan Aeby, Piano
André Pousaz, Double Bass
Lionel Friedli, Drums

"Turning something complicated into something straight_forward. Loaded questions into shimmering and dancing images. Follow your heart. Find your way, keep on moving relentlessly. Together with Sarah Buechi in the Shadow Garden.

Bert Noglik writes in the liner notes: "The scope of songs ranges from those with a ballad feel up to those surging with emotion, from...

Excellent debut album by a new group led by the fine English guitarist & composer Neil Campbell, whose earlier works we have championed to some of you who are paying attention.

This new one has a more electrified/spacerock sound/very modern....