"Michael Snow is a Canadian national treasure, a true Renaissance man. He assembled a stellar group to improvise a sound track for his art film, titled Walking Woman, featuring a silhouette that is rumored to have been inspired by Carla Bley."...

In my opinion, if you have to pick one album to answer the question of "What was Albert Ayler's music all about?", this is that album. As Chip Stern said, "This clocks in at only 29:31, but I guarantee you won't spend a more intense half-hour in your life."

"This 50th Anniversary Expanded Edition includes as a bonus the track briefly substituted for "Spirits" on an early vinyl edition. It is the same tune known as "Vibrations" on the album of that title on Arista/Freedom (aka Ghosts when issued...

Somehow I don't think Ayuo was thinking of Ameri"The creator of two of the most fascinating releases on the New Japan series (Izutsu and Red Moon) now turns his hand to one of the most curious of all Japanese musical forms, the Noh play. Mixing the....

Ayuo is one of Japans great originals, having walked his own unusual path for over twenty years. His second CD for Tzadik is a charming and hypnotic collaboration with one of Japans most beautiful vocalists, pop star Ohta Hiromi. Touching upon various ...

“Illinois based instrumental trio AZIOLA CRY is Jason Blake on Warr Guitar, Mike Milaniak on guitar, and Tommy Murray on drums. The trio released their debut album, Ellipsis, in 2005, followed by Ghost Conversations in 2007. The group has performed with bands such as Behold… The Arctopus, Don Caballero, Tiles, Far Corner, and others, while appearing at progressive rock festivals including M.A.R.S. Fest and more.
Closing a nearly fourteen-year gap between albums, 2021 sees the return of AZIOLA CRY as...

"Jeremy Beck has created a special kind of musical world; one which combines hope with a gentle sadness and nostalgia. It is the kind that you glimpse upon waking on a Sunday morning and seeing a steady rain in the garden, knowing that you can go right...

“Anganok was a mini opera written with San Francisco artist Spoonman, in 1991. The opera was performed only a few times and was not recorded. However, the instrumental track and an early rehearsal with Spoonman's vocals exist. The instrumental track had been pilfered for other uses (such as incidental music for the Uncle Willie companion CD), and an excerpt of the instrumental track was included as part of the fourth disc of Our Tired, Our Poor, Our Huddled Masses.
In 2009 both the full instrumental