Surman, John - Flashpoints and Undercurrents 2 x CDs

SKU Rune 515/516
John Surman - soprano and baritone saxophone, bass clarinet
Alan Skidmore - tenor saxophone and flute
Ronnie Scott - tenor saxophone
Mike Osborne - alto saxophone
Malcolm Griffiths - trombone
Erich Kleinschuster - trombone
Kenny Wheeler - trumpet and flugelhorn
Fritz Pauer - piano
Harry Miller - bass
Alan Jackson - drums

Recorded April 18, 1969 in Hamburg, Germany.

"Any John Surman is welcome, but this is special...the music comes leaping at you from the start." – Peter Bevan/Northern Echo (UK)

Recently celebrating his 80th birthday and one of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). Every period of his nearly 60 year career is filled with highlights, which is why Cuneiform is exceedingly pleased to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene.

Surman lived in London during the 1960’s and thrived in the exploding music scene. ‘60s London was the world’s center of popular music, and Surman was a key figure in its core, working with dozens of notable jazz and rock musicians. First appearing on record on a 1966 Peter Lemer recording on ESP, during the 60s, Surman played with Mike Westbrook, John Mclaughlin, Dave Holland, Chris McGregor’s Brotherhood of Breath, Alexis Korner, Mike Gibbs and many others. He listened to everything and worked with scores of bands in London’s melting pot, playing everything from free jazz to hard bop, mainstream jazz, blues, the then-emerging jazz rock, and South African township music.

By the end of the 60s, the British Jazz emerging from London was recognized world-wide as one of jazz’s most vital and creative manifestations. In 1968, Miles Davis visited Ronnie Scott’s and subsequently recruited two Surman collaborators, Holland and McLaughlin, for his American band. Surman’s activities intensified; he appeared on at least 8 recordings, including a compilation live at Ronnie Scott’s, and then played the ‘68 Montreux Jazz Festival with his Octet, winning its award for best soloist. He began recording solo albums, his first in ’68 featuring pianist John Taylor and bassist Dave Holland. Surman would surpass these activities in 1969, his busiest year of the decade. He appeared on 11 recordings that year, including McLaughlin’s Extrapolation , and by the end of the year, he left England to begin working as part of a new, Belgium-based unit called The Trio, which would prove to be a watershed in Surman’s career, launching his international profile.

At the time of the recording released here, Surman had just finished recording his second album as a leader, How Many Clouds Can You See , so Flashpoints and Undercurrents is a unique chance to get an expanded view of his formative work as a leader and also at the early work of his musical compatriots who appear with him here. For this occasion, Surman led a ten-piece ensemble featuring the cream of modern British jazz players as well as two Austrian musicians.

What's doubly valuable about this release is that it contains a large amount of pieces never recorded elsewhere. Captured in excellent stereo sound, this release is a exceptional and hugely important document that will blow the minds of Brit-jazz fans and will open the ears, eyes and minds of those who don't know the great and distinctive work of these fine musicians!

  • LabelCuneiform
  • UPC045775051529
Your Price $21.00
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