Hendrix, Jimi - Both Sides Of The Sky
SKU
28-SNYL581419.2
48 years after his death, this is a surprisingly very good trawl of nearly all previously unreleased material!
"Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile two year period between January 1968 and 1970. Jimi’s mastery of the studio and his increasing use of them as a proving ground for new songs resulted in a growing collection of extraordinary material. Both Sides Of The Sky completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] intended to present the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of “Stepping Stone,” “Lover Man” and “Hear My Train A Comin’” as well as recordings where Jimi is joined by such special guests as Johnny Winter and Stephen Stills.
Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix’s albums throughout the guitarist’s lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of “Mannish Boy” by Muddy Waters makes clear.
Lover Man - Just two weeks before their triumphant New Year’s concerts at the Fillmore East in NYC [yielding both 1970’s Band Of Gypsys and 2016’s sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.
Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.
$20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.
Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.
Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the “Villanova Junction Blues” theme he made famous by its inclusion in the 1970 Woodstock documentary.
Things I Used To Do - Jimi is joined for this rendition of Guitar Slim’s blues classic by Johnny Winter. Jimi’s trademark guitar work and Winter’s deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.
Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix’s sublime rhythm and lead guitar work.
Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of “Angel,”, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.
Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY’s version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.
Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.
Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar."
- LabelSony Legacy
- UPC190758141923
Customer Reviews
Average Rating
Here is what even the Hendrix Family Archive says is "probably" the last of the unreleased studio sessions. So, is it total trash? In no way. I have almost 100 bootleg CDs and LPs of "unreleased gems",....and this has the best sound you can get for these pieces. I also have to say ,'Yes, there are more unreleased jams left>" ,but they are very loose and these are the Jewels of Jimi's last few years....even if they did have to piece together a coherent "Send My Love To Linda" for this release. Having the "parts" to "Send My Love To Linda" in one place and in a form that isn't broken fragments was a nice sentiment (especially since "Linda" did seem very important to Hendrix ...who ever she was). Others have made negative comments about the inclusion of instrumental pieces and "other's" vocals on some tracks, but The Stephen Still cuts are very cool (and I have never in all my 100 boots heard them before!),plus it's nice to hear a cut with Lonnie Youngblood that isn't sounding like it was recorded in a trash-can(especially since Jimi DID play some of his early career with him...so, a repayment of sorts I'd guess...). Over all if you don't know that Mr. Hendrix's instrumentals were quite beautiful and revealing of what may have been his future developments ,if he did not expire, ....then I don't know what you are really even reading this for(in reply to disparaging comments on this album's instrumentals on other reviews). So.....if you really are a big fan of Jimi Hendrix ....and not just his "Smash Hits" ....then you will find some very great last sounds approved for public consumption here,...right down to the very lonely sounding "Send My Love to Linda" and fading vapour trail of "Cherokee Mist". Yeah there are flashes of brilliance ....and a bit of melancholy at it's end ,......but what else can you feel hearing a great guitarist’s (unknown to him) last experiments and pieces. RIP JIMI!
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