This release is by a Japanese duo that Soleil Zeuhl discovered. Yoshiyuki plays keyboards/synths/programming and Yoshihiro Yamaji plays guitar and bass. All of the drums are programmed, but they do a very good job of it, and this excellent debut does not suffer from 'canned band syndrome'.

"Amygdala is a Japanese band, heavily Zeuhl-influenced (much more on the UZ side than Magma, I'd say), with that RIO edge that seems to be the landmark of the greatest Japanese bands of these last few years...

Did you ever want to hear Hugh Hopper play tunes by Led Zepelin, Henry Cow, Jimi, the Who and Fracture? Did you ever want to hear John Greaves sing the ones of these that have vocals? Well, this is your one chance to do so!

"Alain Blesing is a French guitar player, known for having been part of the legendary progressive/zeuhl rock band Eskaton, who are considered to be one of the most gifted disciples of Magma. From the late Seventies, he extended his capacities by studying musicology, then in...

A great 5 piece, who simply tore the house down at ProgDay in 2013 and were one of the stunning highlights of the festival. This is the music they played there. Hugely recommended!

I saw Corima about in 2008, but at the time, they were a duo and...

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

Happy Family are a Japanese instrumental quartet (keyboards, guitar, bass, drums) who are influenced by groups such as Magma, Univers Zero, Weidorje, King Crimson & Area. If you can imagine a full CD's worth of the kind of inspired playing & intensity ...

This title has been out of print for ages, but in anticipation of their new, third album, we made one last printing. Here it is, with the previously Japanese-only bonus track "Dear My Daughter", while they last!

Happy Family are a Japanese...

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

Teddy Lasry is best known as being one of the reed men in the first edition of Magma, appearing on Mekanik, 1001 and Kobaia.
But after leaving Magma circa 1973, he made a bunch of library music albums (which I have never heard), as well as two very excellent, more keyboard / electronic-styled progressive albums for RCA in 1976 and 1979, of which this is the first.
At one point, I tried to license the two RCA albums for Cuneiform, so you know that I think highly of them; this is its first-ever...

The Ëmëhntëhtt-Rê trilogy performed and released in full for the very first time:
Köhntarkösz Anteria (K.A.)
Köhntarkösz
Ëmëhntëhtt-Rê

Recorded live at Le Triton in France in November, 2014.
"Initiated in 1973, its composition beholds its whole fulfillment after more than four decades. It is the testimony of an unwaveringly timeless inspiration, of which the expectant present asserts itself beyond history. Connecting wide and contrasted scenes, it sets its coherence within its.

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

Magma added three more female voices to the mix, and the singing is extra great on here. Additionally the over-all recorded sound seems a bit better over-all from the last few releses. The playing is also very strong, although my heart will always belong to Bubu...

“2020/2021.
More than 18 months without being able to play a gig. This space of time, this imposed "pause", was used to prepare a new album, a group album, working in a way we had not realized for a long time.
Following the..

Christian VANDER drums, vocaux
Claude ENGEL guitars, flute, vocaux
Francis MOZE bass électric bass
François CAHEN piano
Teddy LASRY saxophone soprano, flute, horns
Richard RAUX saxophones alto & ténor, flute
Alain CHARLERY "Paco" trumpet, percussions
Klaus BLASQUIZ vocals

One of the greatest, most idiosyncratic & original bands ever. Their 1st album, this is baby steps for the band Nice, but don't start here.
“At the end of the 1960s - a time when the

One of the greatest, most idiosyncratic & original bands ever. This is a previously unheard version of MDK, recorded about 9 months before the released version, & with some unique differences too! Be prepared for some intense listening, as these all fe...

In May, 2005, Magma took over the Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold-out weeks...

One of the greatest, most idiosyncratic & original bands ever. This is from their reunion concert in Paris in 1980. This is sorta weak; don't start here! [Seventh]

Recorded live at Magma's 30th anniversary concerts in May, 2000, this is the first time that the complete Theusz Hamtaahk trilogy has been released in one set. Excellent live recording and terrific energy coming off of the stage. While you've heard the...

This great album, which was recorded in April, 1974, has an interesting history. When originally released, this was released as a 'solo' album by Christian Vander, but for all intents & purposes, it was (and is) the fourth Magma album, having been released between M.D.K. and Kohntarkhoz.
The album is also interesting because it is a Magma album stripped down to the barest essentials of electric and acoustic pianos (all played by Christian), bass by Janick Top, choir (Vander, Klaus Blasquiz and Stella

“Zess is the story of the end of everything. The end of time and of everything that has ever existed. Absolute oblivion, like a dreamless night. It feels like nothing has ever existed nor will it ever exist again. All forms of consciousness have vanished.”-Christian Vander.

The legend of Magma’s Zess is that when Zess is recorded and released, it will signal the end of Magma. Happily the band are walking that back ... I guess we'll see, won't we...
This is a less intense, more choral work...

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

This is just over 2 hours of music, recorded at Magma's 'home base' for residencies.
Christian Vander : vocal, drums
Stella Vander : vocal, percussions
Isabelle Feuillebois : vocal , percussions
Hervé Aknin : vocal , percussions...

I saw these guys in France at the 2009 Rock in Opposition festival and they were good and the bassist was the incredible Philippe Bussonnet (of Magma and One Shot fame) who was incredible as always, and he appears here as well!...

Charles Goubin-guitar, piano, vocals
Philippe Goubin-percussion, piano, vocals
Dominique Dubuisson-bass

Potemkine were a great French band who existed throughout most of the 70's. They absorbed influences from zeuhl, fusion, avant-rock and more & fused it into a blend that was their's alone!

This is their fabulous, under-recognized classic 2nd album. It was their most zeuhl-ish recording, but it’s also one of the greatest non-Magma Zeuhl albums of the 70s, based around acoustic.

"...a turbulent masterpiece that leaves a residue of angst lingering long after the CD ends." – Alternative Press...

Captain Flapattak drums & vocals
Retsim Käh bass & vocals
Charlotte Pace violin
Chfab Kaouenn keyboards & vocals
Jean Bonëth saxophones (alto & baryton)
Ludal Le Chacal keyboards & lead vocals

Rhun are a French sextet playing zeuhl and avant progressive-influenced music. Their first album came out a decade ago on AltrOck and they’ve just resurfaced with their excellent second album here.

The band say:
“Emëht Um Rhët Sam (the devil emits and shines)

"Reissue of a rare as hell lp from 1978 (reaches $1,000 + on eBay) issued in micro quantity only in Corsica (a French Island located between France & Italy). Strongly rooted into mediterranean culture, Rialzu's sole recording is a highly original fusion of progressive, Corsican songs & zeuhl sounds (track 1 starts with a glimpse at Magma by playing briefly the opening section of Kohntarkhosz!).
Both music & vocals evoke the classic Italian progressive school. The original lp had 3 tracks, this...