Synth / Electronic / Ambient

“Re-Release of the high acclaimed album "Virtual Outback" (originally released 2000 as part of the strictly limited and long exhausted 5-CD-boxset "Contemporary Works II").
Virtual Outback was just one single track: the elegiac 65 minute The Theme: The Rhodes Elegy, one of the most favourite of many Schulze fans.
The bonus track is from a filling work for the Chinese mass rally China Millenium on the occasion of the turn of millennium 200/2001. After Klaus' delivery the chinese government said...

“Complex re-release of the most remarkable and worldwide sought afterSeries "The Dark Side Of The Moog" by German electronic pioneers Klaus Schulze and Pete Namlook (aka Peter Kuhlmann), each with 5 CDs, incl. bonus material and new linernotes. The first box contains Vol. 1 to Vol. 4 and the "Best Of"-Album "The Evolution Of The Dark Side Of The Moog".
Their relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met...

The second in a series of three collecting everything that can be collected by this duo. Here's a brief recap of Namlook, for those not aware of his work (he was very active in the 90s and into the early 00s).

"If most artists in contemporary electronica are like islands unto themselves, turning out tracks in relative anonymity, Pete "Namlook" Kuhlmann was a whole continent. A dizzyingly prolific composer who steadily built up an entire industry around his Frankfurt-based Fax label, Namlook's...

“Klaus Schulze always consciously looked for artists who were a complementary antipode, who inspired him and enriched his own world of sound.
In Rainer Bloss, whom Klaus got to know by sending him a demo tape, he found a partner who had exactly these requirements.
Rainer Bloss was a trained musician and composer who composed and produced numerous soundtracks for films and music for theater plays. He was also the head of the Rainer Bloss Sextet and a member of the band Wir.
His virtuosity as..

“Not quite a normal Schulze-Album. This album is one of Klaus' sideline ideas, a "Wahnfried" release. And certainly not exactly a genuine and typical "Schulze", if such a character does exist at all. In the 90ties there was a new musical dance fashion, called Techno, Trance, Ambient or Chillout, and most of its champions called Klaus and Kraftwerk respectfully the "Fathers of Trance and Techno". Parts of former Schulze discs were being played in dance halls, and Techno producers used Klaus' music for...

“Dieter Schütz, born in Flensburg (Germany) in 1955, was a highly talented multi-instrumentalist who, unfortunately, died at the age of only 36. Shortly before his death, he founded the pop rock trio Deja Vue together with his partner Ulla Witt and his friend Adelbert von Deyen, of which the album "Nightflight" was released in 2004 only at the instigation of Adelbert von Deyen. When Dieter Schütz died suddenly on September 25, 1991, he left behind no less than 500 songs and instrumentals composed and...

"For years J. Peter Schwalm's compositions and productions have been impressive proof of the power of sound without words. More consistent than ever, on his new album How We Fall, he creates sound sculptures that transcend common categories. Their structures can take on rough or gently curved forms, unfold associative or contemplative effects, and may even make the listener shiver. Schwalm's feel for nuances, tension arcs and individual sounds is based on talent and many years of experience....

J. Peter Schwalm: piano, drums, electronics and programming
Arve Henriksen: trumpets, percussion and voices

“J. Peter Schwalm (born 1970, Frankfurt am Main) is a German composer and music producer, active in the fields of electronic music, ambient, radio drama, film, theatre and ballet. He is best known for his work with musician Brian Eno. He lives and works in Frankfurt.
Neuzeit, which German electro-acoustic composer J. Peter Schwalm views through his new duo outing with the...

"Since 1998 and for six years, Schwalm worked continually with Eno, releasing numerous joint works, including the album Drawn From Life and the soundtrack to the film Fear X by Nicholas Winding Refn, all the while giving celebrated joint performances in Europe and Japan. Since 2006, Schwalm has been repeatedly invited by the Punktfestival in Kristiansand, where he performed as celebrated live-remixer. As one of the most respected exponents of this particular art form, he collaborated with several well....

High quality vinyl re-edition of this 1974 Sensations Fix album! Highly recommended!

Sensations Fix were for too long a great, under-recognized Italian electronic/spacemusic/rock/progressive band who, unlike so many other 70s greats remained undiscovered until relatively recently because most of their material was never reissued!

If you saw this in 1974, like I did, and you read the quote on the back cover, "Dear Robert, you'll be glad to know that the heavenly music organisation is here..

"Released in 1975 by Gull Records, Psi-Fi was the second album by SEVENTH WAVE, initially a studio project which was the brainchild of musicians KEN ELLIOTT and KIERAN O'CONNOR (previously with the pioneering group Second Hand).
Psi-Fi followed on from the acclaimed Things to Come (released the previous year) and was the result of many sessions at Chalk Farm Studios in London. Unlike the previous Seventh Wave album, Psi-Fi saw keyboard player / vocalist Ken Elliott and percussionist Kieran O'Connor...

"Released in 1974 by Gull Records, Things To Come was the brainchild of musicians KEN ELLIOTT and KIERAN O'CONNOR (previously with the pioneering group Second Hand).
The conceptual album was recorded at Chalk Farm Studios in London and was the result of many hours of meticulous overdubbing, with Ken Elliott playing an arsenal of keyboards and utilizing the latest synthesizer technology of the day (in addition to providing vocals), whilst Kieran O'Connor played a multitude of percussion....

“The first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa.
Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape.
Wave Notation 3 is a splendid tribute to seminal...

“The first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa.
Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape.
Wave Notation 3 is a splendid tribute to seminal...

“New album by Shrine and his signature sound design this time based on the "Nausicaä of the Valley of the Wind", a Japanese manga from the 80's by Hayao Miyazaki and the subsequent anime of the same name. "Nausicaä" is a story of Earth's future a thousand years after the collapse of industrial civilization, when most of the planet is covered by a toxic jungle filled with deadly spores that choke all human life. An ode to the relationship between humanity and nature, and a call of awareness to the...

“In Fa is an enchanting meeting of phantasmagorical improvisation, a dialogue between two generations that makes every expressive boundary overcome. Riccardo Sinigaglia (Futuro Antico) remains faithful to the idea of a collective work, where musicians are only instruments crossed by musical energy. He provides his pioneering experience, with excellent control of electronic sounds, realized with the eternal cosmic Farfisa and the synths (Moog Sonic Six, Synthi EMS). Their lysergic fluidity supports the...

You’ve heard harmonica played like this and you’ve heard synth music like this, but you have definitely never heard them together, especially in 1980...in Alaska!

“Originally released as a privately funded 1000 copy vinyl run in 1980 this rare album by Alaskan electric harmonica player Gary Sloan and his interchangeable synth trio known as Clone is a record that pushes the concept of American outsider music to its furthest geographical limits.
With few physical copies travelling beyond their..

"Kaitlyn Aurelia Smith composes her swirling, colorful electronic songs on Buchla synthesizers, particularly the portable, user-friendly Music Easel. Her warm, vibrant music inevitably recalls the work of Buchla masters such as Suzanne Ciani and Laurie Spiegel, but it's playful and exuberant enough to land her opening gigs for Dan Deacon and Animal Collective. It's bubbly and tranquil enough to elicit comparisons to 21st century underground synthesizer artists such as Panabrite or Dolphins into the...

"Kaitlyn Aurelia Smith composes bright, fluid soundscapes on a variety of synthesizers, most notably the Buchla Music Easel. Excited by the endless possibilities of electronic instruments, her music is filled with vivid, expressive melodies along with her warped, ethereal vocals. Smith grew up on the serene, peaceful Orcas Island in northwest Washington, and attended the Berklee College of Music in order to study composition and sound engineering. She started out as a vocalist before taking up....

"Kaitlyn Aurelia Smith composes bright, fluid soundscapes on a variety of synthesizers, most notably the Buchla Music Easel. Excited by the endless possibilities of electronic instruments, her music is filled with vivid, expressive melodies along with her warped, ethereal vocals. Smith grew up on the serene, peaceful Orcas Island in northwest Washington, and attended the Berklee College of Music in order to study composition and sound engineering. She started out as a vocalist before taking up....

This is a fabulous modern electronic music album from a newcomer and a veteran. Spacey, shimmery, fun, optimistic! Highly recommended!

"The 13th entry in RVNG Intl.'s Frkwys series follows the template of most of its predecessors in that it pairs one music veteran with a relative newcomer. That said, seldom have two artists been better paired than Suzanne Ciani and Kaitlyn Aurelia Smith. The former is an electronic and new age music pioneer who has received renewed attention thanks to a series of..

“Re.sort was conceived by Sora aka Takeshi Kurosawa. Soothing cut-ups and analog collages for dreamers in the summer breeze, Re.sort is a miracle of Japanese electronica. Widely unknown but very necessary, fragments and textures playfully flirt with each other, bossa nova and jazz records float in the air, an old phonograph sits by the sea. Leftfield electronica that feels like a home away from home, where joyful nothings are everything combining with sweet minimalism and micro melodies. Sora means sky...

“Re.sort was conceived by Sora aka Takeshi Kurosawa. Soothing cut-ups and analog collages for dreamers in the summer breeze, Re.sort is a miracle of Japanese electronica. Widely unknown but very necessary, fragments and textures playfully flirt with each other, bossa nova and jazz records float in the air, an old phonograph sits by the sea. Leftfield electronica that feels like a home away from home, where joyful nothings are everything combining with sweet minimalism and micro melodies. Sora means sky...

Spacebow is expatriot Massachusetts composer and sculptor Robert Rutman performing on his steel cello and bow chime (both of which are essentially huge steel structures played with bows) along with Carsten Tiedemann (of Mo Boma).
Long, fascinating, spacey drone pieces, comparable to Harry Bertoia or Long String Instrument. Great stuff and at this price anyone even remotely interested in drones/trance/American maverick composers should own this!

“Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own.
Spiegel created “Music Mouse - An Intelligent Instrument” on...

“Comprising two of the most complete bodies of work from innovative Swiss electronic jazz pioneer Bruno Spoerri this combined archival release delves into a deep vault of commercial and experimental film music revealing the vibrant versatility of the composer in collaboration with two important Swiss directors.
Mastered from original studio tapes this compendium comprises an expanded range of instruments and studio techniques placing the artist on either side of his comfort zone parameters...

"Spring Heel Jack (Ashley Wales and John Coxon) have created a distinctive and visionary new release that crosses the borders of jazz, ambient, and electronic music. Recorded at Abbey Road Studios, and using a stellar group of musicians...

"Electronic duo Spring Heel Jack return with a collaboration with the legendary American trumpeter and Pulitzer Prize nominee Wadada Leo Smith. Wadada was born in the Mississippi Delta and became immersed in the music of the great blues masters as a young musician. He then moved to Chicago and became an early member of the AACM alongside the likes of Muhal Richard Abrams, Anthony Braxton, Malachi Favors and Roscoe Mitchell. Recorded 2017 in London, this LP sees Smith's authoritative trumpet joined by...

“One of the greatest things about pop music is that rules can be summarily ignored. Ninety-nine times out a hundred, however, there is a tendency to stick to those very same rules, failing to break the chains of market forces or stem the tide of expectations. Whatever. Station 17 are not amongst those who follow well-trodden paths. This band, all too often referred to as a "project", can look back on a richer history than most, amassed over thirty years. To mark this anniversary, a new album entitled...

“Anyone who has followed the progress of Station 17 over the past three decades will know: the only constant in this band is change. Evolving, stretching musical parameters, testing limits -- these are the guiding principles of the band founded in 1988 by a group of mentally handicapped residents -- Wohngruppe 17 -- in Hamburg. Kai Boysen, an independent musician working with them as a curative teacher, started up the collective as a creative and social project, the first of its kind in the alternative...

“Projekt Records inaugurates an ongoing reissue series of 13 influential works from American electronic ambient composer Michael Stearns, starting with this groundbreaking and long out-of-print 1981 album. Featuring the sound of the Serge Modular Synthesizer in 6 movements, the slowly evolving atmospheric swirls of this early spacemusic classic are a journey within inner and outer space.
His essential masterpiece tells the story of the cosmos not with words but with mighty, emotional sonics, as...

"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.
With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a laptop...

“Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone pairs Baroo with [this] album of recent works, including the final section of "Fujiken", his epic journey through southeast Asian field recordings and street cassette culture. On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, digitally shattered...

“Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone "plays" his source material the way Terry Riley's In C "plays" an ensemble - with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything.
Stone's unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It's simply (or rather fantastically..

I actually had a test pressing of this title, from way back in the Wayside days when we were selling a LOT of releases on Atem! Nice to see it out as it was meant to be out!

“The saga of composer Tim Story's 1982 debut is a case study in the shifting sands of the early progressive music industry. Recorded on a Tascam 4-track reel-to-reel in his basement bedroom in Whitehouse, Ohio using a ragtag array of equipment - salvaged vibraphone, pawn shop Les Paul, his mother's spinet piano, a PAiA synth...

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes.
Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Spectre is the third album by the late West Coast composer, healer, and medium..

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes.
Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre...

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes.
Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Plot Zero is the second album by the late West Coast composer, healer, and...

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes. Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Trans-Millenia Consort is the near mythical debut album by the late West Coast...

"Otherworldly and anomalous, hushed and hallucinatory, Pauline Anna Strom’s unique style of inner space music reaches across time to futures and pasts far from our own. Trans-Millenia Music compiles eighty minutes of Strom’s most evocative work, composed and recorded between 1982 and 1988, for the first authorized overview of the enigmatic Bay Area composer. Pauline Anna Strom introduced her music to the world in 1982 with Trans-Millenia Consort, a collection of transportive synthesizer music...

“We’re truly honored to welcome US Black Ambient veterans Sutekh Hexen to the fold. Both defiant and meditative, their latest self-titled full-length and first studio album furthers the project’s inquiry into opposition, endurance, and paradox. Both hypnotic and cruel, these ten highly charged tracks transgress yet again any previously imposed boundaries while upholding their raw ethos at its root, and at times defying the listener's expectations altogether. Though tempestuous as ever, with this work...

“Collected Obscuritie” is a collection of tracks from various compilations and also gathers unique collaboration works with Northaunt, Allseits, Psychomanteum and Gydja. These were released between 2002 and 2012 and many have now been unavailable for a long time. Also included is an early alternate version of “September Dirge” from the “Elegies For The End” album.
Obscure and oppressive is the world of Svartsinn, explore this special selection of some of the finest Dark Ambient soundscapes released...

This reissues two separate album by this duo, that were originally issued in 1988 and 1989 and showcase the interest in 'sound' that both of these artists had.

"The real essence of this disc comes from the sound design, mixing, and processing. Sylvian and Czukay present this collection of atmospheres as a tight and cohesive soundscape. The gentle sway of the ambience is deep and comfortable. There are no dark overtones. Fans of Brian Eno, Robert Fripp, Markus Reuter and Liquid Mind will like this..

“Sylvian’s finest ambient album, “Wandermude is an album of futuristic ambient themes from German "sound artist" Stephan Mathieu and the multi-talented David Sylvian. Electronic musician Fennesz also contributes to one track. The pieces are haunting and somewhat formless in terms of melodic content (more tones than melodies). Sylvian does not sing on the album.
The cover photo of the gloves from a space suit gives the listener a hint of what he or she is in for; hearing Wandermude gives the feeling...

“Sylvian’s finest ambient album, “Wandermude is an album of futuristic ambient themes from German "sound artist" Stephan Mathieu and the multi-talented David Sylvian. Electronic musician Fennesz also contributes to one track. The pieces are haunting and somewhat formless in terms of melodic content (more tones than melodies). Sylvian does not sing on the album.
The cover photo of the gloves from a space suit gives the listener a hint of what he or she is in for; hearing Wandermude gives the feeling...

“Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada's very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira. The choice of this title by Midori Takada evokes the links between traditional African and...

“Originally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto's "Merry Christmas Mr. Lawrence" and many more were recorded) and released on CD only for the Japan market in 1999, Tree of Life is Midori Takada's best kept secret, a lost gem of minimalism and percussive ambient.
The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and...

“A new full-length album by celebrated Japanese percussionist Midori Takada, in collaboration with Buddhist monks belonging to the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa. Recorded at The Premises Studio (London) and in Tokyo in 2019, You Who Are Leaving To Nirvana is a majestic work combining a suite of six Buddhist liturgical chants and a musical creation by Midori Takada. The Buddhist chants come from three types of repertoires: shomyo ("Teisan", "Unga-Bai"...

“DEADLY CARE was a television film that aired in March 1987. The film tells the true story of Anne Halloran (Ladd), a lead nurse in one of the busiest intensive care units in the country. Anne finds herself becoming addicted to drugs and alcohol as she tries to balance the stress from work with her lonely existence at home. The tipping point for Anne is the declining health of her alcoholic sister, Terry (Balaski). After Terry dies, Anne starts leaning harder on drugs and alcohol, ultimately putting...

“Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation...