FINALLY back in print, back in stock and STILL completely essential!
In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the fourth in the series and this set covers his totally classic and possibly greatest period of 1975-1976. This is a gigantic...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the sixth in the series and this set covers his totally classic period of 1977-1979. There's even a concert with Arthur Brown from 1979! This is a gigantic amount of great music at a great price. Highly....

This revisits a very obscure (I didn't even know it existed!) 1994 soundtrack to a French movie of the same title. It includes a bonus track recorded at the same sessions but not used in the film. It also adds a 16 minute track recorded in 2004 for use on a promotional-only CD of which only 300 were made.

"Megatone is the third studio album by Klaus Schulze's side project, Richard Wahnfried, released in 1984. On this album, Schulze collaborates with Michael Garvens, Axel-Glenn Müller, Ulli Schober, Michael Shrieve and Harald Katzsch. During the eighties, the German synth legend Klaus Schulze pursued his solo adventure, working at the same time for his Wahnfried project. This "Megatone" brings something new to his usual "kosmische musik". A new element appears once again after the classic "Time Actor"...

God knows how many albums later, Klaus is still making very good records. Not every one is very good, but this, his latest (as of May, 2018) sure is!

"Following the celebrations of his 70th birthday in August 2017, Klaus Schulze, one of the most important electronic music artists worldwide, has announced the release of his new studio recording Silhouettes for May 2018. The four pieces ´Silhouettes`, ´Der lange Blick zurück`, ´Quae simplex` and ´Châteaux faits des vent`, which he worked on between..

“Re-Release of the high acclaimed album "Virtual Outback" (originally released 2000 as part of the strictly limited and long exhausted 5-CD-boxset "Contemporary Works II").
Virtual Outback was just one single track: the elegiac 65 minute The Theme: The Rhodes Elegy, one of the most favourite of many Schulze fans.
The bonus track is from a filling work for the Chinese mass rally China Millenium on the occasion of the turn of millennium 200/2001. After Klaus' delivery the chinese government said...

The second in a series of three collecting everything that can be collected by this duo. Here's a brief recap of Namlook, for those not aware of his work (he was very active in the 90s and into the early 00s).

"If most artists in contemporary electronica are like islands unto themselves, turning out tracks in relative anonymity, Pete "Namlook" Kuhlmann was a whole continent. A dizzyingly prolific composer who steadily built up an entire industry around his Frankfurt-based Fax label, Namlook's...

“Not quite a normal Schulze-Album. This album is one of Klaus' sideline ideas, a "Wahnfried" release. And certainly not exactly a genuine and typical "Schulze", if such a character does exist at all. In the 90ties there was a new musical dance fashion, called Techno, Trance, Ambient or Chillout, and most of its champions called Klaus and Kraftwerk respectfully the "Fathers of Trance and Techno". Parts of former Schulze discs were being played in dance halls, and Techno producers used Klaus' music for...

J. Peter Schwalm: piano, drums, electronics and programming
Arve Henriksen: trumpets, percussion and voices

“J. Peter Schwalm (born 1970, Frankfurt am Main) is a German composer and music producer, active in the fields of electronic music, ambient, radio drama, film, theatre and ballet. He is best known for his work with musician Brian Eno. He lives and works in Frankfurt.
Neuzeit, which German electro-acoustic composer J. Peter Schwalm views through his new duo outing with the...

High quality vinyl re-edition of this 1974 Sensations Fix album! Highly recommended!

Sensations Fix were for too long a great, under-recognized Italian electronic/spacemusic/rock/progressive band who, unlike so many other 70s greats remained undiscovered until relatively recently because most of their material was never reissued!

If you saw this in 1974, like I did, and you read the quote on the back cover, "Dear Robert, you'll be glad to know that the heavenly music organisation is here..

"Released in 1974 by Gull Records, Things To Come was the brainchild of musicians KEN ELLIOTT and KIERAN O'CONNOR (previously with the pioneering group Second Hand).
The conceptual album was recorded at Chalk Farm Studios in London and was the result of many hours of meticulous overdubbing, with Ken Elliott playing an arsenal of keyboards and utilizing the latest synthesizer technology of the day (in addition to providing vocals), whilst Kieran O'Connor played a multitude of percussion....

“The first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa.
Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape.
Wave Notation 3 is a splendid tribute to seminal...

“In Fa is an enchanting meeting of phantasmagorical improvisation, a dialogue between two generations that makes every expressive boundary overcome. Riccardo Sinigaglia (Futuro Antico) remains faithful to the idea of a collective work, where musicians are only instruments crossed by musical energy. He provides his pioneering experience, with excellent control of electronic sounds, realized with the eternal cosmic Farfisa and the synths (Moog Sonic Six, Synthi EMS). Their lysergic fluidity supports the...

"Kaitlyn Aurelia Smith composes her swirling, colorful electronic songs on Buchla synthesizers, particularly the portable, user-friendly Music Easel. Her warm, vibrant music inevitably recalls the work of Buchla masters such as Suzanne Ciani and Laurie Spiegel, but it's playful and exuberant enough to land her opening gigs for Dan Deacon and Animal Collective. It's bubbly and tranquil enough to elicit comparisons to 21st century underground synthesizer artists such as Panabrite or Dolphins into the...

"Kaitlyn Aurelia Smith composes bright, fluid soundscapes on a variety of synthesizers, most notably the Buchla Music Easel. Excited by the endless possibilities of electronic instruments, her music is filled with vivid, expressive melodies along with her warped, ethereal vocals. Smith grew up on the serene, peaceful Orcas Island in northwest Washington, and attended the Berklee College of Music in order to study composition and sound engineering. She started out as a vocalist before taking up....

“Re.sort was conceived by Sora aka Takeshi Kurosawa. Soothing cut-ups and analog collages for dreamers in the summer breeze, Re.sort is a miracle of Japanese electronica. Widely unknown but very necessary, fragments and textures playfully flirt with each other, bossa nova and jazz records float in the air, an old phonograph sits by the sea. Leftfield electronica that feels like a home away from home, where joyful nothings are everything combining with sweet minimalism and micro melodies. Sora means sky...

“Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own.
Spiegel created “Music Mouse - An Intelligent Instrument” on...

"Spring Heel Jack (Ashley Wales and John Coxon) have created a distinctive and visionary new release that crosses the borders of jazz, ambient, and electronic music. Recorded at Abbey Road Studios, and using a stellar group of musicians...

“One of the greatest things about pop music is that rules can be summarily ignored. Ninety-nine times out a hundred, however, there is a tendency to stick to those very same rules, failing to break the chains of market forces or stem the tide of expectations. Whatever. Station 17 are not amongst those who follow well-trodden paths. This band, all too often referred to as a "project", can look back on a richer history than most, amassed over thirty years. To mark this anniversary, a new album entitled...

“Projekt Records inaugurates an ongoing reissue series of 13 influential works from American electronic ambient composer Michael Stearns, starting with this groundbreaking and long out-of-print 1981 album. Featuring the sound of the Serge Modular Synthesizer in 6 movements, the slowly evolving atmospheric swirls of this early spacemusic classic are a journey within inner and outer space.
His essential masterpiece tells the story of the cosmos not with words but with mighty, emotional sonics, as...

“Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone pairs Baroo with [this] album of recent works, including the final section of "Fujiken", his epic journey through southeast Asian field recordings and street cassette culture. On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, digitally shattered...

I actually had a test pressing of this title, from way back in the Wayside days when we were selling a LOT of releases on Atem! Nice to see it out as it was meant to be out!

“The saga of composer Tim Story's 1982 debut is a case study in the shifting sands of the early progressive music industry. Recorded on a Tascam 4-track reel-to-reel in his basement bedroom in Whitehouse, Ohio using a ragtag array of equipment - salvaged vibraphone, pawn shop Les Paul, his mother's spinet piano, a PAiA synth...

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes.
Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre...

“Pauline Anna Strom (October 1, 1946 – December 13, 2020) was an American electronic music composer and synthesist. Strom made seven recordings between 1982 and 1988 including three LPs and four cassette tapes. Though Strom’s work developed during the dawn of San Francisco’s influential new age and ambient scenes, her music remains non-programmatic, an adventurous tangent diverting from the era’s ideological tropes.
Trans-Millenia Consort is the near mythical debut album by the late West Coast...

“We’re truly honored to welcome US Black Ambient veterans Sutekh Hexen to the fold. Both defiant and meditative, their latest self-titled full-length and first studio album furthers the project’s inquiry into opposition, endurance, and paradox. Both hypnotic and cruel, these ten highly charged tracks transgress yet again any previously imposed boundaries while upholding their raw ethos at its root, and at times defying the listener's expectations altogether. Though tempestuous as ever, with this work...