Synth / Electronic / Ambient

Rest of Life is Echoes Radio's March 2023 CD of the Month. Echoes is a daily two-hour music show distributed by PRX and broadcast on 120 US radio stations from Maine to Hawaii (and Alaska!).

“Emerging from a place of deep peace, expansiveness and renewal, Rest Of Life is Steve Roach's new 130-minute opus to quietude. With a graceful, nurturing quality expressed in five different reflective moods, the first 70 minutes (Disc One) is impressionistic, emotion-infused electronic soundscapes. As Steve..

“Masterfully joining the two worlds that define Steve Roach's signature styles, the 153-minute 2CD Sanctuary of Desire combines deep ambience and mesmerizing, spiral-like electronic forms in a majestic flow of stately elegance and breathtaking aural drift. Disc one explores a realm of suspended tranquility, sustained reflection and emotional resonance. Disc two soars into the mythic imagination by way of multi-dimensional mandala-like tapestries woven from Steve's mastery of analog-based synths textures...

'Forty years after the release of Steve Roach's Structures from Silence, the intervening decades have only proved that it's as serenely timeless as we thought it was the first time around, still sounding like slow motion surfing on the perfect wave to infinity.'-John Diliberto

Steve Roach's 1984 Structures from Silence is an ambient classic often spoken of in the same breath as Eno's Music For Airports. Projekt celebrates Structures' 40th anniversary with a beautiful remastered edition...

'Forty years after the release of Steve Roach's Structures from Silence, the intervening decades have only proved that it's as serenely timeless as we thought it was the first time around, still sounding like slow motion surfing on the perfect wave to infinity.'-John Diliberto

Steve Roach's 1984 Structures from Silence is an ambient classic often spoken of in the same breath as Eno's Music For Airports. Projekt celebrates Structures' 40th anniversary with a beautiful remastered edition...

'Forty years after the release of Steve Roach's Structures from Silence, the intervening decades have only proved that it's as serenely timeless as we thought it was the first time around, still sounding like slow motion surfing on the perfect wave to infinity.'-John Diliberto

Steve Roach's 1984 Structures from Silence is an ambient classic often spoken of in the same breath as Eno's Music For Airports. Projekt celebrates Structures' 40th anniversary with a beautiful remastered edition...

This is a collection of pieces by synthesist Steve Roach from 1988-1992, which either appeared on compilations or never appeared at all. All of Steve's work is quite fine, but I really miss his early period, which was a uniquely Californian take on the...

“As a significant metaphor in Steve Roach's sonic milieu, the ever-evolving sky inspired these lush ambient layers of enveloping atmospherics. The album's four longform compositions slowly unfurl harmonic wonder and timeless spectral melodies balanced with grounded mantra-like rhythmic elements.
Created in his desert ridgetop Timehouse studio which looks out onto a vast distant horizon -- equal parts land and sky -- The Reverent Sky reflects Roach's ongoing dialogue with the worlds beyond the studio..

“Magnificent, majestic and voluminous truly describes the expansive sonic experience spanning this 140-minute 2-CD set. THE SKY OPENS represents a sublime moment in the evolution of Steve's 40-year history within the ambient/electronic genre. His sound manifests through an artistic process of real-time engaged interaction where his vision is channeled through a blend of technology, composition and improvisation, all captured in the moment of creation. This transpires for Steve in the studio as well as...

“Tomorrow's five deeply stirring transcendent electronic pieces draw from Steve's current high tide of creativity and introspection. Developed over the last six months within the stylistic mode he describes as "elegant futurism," cyclical melodic weavings flow and ebb in a graceful momentum infused with deep emotion. Tomorrow finds a rare balance between a feeling of floating and one of kinetic movement; this unexpected symmetry breathes life and energy into each piece. Primarily composed and performed...

“Trance Archeology maps a dynamic topography of eight multidimensional interwoven pieces born from the pulse, breath and heartbeat of sonic archeology tapping into a uniquely symbiotic relationship between rhythm and atmosphere. The elemental core alive in Trance Archeology transmits an experience born anew yet unearthed for the first time; simultaneously it connects the epochs of trance, ceremonial and sacred music expressed through the tools born of today's technology.
"I'm continuously fascinated..

“What Remains is a dynamic confluence of sonic worlds -- four interconnected passages that venture from analog-sequencer driven elegant futurism, to yearning and mysterious tribal ambient, to conclude with the heart-wrenching, pure-atmospherics of the title track. There's an odyssey-like quality at work here, a revealing culmination of the different electronic musics Roach has developed and explored over the last forty years.
What Remains is a powerful meditation upon Steve's journey of one. "As I...

“In a masterful expression of subtle, potent ambient-electronic minimalism, Steve Roach's newest release activates an internal opening of the mythic imagination. The slowly unfolding interweave of zones, drones and atmospheres displays compelling, deeply evocative textural pieces with an interconnected sense of mystery, awe and wonder.
The gently engulfing interplay between the album's seven pieces provides contrasts of shadow and light, shimmering beauty and alluring soundscapes stretched into...

“2002's Trance Spirits returns to a hypnotic world of primal, passionate percussion innerwoven with a tapestry of sonic atmospheres and electronic hybrid grooves. These seven tracks pierce time with the heartbeat pulse of the electronic soul welded to organic drums of skin and wood, a rush of ecstatic spirit-catching rhythms elevating a meditative trance state.
Orchestrating a thunderous album of sound, Steve Roach's expansive array of synthetic soundworlds, hybrid groove percussion, and textural...

“Twenty-six years after their noted collaboration Kiva (1995), American electronic music originators Steve Roach and Michael Stearns' orbits return to a point on the horizon between and beyond worlds. Their mastery of tactile sonic environments meld into boundary-defying music creating a language of transcending and transformative experiences. These seven captivating tracks are born from a devotion to the power of sound. Within realms of elemental, primordial, celestial and deep emotion, the enveloping...

“Electronic music maestro Steve Roach & Australia's theAdelaidean align ambient atmospherics on a 2CD of translucent textures & etheric dronescapes.
The ten tracks are serene and meditative, an immersive crossing of spatial and sonic universes. This collaboration merges Baja Arizona-based Roach's decades of mastery sculpting immersive soundworlds with Australia-based theAdelaidean's delicate, meticulous sound design, taking the listener through a stately unfurling of translucent textures and etheric...

“Jocelyn Robert is a multidisciplinary artist, active in the fields of sound and video art, installations, performance, computer art and writing since the late 1980s. He co-founded the audio and electronic arts centre Avatar in 1993 and has presented his work in numerous events and exhibitions across the globe. Robert lives and works in Quebec City, Canada, where he teaches at l'Ecole des arts visuels de l'Université Laval. 'The Maze' contains mostly field recordings, many with modified time scales, some...

"Drauf Und Dran is meant as a milestone and a guidepost, as a kind of musical peephole through the 'iron' curtain of what is familiar, perfected and conventional in music and into a sound universe that has officially only yet been explored cursorily."-Roedelius

“Hans-Joachim Roedelius is a pioneer in in the field of electronic music. He explains Drauf Und Dran: "The tracks released on this album originate from various creative periods of my career. They were recorded while I played Bösendorfer...

"11 unreleased compositions by Hans-Joachim Roedelius produced between 1990 and 2001. All of them are pearls of electronic deepness that show another side of the man that lives in the little Lower Austrian town Baden. His famous ultra-sweet piano melodies can be heard -- but they are not the center of the productions; instead, here is a more electronic side of his genius. With a minimalistic approach, he lets synth melodies fly high while some droney, melancholic atmospheres swell in the background…

Tom Rogerson's life as an improviser began when, as a toddler, he would clamber up onto his family piano stool and try to emulate his sister's playing. Now releasing his second solo album, a collaboration with Brian Eno, he feels that his musical life has come full circle: "I remember smashing out C Major chords again and again and really loving it. It's the same as what I do now, funnily enough, I've come back to it". After stints playing jazz in New York, a delipadated fenland hotel and in noise rock...

“Sam Rosenthal (USA) and Jarguna (Italy) merge with the sunset on their first electronic/ambient collaboration, a work that lingers in the ephemeral dusk of dreams. It's an evocative blend of drones and synths coloring the margins without overwhelming the music's essential fragility. Sensitive sonic montages lead listeners quietly into the twilight where the sustaining ambient moods eventually resolve to rise up again as in "Evening market of the petal fields part 3" where Erik Wollo's Kosmische electric...

“In June 2020 Michael Rother packed the trunk of his car full, making sure to include a selection of his favorite instruments and other effects, and set out on a trip from Bevern-Forst, where he has lived on an old farm since 1973, spending a half a century writing momentous pieces of music history, at times solo, and at others in collaboration with other artists (Hans Joachim Roedelius, Dieter Moebius, Brian Eno et al.)
His two-day drive took him to Pisa, but it was not a vacation. Rother will stay..

“In June 2020 Michael Rother packed the trunk of his car full, making sure to include a selection of his favorite instruments and other effects, and set out on a trip from Bevern-Forst, where he has lived on an old farm since 1973, spending a half a century writing momentous pieces of music history, at times solo, and at others in collaboration with other artists (Hans Joachim Roedelius, Dieter Moebius, Brian Eno et al.)
His two-day drive took him to Pisa, but it was not a vacation. Rother will stay..

“Claire Rousay's a heavenly touch blends piano, percussion and field recordings into a hushed, transgressive mix. Originally issued on cassette in April 2020, this marks its first appearance on vinyl, mastered by Andrew Weathers (Lucy Liyou, Hayden Pedigo, More Eaze).
Coming on the heels of last year's breakout album, a softer focus (American Dreams), or her 2022 LP everything perfect is already here (Shelter Press), a heavenly touch foreshadows Rousay's future releases and serves as a North Star...

This is post Soft-Machine, ‘progressive electronic keyboards moods with a futuristic sound’ library music from 1979 by Karl Jenkins and Mike Ratledge.
If your alarm clock played this stuff to get you up in the morning, you would awaken with your muscles flexing as you sped off to save the world...

Limited edition of only 300 made!

“Given that this is a library music record, I feared this may be in the vein of Rubber Riff, a Jenkins library record from 1976 credited to Soft Machine...

“In 2018, the longtime partnership between the St-Petersburg based duo Sádon (familiar to us from their collaboration with Treha Sektori) & France's Romain Barbot alias Saåad (who has curated & managed the BLWBCK label and released Sádon's early material) finally turned into a musical collaboration as Saáadon. Entitled мреть (наутро ночь) (which can be translated as « Die (in the morning night ») is centered around the melancholic and introspective poetry of Donat Mavleev, evoking a secular dream, the...

Great, spacy / quiet /restful’ release from the guitarist Chuck Johnson and the keyboardist Marielle Jakobsons. If ‘spacy / quiet / restful’ makes your ears stand up, then you want this!!

“There is an old Norse myth that says the great northern glaciers stored energy until they burst with fluorescent light, creating the Aurora Borealis. Saariselka is inspired by the meeting of earth and light, where slowly moving land masses merge with enveloping light fields. This sonic collaboration between...

Great, spacy / quiet /restful’ release from the guitarist Chuck Johnson and the keyboardist Marielle Jakobsons. If ‘spacy / quiet / restful’ makes your ears stand up, then you want this!!

“There is an old Norse myth that says the great northern glaciers stored energy until they burst with fluorescent light, creating the Aurora Borealis. Saariselka is inspired by the meeting of earth and light, where slowly moving land masses merge with enveloping light fields. This sonic collaboration between...

"Edition of 300. Günter Schickert, krautrock maestro of echo-driven psychedelia, returns on Marmo Music one-year-and-half after the release of the Labyrinth LP (MARMO 001LP, 2018). Mauerharfe consists of old and special material, which has officially never seen the light before. Berlin, August 1990, first post-wall Summer. Two friends, the locals Günter Schickert and gallerist Peter Unsicker perform a spectacular yet symbolically intimate interpretation of those epochal changing days by building a sound...

"Swallowing air and farting it out, that's the main life skill of the weatherfish. But what's best about him is his evocative German name: Schlammpeitziger. When German electronic artist Jo Zimmermann launched his solo career in the early 1990s, he chose to be identified with this creature living in the flat muddy waters of the European and Asian plains. Unlike the fish, Schlammpeitziger's early reputation was built on his inventive use of cheap Casio synthesizers and the use of composite nouns to name...

Electronic duo Ulrich Schnauss and Mark Peters (of the band Engineers) return with a second collaborative album titled Tomorrow Is Another Day, released by Bureau B. This second project offers a sublime exploration into their signature expressionistic landscapes while exploring the potential of a collaborative model in which Schnauss' keyboards and Peters' guitar work together in juxtaposition. Ulrich Schnauss, born in the industrial port town of Kiel in northern Germany in 1977, emerged in Berlin's...

"Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Göttsching, for example. A brother in spirit to Robin Guthrie, one might say -- an ...

“A reissue of Conrad Schnitzler's Con, originally released in 1978 in France on the Egg label.

Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz....

“First-ever CD issue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course.
Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories. One day...

“First-ever LP issue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course.
Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories. One day...

"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club during...

"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club during...

“The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born...

“The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born...

“About the Con-Struct series:
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio...

“Since the 1980s, Mario Schönwälder, born in West-Berlin, Germany, has been involved in the production of electronic sounds, first in the environment of Bernd Kistenmacher, and later mainly in duo and triple formations. In 1992 Mario founded his own label Manikin Records, on which he released his albums from then on. Four years earlier, Mario Schönwälder had released "Aus einer anderen Zeit ...", his first solo work, which was launched in a limited edition and only as a cassette.
One year later...

“Robert Schroeder was one of Klaus Schulze's first disciples to record on the master's own Innovative Communications label, and Harmonic Ascendant remains one of the two or three best albums I.C. ever released.
Not content however to be merely a copyist, Schroeder forged his own identity as a composer of romantic, richly-textured electronic music that owed as much to Chopin as it did to Schulze. The architectonic structure of the individual movements that make up the title track is immaculately...

"One of the great musicians for deep and dubby ambient-techno. This album is full of all the classic elements and sounds as associated with dub-techno, and more!. Nice layered swirling textures, drifting spacious ambient, swirls of deep techno & elements of house that add extra layers of warmth and depth to the already deep album. The albums thoughtful moods and textured atmosphere explore a exquisite journey across tectonic deep spacious dub-techno across beats and rhythms, yet also chilled calming...

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

"Re-release of the impressive Klaus Schulze album "Angst" - soundtrack for the disturbing movie of the same title by Gerald Kragl. Originally released in 1984. The film was actually shot after Klaus Schulze's score. He got the script and on the basis of the script, he wrote the music. Director Kragl told him, "You can write the music as you like - just stick to the script! I will cut the film to the music, not adapting the music to the film." Normally, the music takes its cue from the film but in this....

New series of quality reissues from on Universal, who own the Brain catalog.
Klaus's seventh album was an album of music for a porno movie from 1977. This is more music created for the soundtrack and is yet another great CD from the great man of spacey electronics. This is a classic 70's space work & is a pretty necessary title in any collection. Written as a soundtrack for a porn film, this is 4 long tracks that ooze those classic Berlin space sounds and feature Harald Grosskopf on drums, which is alw

“Re-release of the sought-after Klaus Schulze album „Cocooning", previously released as part of the strictly limited and long exhauseted 5CD Boxset „Contemporary Works II" (2002). First track "Easy Listening" is well-difined by the relaxed loops of Tom Dams and the filigree guitar play of Michael "Mickes" Luecker. The mysterious sounding "And She Is Kind And Gently" don't need any rhythm - a dialogue between Klaus and Tobias Becker, whose oboe and English horn is pleasing the ear on almost all Cocooning...

This title was completed and scheduled for release before Klaus died earlier this year, so this is the final album that he intended for release in his lifetime.

“Composer, musician and producer Klaus Schulze rolls out his extensive sounds, plays his legendary sequences and creates this unique 'Schulze atmosphere' for more than 50 years now. With "Deus Arrakis" the electronic legend now presents his new studio album.
Through his collaboration with Hans Zimmer for the Oscar-winning soundtrack..

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This set covers the early classic period: 1972-1975.

"“North of the Yukon“ and “Study for Philip K. Dick“ are from another historic tape with no date or other markings, with no real start and no end...