Nurse With Wound List

“Slapp Happy meanwhile was planning its second record for Virgin. One night the trio showed up at the quartet's door and proposed that the two groups make the second Slapphappy LP together...Henry Cow jumped at the chance and Desperate Straights was the result. It's still a gem to my ears, and now at last it's possible to release it, properly re-mastered (by Bob Drake), its sound closer to the original tapes even than our earlier Nimbus vinyl pressing. Great songs, great arrangements, great performances...

“Slapp Happy meanwhile was planning its second record for Virgin. One night the trio showed up at the quartet's door and proposed that the two groups make the second Slapphappy LP together...Henry Cow jumped at the chance and Desperate Straights was the result. It's still a gem to my ears, and now at last it's possible to release it, properly re-mastered (by Bob Drake), its sound closer to the original tapes even than our earlier Nimbus vinyl pressing. Great songs, great arrangements, great performances...

"33 1/3 is Smegma's tribute to their twentieth-century avant-garde and out-jazz influences. The title is one part reference to the happy revival of passionate vinyl listening in the twenty-first century, and one part celebration of over thirty-three...

“New primitive-suburban-folk music from Temple City and Pasadena, CA, circa 1973-4. This new edition is culled from the original unissued Smegma tape vaults of Ju Suk Reet Meate and represents the most pure expression of the insular sound-world that was spontaneously discovered as a group.
Unlike 2017's Look'n For Ya, no song forms are ever used, instead fearless group improvisational vocals take you on a strange shape-shifting journey through operatic show tunes, spirit visions and visits to a...

Smegma were making noise when Merzbow was still making noise in his crib.
"With Mirage, Smegma again does the impossible. 38 years after reinventing the musical wheel, they have recorded a stunning masterpiece. With four of the original members...

Nice to see this, the first solo album by Snakefinger, that was released to great acclaim in 1979 on the Resident's Ralph label. A minor classic of whatever it is that the Residents and assorted acts are!

""Chewing Hides The Sound" came out in 1979 on Ralph Records. It includes classics such as his Kraftwerk cover "The Model", "What Wilbur?" and "Picnic In The Jungle". The songs on the album were co-written with The Residents. The music showcased Lithman's distinctive slide guitar playing and...

Unavailable for a decade, one of the great, hard to find classics of British jazz-rock (and of jazz-rock in general) makes a very welcome return on this new, remastered edition. For my money, this is the final, truely great Soft Machine album; there...

Elton Dean – Alto sax, saxello
Lyn Dobson – Soprano and tenor sax, flute, harmonica, vocals
Hugh Hopper – Bass
Mike Ratledge – Hohner Pianet, Lowrey Holiday Deluxe organ
Robert Wyatt – Drums, vocals

"A love affair with France preserved on film - shot with tangible cinematic flair at Paris' photogenic Theatre De La Musique in March 1970, this superb quality live footage of the Softs at their freewheeling peak was originally broadcast on..

Elton Dean – Alto sax, saxello
Lyn Dobson – Soprano and tenor sax, flute, harmonica, vocals
Hugh Hopper – Bass
Mike Ratledge – Hohner Pianet, Lowrey Holiday Deluxe organ
Robert Wyatt – Drums, vocals

"A love affair with France preserved on film - shot with tangible cinematic flair at Paris' photogenic Theatre De La Musique in March 1970, this superb quality live footage of the Softs at their freewheeling peak was originally broadcast on..

Licensed from SONY, this is a legit version that is sonically the exact same thing as the latest SONY issue, now out of print.

For some reason, I think Four has always been the overlooked Soft Machine album. There's probably several reasons for this but that doesn't change the fact that I think that this is tied with Volume Two as their greatest album ever!

The tunes were getting more and more complex and astonishing: Mike Ratledge contributed what I consider the band's greatest work...

Soft Machine were one of first and one of the greatest jazz/rock bands of all time. Their importance and influence was especially great in Europe, where they influenced several generations of bands, and their influences can still be heard to this day i...



Elton Dean: alto sax, saxello, Hohner pianet
Hugh Hopper: bass
Mike Ratledge: Hohner pianet, Lowrey Holiday Deluxe organ, Fender Rhodes
Robert Wyatt: drums, vocals

"Essential! And, by the way, it really does sound like the band is playing right in front of you!" – Dimensions in Sound and Space...

Roy Babbington-bass
John Etheridge-guitar
John Marshall-drums
Theo Travis-saxes, flute, Fender Rhodes

In 2018, Soft Machine released a very fine album called ‘Hidden Details’ and following that release, they toured the world in 2018 and 2019.
Anyone who went to see them were treated to an excellent set of jazz/rock of old and new tunes, played with tremendous fire and drive and extremely well received.
This excellent (and excellently recorded) live album was recorded in Lo

Oft-bootlegged, very high quality soundboard recording of the trio version of Soft Machine from 3/29/69 (Hopper, Ratledge, Wyatt) recorded in Holland.
Recorded just after the band had finished recording "Volume Two", this is an exciting document of that band performing that material, but really pushing the needles into the red as they do so (the band was famously LOUD at that point in their life) as they rip and ROAR through the material in a way hugely different from the very polite "Volume II"....

"Soft Machine were the grooviest, coolest psychedelic band of the era..."-Phil Manzanera.

The Soft Machine were one of England's original and best psychedelic bands, emerging out of the same "UFO Club" London scene at the same time as Pink Floyd. While the band would always undergo constant personnel and stylistic change, their best known lineup in their psychedelic days was the trio of Kevin Ayers-bass, guitar, vocals, Mike Ratledge-organ and Robert Wyatt-drums, vocals. They played many shows...

Released for the very first time here is the Soft Machine's television broadcast, recorded for Germany's famous "NDR Jazz Workshop" on May 17, 1973. This performance was one of the earliest shows by the quartet of Roy Babbington (electric bass), Karl...

Elton Dean - alto sax, saxello
Lyn Dobson -- soprano sax, flute, vocals
Hugh Hopper -- bass
Mike Ratledge -- electric piano, organ
Robert Wyatt -- drums, vocals

Noisette was recorded January 4th, 1970, by the short-lived quintet formation of the group, this was this line-up's first gig and this is the concert and same recording that gave us Facelift on Third!
Noisette showcases a band in...

Ever wanted to take the Soft Machine plunge all at once for really cheap? Here is your chance. This has all of their classic CBS-era albums (Third, Fourth, 5, Six, Seven) in little slipcased box set. Very basic information (but there is a link to a website with full album credits), but here's what you need to know; this is the newly remastered versions from only a couple of years ago (meaning you get the best sound that these have ever appeared in and you even get the bonus track on '5'). If you want to...

JOHN ETHERIDGE - guitars
THEO TRAVIS - tenor and soprano saxophones, flutes, Fender Rhodes piano, electronics FREDDY BAKER - fretless bass guitar
JOHN MARSHALL - drums
special guest
ROY BABBINGTON - bass guitar (tunes 2 and 9)

The lastest Soft Machine album is, again, a shockingly good jazz/rock album. Shocking that is if you haven’t been paying attention to them in the last four or five years or haven’t had the chance to see them knock it out of the ballpark live, night after

By this time (1973), the band were pretty much a straight-forward fusion ensemble with many of their biggest quirks and oddities excised. And all the quirky old personnel too, with only Mike Ratledge remaining (for the time being at least). Hugh Hoppper left and is replaced by the great (but not as quirky) bassist Roy Babbington along with Karl Jenkins and John Marshall. The band is now 75% comprised of ex-Nucleus players, and while they don't sound like Nucleus at all, they also don't really sound so...

These are the famous (& rather famously disowned by all participants) Giorgio Gomelski deomos from April, 1967, which represent the only recordings by the original quartet formation of the band other than their single: Daevid Allen-guitar, Kevin Ayers-bass/vocals, Mike Ratledge-piano/organ and Robert Wyatt-drums/vocals.
While it is fair enough to say that these recordings are (a) historic, (b) are a must for big fans, (c) allow you to hear some of their later-to-be classic works in their ebryonic...

Licensed from SONY, this is a legit version that is sonically the exact same thing as the latest SONY issue, now out of print.
This was the last release that included bassist/composer Hugh Hopper, & the first that includes Karl Jenkins who replaced Elton Dean. Still on board are Mike Ratledge and John Marshall. Karl Jenkins (along with John Marshall) came in from Nucleus and the band begins to have a bit more of Nucelus' sound.
Originally released as a two lp set, the first lp was a live disc...

Unavailable for a decade, one of the hard to find minor classics of British jazz-rock makes a very welcome return on this new, remastered edition. This is the album after Bundles (and after Allan Holdsworth, and for that reason, it probably doesn't...

Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe's best known 'fusion' bands, their work continues to be name-checked by today's hip experimentalists.

By mid 1973, Soft Machine had gone through a tremendous amount of personnel turnover and a...

Roy Babbington : Electric 6-string bass
Karl Jenkins : Soprano sax, baritone sax, oboe, electric piano

John Marshall : Drums

Mike Ratledge : Electric piano, organ

From their beginnings as a psychedelic rock band in 1966, sharing stages with Pink Floyd and the Jimi Hendrix Experience, to being one of the originators of electric jazz/rock by early 1969, Britain’s Soft Machine were restlessly creative. The Dutch Lesson captures them..

This is the 1st album that cememted the band's underground reputation in 1968. The Soft Machine, their debut, was recorded by the trio of Mike Ratledge-Hammond organ maximus, Kevin Ayers-bass and vocals and Robert Wyatt-drums and vocals.
Recorded at the end of their first US tour supporting the Jimi Hendrix Experience in spring, 1968, it's a psychedelic classic with some nice avant-garde touches.
Remastered and maybe it sounds a little better or maybe it doesn't, but it's basically their live set...

OK, here it is. The landmark. The album. The first album by the 'classic quartet' lineup of the Softs (Elton Dean, Hugh Hopper, Mike Ratledge, Robert Wyatt). Four musicians, four side-long tracks (man, that must have seemed incredibly heavy in 1970 when this was released!).
Soft Machine were so sophisticated so early that I think that that may have actually harmed their chance for popularity in the long run. This received a lot of attention and good press upon its release, even here in the USA (I...

Elton Dean - alto sax, saxello, electric piano
Mike Ratledge - electric piano, organ
Hugh Hopper - bass
Robert Wyatt - drums, vocals

This was our second Soft Machine archival release and over 20 years later, it remains one of the great documents of the 'classic quartet' line-up and it is now available again after many years!

"...an innovative union of jazz and rock." – Downbeat...

The second studio album by Soft Machine Legacy, and the first studio recordings by the current line up of the band: Roy Babbington-bass, John Etheridge-electric guitar, John Marshall-drums, Theo Travis-tenor sax, flute, Fender Rhodes...

"Alan Sondheim was the young, exuberant leader of a pack of improvisers in their communal loft in Providence, Rhode Island. Undaunted by attempts to categorize electronic music as the province of academic tinkerers, a cold, unfriendly realm, with its...

Holy moly!
Well, they have been promising that all of these Pilz/Ohr/Kosmiche Kuriere releases have been from Dieter Dirk’s master tapes, and I think that they have just proven it 100% true, by issuing, A FULL HALF-CENTURY LATER, the never released follow up to Gilles Zeitschiff! And with the surprising participation of Roberto Cacciapaglia!
Minds are blown!!

“"Timothy Leary!" -- That was "Sternenmädchen" Gille Lettmann's almost breathed closing words on the 1974 album Gilles Zeitschiff..

Holy moly!
Well, they have been promising that all of these Pilz/Ohr/Kosmiche Kuriere releases have been from Dieter Dirk’s master tapes, and I think that they have just proven it 100% true, by issuing, A FULL HALF-CENTURY LATER, the never released follow up to Gilles Zeitschiff! And with the surprising participation of Roberto Cacciapaglia!
Minds are blown!!

“"Timothy Leary!" -- That was "Sternenmädchen" Gille Lettmann's almost breathed closing words on the 1974 album Gilles Zeitschiff..

A note from Tokio Hasegawa:
"The first LP by the Taj Mahal Travellers was recorded at Sogetsu Hall in Tokyo on July 15, 1972, which became the title of the work and was released the same year by CBS Sony Records. A live performance celebrating the 50th anniversary of this album was held on July 15, 2022.
The only original members of the Taj Mahal Travellers who attended were myself and Seiji Nagai. This is because two of the six members passed away, two are religiously active and they cannot...

A fantastic archival collection of all previously unreleased early studio and rehearsal (and a few live) recordings featuring the musicians we know as Supersister, but mostly not yet sounding like Supersister; for example, Pinknal Sally sounds shockingly like 1967 Pink Floyd, other than the flute break.
It’s disappointing that the package comes with no info - it makes sense that that is so, since it was released with a book, but since they DID sell it separately, and should have given us a little....

"2018 album from legendary Can vocalist Damo Suzuki. This release finds Damo performing a fully improvised set in studio with German experimentalists Jelly Planet! Incredible sonic quality and authentically mind-blowing explorations of the outer edges of space rock!"

"2018 album from legendary Can vocalist Damo Suzuki. This release finds Damo performing a fully improvised set in studio with German experimentalists Jelly Planet! Incredible sonic quality and authentically mind-blowing explorations of the outer edges of space rock!"

"Live archive release. From the innovative vocalist of legendary Krautrock group, Can, comes this incredible live album recorded in the Purcell Room at Queen Elizabeth Hall, London 2007.
This amazing performance combines Damo's inimitable, improvisational vocalizations with a modern classical string quartet to create music that defies categorization and is utterly riveting.
Damo was born in Japan but spent the late ‘60s wandering around Europe and ending up in Germany. When Malcolm Mooney left..

The famed and great vocalist for Can during their heyday has carried on for decades now performing improvised music with a revolving cast of players. This is his latest.

Dirk Dresselhaus/Schneider TM on the concert: "I find it fairly difficult to say something about how the music in this concert came about, cause we didn't plan or rehearse anything and hardly were able to hear each other on stage. Wherever it came from, the energy and course of this concert is very much based on group dynamics and

2014 reissue on Robert Fripp's very own DGM label. This is the final excellent collaboration between David, the former front man for Japan (guitar, keyboards, tapes, vocals) and Robert, King Crimson's guitarist. After recording their sole studio...

2014 reissue on Robert Fripp's very own DGM label. This is an excellent collaboration between David, the former front man for Japan (guitar, keyboards, tapes, vocals) and Robert, King Crimson's guitarist in the back hiding in the shadows. With Trey...

Legitimate vinyl reissue of this rare and legendary album. TMT was led by Fluxus member Takehisa Kosugi (electric violin, harmonica, voice, etc.) with Kyo Koike (electric double bass), suntool, voice, etc.), Yukio Tsuchiya (bass-tuba, percussion), Beiji Nagai (trumpet, synthesizer Mini-Korg, timpani), Tokio Hasegaw (voice, percussion), Kinji Hayashi (electronic technique), Hirokeszu Sato (percussion, voice). Recorded live at Nippon Columbia Studio #1, Tokyo, August 19, 1974. Four side-long improvisations...

Aki Takase: Piano / Han Bennink: Drums.

"It's hard to imagine anyone new to Takase's music not being instantly won over by Two for Two. She likes the playful composer pianists, performing Monk here, and Fats Waller and Carla Bley elsewhere....

First off, I have to say that I love those three early, pre-Virgin, post-Electronic Meditation albums. They are wonderful, electro-acoustic soundscape albums, done before the technology existed for sequencing, which showed up on their fifth album, when...

First off, I have to say that I love those three early, pre-Virgin, post-Electronic Meditation albums. They are wonderful, electro-acoustic soundscape albums, done before the technology existed for sequencing, which showed up on their fifth album...

Electronic Meditation is the quite wild first release by Tangerine Dream, recorded in 1969 and released in 1970 on OHR. Unlike their later albums, there are no synthesizers here, only lots of 'effects' and imagination. The band is a trio of Edgar Froese..

“Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation...

“Digitally remastered edition. Exit is the sixteenth major release and eleventh studio album by the German group Tangerine Dream. Exit reached #43 in the UK, spending five weeks on the chart.”

Recorded August/September 1979 at Hansa Studios, Berlin.
Bonus track performed, produced, and engineered by Christoph Franke. Recorded 1978 at Polygon Studio, Berlin.

The seven seventies Tangerine Dream albums are re-issued as "Newly re-mastered from the original master tapes....." (label) in clear jewel cases with "RE-MASTERED FROM THE ORIGINAL VIRGIN MASTER TAPES" printed into the side.
Force Majeure originally released as Virgin V 2111 in 1979; includes 1 Bonus Tracks "Chimes...

"Digitally remastered edition. Hyperborea is the nineteenth major release and thirteenth studio album by Tangerine Dream. It spent two weeks on the UK album chart peaking at #45."

“Two CD + two DVD (NTSC and PAL) set. September 8th, 2016 - the open air live concert by Tangerine Dream at the amphitheater Augusta Raurica in Switzerland (close to the city Basel) was one of the first concerts TD performed after the death of Edgar Froese, head and founder of TD. The beautiful sight surrounded by an ancient Roman village, the fantastic ancient amphitheater created a very special atmosphere for the magic music. Thorsten Quaeschning, Ulrich Schnauss and Hoshiko Yamane performed a great...