Nurse With Wound List

"One of the first, longest running and most acclaimed improvisational rock ensembles in the world presents a special collection of live recordings culled from the private archives of guitarist extraordinaire Fred Frith. Hand picked for this release...

These hugely expanded reissues of the two, classic Matching Mole albums are really just a dream come true for Canterbury heads/Robert Wyatt fans. This features photos and other ephemera, liner notes by Sid Smith, newly remastered sound and most...

These hugely expanded reissues of the two, classic Matching Mole albums are really just a dream come true for Canterbury heads/Robert Wyatt fans. This features photos and other ephemera, liner notes by Sid Smith, newly remastered sound and most importantly, a host of bonus material!

Less than six months after leaving Soft Machine (Robert left in August, and the record of this album began in December, 1971), Robert began work on a solo album. As he worked on it, musicians began to perform on it...

Less than six months after leaving Soft Machine (Robert left in August, and the record of this album began in December, 1971), Robert began work on a solo album. As he worked on it, musicians began to perform on it regularly, and before he knew it, he had a band. Consisting of Robert Wyatt-drums, vocals, keyboards, Phil Miller-guitar, Bill MacCormick-bass, Dave Sinclair-organ & guest electric pianist Dave MacRae (who was shortly to take over completely from Dave Sinclair). This veers from being mostly...

Long out of print, we found exactly TWO copies in the lost warehouse!

First album by this trio of Fred Frith-guitar, Miya Masaoka-koto and electronics & Larry Ochs-saxes. Recorded live July 2-3, 1998 in Chicago.

“A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration.“

“A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration.“

An album so obscure that most of Terje Rypdal's fans didn't even know it existed until it's first reissue (I didn't). Their one and only album, originally recorded and released in 1970. This short lived trio featured guitarist Terje (also playing soprano sax!) Bjornar Andresen-double bass and Espen Rud-drums.
After a really free-jazz start, the album veers between quite free-skronk and free playing with a groove. Obviously, Terje was very influenced by working with Jan Garbarek about the same time.

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

The 3rd release by this acclaimed organized sound group from Colorado, & their first, classic, which is a high-water mark of churning sonic storms. This is some of their finest work.

"...reminiscent of peering through a mircoscope at a drop of pond water: There's a lot more going on than you'd ever suspect."-Option

"Mnemonists were the precursor to Biota, essentially the same band with a different name, and a slightly more alien quality to their stream of consciousness expression...

"A very singular chapter in the Amos/It's War Boys/Milk From Cheltenham/Homosexuals history. Directly taken from the original It's War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First "issued" on tape...

M.E. (Blue Effect) were one of the very best Czech progressive bands of the 70s, led by guitarist Radim Hladik, who is still remembered fondly by many. This is the awaited issue of what I consider to be their best album. From 75, this is an all instrumental fusion/progressive oriented work with tasty guitarwork taking the spotlight. Also includes 2 bonus tracks! Start here with this minor classic & work backwards.

Modry Effekt or M. Effekt (as they are called here) (Blue Effect in English) were one of the very best Czech progressive bands of the 70s, led by guitarist Radim Hladik, who is still remembered fondly by many. This one, from 79, has tons of long instrumental passages & several long tracks with some mind-expanding guitar & keyboard work (by Oldrich Vesely) & good backing from the rhythm section.
Includes 7 bonus tracks from 3 singles and a live track!

"En Route was created in 1986, when the era of analog synths and rhythm machines seemed to be drawing to a close. Drum computers, samplers and digital instruments such as the Synclavier and Fairlight CMS would shape the immediate future of electronic...

"En Route was created in 1986, when the era of analog synths and rhythm machines seemed to be drawing to a close. Drum computers, samplers and digital instruments such as the Synclavier and Fairlight CMS would shape the immediate future of electronic...

"On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but...

This is a really great one, Krautrock fans. Don't miss this, which is somewhat unusual in the oeuvre and one of the late period great ones!

"Dieter Moebius and Conny Plank got to know each other through their work on Cluster's 1971 album and remained close friends until Plank's death in 1987. They made a congenial pair as musicians, as amply demonstrated by their first album as a duo, Rastakraut Pasta, originally released on Sky Records in 1980.

On this album, drums, electric guitars...

This is a really great one, Krautrock fans. Don't miss this, which is somewhat unusual in the oeuvre and one of the late period great ones!

"Dieter Moebius and Conny Plank got to know each other through their work on Cluster's 1971 album and remained close friends until Plank's death in 1987. They made a congenial pair as musicians, as amply demonstrated by their first album as a duo, Rastakraut Pasta, originally released on Sky Records in 1980.

On this album, drums, electric guitars...

"With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmonia...

"17 years after Other Places, a sophomore album from these innovative musicians. Dieter Moebius (Kluster, Cluster, Harmonia), Mani Neumeier (Guru Guru) and Jürgen Engler (Male, Die Krupps) got back together to carry on exactly where they left off in...

"Improvisation was and still is the magic word in jazz and live electronica. Transforming spontaneous ideas in real time, listening and reacting immediately to one another -- these are the signs of truly vibrant collaboration. If the musicians can also...

"When Jon Leidecker phoned in early 2012 with a proposition, it seemed a little too good to be true. Jon, part of a loose-knit west coast collective of sound artists whose work I much admired, wondered if Dieter Moebius and I might be interested in meeting him in a spectacular Montana mountain studio for a week of recording, no strings attached. Moebius, always up for an adventure, didn't need much convincing either. Converging on tiny Whitefish in September of that year, our little group of five...

"Many brightly shining planets orbit the twin central star of Cluster (Hans-Joachim Roedelius and Dieter Moebius). To be clear: as soloists Roedelius and Moebius have long since worked with all kinds of musicians whose congenial contributions add even...

"Dieter Moebius -- half of the legendary duo Cluster and the godfather of electronic krautrock -- passed away in the summer of 2015. In 2016, Bureau B begins rereleasing his final four solo albums, starting with his 1999 album Blotch. Moebius's most famous collaboration is, of course, the "long-term project" Cluster with Hans-Joachim Roedelius, which existed from 1969 until 2010 (with some lengthy breaks). The duo existed in changing formations involving such legendary colleagues as Conny Plank, Michael...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"If Dieter Moebius' previous album Kram was an irreverent mélange of bright synthetic textures, 2011's Ding might be considered Moebi's industrial album. There is a cyclical, mechanical feel to many of the pieces here...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"If Dieter Moebius' previous album Kram was an irreverent mélange of bright synthetic textures, 2011's Ding might be considered Moebi's industrial album. There is a cyclical, mechanical feel to many of the pieces here...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"Recorded in 2008, Kram's playfully disjointed rhythms and shiny plastic surfaces give us just a glimpse perhaps of Moebi's own state of mind -- content, at ease, and happy to be working on music. With small mobile...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"Recorded in 2008, Kram's playfully disjointed rhythms and shiny plastic surfaces give us just a glimpse perhaps of Moebi's own state of mind -- content, at ease, and happy to be working on music. With small mobile...

“The first ever vinyl reissue of The Momes' Spiralling, originally released in 1989 on the Woof label. Featuring Tim Hodgkinson (Henry Cow, The Work) on Hawaiian laptop noisy guitar and keyboards, Mick Hobbs (Family Fodder, The Work, Officer!) on bass, and Andy Wake (Unrest, Work & Play) on drums, The Momes were a unique power trio with an abrasive sound channeling post-punk, psych-prog, and avant-rock.
Spiralling is their sole album, recorded at This Heat's Cold Storage studio by Charles Bullen...

Zappi W Diermaier - drums, keyboards, psalter, voice
Elke Drapatz - drumeffekts
Amaury Cambuzat - guitar
Uwe Bastiansen - guitar
Dirk Desselhaus - guitar, bass guitar

“An amazing release, if you like both Faust Nord and Faust Sud.”

Monobeat Original is the new project by Werner "Zappi" Diermaier, drummer and founding member of the legendary Krautrock band FAUST.
An odyssey of dark-tribal-ritualistic-krautrock with a cinematic bent. From the atavic to the post

"Maria Monti's 1974 LP Il Bestario is a rare item even in its native country. Monti is an Italian singer and actress with a noteworthy career, performing as a cabaret singer in the '60s, an ambitious avant-garde folk artist in the '70s, and starring in films by directors such Sergio Leone (Fistful of Dynamite) and Bernardo Bertolucci (1900) all the while. In addition to lyrics by the infamous poet Aldo Braibanti, Il Bestiario features arrangements and synthesizer from legendary avant-garde composer Alvin...

"Maria Monti's 1974 LP Il Bestario is a rare item even in its native country. Monti is an Italian singer and actress with a noteworthy career, performing as a cabaret singer in the '60s, an ambitious avant-garde folk artist in the '70s, and starring in films by directors such Sergio Leone (Fistful of Dynamite) and Bernardo Bertolucci (1900) all the while. In addition to lyrics by the infamous poet Aldo Braibanti, Il Bestiario features arrangements and synthesizer from legendary avant-garde composer Alvin...

"Touch.40 live at Iklectik. I received an invitation to perform at the 40th anniversary gathering, June 2022. Previous works for the label, 'Arithmetic in the Dark' and 'Isoladrone2020' illuminated the landing strip for a new work. It should be continuous -- a further play on moving and remaining. I wanted to balance the digital output of a CSound orchestra with an analog instrument and chose the Turkish saz, a sound I've loved and lived with for the last six decades. I prepared the ground for the live...

This is apparently vinyl-only!

"Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual...

Vocals, Piano, Synthesizer, Celesta - Anthony Moore
Guitar - Andy Summers, Anthony Moore, Peter Blegvad
Bass - Dave Wintour, Kevin Ayres, Steve Thompson
Drums - Barry Da Souza, Eddie Sparrow
Mandolin, Violin - Graham Preskett
Organ - Anthony Moore, Graham Preskett

Recorded in 1977 for Virgin, but never released at the time, this sat without anyone even being aware of it, until it was released some 20 years later!

“Twenty years late, Out is the 'new' album from...

“British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene.
In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.
'Secrets Of The Blue Bag', Moore's...

Released in 1984, this was the final recording the made as "A. More / Anthony More" (and his last solo album), this was his last 'indie rock' release of the late 70s/early 80s.
Moore was a classical composer, doing very avant garde/minimal music ala John Cage, etc in the very early 1970s, and then somehow he fell into the sphere of Faust and Peter Blegvad and Dagmar Krause, and formed Slapp Happy with Krause and Blegvad and collaborated with all of them. Then onto Henry Cow, then onto a solo career...

"The April Sessions has been living in a seedy hotel in Brussels for a few months. She listens to the sparse traffic outside her window, locked in and locked down. "Everything is constructed", she says to herself, "even the sound of a solitary aircraft at 25,000 feet traverses the sky no further out than the inside of my skull". Other weird sonic phenomena criss-cross the inner cosmos of her brain and streak across her private sky like comets. And then there is the unshakeable presence of that inner...

This is Anthony Moore of Slapp Happy in his guise as 20th century avant-garde composer. No CD release of this album of minimal music.

"a-musik is honoured to present a new album by one of our all-time favourites, anthony moore. we've been faszinated by his work, both with slapp happy and solo, since quite a long time now, and are happy to release this lp with wonderful live recordings he did with the missing present band in cologne in late 2015."

“A laid back mix of spoken word poetry from Gilli Smyth and jazzy, classic Gong textures, vignettes and humor. A lot of sax, chilled out synth and glissando guitar on this one. Overall a relaxing and artistic effort that will soothe and inspire if you approach it with an open mind. A work of art and one of the best post-70s Gong-affiliated releases I've heard.”–rym

Live tracks and etc from the Mothers. Some of this has previously appeared on boots and some of it hasn't. Overall excellent sound quality. I know, I know, but I couldn't resist this one. Rest in peace Jimmy, Motorhead and Frank. 140 gram vinyl. Clear...

“Digitally remastered and expanded three CD set. Consider this the Uncle Meat deluxe edition! You get the original 1969 vinyl album mix restored and remastered on CD for the first time, plus loads upon loads of vault tracks from the studio and a few from the stage. But the real gems are the unreleased mix outtakes of "Zolar Czackl," "Electric Aunt Jemima," "Mr. Green Genes" and "Dog Breath Variations;" the single stereo version of "Dog Breath;" multiple variations of "King Kong;" the normal speed guitar...

“This album is a continuation of Hans-Joachim Roedelius (Cluster, Harmonia) and Christoph H. Muellers collaborative efforts. The pair released their debut album IMAGORI on Groenland Records in 2015. It didnt have such a driving sound, which goes to show how Roedelius, who is now 83 years old, is picking up the pace as he ages. In Christoph M. Mueller, who gained fame through groups like Gotan Project, he has found the perfect partner, one whose musicality is in no way inferior to Roedelius and who...

Side A/B recorded in mono in London on 4 July 1969.
Side C/D recorded in stereo in London on 18 June 1970.

“This recording predates the Music Improvisation Company's only other release, the eponymous ECM outing, indicates a clear intention to stake out territory for European free improvisation markedly different from that of the (American) free jazz it sprang from. The African-American heritage that led to jazz was melodious, vocal, field holler/church-inflected, and the Germans and the...

"This 4-CD set, covering the years 1967–2007, comprises the best surviving recorded documents from four decades of performances, personally curated by its three core members—Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. As such, it is an...

Alvin Curran - kalimba (mbira thumb piano mounted on a ten-litre Agip motor oil can), electronics (contact microphones), trumpet (amplified), voice
Frederic Rzewski - performer (amplified glass plate with attached springs), electronics (contact microphones) Allan Bryant - synthesizer (homemade from electronic organ parts)
Richard Teitelbaum - synthesizer (modular Moog), electronics (contact microphones), voice
Ivan Vandor - tenor saxophone
Carol Plantamura - voice

...

"In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized 'Avanguardia Musicale I', a festival of several consecutive nights at the Accademia...

Frederic Rzewski-piano, voice
Richard Tietelbaum-keyboards, computer
Alvin Curran-keyboards, computer, shofar

Recorded on the 50th anniversary of M.E.V.’s founding!

“The trio’s hour-long improvisation was a beautiful unfolding of musical ideas that culminated in a fable told/spoken by Rzewski that summed up the beauty and terror of the last one hundred years of war and displacement, proving that creativity does not necessarily diminish with age. In a way, this was the most...

This was the first of two BYG titles by MEV, originally issued in 1969 and reissued here for the very first time from the original master tapes.

"Formed in Rome in the late 60s, the ever shifting collective Musica Elettronica Viva included such luminaries as Fred Rzewski, Alvin Curran and Richard Teitelbaum among others, and aimed to conduct the most radical experiments in sound possible. Although the above were primarily composers they were greatly inspired by avant-garde jazz titans such as...

This was the first of two BYG titles by MEV, originally issued in 1969 and reissued here for the very first time on vinyl from the original master tapes.

"Formed in Rome in the late 60s, the ever shifting collective Musica Elettronica Viva included such luminaries as Fred Rzewski, Alvin Curran and Richard Teitelbaum among others, and aimed to conduct the most radical experiments in sound possible. Although the above were primarily composers they were greatly inspired by avant-garde jazz titans...