Dreamtime is the band of the great British trombonist Nick Evans, who is heard from too little since the 70's. This was recorded in 1986, so it is chronologically their 2nd album, although it remained unreleased until 2004. A shame, as it's a good qual...

DUAC is Otine van Erp, accordion and Ronald van Overbruggen, accordion.

"Music was written by three Dutch composers in cooperation with the accordionists.Improvisation played an important role , and to emphasize this way of making music, a seperate piece of the Norwegian composer K.Hvoslef was added to complete the project."
1) Hadante (F. Mommers) 2) Fantasy (K. Hvoslef) 3) Dantecco (F. Kerkhofs) 4) Il Pezzo Rotto (F. Crijns)

Recorded at Tafelbergstudio, March/april 2000,

Compositions for the Hyperion ensemble by Dumitrescu, Avram, Hodgkinson and Cutler recorded at the Nancy-Vanoeuvre festival. Contents:

New Meteors and Pulsars (Dumitrescu, 1982) : For Tape and Percussion : Tape by Iancu Dumitrescu, Soloist, Chris Cutler

Nouvelle Axe (Avram, 1988) : Hyperion Ensemble

Life On Earth (Cutler, 1998) : Hyperion Ensemble with Ana Maria Avram, Prepared Piano and Tim Hodgkinson, Clarinet and Bass Clarinet, Chris Cutler, Percussion

Black Death...

This is a high-quality pirate edition of this never-reissued, very obscure Krautrock rarity.

"From 1971. Incredible Kraut/funk meeting of U.S. expatriate and the cream of the German rock scene: Achim Reichel, Conny Plank, Wolfgang 'Zabba'...

“Psychedelic rock from NYC's No-Neck Blues Band commune. Egypt’s live shows from 98-99 were truly mind-blowing experiences that inspired this writer to start the Psycho-Path Records label to release their psychedelic music.
“How Many Pieces” album was recorded in the studio, in 1999. Four long tracks, Beefheart-meets-Sun Ra style.”

“How wonderful to have this top class artefact available again. The mighty Electric Prunes recorded, both aurally and visually, in Brighton back in 2002, three years after they reformed again in 1999. And if, like me initially, you worry that what you might get is a pale imitation of a once great band, please don't hesitate for a moment. The Prunes are in top class form. In truth it is like they were never away, and the old magic is still there, front and centre, just like in the halcyon days - or should...

"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida-raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s, Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser shows above...

Second, final and best album by this folk/psych duo who used male and female vocals, acoustic guitars, pianos, organs, mellotron, bass, synths, percussion and more.

"Being in Berlin at the time, they soon caught the attention of of the enthusiastic Rolf-Ulrich Kaiser who signed them up for his 'new German folk music label" Pilz. The album Saat was a truly progressive folk masterpiece, with the beautiful 'English' vocals of Dolly Homes and occasionally the contrastingly Teutonic voice of Maik...

I haven't heard Equilibrio Vital until now, but I know that Tributo a Marcos Chacon" is the fifth album by this Venezuelan band and their first release on Musea Records...

“In 1966, Dallas was a Mecca for great bands and two of the best, The Exotics and The Esquires, are included on this album. The Exotics began as a rock and roll band in 1959, but by 1966 were recording psych-pop and folk-rock gems. They released three singles, one of them, 'Come With Me,' reaching the top ten. The Esquires formed in 1965 and recorded four singles, mixing folk-rock with a hard edged sound. The wild 'Come On Come On' and 'Judgment Day' are what make The Esquires legendary today. Dallas '66...

“Gil Evans & Jaco Pastorius live from Yomiuri Land Open Theater East, Tokyo, Japan on July 28th 1984. Best-known for their respective contributions to the music of Miles Davis and Weather Report, Gil Evans and Jaco Pastorius are true giants of 20th Century jazz and fusion. This rare collaboration, performed at Yomiuri Land Open Theater East, Tokyo, Japan on July 28th 1984, finds them both at the peak of their powers, driving each other on to new heights. Sadly, they would both be dead within four years...

"New York City's long-reigning experimental electronics collective Excepter went through a period of great transition following their massive 2010 double album Presidence. Member Clare Amory died of cancer in 2011 and other members of the band relocated shortly afterwards. Familiar, the first work from the band after regrouping, finds the collective still incredibly strange, but moving their free-form electronics and Kraut/early-industrial-inspired sound closer to the realm of pop music. Opening track...

Showing its age a little bit, but this is overall a very listenable radio broadcast from 42 years ago!

"Live archive release from the British folk legends. From 1974 with the classic line up of Sandy Denny, Dave Pegg, Dave Mattacks, Jerry Donahue, Dave Swarbrick, and Trevor Lucas.
Recorded at the famous Long Island club My Father's Place. Sandy Denny had rejoined the band for this tour and the material was a mixture of solo material and songs associated with the band. The recording has a...

“Though the music recorded is very tight, with the usual sense of Fallesque urgency, the recording quality is a 6/7 out of 10, I feel.
As an audio document this bootleg is excellent , but slightly let down by the quality of the recording, but it's still a joy to listen to.”

“The Fall return with the Live Uurop V111-V11 Places in sun and winter, Son on Cherry Red Records. This set is a no holds barred, warts and all collection of concert clips circa 2008-2012. This recording offers a plethora of performances that comes as close to the real thing as is possible!
The Fall fans will thrive on a bootleg buoyancy that offers the raw stage power of our nation’s saving grace! There is jus the one dip in to The Fall archives as the bells vault us in to the wondrous Wings. From...

“'We're not evil, but we do evil things. Anything to blow society's mind. When we play, we take people's brains out and then put them back in. A dry-cleaning job,' said the Fallen Angels lead singer and songwriter, Jack Bryan, in an interview with the short-lived Dapper Magazine in 1968. Since that time there has never been a live performance from the 60s of the Fallen Angels released. This album seeks to rectify that situation and is a time capsule of that turbulent year.
Since Washington DC was...

When Wayside Music started, I bought something like 250 of these from an overstock dealer and was selling them for $2.00 each for years and years!
Nice to have this old friend from the past back once again at a bargain price (with the passage of 40 years, at the equivalent of the same price, actually!), and it’s also a little bit weird too!

Faust are a rightly legendary experimental German ensemble from the early 1970's. This was the last album to be released in their lifetime and the 1st to.

“This underground acid folk mega rarity was originally a private pressing for the tiny Nicro label. The album has since been reissued but the original pressing remains as one of the most valuable folk albums out there. It's not hard to guess that the sound quality of this record is very lo-fi but in my opinion it's a good thing in this album's case.
Songs such as "Flowers", "Sad Eyed Lady", "Piscean Ride" and "Angel" for example are really nice psych folk tracks. The album includes 14 songs and...

“From the polyglot border region of Ticino in Switzerland - well-known for its beautiful Lake Maggiore and the International Film Festival in Locarno - comes Final Step, the seven-member band of guitarist Matteo Finali. Live @ Il Magazzino is the band's third album since its formation in 2003. The diverse musical backgrounds of all the band members shine through on the album: a fusion of jazz, rock, funk, blues and ethnic music. The album was recorded in the studio of Mauro Fiero, who also produced the...

Firesign's second album and a classic of comedy/not comedy and of their work, including the first appearance of Nick Danger!

"Featuring better production than the debut album, Two Places at Once is a much tighter affair, with much happening...

A full two and a half hours of very fine recordings from one of the greatest, most purely lovely and spot-on pitchwise vocalists to ever grace jazz and the American songbook.

Yes, just like the Moody Blues!

“If you loved "The Soft Bulletin" way back when it debuted in 1999, you'll enjoy this lush, gorgeous performance. Unlike so many "live with symphony" albums out there, the orchestration and choral backing for the band seems like a logical treatment, and delivers a completely new interpretation of the album. Songs like "The Gash", "Race for the Prize" and "Feeling Yourself Disintegrate" gain an expansiveness and power that is a nice complement to the original. The...

“These tracks are from an FM broadcast from the Carousel Ballroom in S.F. in 1968. This is the quartet from the period when the band's first album was released to good acclaim, with Peter Green, Jeremy Spencer, John McVie, and Mick Fleetwood. The overall sound is good/maybe very good considering the source but lacks a bit of presence and with a slight loss of dynamics. But the recording has plenty of room for each instrument and the vocals, with no intrusive background hiss.”

1 Madison Blues ...

“Having formed in 1967, Peter Green s Fleetwood Mac swiftly established themselves as Britain s pre-eminent blues act, edging out even John Mayall (in whose band Green had previously played). Over the course of 1968 they performed numerous remarkable sessions for broadcast by the BBC on radio and TV, which are gathered here. Spanning classic blues, rock n roll covers, their own brand of musical parody, and classic compositions by Green, the set is a superb cross-section of their work to that point, and...

“An intriguing and impressive new offering from Floating Points. This is less fragile than some of Sam Shepherd's more recent work and charts a further chapter in the twisting growth of his idiosyncratic musical style and sound design. His electronic compositions navigate through a myriad of textures: minimalist backdrops, emotive refrains that approach almost orchestral intensity, skittish rhythms that seem on the verge of losing control, modulating synth work that shifts between serene and piercing...