Mega Blowout Sale

Extensively remastered, this is the first legitimate reissue of what is perhaps THE top Canadian psychedelic rarity.

“Recorded in a time when creativity counted for more than commercial appeal, the album was recorded for the eclectic Sound Canada label. It sold poorly, but was rediscovered as part of the revival in interest in psychedelia; the only problem—copies of the original album are incredibly rare (and incredibly expensive!).
"Royal American…" seems to have one foot planted on either .

"Often compared to the work of Nick Drake, Upon Velveatur is a dense and mysterious French-Canadian folk-psych suite, featuring beautiful melodies, lush orchestration and scorching electric guitar. Barely circulated on its original release in 1972, it has gathered a major cult following and is now making its first appearance on CD, complete with five bonus tracks, rare photographs and sleevenotes by the enigmatic Mssr. Rodier himself."

"Super-rare Canadian lonerfolk album from 1972 with beautiful..

"By the time of their fifth record, the Red Rodney-Ira Sullivan Quintet also included pianist Garry Dial, bassist Jay Anderson and drummer Steve Bagby, and it was a perfect vehicle for the co-leaders. Rodney (heard here mostly on flugelhorn) was challenged by the advanced material (four of the six numbers are Dial originals), and underground legend Sullivan received more exposure than he had ever had in his career. On this LP, Sullivan (heard on soprano, alto flute and flugelhorn) inspired Rodney to some...

"The last of six LPs by the Red Rodney-Ira Sullivan Quintet was also the band's finest. There are times in the music (which consists of three originals by pianist Garry Dial, Herbie Hancock's "Speak Like a Child" and "As Time Goes By") where the group sounds like the early Ornette Coleman Quartet. The setting and advanced repertoire clearly challenged Rodney (who mostly sticks here to flugelhorn) and inspired Sullivan (switching between alto, alto flute, soprano and flugelhorn). A post-bop gem, one of...

"11 unreleased compositions by Hans-Joachim Roedelius produced between 1990 and 2001. All of them are pearls of electronic deepness that show another side of the man that lives in the little Lower Austrian town Baden. His famous ultra-sweet piano melodies can be heard -- but they are not the center of the productions; instead, here is a more electronic side of his genius. With a minimalistic approach, he lets synth melodies fly high while some droney, melancholic atmospheres swell in the background…

Paul Dunmall (saxophones)
Paul Rogers (6-string bass)
Tony Bianco (drums)

"A superbly recorded slice of free improvisation from three of the leading exponents of creative music. Recorded at the Jackson lane venue in Highgate, London during a wonderful free improv event organised by the music specialist record shop Sound 323. Seperated into three sections, the performance begins with a performance of Tony Biancos Drone style drumming, followed by Paul Rogers and Paul Dunmall’s exquisite..

A project focused on improvisation & electronic work. Improvisations are made with electroacoustic devices by the duo K.K. Roll & clarinet & X. Charles.

High quality sound and great big FUN as Britain's BIGGEST r'n'b pop-makers perform between 1963-1965 for Auntie Beeb!

"The Stones first entered a BBC studio in October 1963 when they were peddling their debut single, "Come On," and their last session arrived in September 1965, just after releasing "Get Off of My Cloud" as the sequel to the smash "(I Can't Get No) Satisfaction." During these three years, the Stones racked up several number one hits in the U.K., but Mick Jagger and Keith Richards...

Released on Proper, a great UK label who do an amazing job in terms of packaging, presentation and especially in terms of sonics. This is important, basic repertoire material. A great place to hear some of the best of his very earliest stuff and at a amazing price.

"Sonny Rollins has remained one of the true jazz giants, ranking with Coleman Hawkins, Lester Young, and John Coltrane as one of the all-time great tenor saxophonists. This Proper Introduction features 23 tracks ranging from his...

Well, you either LIKE bagpipes or you DON’T. If you do, this is great and it mostly sounds pretty great for historic recordings from the 20s and 40s.

“The Irish Uillean pipes are less austere than the Scots -- the pipes play chords as well as drone and melody, much like a concertina with a drone. This gives the songs a familiar structure to go with the entrancing sound, which is also warmer Busad78dm_
than in the Scots pipes. Rowsome was not only a master piper (he was a teacher at 16) but...

“Recorded for broadcast while touring their fifth record, Siren, this 1976 performance is a greatest-hits set in all but name, the group running through highlights of their career to date - 'The Thrill of It All', 'Street Life' and, yes, 'Virginia Plain' - alongside covers of 'A Hard Rain's a-Gonna Fall' (Bob Dylan) and the 60s R&B classic 'The "In" Crowd', as reimagined for a new era by frontman Bryan Ferry, who had recorded the songs on his first and second solo albums, respectively.
Roxy Music...

“Their blatantly deranged name conceals long Yes and Genesis like progressive rock artistry and British Progressive Neo Classicism from the intellectual leftfield choice of Greatest Year of Music, 1973.
Extended complex tracks, keyboard and guitar interplay and unusual lyrics. Like most such noodling prog rock masterpieces, recorded in an English barn, in a field somewhere that is forever prog.”

“They cited classic prog acts like Genesis, Yes and King Crimson as main influences, but I can...

On the Winter Solstice of 2014 – the Northern Hemisphere’s longest night of the year – composer, bandleader & percussionist Adam Rudolph convened 11 of New York City’s finest and most adventurous guitarists in a New Jersey studio for a most auspicious event: the debut of Go: Organic Guitar Orchestra, his all-guitar orchestra. In attendance were guitarists Rez Abbasi, Nels Cline, Liberty Ellman, David Gilmore, Miles Okazaki, and Marvin Sewell, all...

Hey, it’s JUST RYM ponitificating below, but as an old, long time Toddler, IF you catch me in the right mood, I might agree that this is his ‘last great recording’.

"In the wake of the classic Something/Anything came A Wizard A True Star (73); Todd (73); Utopia (74); Initiation (75). If Another Live (75) had been expanded and taken into the studio, it too might have been another classic. We can argue the merits of Faithful and The Hermit Of Mink Hollow but they are overshadowed by S/A and, as far..

"Todd Rundgren's Utopia Live At Hammersmith Odeon 75 captures the iconic progressive rock band performing their first UK concert. While the concert recording has long been a fan favorite, it has never been commercially available until now."

The lineup is Todd Rundgren, John Siegler, Roger Powell, Willie Wilcox.

" Shout! Factory's 2012 disc Live at Hammersmith Odeon '75 marks the first official release of this heavily bootlegged show from Todd Rundgren's 1975 appearance at the London venue.

By the time of this 1978 album, the group was just on a incredible roll, with more greatness to come, although as a blatantly progressive rock album, I would say that this one and A Farewell To Kings are the big ones. Another one of the greats of the...

This 1981 album delivered huge hits while still being a full-on progressive rock classic; YYZ is a tremendous instrumental work out and, anyway, even if you are sick of "Tom Sawyer", wasn't it cool to have a huge radio hit with such a blatant odd time ...

“Otis Rush was perhaps a somewhat lesser known name among the legends that came out of Chicago Blues and its storied history. But his unique electric guitar playing demonstrates a perfection with his touch and feel of the instrument.
Rush passed away September 29th of 2018. 'Otis Rush: Live in Boston, April 1973' leaves behind a worthy document, a testament to his talent. Rush, a skillful guitarist, influenced many British greats from Peter Green to Jeff Beck to Jimmy Page. Rush is also an emotive.....

“In 1988, guitarist/composer Ray Russell climbed onto the Montreux Jazz Festival stage with a crack band comprised of rhythm team Mo Foster and Simon Phillips, trumpeter Stuart Brooks, and keyboardists Tommy Eyre and Tony Hymas. The success of their show convinced Russell to capture this unit for posterity, and bolstered by saxophonists Iain Ballamy and Tony Roberts, the group entered the studio. A Table Near the Band was the result, a set originally released in 1989 and now reissued by Angel....

"Dylan Ryan is a drummer adept at combining his jazz skills with adventurous rock, resulting in music that maintains the cerebral and viceral qualities of both." – JazzTimes....

“In 2018, the longtime partnership between the St-Petersburg based duo Sádon (familiar to us from their collaboration with Treha Sektori) & France's Romain Barbot alias Saåad (who has curated & managed the BLWBCK label and released Sádon's early material) finally turned into a musical collaboration as Saáadon. Entitled мреть (наутро ночь) (which can be translated as « Die (in the morning night ») is centered around the melancholic and introspective poetry of Donat Mavleev, evoking a secular dream, the...

This is simultaneously the coolest thing I heard this week and the most insane thing I heard this week. Salsa Celtica are a Scottish group that plays salsa. Not only do they play salsa REALLY well but they do it with anywhere from small hints to huge patches of Celtic sounds peeking through the Cuban rhythms. This is really totally great and one of the most brilliantly UNconventional mash-ups ever. Recommended.

“When a band is said to be fusing Afro-Cuban salsa and Celtic music, someone who...

“The juxtaposition of dualistic concepts like love and anger, joy and heartache, and the way these emotions are inextricably linked in our romantic psyches inform all of Cecile McLorin Salvant's virtuosic, urbanely produced fourth album, 2017's Dreams and Daggers. Recorded live at the Village Vanguard (yes, you can sometimes hear the enthusiastic audience) and in studio at New York's DiMenna Center, the double-disc set features Salvant on a thoughtfully curated selection of standards and several....

"Serious and eccentric pieces for piano, other keyboards, throat singing and small drums, some Dollar Brand, some nonworld music. Unlike anything I can think of."-Chris Cutler. ”He´s a clear, melodic player with a left hand and rhythmic feel occasional...

"Jean Pierre Alarcen (guitar), Henri Garella (organ, mellotron) and Michel Jullien (drums) had previously played together in Eden Rose, whose album was a showcase for magnificent interplay between organ and electric guitar. This style was the backbone for Sandrose too, but with dramatic female vocals added in the style of Earth & Fire or Circus 2000. Alarcen had now become a prolific composer, with a range from symphonic rock overtures to gripping songs. His guitarwork was augmented by Garella's...

This special, limited package includes a DVD of some of the sessions for the album.

"Now We Have Light is the third Sanguine Hum album, following on from the acclaimed albums Diving Bell and the Weight of the World. Now We Have Light is a double CD concept album. Unusually with this record, it is also something that the band have been working on for over a decade, and its roots go right back to the days of Antique Seeking Nuns, which was the earliest project that guitarist Joff Winks and keyboard...

"In the 1970's in Chile, recording anything was complicated. The state-owned IRT label was administered by the military. Domestic releases gave way to an invasion of foreign music. At most, a Chilean group like Santa y su Gente (Santa and his People)...

"Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon -- who was 17 years old -- into the original core lineup of Santana. Percussionist Thomas "Coke" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael...

While Santana made some great albums before Caravanerai (heard "Abraxas" lately? You should! It's still great!), this was the album where he lost some of the personnel that made the early band great, as Neil Schon and Gregg Rolle went to Journey and a couple of the others went to drugs and then Carlos embraced his inner jazzbo and along with drummer Michael Shrieve, began his and the band's foray into the then-new waters of jazz/rock. Some just beautiful stuff here!

One of the high-water marks of Carlos Santana and band's foray into the then-new waters of jazz/rock.

"The mark that the recording of Caravanserai and Love Devotion Surrender had left on Carlos Santana was monumental. The issue of Welcome...

"Carlos Santana & Buddy Miles Live!...was recorded on New Year's Day, 1972 at the Sunshine '72 Festival inside Diamond Head volcano crater, Honolulu Hawaii. Carlos was coming off the massive commercial success highs of three critically acclaimed Santana albums, but was moving away from the Latin rock format he had pioneered and was taking more and more aggressive steps towards focusing his attentions and talents on fusion jazz. Carlos though was a huge fan of Jimi Hendrix, very evident in his pre-studio...

1971 psych/weirdo/jazz-rock Japanese classic rarity featuring Shungo Sawada (acoustic guitar), Masaoki Terakawa (bass), Louis Haynes (drums), Kimio Mizutani (guitar), Hiro Yanagida (organ), D.D. Dickson (trombone), Jochen Stadt (trombone), Jackie...

“From the darkling psychedelic folk of Anaconda, via the bathetic psychedelic anguish of Arcadium, Miguel Sergides finally arrived from London at the Antipodes in a mid seventies Disco Frenzy and recorded his ultimate masterpiece as The Savanna Silver Band.
Long a cult item for disco and funk collectors, this is the first reissue of a classic masterpiece, where Sergides aptitude for long complex progressive compositions morphs seamlessly into a gorgeous funk disco setting, the result, is pure gold...

“When most people think of autobiography, they probably think of printed matter, such as a memoir. But jazz albums can also be a documentary of an artist’s existence. For example, there’s The Tides of Life, the third release from bassist/composer Holger Scheidt (and his first on the Enja label). Scheidt’s six lengthy tracks (which range from six to over nine minutes long) depict six distinct moods which individuals typically experience. These moods, Scheidt states, are “completely subjective,” and he...

"The first solo album by Jan Schelhaas, whose playing and writing has graced both Caravan and Camel over the years. Noted for his compositions Captured and Hymn to Her for Camel, Schelhaas at last records an album of his own music. Featuring guest appearances from Doug Boyle and Jimmy Hastings, Dark Ships follows in the tradition of the Canterbury sound, albeit with more ambient influences. Jan has delivered a well crafted album which is certain to appeal to fans of Caravan, Camel and followers of the...

“Ghosts Of Eden finds Jan Schelhaas, of Caravan and Camel fame, in a melancholy mood...with lyrics that suggest someone looking back over their life and, at the risk of morbidity, looking to make peace with their past.
Musically, Schelhaas’ keys take the front seat and the overall sound isn’t a far cry from Caravan tracks like Better By Far, just with notably less guitar...
The whole experience is elegiac, with slow unhurried tempos and Schelhaas’ very soft...vocals that typically sit low in the.

“Ghosts Of Eden finds Jan Schelhaas, of Caravan and Camel fame, in a melancholy mood...with lyrics that suggest someone looking back over their life and, at the risk of morbidity, looking to make peace with their past.
Musically, Schelhaas’ keys take the front seat and the overall sound isn’t a far cry from Caravan tracks like Better By Far, just with notably less guitar...
The whole experience is elegiac, with slow unhurried tempos and Schelhaas’ very soft...vocals that typically sit low in the.

Acoustic Guitar – Doug Boyle (tracks: 6)
Alto Saxophone – Jimmy Hastings (tracks: 1)
Backing Vocals – Pye Hastings (tracks: 3)
Clarinet – Jimmy Hastings (tracks: 5)
Flute – Jimmy Hastings (tracks: 2,3)
Keyboards, Vocals, Bass, Drum Programming – Jan Schelhaas
Lead Guitar – Andy Latimer (tracks: 8), Doug Boyle (tracks: 2-8)
Percussion – Mark Walker (tracks: 2,4)
Rhythm Guitar – Pye Hastings (tracks: 8) ...

“On 1987's 'Musk At Dusk' Schmidt tickles us with his own vocal on the jazz infused 'Villa Wunderbar'.
The songs from this album certainly influenced the early 90s ambient sounds that were released by the likes of Ultramarine and Banco De Gaia, such is the influence of Schmidt's tireless sweat and toil.”

Note: These German CDs are new and unplayed, but they are 20 years old and have been stored on shelves in warehouses known and unknown until you now have the chance to buy them for cheap, and the covers do show some shelf wear....

"Since 1998 and for six years, Schwalm worked continually with Eno, releasing numerous joint works, including the album Drawn From Life and the soundtrack to the film Fear X by Nicholas Winding Refn, all the while giving celebrated joint performances in Europe and Japan. Since 2006, Schwalm has been repeatedly invited by the Punktfestival in Kristiansand, where he performed as celebrated live-remixer. As one of the most respected exponents of this particular art form, he collaborated with several well....

Stevan Kovacs Tickmayer-keyboards & sampler
Bob Drake-bass, occasional guitar & organ
Chris Cutler-drums & electrified kit
Mike Johnson-guitars

Muchly awaited and anticipated 'instrumental complex rock deluxe' album. Mike Johnson is a great guitarist, and one of the aspects of his greatness is the fact that he doesn't show off, but only uses his talents as needed to put whatever he plays on in the best light. Well, the best light here includes some hellacious playing from him and fro

"After their debut album brought very positive reviews from the critics, this is the second album from this up-and-coming German jazz group, led by bassist/composer Achim Seifert.
In 2010 The Achim Seifert Project won the "Future Sounds Award", a prestigious competition run by the Leverkusener Jazztage and in 2011 he performed on their main stage, which was recorded and broadcast by WDR.
The band has opened for jazz stars such as Randy Crawford and Christian McBride. Aside from his performing...

"Brian Settles brings his buttery, powerful sax tone to his Engine Studios debut recording, along with a longstanding playing relationship with the musicians who make up his group Central Union. The listener hears mindful improvisation from those years...

"A full blown sandstorm of hypnotic grooves, melding traditional Mauritanian instruments, like the ardine and tidinite, within an electrified psychedelic rock band" --The Quietus.

Noura Mint Seymali hails from a Moorish musical dynasty in Mauritania, and chose at an early age to embrace the art-form that is its lifeblood. Yet traditional pedigree has proven but a stepping-stone for Seymali's work, with which she simultaneously popularizes and reimagines Moorish music on the global stage, taking...

"This is E. Sharp's third Tectonics cd. Tectonics is an ongoing solo project which combines his warped drum n' bass & beyond rhythmic foundations with his infinite/alien layers of guitar thangs & saxes. For me, most drum n' bass stuff is limited...

"A 41 minute composition, compelling in its reach, for a large version of Carbon with E#, Samm Bennett, Lesli Dalaba, David Fulton, Ken Heer, David Linton, Charles K Noyes, Bobby Previte, Jim Staley and including The Soldier String Quartet: David...

"Flow of shadows" is how I would translate the composite neolog title of this 1997 work for Orchestra Carbon and how I might describe the musical gestures therein.

In seven sections, Rheo~Umbra layers through-composed materials, algorithmic...

SPRING & NEAP (35:33)
Michigo Yagi, 17-string koto/Yumiko Tanaka, futozao shamisen; Yoshiko Fujio, hosozao shamisen/Zeena Parkins, troubador harp; Makoto Nomura, piano/Tamiki Sawa, violin/Mio Abe, violin; Hiromichi Sakamoto, cello/Masaaki Kikuchi...

Violin: David Soldier; Viola: Judith Insell; Bass Clarinet: Evan Spritzer, Tim Smith; Accordeon: Ted Reichman; Piano: Zeena Parkins; electric bass: Marc Sloan; Drums & percussion: Joseph Trump, Jim Pugliese; electronic & acoustic percussion: Rea...